Jamaican reggae powerhouse Protoje is hitting the ground running in 2026, and Billboard can exclusively announce that his new album, The Art of Acceptance, will arrive this spring via In.Digg.Nation Collective and Ineffable Records.

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Protoje’s latest LP will serve as the official follow-up to 2022’s Third Time’s the Charm, which earned him his second Grammy nomination for best reggae album. Driven by his trademark conscious lyricism and appreciation for the genre’s classic periods, The Art of Acceptance will include the previously shared tracks “Big 45” and “Feel It,” as well as a new collaboration with Damian “Jr. Gong” Marley titled “At We Feet.”

Now available to stream on all platforms, “At We Feet” marks the very first collaboration between the two superstars and serves as the official lead single for The Art of Acceptance. “Whatever we need, Jah put a we feet,” Protoje croons in the refrain, bridging roots reggae with more contemporary production flourishes. In the wake of Hurricane Melissa, which became the strongest storm to strike Jamaica in the island’s history in October, the steadfast, faith-driven lyrics of “At We Feet” are especially poignant. The new single also arrives alongside a SAMO-directed music video, which was shot between Kingston and Miami.

“‘At We Feet’ is about faith, surrender, and trust, knowing that when you move with love and positivity, provision comes, even in hard times,” the St. Elizabeth native explained. “It’s a reminder that beyond our plans, there’s a greater design unfolding.”

To support The Art of Acceptance, Protoje will embark on an international tour beginning with a performance at Florida’s Reggae Rise Up Fest on March 14. The European leg of the trek will kick off on March 19 at De Roma in Antwerp, Belgium, visiting major cities including Paris and Zurich before concluding with three shows in the U.K. Protoje will then head to the States for the tour’s American leg, which includes a special Stephen Marley-assisted show at Houston’s House of Blues on April 22.

Although it’s been a few years since Protoje’s last full-length album, the acclaimed singer-producer has remained busy, lending his talents to several tracks on Lila Iké’s gorgeous album Treasure Self Love. Billboard named his protégé’s debut LP the No. 3 Best Caribbean Album of 2025, and the set will compete in the best reggae album category at February’s Grammys.

Check out Protoje’s upcoming tour dates and listen to “At We Feet” below:

  • March 14 — Reggae Rise Up Fest — St Petersburg, Fla.
  • March 19 — De Roma — Antwerp, Belgium
  • March 20 — Case À Chocs — Neuchâtel, Switzerland
  • March 21 — Rote Fabrik — Zurich, Switzerland
  • March 24 — Théâtre Lino Ventura — Nice, France
  • March 25 — Rockstore — Montpellier, France
  • March 26 — Salle Du Grand Parc — Bordeaux, France
  • March 27 — La Coopérative De Mai — Clermont-ferrand, France
  • March 28 — Den Atelier — Luxembourg, Luxembourg
  • March 29 — Annabel Poppodium — Rotterdam, Netherlands
  • March 31 — Paradiso — Amsterdam, Netherlands
  • April 1 — Le 106 — Rouen, France
  • April 2 — L’astrolabe — Orléans, France
  • April 3 — La Cigale — Paris, France
  • April 4 — Alte Feuerwache — Mannheim, Denmark
  • April 5 — Le Splendid — Lille, France
  • April 9 — O2 Ritz Manchester — Manchester, U.K.
  • April 10 — O2 Academy Bristol — Bristol, U.K.
  • April 11 — O2 Institute Birmingham — Birmingham, U.K.
  • April 17 – Reggae Rise Up Fest – Phoenix
  • April 18 – Reggae In The Desert – Las Vegas
  • April 19 – Austin Reggae Festival – Austin, Texas
  • April 22 – House Of Blues – Houston
  • April 24 – New Orleans Jazzfest – New Orleans
  • May 17 – Red Rocks Amphitheatre – Morrison, Colo.


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The Recording Academy’s Grammy House is returning during Grammy Week, running from Wednesday, Jan. 28, to Saturday, Jan. 31, in Los Angeles. This year, Grammy House is expanding to four days with new events and panels. Grammy House was one of many Grammy Week events that was canceled last year amid the L.A. wildfires.

Through immersive experiences, interactive installations and digital storytelling, the cultural hub will serve to honor today’s dynamic musical landscape, foster innovation, and cultivate meaningful connections between Recording Academy members, artists, fans, and the broader music community. One of many firsts at this year’s Grammy House is an entire day dedicated to Grammy U, featuring a Masterclass and first-ever mini music festival.

