M!LK’s “Bakuretsu Aishiteru” hits No. 1 on the Billboard Japan Hot 100, dated Feb. 25, marking the group’s first time atop the chart.

The track appears on the five-man group’s new single “Bakuretsu Aishiteru / Sukisugite Metsu!” released Feb. 18. The single sold 615,808 copies — more than triple the first-week sales of the group’s previous release — and hits No. 2 for sales. The song also tops video views and comes in at No. 5 for downloads, No. 3 for streaming, and No. 23 for radio airplay. M!LK’s prior career peak on the chart had been No. 3, achieved with “Sukisugite Metsu!,” “Aono Oto,” “Over The Storm,” and “Ternero Fighter.”

Naniwa Danshi’s “HARD WORK” debuts at No. 2. The theme song for the Tokai TV × WOWOW co-produced drama Yokohama Neighbors Season 1 launched with 737,824 copies, a career-high for the seven-man group, to hit No. 1 for sales. The track also comes in at No. 34 for radio and No. 79 for video.

RIIZE’s “All of You,” from the group’s second Japan single, bows at No. 3 after selling 389,850 copies in its first week (No. 3 for sales). The track tops radio while coming in at No. 81 for downloads.

Other new entries in the top 10 this week include ≒JOY’s “Denwa Bango Oshiete!” and Travis Japan’s “Kage ni mo Hinata ni mo.” ≒JOY’s track, issued Feb. 18 as the group’s fourth single, sold 276,793 copies to debut at No. 6 overall. Travis Japan’s “Kage ni mo Hinata ni mo,” the lead track from their second single due Apr. 15, hits No. 1 for downloads, No. 30 for streaming, and No. 16 for video to launch at No. 9.

The Billboard Japan Hot 100 combines physical and digital sales, audio streams, radio airplay, video views and karaoke data.

See the full Billboard Japan Hot 100 chart, tallying the week from Feb. 16 to 22, here. For more on Japanese music and charts, visit Billboard Japan’s English X account.

Junior H and Gael Valenzuela’s DEPR</3$$ED MFKZ debuts at No. 1 on Billboard’s Top Regional Mexican Albums chart (dated Feb. 28).

The 15-track set marks the label mates’ first collaborative album, and a significant milestone for Valenzuela who transitions from his role as a songwriter to a lead artist. The set, Valenzuela’s first, also bows at No. 3 on the overall Top Latin Albums.

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DEPR</3$$ED MFKZ, which meanes ‘Depressed Motherf—ers, starts with 32,000 equivalent album units earned in the United States in the week of Feb. 13-19, according to Luminate. Most of the album’s starting sum stems from streaming activity —equating to 33.4 million official streams of the album’s tracks (minimal activity derives from traditional album sales and track-equivalent units from song sales).

DEPR</3$$ED MFKZ is the fifth No. 1 for Junior H on the Regional Mexican Albums chart. It follows $ad Boyz 4 Life II, which peaked at No. 1 in Sept. 2025 and dominated for 10 consecutive weeks —his longest coronation. The latter contained eight songs crediting Valenzuela as a songwriter.

In addition to its No. 1 start on Regional Mexican Albums, DEPR</3$$ED MFKZ launches at No. 3 on Top Latin Albums, marking the sixth top 10 for Junior H.

Valenzuela — a corridos tumbados singer-songwriter from Guanajuato, Mexico, — made his Billboard chart debut just a month ago, when “Mi Gata,” the album’s lead single, debuted at Nos. 10 and 14 on the Hot Regional Mexican Songs and Hot Latin Songs charts, respectively (dated Jan. 24). On this week’s ranking, “Mi Gata” climbs to No. 8 on the Hot Regional Mexican Songs chart.

DEPR</3$$ED MFKZ‘s success extends to the all-genre Billboard 200, where the album debuts at No. 15 — the second top 20-charting project for Junior H.

Adding to DEPR</3$$ED MFKZ’s splash across the charts, 13 songs from the album reach the multi-metric Hot Latin Songs chart, which combines radio airplay, streaming date and digital sales. “Droga Letal” with Peso Pluma, the album’s only collaborator, leads the new recruits, debuting at No. 12, mostly powered by 3.9 million official streams registered during the tracking period. The sum leads a No. 16 start on Latin Streaming Songs, likewise Valenzuela’s first entry there. Plus, it gives Valenzuela his first visit to the all-genre Billboard Hot 100, at No. 100.

Here’s a rundown of Junior H and Gael Valenzuela’s DEPR</3$$ED MFKZ tracks on this week’s Hot Latin Songs chart, where “Mi Gata” returns for a fifth week, at No. 26:

No. 12, “Droga Letal,” with Peso Pluma (debut)
No. 19, “En Dónde Está$” (debut)
No. 20, “MI$ LLAMADA$” (debut)
No. 22, “Errore$” (debut)
No. 26, “Mi Gata” (reentry)
No. 27, “No Tenga$ Miedo” (debut)
No. 31, “Cholo” (debut)
No. 33, “Demencia” (debut)
No. 34, “No Te Dolió” (debut)
No. 36, “Pole Dance” (debut)
No. 41, “Valle de $ombra$” (debut)
No. 46, “Pink Cake” (debut)
No. 49, “La Cama” (debut)

Goodbyes usually don’t last forever, but if you’re the Eagles, maybe they do.

