Drake’s ICEMAN holds atop the Billboard 200 albums chart (dated June 6) for a second week, earning 225,000 equivalent album units in the United States in the week ending May 28 (down 52%), according to Luminate.

The set bowed at No. 1 a week ago, alongside two more Drake projects, HABIBTI and MAID OF HONOUR, as he became the first artist ever to rank at Nos. 1, 2 and 3 simultaneously in the chart’s 70-year history. They fall 2-7 (53,000 units, down 53%) and 3-8 (42,000, down 62%), respectively, in their second week.

Also in the top 10 of the latest Billboard 200, LE SSERAFIM notches its fifth top 10 as PUREFLOW debuts at No. 10.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 2,500 ad-supported or 1,000 paid/subscription on-demand official audio and video streams generated by songs from an album. The new June 6, 2026-dated chart will be posted in full on Billboard‘s website on June 2. For all chart news, follow @billboard and @billboardcharts on both X and Instagram.

Of ICEMAN’s 225,000 equivalent album units earned in the latest tracking week, SEA units comprise 223,000 (down 50%, equaling 228.45 million on-demand official streams of the set’s tracks; it spends a second week at No. 1 on Top Streaming Albums), album sales comprise 1,000 (down 90%) and TEA units comprise 1,000 (down 59%).

Of Drake’s 15 Billboard 200 No. 1s — tied for the most among soloists with Taylor Swift — ICEMAN is his sixth to lead for multiple weeks.

The rest of the top five on the new Billboard 200 are all former No. 1s. Ella Langley’s Dandelion rises 5-2 (93,000 equivalent album units, down 5%); Noah Kahan’s The Great Divide climbs 4-3 (85,000, down 16%); Morgan Wallen’s I’m the Problem ascends 6-4 (80,000, down 6%); and Michael Jackson’s Thriller is up 7-5 (64,000, up 3%).

Jackson’s Number Ones bumps 8-6 (60,000 equivalent album units earned, down less than 1%), while BTS’ former No. 1 ARIRANG steps 10-9 with just more than 41,000 (down 1%).

LE SSERAFIM rounds out the top 10, notching its fifth top 10-charted project as PUREFLOW debuts at No. 10 with 41,000 equivalent album units earned. Of that sum, album sales comprise 34,000 (it debuts at No. 1 on Top Album Sales), SEA units comprise 7,000 (equaling 7.1 million on-demand official streams of the set’s tracks) and TEA units comprise the remainder. The album’s first-week sales were boosted by its availability across more than 30 CD variants, many containing collectible items such as photocards, stickers and posters, with some items randomized.

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

Panteón Rococó returned on Saturday (May 30) to Ciudad Nezahualcóyotl, a massive suburb of Mexico City — and one of the first places the band visited during its early days 30 years ago — to deliver one of the biggest concerts of its career. The iconic Mexican ska rock band performed in front of more than 120,000 people, according to official figures, at a festival organized by the federal Ministry of Culture.

Panteón Rococó headlined the Festival Ecos de Oriente, which is part of the National Circuit of Festivals for Peace, a government initiative aimed at promoting the right to culture and fostering a culture of peace. Other groups on the lineup included Nana Pancha, Fania y la Rebelión Rumbera, Los Kramer and Out of Control Army.

“Welcome, everyone!” exclaimed lead vocalist Dr. Shenka to the crowd that packed the Deportivo Ciudad Jardín, located in one of the most densely populated municipalities on the planet with over one million residents, according to official figures. “Nezahualcóyotl looks beautiful, a land of great artists, culture and struggles.”

Young people, families and many children filled the venue to enjoy the hits that have made Panteón Rococó one of the most important Latin rock acts of the past few decades, with songs such as “La Carencia,” “La Dosis Perfecta,” “La Rubia y El Demonio,” “Arréglame el Alma” and “Vendedora de Caricias.”

The event was part of the band’s worldwide 30 Aniversario Generación del 95 tour, which the Mexico City-based group is currently undertaking. This year, the band was also recognized by Billboard as one of The 50 Best Latin Rock Bands of All Time.

The National Circuit of Festivals for Peace is a new initiative this year to provide free access to cultural activities for thousands of young people across the country. Its lineup has included both Mexican and international artists such as Carín León, Lila Downs, Caloncho and Dutch DJ Martin Garrix.

Kanye West reportedly drew a crowd of 118,000 to Istanbul’s Atatürk Olympic Stadium on Saturday (May 30), with the rapper claiming that it was the largest stadium performance in history.

“I just want to tell y’all, we just broke the record, 118,000, largest stadium performance of all time,” West told the audience, according to Türkiye Today.