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The Grammy Week destination will also feature Grammy Awards merchandise for sale and an Academy Corner, with information about Recording Academy membership and all Grammy organization entities including the Grammy Museum, MusiCares, Grammy U, and The Latin Recording Academy.

“After a highly successful debut in 2023, an impactful return in 2024, and a pop-up in New York City last summer, we are thrilled to bring Grammy House back to Grammy Week in Los Angeles, programmed with even more events designed to bring our music community together,” Harvey Mason jr., CEO of the Recording Academy, said in a statement. “The Recording Academy serves as a microphone for the voices of today and tomorrow, and we look forward to honoring and celebrating those voices at Grammy House.”

The event will kick off on Wednesday Jan. 28 at 10 a.m. with a “Land Welcoming” provided by the San Gabriel Band of Mission Indians Gabrieleno/Tongva.

Here’s the complete 2026 Grammy House event schedule. Grammy House events are by invitation only.

Before his death in 2009, Dan Seals had a storied career as both a pop and country artist, with such ‘70s hits as “I’d Really Love to See You Tonight” and “Nights Are Forever Without You” as half of England Dan & John Ford Coley on the pop charts and then a string of country No. 1s as a solo artist in the ‘80s, including “Bop,” “Addicted” and “Everything That Glitters (Is Not Gold).”

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His legacy will be celebrated with Dan Seals & Friends: The Last Duet, an Aug. 28 release from Melody Place Records and the Dan Seals Estate that features many of his biggest hits re-created as new duets with artists including Blake Shelton, Luke Bryan, Jamey Johnson, Alabama, Marie Osmond and Tanya Tucker.

While four of the songs have already come out — “Everything That Glitters (Is Not Gold)” with Bryan, “Three Time Loser” with Johnson, “My Baby’s Got Good Timing” with Jasmine Amy Rogers and “Nights Are Forever Without You” with Sara Evans — Billboard is exclusively revealing the full track list below. Upon the release of his duet with Seals, Bryan said, “When I think of all time iconic songs, this one definitely comes top of mind. Dan was an artist I had on repeat and actually still do. I sang this song when I was back in Georgia and now to be here and paired with him on this new release is just unbelievable.”

Noted producer and Seals collaborator Kyle Lehning put together the project, using digital technology to extract Seals’ vocals and recordings and then adding on the duet partner to create something familiar, yet new.  

“Dan was always true: as a singer, as an artist and as a man,” Lehning said in a statement. “Seeing the way all of these artists responded when they had Dan’s voice in their ears shows how that warm truth in his voice still touches people in the best way. The song ‘Still Reelin’’ was Dan reflecting on the effect that Elvis and the early rock n’ rollers had on him as a child, it’s nice to see that people are ‘still reelin’’ from his music today.”

The album also includes what is being billed a 50th-anniversary edition of “I’d Really Love to See You Tonight,” which came out in March 1976 and peaked at No. 2 on the Billboard Hot 100. The version takes Seals’ recording of the song from his 1995 album In a Quiet Room record with new vocals recorded by Coley.

England Dan & John Ford Coley took four songs to the top of Billboard’s Adult Contemporary chart, while Seals landed 11 No. 1s on Billboard’s Country Songs chart, including “Meet Me in Montana,” a duet with Osmond, who appears on the new album on “You Still Move Me.”

All singles from the album, which can be pre-saved here, while a number of music videos and other visuals featuring archival footage will be rolled out.

Dan Seals & Friends: The Last Duet track list

1. “Big Wheels In The Moonlight” – Blake Shelton
2. “God Must Be A Cowboy” – Ned LeDoux
3. “Nights Are Forever Without You” – Sara Evans
4. “Bop” – Tanya Tucker
5. “You Still Move Me” – Marie Osmond
6. “Everything That Glitters (Is Not Gold)” – Luke Bryan
7. “The Healing Kind” – Katharine McPhee
8. “Wood” – John Berry
9. “I’d Really Love To See You Tonight (50th Anniversary Edition)” – John Ford Coley
10. “Love Is The Answer” – Jackie Evancho
11. “Addicted” – The Castellows
12. “Love On Arrival” – Wendy Moten
13. “One Friend” – Lynda Carter
14. “Three Time Loser” – Jamey Johnson
15. “My Baby’s Got Good Timing” – Jasmine Amy Rogers
16. “Steel Reelin’ (From Those Rock & Roll Days)” – Alabama

BTS’s fifth full-length album will arrive on March 20. That much we already knew.

