Editor’s note: The list will be updated on about a monthly basis. Festivals that have already passed will be deleted from the list.

The 2026 festival season kicks off this weekend with a packed international lineup. The fun begins Friday (March 13) in Austin, Texas with Billboard Presents THE STAGE at SXSW at the Moody Amphitheater.

The three-night event (Mar. 13-15) will feature headliners Don Toliver, Junior H and Mau P, each representing a different musical genre (hip-hop, Mexican music, electronic music, respectively), with support from acts like Chase B, Oscar Ortiz and Apex Martin. Tickets are available via Ticketmaster, with options for SXSW badge and wristband holders.

Meanwhile, Saturday (March 14) will brings the iconic Vive Latino rock festival in Mexico City; La Cura Fest, Carín León’s first festival in his native Hermosillo, Mexico; as well as Lollapalooza Argentina and Lollapalooza Chile.

And this is just the beginning. Over the next few months, Latin music fans will have a variety of options to enjoy live music in festivals settings around the world, from Sueños in Chicago to the sprawling Starlite Occident Marbella in Spain — which this year celebrates its 15th anniversary with a lineup headlined by Lenny Kravitz, Maroon 5, Ozuna and Yandel.

There’s also Tecate Pa’l Norte, which — powered by the Mexican beer that gives it its name — celebrates northern tradition, musi, and art in Monterrey, Mexico. The border festival began in 2012 and, since then, has continued to bring some of the hottest artists in modern culture. This year’s lineup, taking place on March 27-29, includes acts such as Grupo Frontera, Los Fabulosos Cadillas, Guns N’ Roses, Interpol and Omar Courtz.

Then there’s the venerated Coachella Valley Music and Arts Festival, with this year’s headliners Sabrina Carpenter, Justin Bieber and Karol G. More Latin music performers include Luísa Sonza, Los Hermanos Flores, Los Retros and RØZ. The event will take place over two consecutive weekends as usual (April 10-12 and 17-19).

While this may not be an exhaustive list, it serves as a comprehensive guide to some of the genre’s most significant events. Whether you’re a die-hard reggaetón fan, a salsa aficionado, or a lover of all things Latin, see our guide to the must-attend festivals across the globe, arranged in sequential order.


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Gorillaz reign on Billboard’s Top Rock & Alternative Albums chart for the fourth time, topping the March 14-dated survey with The Mountain. It’s the animated band’s second No. 1 in a row, following the one-week rule of Cracker Island in 2023.

In the week ending March 5, The Mountain earned 53,000 equivalent album units in the United States, according to Luminate. That sum includes 38,000 album sales, of which 19,000 were via vinyl configurations.

Gorillaz first led Top Rock & Alternative Albums, which began in 2006, with Plastic Beach in 2010, followed by Humanz in 2017. The band was even part of the chart’s inaugural edition; Demon Days, which was released in 2005, ranked at No. 7 on the initial Jan. 14, 2006, tally. Concurrently, The Mountain bows at No. 7 on the all-genre Billboard 200, Gorillaz’s seventh top 10, dating to Demon Days. The Damon Albarn-led band’s best remains the No. 2 peaks of Plastic Beach and Humanz.

Three songs from The Mountain appear on Hot Rock & Alternative Songs, paced by “The Moon Cave,” which debuts at No. 24 as the week’s highest bow. The track, which features Asha Puthli, Bobby Womack, David Jolicoeur, Jalen Ngonda and Black Thought, earned 2.4 million official U.S. streams.

The Mountain’s release was prefaced by lead single “The Happy Dictator,” featuring Sparks, which peaked at Nos. 21 and 28 on Adult Alternative Airplay and Alternative Airplay, respectively, last year. Another single, “Orange County,” is currently bubbling under Adult Alternative Airplay. The song features contributions from Bizarrap, Kara Jackson and Anoushka Shankar.


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When 2016 started, Bad Gyal was dreaming of becoming a superstar, living what could feel like three lives, working two jobs while studying fashion design. She was recording herself in her apartment with a microphone and egg cartons as soundproofing while trying to make a living, but with her vision focused on which of her dreams were about to start.