The show — which began at 9 p.m. local time and evolved into an all-night festival-style event featuring DJ sets, laser and light shows, pre- and after-party gatherings and performances by Turkish artists including Yener Cevik, Mavi, Sena Sener, Pera and Motive — drew fans from across Turkey and abroad, with attendees travelling from Russia, Kazakhstan, the U.K., Germany, the U.S. and Poland.

Organisers opened stadium gates at 3 p.m. to manage the anticipated influx, with crowds quickly filling metro platforms and corridors across the city as showtime neared. Travis Scott also joined West on stage during the show.

The Istanbul date marked the opening night of West’s first European tour in 11 years — and it came after a summer of closures across the continent. In April, the U.K. government denied West entry, ruling his presence “would not be conducive to the public good,” leading to the cancellation of his Wireless Festival headline slot, which had already lost major sponsors including PepsiCo and Diageo.

A Marseille show was postponed after French officials attempted to block it, and concerts in Poland and Switzerland were also cancelled. On the same day as the Istanbul concert, Italian authorities banned West and Travis Scott from performing at a July show at the 103,000-seat RCF Arena in Reggio Emilia, citing security concerns following requests from consumer group CODACONS and Jewish communities in Modena and Reggio Emilia.

West has attributed his past antisemitic statements — which included comments praising Adolf Hitler, the release of content using Nazi imagery and the release of a song titled “Heil Hitler” — to manic episodes caused by untreated bipolar disorder. He published a full-page apology in the Wall Street Journal in January 2026. Despite the European bans, several countries have permitted him to perform. His remaining confirmed tour dates include shows in the Netherlands on June 6 and 8, Tirana, Albania on July 11, and Georgia and Spain later in the summer.

West’s commercial run ahead of the tour has been significant. His latest studio album Bully debuted at No. 1 on the Top R&B/Hip-Hop Albums Chart upon its release earlier this year. His catalogue includes 24 Grammy Awards and 10 Billboard 200 No. 1 albums, making him one of the most decorated artists in chart history.

Bad Bunny kicked off his 10-date Madrid residency at a completely sold-out Riyadh Air Metropolitano on Saturday (May 30) with a journey through Debí Tirar Más Fotos and some of the biggest hits in his catalog. Over more than two-and-a-half hours, the Puerto Rican superstar alternated among celebratory moments, cultural references and expressions of gratitude to a crowd that accompanied him song after song.

“It feels good to be here in Madrid,” he said during the first moments of the show. “Tonight, we’re going to sing a lot of songs we haven’t sung before. I hope you’re ready.” The statement set the tone for a night in which Bad Bunny allowed himself to reflect on different stages of his career, while the audience turned practically every chorus into a massive sing-along. The setlist included hits like “La Mudanza,” “Callaíta,” “Turista,” “Tití Me Preguntó,” “Me Porto Bonito,” “Yonaguni” and “Dákiti,” with the crowd maintaining their energy throughout the entire evening.

During several moments of the show, the star reminded the audience that it had been almost 10 years since he last performed in Madrid. His previous concert in Spain’s capital city was on July 14, 2018, at what was then the WiZink Center. The artist took the opportunity to thank those who have supported him since the beginning of his career.

“Coming back to Madrid and performing like this fills my heart,” he said before dedicating a few words to the fans who believed in him “from day one.” Later on, he insisted: “I will always remember this night as the night I came back to Madrid. Thank you for waiting for me for so long.”

One of the most special moments came during his segment in “La Casita” (his famous second stage built like a Puerto Rican house), where he spent several minutes interacting with fans in the front rows. The artist chatted with attendees, listened to their stories and took photos while the rest of the stadium watched every exchange attentively. Five fans were selected to join him after repeating the now-iconic phrase “Acho, PR es otra cosa” (“Puerto Rico is something else”), a ritual that has become one of the most recognizable parts of the show. Among the guests who passed through La Casita were actresses Esther Expósito and María León, as well as Italian entrepreneur and influencer Chiara Ferragni.

Another highly anticipated moment came with “Adivino,” the show’s traditional “exclusive song.” The surprise was revealed when Myke Towers appeared on stage to perform the track alongside Bad Bunny, sparking one of the night’s biggest ovations. Towers remained onstage for several more minutes and treated the crowd to a medley of hits, including “Diosa,” “Si Se Da,” “Lala” and “La Falda.”

Puerto Rico was ever-present throughout the night, from the participation of Los Pleneros de la Cresta to the artist’s constant references to his island. The audience was filled with pavas (traditional Puerto Rican hats), scarves, cayenne flowers and flags from various Latin American countries. “Just for today, we are all Puerto Ricans,” Benito said during one of the most celebrated moments of the concert.

“I’m ready to spend the next three weeks here,” he added later. The Madrid residency is part of the first leg of the Debí Tirar Más Fotos World Tour, which began on November 21-22 in Santo Domingo, Domican Republic. According to Billboard Boxscore data, the tour has already surpassed $200 million in revenue and is among the most successful of the year.