We now know the collection will be titled Arirang.

“Arirang” is a traditional Korean folk song renowned, according to a statement from BigHit Music, which delivered an update on the album Friday, Jan. 16. “Transcending time and generations, the song has long been associated with emotions of connection, distance, and reunion,” the release continues.

The collection is said to be 14-tracks deep, “a deeply reflective body of work” that explores the K-pop superstars’ “identity and roots,” the statement reads.

Furthermore, the band will “draw on the emotional depth of ‘Arirang’ — its sense of yearning, longing, and the ebb and flow of life,” adds the message, the seven-piece ultimately choosing the title for its “strong resonance with their current journey.”

The new album marks the group’s reunion following a nearly four-year hiatus, during which members RM, Jin, Suga, J-Hope, Jimin, V and Jungkook completed South Korea’s mandatory military service.

BTS’ big title reveal closely follows the announcement of another world tour, their first large-scale jaunt in nearly four years, since BTS Permission to Dance on Stage, which concluded in April 2022.

The forthcoming trek will get underway April 9 in Goyang, South Korea, then makes a stop in Tokyo before arriving in the United States in late April. The first stateside concerts will take place April 25-26 in Tampa, Fla., and closes its North American run with four shows in Los Angeles in September. All told, 79 shows are booked across the globe including Asia, North and Latin America, Europe, the Middle East and more. 

“The new release explores universal emotions of longing and love,” the statement continues, “and will resonate with the worldwide audience as a timeless legacy across generations and cultures.”

For his next trick, Charlie Puth takes us for a ride back to the late 1980s. Maybe early 1990s.

Dropping at midnight, “Beat Yourself Up” is brassy, bass-y, catchy, and could’ve stepped right out of a time when the Detroit Pistons were beating everyone up in the NBA, and muscles ruled Hollywood.

“Beat Yourself Up” is housed by the singer and songwriter’s forthcoming studio album, Whatever’s Clever! (via Atlantic Records), due out on March 27.

The fresh cut “started as something I wanted to tell a friend,” the award-winning artist explains. “We’ve never been the heart-to-heart types, so I wrote it in a song instead,” he continues. “I wanted to tell him that even though he has made mistakes along the way, he shouldn’t be so hard on himself. That things will get better and he’s not alone.”

It’s the second track lifted from his forthcoming album, following “Changes,” which arrived last October, coupled with his baby news.

While writing “Beat Yourself Up,” he continues, “I soon realized this wasn’t just for my friend but myself and so many others who can be hard on themselves. It’s a message to keep going and be kinder to yourself.”

“Beat Yourself Up” was co-produced by Puth and BLOODPOP, and follows the announcement of his biggest world tour yet.

Puth’s Whatever’s Clever World Tour will span nearly 50 arena dates, kicking off April 22 at Viejas Arena in San Diego, CA. Produced by Live Nation, the North American leg will see Puth graces the stages of Madison Square Garden in New York City and Los Angeles’ Kia Forum, with support from Daniel Seavey and Lawrence on select shows and Ally Salort on all dates.

The trek will also visit the U.K. and Continental Europe during the summer, concluding on July 30 at Progresja Summer Stage in Warsaw, Poland.

Before all that, he’ll perform “The Star-Spangled Banner” at Super Bowl LX, which kicks off Feb. 8 at Levi’s Stadium in San Francisco.

Whatever’s Clever! is Puth’s fourth album, and the followup to 2022’s Charlie, one of his three top 10 appearances on the Billboard 200 chart. Pre-order here and stream “Beat Yourself Up” below.

Olivia Dean’s The Art Of Loving shows no signs of fatigue on the ARIA Chart, as the album collects a seventh non-consecutive week at No. 1, while her signature song “Man I Need” enters a ninth straight week atop the singles tally.  

According to ARIA, Dean’s sophomore collection becomes the longest reigning title by an English female artist since Adele’s 30 also logged seven weeks at the top in 2021-22.