Bad Gyal describes her new album, Más Cara, as a metaphor for the evolution of her career after 10 years dedicating herself to music and her rise from a very underground artist. “You can see videos of me recording in the first apartment I had. I came from a very street-like scene,” she told Billboard in our latest “Takes Us Out” sit-down. “From recording with whatever you could, and after 10 years, I feel so lucky for all the resources I have.”

Born in Barcelona, Spain, on March 7, 1997, Alba Farelo — better known as Bad Gyal—has seen many of her dreams come true with this album, which marks a significant chapter in her life since her career more than a decade ago. “I feel that many things died and were born. I started studying fashion design at a private school after saving up,” she said during her interview in Miami. “I would wake up, go to university, grab a container with food I had prepared, go to my job, eat it on a bench while waiting for my turn to start my next job, and on weekends, I would begin performing my first small shows. It was like living three lives at the same time.”

Drawing inspiration from the aesthetics of early 2000s R&B, Bad Gyal captures not only visuals but also sound, conveying her confident, flirtatious energy while paying tribute to the era that significantly influenced her.

In the lively atmosphere of Miami’s Michelin-starred Korean Steakhouse COTE, one of her favorite places, Bad Gyal opens up about Más Cara, which dropped on March 6th, just before her birthday. She reminisces about the memories this restaurant stirs, her Barcelona roots, and reveals the most Pisces sides of herself.

Watch the full interview above.


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Bad Gyal opens up about the meaning behind ‘Más Cara’ and her journey from underground artist to global star at Cote Miami. She shares the recording session with Chencho at Luny Tunes’ studio in Puerto Rico, the emotional story behind the Jadiel remix, her sisterhood with Tokischa, and reflects on her unforgettable experience at Bad Bunny’s “La Casita.” 

Bad Gyal:

I recently saw her in person for the first time and I was fangirling so hard. No, I didn’t talk to her or anything, I had her at the table next to me and I was the whole time like… Looking at her, just watching her. I felt so fulfilled. I have merengue, I have compas from Haiti. I have zouk from Martinique. I mean, look, I’m a fan of all Caribbean music. I kneel and bow down to you. 

Ingrid Fajardo:

Hi, Bad Gyal. How are you? 

Hi, how are you? 

Welcome to Miami. 

Well, I’m very happy to see you here. We always see each other super busy working, and this environment is cool. 

I know. So, where are we? 

We’re at Cote. The food is really good here. 

Yeah? Is it one of your favorite restaurants? 

It’s one of my favorite restaurants in Miami. And I also have memories because I came quite a bit while I was creating the album, which I made almost all of it here. 

Aaah! 

So, post-studio, if we finished early one day, we had come a few times because the food is delicious. 

I love it. And I love that it has a connection with the album.

Keep watching for more!

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It’s officially been a year since BLACKPINK star Jennie released her debut full-length solo studio album, Ruby, which debuted at number two on Billboard’s Top Album Sales chart and helped her take home the Global Force award at Billboard’s 2025 Women in Music event.

Jennie released an expanded edition of Ruby earlier this month, with the original 15-track album bumped up to 21 songs. Ruby (The Complete Edition) is available to stream or purchase now, and with it comes a refresh of official Jennie merch on Amazon.

These are all officially-licensed products approved by the “Mantra” singer, including pieces inspired by her album cover and inspired by merch sold at her concerts and shows. Scroll down to see some of our favorite items to shop now.

Best Official Jennie Merch to Shop Online: T-Shirts, Hoodies, Bags

Jennie Album Cover T-Shirt

This T-shirt features an image taken from Jennie’s album cover. The cotton blend tee comes in a classic fit and available in men’s and women’s sizes small to 6X.


Best Official Jennie Merch to Shop Online: T-Shirts, Hoodies, Bags

Jennie Field Logo T-Shirt

This alternate tee features Jennie with red hair and the Ruby font against a red flower field. You can also pick up a version without text and featuring Jennie lying in the flower field here.