On Wednesday (Feb. 25) the legendary rock outfit announced a third leg of their aptly named “The Long Goodbye” farewell tour. This new three-show run will hit three U.S. stadiums: Atlanta’s Truist Park on May 5, Nashville’s FirstBank Stadium at Vanderbilt University on May 9 and Arlington, Texas’ Globe Life Field on May 16. Special guest Tedeschi Trucks Band will join the band for all “Act III” shows.

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After more than 50 years of touring, the “Hotel California” group first announced “The Long Goodbye” in July 2023. Since embarking on the tour that September, the band has performed hundreds of shows worldwide, including a record-breaking residency at the Sphere in Las Vegas — which they’ve also extended this year.

The Eagles hold the record for the best-selling album of all time in the U.S. with Their Greatest Hits (1971-1975), according to the Recording Industry Association of America. Last month, they became the first band ever to earn RIAA Quadruple Diamond certification with the same album.

The group’s current lineup comprises founding member Don Henley alongside Joe Walsh, Timothy B. Schmit, Vince Gill and Deacon Frey, son of late founding member Glenn Frey. There’s no word yet whether this new string of shows will be the last for the band, but Henley has previously made it clear that 2026 will mark the end of the road for the Eagles.

“I think this year will probably be it,” Henley stated in a recent interview with CBS Sunday Morning. “I feel like we’re getting toward the end, and that will be fine too.”

Fans hoping to catch the Eagles on what may be their final shows ever can sign up for ticket presale access now at on the band’s website. Presale begins Tuesday (March 3) at 10 a.m. local time, with general on-sale opening up March 6.

May 5 – Atlanta, GA @ Truist Park
May 9 – Nashville, TN @ FirstBank Stadium at Vanderbilt University
May 16 – Arlington, TX @ Globe Life Field

Donald Trump announced data center agreements, as he tries to block states from passing state-level regulations. Florida wants to anyway.

Caribbean leaders opened a four-day summit Tuesday in their smallest sovereign state amid mounting regional tensions and fragmentation, pressure from the United States and a changing global landscape.

“We want to open the spigot of U.S. fuel exports to Cuba, so long as the ultimate beneficiary is the private sector,” a source with knowledge of the plan told the Miami Herald.
The stolen items ranged from a PlayStation to a Snickers bar.
Authorities are telling drivers to not use their high beams, slow down, do not stop, watch out for slow-moving cars and reduce distractions.

Faith No More may very well be no more.

While FNM last performed back in 2016 with Chuck Mosley, Mike Patton hasn’t fronted the group since the conclusion of their Sol Invictus Tour in 2015. The ‘90s alternative rock heavyweights touted a global live return in 2020, but those plans were crushed by pandemic. 

Then, the band was booked for concerts in 2021, but those too were scrapped as Patton tackled mental health issues, which he later explained was a diagnosis of agoraphobia.

In a new interview for Consequence of Sound’s Kyle Meredith With, Patton suggests he has moved on.

When asked whether there was a “sense of closure” during FNM’s dates in 2016, given that the band appears to no longer be active, he remarked: “I didn’t really think so at the time, but, yeah, maybe. And I think that we all kind of felt it, but it was unspoken.”

He continued: “And it’s funny: when you’ve been in a band or a musical situation for a period of time, you always, in the back of your head, you’re kind of thinking, ‘Well, maybe this is it.’ And I don’t mind that feeling. I don’t see it as a sad thing. I see it as being present and being able to really appreciate it while it’s happening.”

Patton’s comments could be news to his bandmates. Last year, founding member Billy Gould admitted he was unsure about the band’s future. “I don’t know. I honestly don’t know,” Gould told Chile’s Radio Futuro.

The three-time Grammy-nominated act has released seven studio albums, but only one of those has dropped in the last quarter century, 2015’s Sol Invictus, which hit No. 15 on the Billboard 200. Sol Invictus is one of five titles that have cracked the all-genres albums chart, including a top 10 for 1992’s Angel Dust, reaching No. 9. The band has three appearances on the Billboard Hot 100, including a top 10 appearance with 1990’s breakout “Epic,” peaking at No. 9.

Patton officially joined Faith No More in 1988, following the departure of ex-singer Chuck Mosley, who died in 2017, aged 57. Mosley sang on FNM’s first two albums, 1985’s We Care A Lot and 1987’s Introduce Yourself.

Where the future of FNM remains uncertain, Patton has returned to his band Tomahawk, which will embark on a first tour in 13 years this summer, with the Melvins. Tomahawk, like Mr Bungle and Patton’s various other music outlets, are often described as “side projects.” That’s no entirely accurate, he says in the new podcast.