The top new release on the ARIA Albums Chart, published Friday, Jan. 16, belongs to The Kid Laroi, whose Before I Forget starts at No. 2. The Sydney-raised, Los Angeles-based singer and songwriter previously collected an ARIA Chart crown in 2021 with his F*ck Love mixtape, becoming the youngest Australian solo artist to do so (he was 17 years, 5 months and 22 days at the time). Before I Forget is the followup to 2023’s The First Time, which topped out at No. 3 on the ARIA Chart.

LAROI made a dash to his hometown last November for an exclusive performance at a Spotify showcase, the starting point in the 2025 ARIAs Week. By the week’s end, LAROI had added a fourth ARIA Award, for song of the year with “Girls.”

Meanwhile, U.S. country star Zach Bryan starts at No. 2 on the ARIA list with Heaven On Top, his sixth studio album. Bryan’s self-titled album hit No. 2 here in 2023, and The Great American Bar Scene reached No. 3 in 2024. 

Yungblud has been playing venues across the country, and hitting headlines, for the six-date domestic leg of his IDOLS World Tour, produced by Frontier Touring. Those shows ignite interest in his fourth studio album Idols, which roars 69-12, still down on its No. 4 peak from 2025. The Brit’s tour continues Saturday, Jan. 17 with the first of two consecutive nights at Brisbane’s Riverstage, and wraps Tuesday, Jan. 20 at Perth’s ICF: Outdoor.

Melbourne singer-songwriter Steph Strings enjoys a top 20 start with debut album, Feel Alive. It’s new at No.  17, for her first appearance on any ARIA chart. 

Over on the ARIA Singles Chart, Dean’s extends her run at No. 1, a streak by a solo female artist that hasn’t been seen since Miley Cyrus’ “Flowers” spent 12 weeks on top in early 2023.

Although the song didn’t appear in the Stranger Things finale, Djo’s “End Of Beginning” enjoys a revival on the ARIA Chart, where it bounces 4-3, equaling its the peak position set in 2024. Djo is the stage name of Joe Keery, who played Steve Harrington in the popular Netflix series, which dropped its final episode Dec. 31.

The top debut on the single frame belongs to Bruno Mars, whose “I Just Might” just misses the top 10, opening at No. 11.

With that feat, Mars has chalked up 22 ARIA top 20 hits, a tally that includes including four chart-toppers: “Just The Way You Are” (2010), “Grenade” (2010), “Uptown Funk” with Mark Ronson (2014-15) and “APT.” with Rosè (2024-25).

Buzzy British artist Sienna Spiro enters the top 40 for the first time as “Die On This Hill” vaults 68-29, while Alabama country singer Ella Langley bags her first top 40 hit with “Choosin’ Texas,” up 46-30.

Just two homegrown cuts impact the top 50. The best belongs to homegrown producer and DJ Sonny Fodera’s “Think About Us” with D.O.D and Poppy Baskcomb, new at No. 48, while Tame Impala’s “Dracula” slips 47-50.

ENHYPEN promised THE SIN : VANISH, and ENHYPEN delivered.

The K-pop outfit’s seventh mini-album arrives at the stroke of midnight, one full month after its announcement, as the followup to June 2025’s sixth mini album DESIRE : UNLEASH.

According to a statement, the new release marks the group’s “most immersive and narratively driven chapter to date,” a concept album that specifically takes a big bite into vampire mythology.

“The album follows an unprecedented escape of vampire lovers, tracing the fragile balance between desire and consequence in a world bound by unbreakable rules,” reads the release.

This is no ordinary collection of works from JUNGWON, HEESEUNG, JAY, JAKE, SUNGHOON, SUNOO and NI-KI.

From start to finish, the 11-track collection blends music, narration, and cinematic storytelling, with songs meshed with narration and skits.

It’s presented in the style of a reporter discussing a vampire escape case, and presented in four languages: Korean (voiced by actor Park Jeong Min), English, Japanese (voiced by Kenjiro Tsuda), and Chinese (voiced by singer Lars Huang).

The experimental album gathers lead single “Knife,” which traces the beginning of the lovers’ escape as they face pursuit without hesitation; charges through “No Way Back (featuring So!YoON!)” (Alternative R&B), “Stealer” (Alternative Dance Pop), “Big Girls Don’t Cry” (Pop), and “Lost Island” (Pop) and closes with the introspective “Sleep Tight” (R&B), JAKE’s first self-written track, with additional lyric contributions from HEESEUNG.