Best Official Jennie Merch to Shop Online: T-Shirts, Hoodies, Bags

Jennie Zenith T-Shirt

This T-shirt commemorates Jennie’s March 2025 show at Le Zenith in Paris which transformed for the night to celebrate her new solo release.


Best Official Jennie Merch to Shop Online: T-Shirts, Hoodies, Bags

Jennie Utopia T-Shirt

We love the dreamy vibe on this Jennie “Utopia” T-shirt, which features a photo of the singer gazing longingly into the light.


Best Official Jennie Merch to Shop Online: T-Shirts, Hoodies, Bags

Jennie Faith Photo Pullover Hoodie

Stay cozy with this officially-licensed Jennie hoodie, available in unisex sizes small to XXL. The hoodie comes in a lightweight cotton blend that’s soft and comfy and great for throwing on say, at a festival or concert.


Best Official Jennie Merch to Shop Online: T-Shirts, Hoodies, Bags

Jennie Ruby Flowers Tote Bag

This Jennie tote bag is great for errands and festivals alike, with enough room to stash your snacks, drinks, phone, chargers, accessories and more. The officially-licensed bag measures 16 x 16 inches with two, 14-inch straps to let you carry it in your hands or wear it over the shoulder. Amazon says the bag is reinforced with stitching at the stress points to let you hold heavier items (say, like your laptop or books) without worry.


Best Official Jennie Merch to Shop Online: T-Shirts, Hoodies, Bags

Jennie B&W Legend Case for iPhone 16

Accessorize your phone with this Jennie phone case, which fits up to all the iPhone 16 models (you can find a “Jennie” iPhone 17 case that can be personalized with your own name as well here). This iPhone 16 protective case at right is made from a scratch-resistant polycarbonate shell with a shock-absorbent TPU liner that protects against accidental dings and drops. Cut-outs in the case let you use your camera and buttons as usual.


You can see the full selection of new Jennie merch over on Amazon. And shop more official artist merch on Amazon, including clothing and accessories from Billie Eilish, Tyler the Creator, Post Malone and more on Amazon.com.

The Ruby anniversary isn’t the only reason Jennie is trending right now: the K-pop star also hopped on a remix of Tame Impala’s hit “Dracula,” and she’s going viral with a TikTok trend inspired by her part in the song.

For his first album in four years, Harry Styles has been locking lips and busting moves, celebrating his return to performing and recording after a rare break by embracing communal experience, particularly on the dancefloor. Debuting on Friday (Mar. 6), Kiss All the Time. Disco, Occasionally. marks the follow-up to Styles’ Grammy-winning 2022 blockbuster Harry’s House and serves as something of a pivot, taking him further into club and indie-dance territory than ever before, as the former boy-band breakout takes stock of his life and what’s important to him as he gets deeper into his 30s.

With this Rollout Report Card episode, host Andrew Unterberger is joined by Billboard staffers Danielle Pascual and Hannah Dailey as we look at everything surrounding Kiss All the Time — both in the four years that separated it and Harry’s House, and now the two months since its actual announcement. We attempt to grade all aspects of the rollout, the narrative that Harry established for his new era, and whether or not the album and its singles actually lived up to their billing.

Along the way, we answer all the most important questions about the last month or two of Harry’s return: Should we abbreviate Kiss All the Time. Disco, Occasionally. to KATTDO or Kissco? How do we feel the album art and title match the actual album? Did we find the BRITs performance of “Aperture” fun or cringey? Is it enough already with “Everybody Wants to Rule the World”? What’s the deal with that photo of him with the giant spoon? Is this all the prelude for Styles’ upcoming tour-not-quite-tour? And perhaps most importantly: Do we really understand what any of these songs are actually about just from the lyrics?

Check it out above — along with a YouTube playlist of some of the most important moments from this full-steam-ahead album campaign, all of which are discussed in the podcast — and subscribe to the Greatest Pop Stars podcast on Apple Music or Spotify (or wherever you get your podcasts) for weekly discussions every Thursday about all things related to pop stardom!

Check out Hannah’s self-titled debut EP on DSPs now.

And as we say in every one of these GPS podcast posts — if you have the time and money to spare, please consider donating to any of these causes in the fight for trans rights:

Transgender Law Center

Trans Lifeline

Destination Tomorrow

Gender-Affirming Care Fundraising on GoFundMe

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As ENHYPEN readjusts following the recent departure of member HEESEUNG, the next few episodes of the band’s weekly YouTube series “EN-O CLOCK” have been canceled.

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The temporary hiatus was announced by label BELIFT LAB on Thursday (March 12), the same day ENHYPEN had been scheduled to drop a new installment of the variety web-show. “We would like to inform you about the ‘EN-O’ CLOCK’ series,” a post on X read.

“The ‘EN-O’ CLOCK’ series, which was scheduled to be released every Thursday, will be taking a short break,” it continued. “We will return with even better content in April. We ask for your kind understanding.”

Billboard has reached out to BELIFT for more information.

The news comes just two days after the HYBE-owned company announced that after “extensive deliberation” and “in-depth discussions with each of the members,” they’d come to the decision that HEESEUNG would be leaving the septet in order to pursue a career as a soloist. The development sparked an outpouring of mixed reactions from fans of the band, who expressed sadness, concern and confusion online. One petition protesting the lineup change has more than 1 million signatures at press time.

When asked why HEESEUNG couldn’t explore solo opportunities while remaining in the band — a model other K-pop groups such as BTS and BLACKPINK have successfully operated under in recent years — BELIFT told Billboard in a statement, “We concluded that allowing HEESEUNG to focus fully on his career as a solo artist, rather than pursuing solo activities within the team, would be the most fulfilling approach for both ENHYPEN and HEESEUNG.”

Going forward, HEESEUNG will remain under the same label while working on his solo music, while ENHYPEN will continue functioning as a boy band with its remaining six members — SUNGHOON, JUNGWON, SUNOO, JAY, JAKE AND NI-KI — with two of the singers appearing on Australia’s The Morning Show on Wednesday (March 11) for their first interview since HEESEUNG’s departure, a topic they did not discuss.

Sitting next to JAY, however, JAKE did share that they’ve been in “a lot” of rehearsals ahead of the band’s upcoming concert at the Hello Melbourne festival. “There’s been a bit of changes in the choreo with the formation, all that,” the Aussie-raised performer said. “So we’ve been practicing a lot.”


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Broadway is about to Get Lifted. Billboard can exclusively reveal that EGOT winner John Legend and Tony- and Emmy-winning producer Mike Jackson have joined the producing team of Cats: The Jellicle Ball through their Get Lifted Film Co. banner.

The ballroom-infused production — which begins Broadway previews on Wed., March 18, ahead of opening night on Tues., April 7 — marks Legend’s return to the Great White Way. He last dabbled in stage productions in 2018, when he played the titular role and executive-produced an Emmy-winning live telecast of Jesus Christ Superstar. That same year, the “All of Me” singer earned a Tony nod for his work on the SpongeBob SquarePants score.

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Cats is one of the most recognizable musicals ever created, and what makes Cats: The Jellicle Ball so exciting is how it honors that legacy while completely reinventing the experience through the lens of ballroom culture,” Legend and Jackson said in an exclusive joint statement to Billboard. “The creativity and artistry of this production are extraordinary. It takes a beloved musical and infuses it with a new cultural energy that feels vibrant, contemporary, and celebratory.”

The business partners join Jellicle Ball producers Michael Harrison and Mike Bosner, as well as additional producing team members Cynthia Erivo and Lena Waithe. Notably, Erivo is currently treating London’s West End to her ambitious one-woman Dracula show, her first new project following the Oscar-winning, billion-dollar-grossing Wicked films.

Legend co-founded Get Lifted alongside Jackson and Ty Stiklorius in 2012 as a multi-platform production company. With a name taken from his landmark debut album — which the R&B megastar celebrated with an arena-headlining 20th-anniversary tour last year — the company also backed the 2023 Emmy-winning HBO documentary 1000% Me: Growing Up Mixed.

In the theater realm, the company’s production credits include 2017’s Jitney revival, which earned Legend his first Tony nomination and win. Additional Broadway credits include Ain’t Too Proud: The Life and Times of The Temptations and the Joe Morton-led Turn Me Loose. Off-Broadway, Get Lifted also helped produce the Jay Ellis-starring Duke & Roya. At press time, the company is readying its forthcoming stage adaptation of Imitation of Life, set for a Shed premiere with music and lyrics by Legend.

Based on T.S. Eliot’s Old Possum’s Book of Practical Cats, the revamped Jellicle Ball will make its Broadway debut at the Broadhurst Theatre, featuring a cast led by Tony and Grammy winner André De Shields as Old Deuteronomy. Directed by OBIE Award winners Zhailon Levingston and Bill Rauch, the production will also feature choreography from NYC ballroom icons Omari Wiles (House of NiNa Oricci) and Arturo Lyons (House of Miyake-Mugler). Theater legend Andrew Lloyd Webber, whose Rachel Zegler-led Evita revival recently picked up five Laurence Olivier Awards, will oversee music.

In the 45 years since its 1981 West End debut, two separate Cats cast recordings have reached the Billboard 200. The original London cast recording reached No. 86 in 1982 and the original Broadway cast recording hit No. 131 the following year. Cats remains the fifth-longest-running Broadway show of all time, with more than 7,000 performances.

The global salsa frenzy, partly sparked by Bad Bunny with his No. 1 album Debí Tirar Más Fotos, will arrive on Saturday (March 14) at Vive Latino, courtesy of the legendary group El Gran Combo de Puerto Rico. This marks the first time in the festival’s 26 editions that a salsa band will perform, expanding the musical spectrum of the iconic annual rock gathering in Mexico City.

“It’s fair to say this is already a generational band; it’s the great salsa band,” Jordi Puig, director and founder of Vive Latino, tells Billboard Español. “We’re going to have fun and dance to the beat of a first-class salsa orchestra.”

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Bad Bunny’s adaptation of the classic “Un Verano en Nueva York” into “Nuevayol,” one of the standout hits from his successful album, has reignited interest among younger generations. Created by Cuban Justi Barreto for the group in 1975 and masterfully performed by Andy Montañez, it’s become one of the most famous songs in El Gran Combo de Puerto Rico’s catalog, and a totemic piece of salsa history.

According to Puig, the inclusion of such an iconic salsa group this year reaffirms the transgressive personality that the Festival Iberoamericano de Cultura Musical, better known as Vive Latino, has acquired since its creation in 1998. Over time, it has challenged stigmas by including pop, reggaetón, cumbia and regional Mexican artists in its lineup; adding Anglo bands while being the ultimate celebration of rock in Spanish; and being the first Latin American festival to have its own edition in Spain.

And it has done all of this “while continuing this wave where Vive has to open its cultural mosaic without giving up its origin, its base, its foundations,” highlights the director.

With an eclectic lineup and multiple activities, Mexico’s longest-running festival celebrates its 2026 edition this weekend (March 14-15) at the GNP Seguros Stadium with a lineup that includes Illya Kuryaki and The Valderramas, Fobia in the Mexican rock band’s return, Juanes, The Smashing Pumpkins, Trueno, Banda Machos and John Fogerty. Puig says he expects to welcome between 140,000 and 150,000 attendees over the two days, similar to previous years.

This year, the festival will bring back a segment called “Música para mandar a volar” (or Music to Let Go), which he defines as “an unprecedented act of heartbreak,” with performances by prominent figures of Mexican rock and pop from the ’80s and more recent times. Paulina Rubio, Dana, Amanda Miguel, Emmanuel and Mijares will share the stage with Dr. Shenka, vocalist of the ska-rock band Panteón Rococó.

Additionally, for the third consecutive year, audiences worldwide will be able to stream the concerts through AmazonMusicEnVivo on Twitch and Prime Video, exclusively and without a subscription. According to Paul Forat, head of music industry for Spanish-speaking Latin America at Amazon Music, Vive Latino will be livestreamed for 11 hours each day, covering approximately 98% of its programming.

“This is the festival that Amazon chose globally in such a solid, beautiful and genuine partnership, because we share many values,” Forat tells Billboard Español. “For Amazon, being a non-Mexican company, connecting with people in Mexico and beyond seemed extremely important to us; it seemed crucial.”

Vive Latino thus joins a global portfolio of live streams previously carried out by Amazon Music, including festivals like Sueños Festival (Chicago), Primavera Sound, Fuji Rock Festival, Stagecoach Festival, Dreamville Festival and Vibra Urbana, solidifying an international strategy where festivals are a key pillar of livestream growth.


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If you’ve watched PBS in the last week or two, you’ve seen it: an airing of Barbra Streisand: Timeless, Barbra Streisand‘s 2000 Fox special which was taped live on New Year’s Eve 1999 and New Year’s Day 2000 at the MGM Grand Garden Arena in Las Vegas. If you haven’t seen it yet, make it a point to watch it. The singer, 57 at the time, was in great voice, and was personable and even playful with the audience.

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Streisand’s performance on the special brought her a Primetime Emmy nomination for outstanding individual performance in a variety or music program. She was up against strong competition: Steve Martin for hosting the 2001 Oscars, David Letterman for hosting Late Show With David Letterman, Will Ferrell for hosting an episode of Saturday Night Live, Ellen DeGeneres (who hosted that year’s Primetime Emmys) for one of her HBO specials and Wayne Brady for hosting Whose Line Is It Anyway?

The votes were in, the ballots were tallied — and then, just five days before the Emmys were to be presented, 9/11 happened. The Emmys, which were originally scheduled for Sept. 16, were rescheduled twice: to Oct. 7 and, after the start of the War in Afghanistan, to Nov. 4. These were scary times. The awards ceremony was moved from its planned location, the Shrine Auditorium in downtown Los Angeles, to the smaller Shubert Theater in Century City. To heighten security, sharpshooters were placed on rooftops, attendees passed through metal detectors, nearby businesses were closed, and the Shubert complex’s two lowest underground parking levels were blocked off due to the risk of car bombs.

Will & Grace stars Eric McCormack and Debra Messing presented the award for outstanding individual performance in a variety or music program. Messing announced Streisand as the winner and said “Barbra Streisand was unable to attend this evening. We congratulate her on this honor.”

Streisand was indeed present at the Shubert, but in a show of remarkable discipline and sacrifice, passed up the opportunity to go onstage and give an acceptance speech. She knew that would lessen the dramatic impact of her surprise, show-closing performance of Rodgers & Hammerstein’s “You’ll Never Walk Alone,” in which she used her talents to try to heal a nation’s raw wounds.

She was backed by a gospel choir on the performance, which was dramatically staged, with names of some of those killed in the attacks on display. A sign read, “Our hearts are broken. Our spirit is not.” That summed up the spirit of the performance, which brought a standing ovation from the audience.

Gary Smith was executive producer of the 2001 Emmy telecast. He had worked with Streisand for many years, both on her own specials and when she appeared on other shows he was working on, such as The Judy Garland Show (1963) and Singer Presents Burt Bacharach (1971), where Streisand memorably sang a duet with herself on “One Less Bell to Answer”/“A House Is Not a Home.” Smith also executive produced the May 2, 2001 telecast of the special where Streisand received the AFI Life Achievement Award. He died in August 2025 at age 90.

Barbra Streisand: Timeless won a total of four Emmys, also including one for Marvin Hamlisch for outstanding music direction. It was Streisand’s fifth special to win one or more Primetime Emmys, following My Name Is Barbra (1965), Barbra Streisand: A Happening in Central Park, Barbra Streisand…And Other Musical Instruments (1974) and Barbra Streisand: The Concert (1995).

A Timeless: Live in Concert album was released on Sept. 19, 2000. It was Streisand’s fifth live album. The double-disk album debuted and peaked at No. 21 on the Billboard 200 and charted for 17 weeks.

Here’s that performance from the night of Nov. 4, 2001.


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