“I’d never really understood, and I had to figure this out very early on, was the concept of a side project, that’s assuming that there’s a main one,” Patton explains. “And for me, I really never had one. There were projects like Faith No More where I spent more time on, in terms of touring and promoting, quote-unquote, if you will, but everything that I’ve done was of equal importance to me. They just weren’t viewed that way. And the public, for whatever reason, needs to have a hierarchy kind of built in there just to make themselves feel better about it, I guess. I don’t know.”  

Stream the interview here.

American Eagle has gone country.

Two weeks after debuting a Spring 2026 collection with Ella Langley, the clothing brand is going all in with partnerships with Bailey Zimmerman and Stagecoach, where it will be the exclusive denim and apparel sponsor.  Zimmerman and Langley are both playing the April 24-26 festival on opening night.

 “Country music is defining culture these days,” says American Eagle chief marketing officer Craig Brommers. “American Eagle had some of the most talked about marketing campaigns in 2025,” he said, including a provocative Sydney Sweeney campaign and a collection with Travis Kelce. “In order to keep that momentum, we looked at the cultural landscape and where we could participate next and it was just such a natural progression as we start 2026 to get into the country music genre space.”

American Eagle is the leading jean brand among Gen Z, which encompasses people born between 1997 and 2012; Langley and Zimmerman, both 26, fall squarely in the demo.

American Eagle’s research also showed that country is the most listened to music genre among its customers in that age range, which played into the decision to pivot to country. “We really are listening to what Gen Z is excited about and trying to be on the pulse of what’s happening in culture,” Brommers says. “Ella, obviously, is having her moment and then Bailey has so much energy. He just lights up a room. It was really about us embracing this moment.”

Only a few weeks in, American Eagle Jeans Country campaign is already yielding success from the Langley association, with Brommers saying the kick boot and flare jeans she wears in the campaign are “flying off the shelves.”

Zimmerman, whose campaign launches Wednesday (Feb. 25) shared his love for the brand two years ago when he hopped on stage in peach American Eagle underwear. “I’ve always loved their boxers. They’ve got all the crazy designs — pickles, reindeer, whatever — and I just thought that was the coolest thing. There’s just a lot of history there for me,” he tells Billboard.

His relationship with the brand, which launched in 1977 as American Eagle Outfitters, goes back nearly 20 years. “I’ve been wearing American Eagle for as long as I can remember — six, seven, eight years old –whenever I could finally fit into it. Growing up, my dad was around, but I was a mama’s boy for sure. We didn’t have much, so back-to-school shopping was a big deal for us. Going to the mall felt like a vacation. We’d go to American Eagle because it was a brand we could count on. It fit my style, it fit our budget, and we knew we’d walk out with stuff I was excited to wear.”

Displays featuring Langley and Zimmerman will be in the windows of more than 900 American Eagles stores around North America. They are also taking over American Eagles website and social media, and Langley is featured on a 3D billboard in New York’s Times Square. When asked if there will be more artists joining the campaign, Brommers says, “we do have some tricks up our sleeve as we get closer to Stagecoach,” but declined to mention specifics.

While the campaign with Stagecoach is multi-year, the deals with Langley and Zimmerman are shorter term and are being used to launch the Stagecoach partnership. Brommers declined to put a price tag on the campaign, but added, “We have budgets that will allow us to align with almost anything out there. We are knowingly choosing country because of the cultural defining moment that it’s having.”

While Brommers says he knows the “narrative” is that country fans may be more conservative than other audiences, he disavows that, and adds, “We’re a 50-state audience. It’s important that we are as aspirational as possible to everyone. [Country music] is a national phenomenon and we’re not a niche brand. We have to do things that are inclusive. Ella Langley had the No. 1 song [with ‘Choosin’ Texas’] on the Billboard Hot 100, topping Olivia Dean, Taylor Swift, Bad Bunny and Harry Styles. This is not niche.”  

Wrangler has been aligned with country music and cowboy culture for decades thanks to artists like George Strait and Garth Brooks (and even younger artists like Lainey Wilson who has her own Wrangler collection), but Bommer says the decision to move into country “didn’t start from a competitive perspective,” but from what “the customer cares about… We have to think on a very broad scale. Country is at that moment. Anything that has a Western-influenced esthetic in the American Eagle assortment over the last year or so is selling.”

Zimmerman likes the organic feel of the association. “American Eagle and country both feel real,” he says. “They’re about showing up as you are and being confident in that. Country music is rooted in storytelling and everyday life, and American Eagle is the same. And if you’re country, you love denim. American Eagle is all about denim.”

The Stagecoach X American Eagle collection will debut online and in select stores on March 25 and will include jeans, tees, fleece and multiple other options.  The brand will have a large physical presence at the Indio, California festival that Bommer promised “is going to have people dropping their jaws. You’re really going to feel denim in the desert like never before.”

As for his collaboration with American Eagle for his Stagecoach gear, Zimmerman already has some solid ideas: “I want to do patches because I think patches are the move right now,” he says. “I’m loving patches. They’re sick.”

That works for Brommers, who adds, “This is really about denim domination.”