Earlier, the group teased on YouTube excerpts from four narration tracks –“The Beginning,” “The Fugitives,” “The Voice,” and “The Beyond.”

The latest effort arrives after DESIRE : UNLEASH debuted at No. 3 on the Billboard 200, just months after ENHYPEN made their historic Coachella Festival debut on the Sahara Stage. In addition to new music, the band will stay busy on the road this year with a stop at the inaugural edition of the Hello, Melbourne K-pop festival at Flemington Racecourse in Melbourne, Australia on March 14 alongside TREASURE and Taemin.

Heated Rivalry, the smash TV series and pop culture phenomenon, has brought its music to the masses with its original series soundtrack out Friday (Jan. 16).

Released via Milan Records, the 34-track project features original music by artist and composer Peter Peter written for the Crave Original Series. The set marks Peter Peter’s debut scoring effort and is available via all streaming services and as a digital download for purchase. CD and vinyl editions of the album are in the works and will be released later this year.

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The buzzed-about series premiered on the Canadian streamer on Nov. 28 and bowed on the same day in the United States on HBO Max. The romantic drama is adapted from Rachel Reid’s hit Game Changers book series and stars Connor Storrie and Hudson Williams as hockey rivals Ilya Rozanov and Shane Hollander, who navigate a secret romance out of the public eye.

Heated Rivalry’s creator, Jacob Tierney, personally selected Peter Peter to compose the show’s music. Tierney earlier told Billboard: “From the first day I started writing the show, I knew music would be as integral to the series as the actors themselves, and Peter’s work was what I had on repeat. His original score doesn’t just sit underneath the story; it carries the emotion, the rhythm and the pulse of the show. I honestly can’t imagine this series without it. Peter’s music is completely woven into what the show is and how the story comes alive on the screen.”

Peter Peter

Peter Peter

Sarah Carrier

 “The music I composed for Heated Rivalry uncovered a side of me I wasn’t certain I possessed, yet one I had always quietly wished was there,” Peter Peter shared with Billboard. “I’d never allowed myself such latitude in composition before. Jacob and Rachel deserved the very best of me, so I gave them every ray of light I had.”

Previous to Heated Rivalry, Peter Peter had released five solo albums, most recently with 2024’s Éther.

Stream the Heated Rivalry original series soundtrack below.

Dolly Parton will turn 80 on Jan. 19, and she’s celebrating early with the release of a new version of her 1977 song “Light of a Clear Blue Morning.”

This time she offers up the powerful message of hope and optimism alongside longtime musical colleagues and powerful collaborators, welcoming Lainey Wilson, Reba McEntire, Queen Latifah and Miley Cyrus.

The single and music video, which features David Foster on piano and The Christ Church Choir on background vocals, further heightens the original’s uplifting essence. The song, written by Parton, was produced by Parton and Kent Wells and mixed by Chris Lord-Alge.

Parton’s original recording of “Light of a Clear Blue Morning” was featured on her 1977 album New Harvest…First Gathering and rose to No. 11 on Billboard’s Hot Country Singles chart in June 1977.

“I wrote ‘Light of a Clear Blue Morning’ during a season when I was searching for hope, and fifty years later that message still feels just as true,” Parton said in a statement. “As I celebrate my 80th birthday, this new version is my way of using what I’ve been blessed with to shine a little light forward, especially by sharing it with some truly incredible women.”

Net proceeds from the song and its video will benefit the pediatric cancer research program at Monroe Carell Jr. Children’s Hospital at Vanderbilt in Nashville.

Parton, of course, has a history of collaboration with each of the women who join her on this new version.

Cyrus is Parton’s goddaughter, and the two have previously collaborated on “Rainbowland” and a version of Cyrus’s “Wrecking Ball.” Wilson and Parton teamed up for a rendition of “Mama He’s Crazy” as part of a The Judds tribute record two years ago. Parton and McEntire joined forces for a version of “Does He Love You,” which McEntire originally released as a collab with Linda Davis in 1993. She teamed with Queen Latifah on the 2012 movie Joyful Noise, where they portrayed warring choir directors over a small-town church choir.

Beyond music, Parton has her Songteller Hotel in the works in Nashville, and is taking her multimedia symphonic experience Threads: My Songs in Symphony, to more cities across the United States this year. She also recently released the book Star of the Show: My Life on Stage, with author and Billboard journalist Tom Roland.

Watch the video below: