Ice Nine Kills tops Billboard’s Hot Hard Rock Songs chart for the first time — and Mckenna Grace makes her first run to No. 1 overall — thanks to their collaboration “Twisting the Knife.”

The team-up debuts at No. 1 on the Hot Hard Rock Songs list dated March 7 following its first full week of chart measurement after its Feb. 19 release. In the Feb. 20-26 tracking period, it totaled 1.4 million official U.S. streams, 183,000 radio audience impressions and 1,000 downloads sold, according to Luminate.

The lattermost count also sends the song to No. 1 on Hard Rock Digital Song Sales, where it’s the band’s second ruler, following “The Laugh Track” in 2025, and Grace’s first.

“Twisting the Knife” scored 215,000 streams and 1,000 in sales Feb. 19, begetting a No. 4 bow on the Hard Rock Digital Song Sales chart dated Feb. 28.

Ice Nine Kills’ previous best rank on Hot Hard Rock Songs was “A Work of Art” (featuring SHAVO), which debuted and peaked at No. 3 in 2024. The band has seven total top 10s on the tally since its 2020 inception.

Additionally, “Twisting the Knife” starts at No. 40 on Mainstream Rock Airplay.

The track is Grace’s first Billboard chart entry. Though mostly known as an actor, she has released music since 2021 via Photo Finish Records.

The connection between the artists? Grace is one of the stars of Scream 7, in which “Twisting the Knife” is featured. Ice Nine Kills’ inclusion on the soundtrack is apt, as many of the band’s songs are themed after works in the horror genre.

Scream 7 premiered in theaters Feb. 27.

There might be some very public drama among the Beckham family at the moment, but that didn’t stop Victoria and David Beckham from wishing their estranged son Brooklyn a happy birthday on Wednesday (March 4).

Each of the Beckham parents took to Instagram to share two Stories apiece for Brooklyn Beckham’s 27th birthday. The Spice Girls alum and fashion designer shared a throwback photo of the couple in a pool with baby Brooklyn alongside the message “Happy birthday Brooklyn, we love you so much,” as well as a pic of her as a young mom with her baby boy and the message “Happy 27th birthday Brooklyn, I love you so much.” Both posts included red heart emojis.

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The soccer superstar, meanwhile, shared the same pool photo with the message “27 today” alongside a holding-back-tears emoji. “Happy Birthday Bust,” the message continued with a white heart. “We love you x.” His second photo was David as a younger dad with an elementary-school-age Brooklyn and a similar message: “Happy Birthday Bust,” he wrote with a pink heart. “Love you x.”

For years, there were rumors floating that Brooklyn Beckham and his wife, Nicola Peltz, were feuding with Brooklyn’s famous parents. Brooklyn’s side of those rumors was confirmed in January, when he shared a series of explosive Instagram Stories detailing his issues with his mom and dad.

“I have been silent for years and made every effort to keep these matters private,” Brooklyn wrote at the time. “Unfortunately, my parents and their team have continued to go to the press, leaving me with no choice but to speak for myself and tell the truth about only some of the lies that have been printed. I do not want to reconcile with my family. I’m not being controlled, I’m standing up for myself for the first time in my life.”

Much of Brooklyn and Nicola’s issues with the Beckhams appeared to stem from their April 2022 wedding, and when the younger couple renewed their vows in August 2025, neither of the elder Beckhams attended. Brooklyn also skipped David’s 50th birthday party last year, while the other three of the Beckhams’ children — Romeo, Cruz and Harper — were all present.

You can find a full timeline of the Beckham family feud here.

A lot of fans have to wait lengthy periods of time for new music from their favorite artists. But only ARMY knows what it’s like to have to watch and wait as a group steps away for years — while at the height of historic success, no less — to fulfill military service requirements and pursue solo endeavors before finally, finally reuniting in the studio to create its first full-length in six years. Such has been the case for BTS.

In 2022, RM, Jin, Suga, j-hope, Jimin, V and Jung Kook announced that after taking K-pop to an unprecedented level with global crossover hits such as Billboard Hot 100-toppers “Dynamite,” “Butter” and “Permission to Dance,” they’d be stepping away to complete their government-mandated time in the South Korean military. After having the bounds of their patience tested for years, however, fans will finally reach the promised land when comeback LP ARIRANG drops, after which the boy band will embark on a sprawling world stadium tour in 2026 and 2027. It’s a moment that’s been an immeasurable amount time, work and life experience in the making, as the members have spent the past three years staggering their required enlistments and taking turns releasing solo music to tide listeners over, discovering new elements of their artistry as individuals in the process.

Fast forward to present day, and the Bangtan Boys have walked away from months spent recording and rehearsing — having gotten back in the studio almost immediately after the last few members were discharged in June 2025 — with a brand new album completed that ARMY will be able to hear at last very soon. And as the clock ticks down, Billboard is keeping track of all the details we know about ARIRANG leading up to its invitable culture-stopping drop.

From the tracklist to the release date, see everything we know about ARIRANG so far below.


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All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Apple’s latest and greatest flagship smartphone line received a fresh batch of hardware updates this year, bringing with it an innovative front selfie camera, a powerful A19 and A19 Pro chip, and a new fleet of phone options to shop. If you’ve been eyeing the iPhone 17, you can now upgrade to Apple’s powerhouse smartphone for free online.

Over at T-Mobile, customers can now take advantage of the carrier’s “iPhone 17 on Us” deal, which gives customers a discount of up to $1,100 off when you trade in your old phone and sign up for a new plan. In addition, T-Mobile will now pay off your old phone up to $800 per line as well. T-Mobile says its plans could save you up to 20% compared to similar packages from other providers.

Free iPhone 17 deals with T-Mobile.

iPhone Air in Sky Blue

A Sky Blue iPhone Air.


According to the criteria, the biggest discount is eligible with a trade of an iPhone 13 Pro or newer, but older devices can still get up to $820 off here. For those looking to switch over to T-Mobile, the company will give you an iPhone 17 “on us” when switching and adding a line on their Experience plan. T-Mobile is offering an impressive $1,000 rebate when you port your number over from a rival carrier. The switching deal can cover the entire cost of the iPhone Air, whereas the maximum trade-in rebate will cover an iPhone 17 Pro.

If you get a plan with T-Mobile, you’ll also gain access to their T-Satellite service, which gives customers access to free text messaging, location sharing and 911 emergency text services even in the most remote areas that typically struggle with traditional cellular service. T-Satellite is included for free on their best plans: Go5G Next and Experience Beyond. You can also add it for $10 a month per line on any qualifying plan—that’s $5 off for a limited time.

The iPhone 17, 17 Pro and the iPhone Air are available starting with 256GB of storage — double the entry storage from the previous generation — and a 512GB option. The base iPhone 17 comes in five beautiful colors: black, lavender, mist blue, sage, and white, while the Pro phones will feature a silver, deep blue and cosmic orange color. The new iPhone 17, 17 Pro and Air are available now at T-Mobile.

Free iPhone 17 deals with T-Mobile.

iPhone 17 in Sage

A Sage iPhone 17.


Free iPhone 17 deals with T-Mobile.

iPhone 17 Pro in Cosmic Orange

A Cosmic Orange iPhone 17 Pro.


Poetic power ballads and distortion. Rebellious chants across stadiums and side streets. What defines the true titans of Latin rock? A genre shaped by voices and styles that grapple with identity, social unrest, and catharsis, yet also exudes pure joy in movement and sound. Some bands electrify audiences with unrelenting attitude and unforgettable energy, while others build their legacy slowly, threading local traditions into global sounds and pushing musical boundaries.

From its raw beginnings in the ’60s — from the proto-punk of Peru’s Los Saicos to the kaleidoscopic sounds of Chile’s Los Jaivas, and later, the electrifying innovation of Colombia’s Diamante Eléctrico — Latin rock has always been a movement amplified by defiance, creativity, and revolution.
Curating a list of the 50 greatest Latin rock bands requires not just careful consideration of their historical and cultural impact, but acknowledgment of how their influence resonates through generations.

As with any definitive list, some omissions are unavoidable, reflecting the complexities of Latin rock’s lineage. For example, Serú Girán’s absence in favor of Sui Generis acknowledges the challenge of distinguishing between the legendary contributions of Charly García’s multiple projects. Similarly, Jaguares, an undeniable force in Mexican rock, steps aside for Caifanes — whose earlier material, fronted by the iconic Saúl Hernández, laid the foundation for later successes.

Some bands, such as Juanes’ formative project Ekhymosis, are acknowledged for their contributions but ultimately did not make the list, as their impact was overshadowed by the solo success of their members. Meanwhile, Chicano groups like Los Lobos and Santana, whose influence remains paramount, were not included in this list, which focuses specifically on bands whose most iconic achievements were primarily delivered in Spanish.

What makes Latin rock distinct from its English-language counterpart is its ability to fuse genres and cultures seamlessly: ska, reggae, Caribbean rhythms, punk, cumbia and even murga collide in unexpected harmonies and sounds. It is these qualities that elevate bands like Panteón Rococó or Los Rabanes, whose genre-hopping music reminds us that Latin rock thrives on creative disruption, rarely staying inside clearly defined boundaries.

What binds our selection of 50 acts together is timeless artistry. These are bands who electrified barrios from Buenos Aires to Bogotá, Monterrey to Montevideo, driving garage rock global, reframing protest songs as anthems, and creating music that transcends trends and geography. Without further ado, Billboard Latin and Billboard Español present the 50 best Latin rock bands of all time below!


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Sony Music Publishing completed a 2025 four-quarter sweep, coming in as the No. 1-ranked publisher in both Radio Airplay and on the Hot 100 in the year’s final quarter.     

After landing the No. 1 spot in both rankings in the first three quarters, Sony cemented its year-long No. 1 placement in Q4 by spinning a commanding lead as the top publisher in the Radio Airplay rankings with a 30.3% showing, nearly eight percentage points better than the No. 2-ranked publisher, Warner Chappell Music. On the Hot 100 ranking, it landed a 21.57% tally — barely beating out a surging Kobalt, which garnered 21.43% of the chart in the fourth quarter — to complete the sweep on both lists.    

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Sony is also the publisher for the fourth quarter’s top Radio Airplay songwriter, Shane “sombr” Boose, the sole writer of the two songs he placed on that chart, “Back to Friends” (No. 9) and “Undressed” (No. 78). On the Radio Airplay chart, there was a tie for the No. 1 songwriter among the collaborators on Taylor Swift’s The Life Of A Showgirl album, with 11 of its 12 songs written solely by Swift, Max Martin and Shellback (they had a co-writer on the twelfth song). All 12 tracks landed on Q4’s Hot 100 chart, with 11 of them in the top half, including the quarter’s No. 1 song “The Fate Of Ophelia.” (Swift is represented by Universal Music Publishing Group; Martin and Shellback are represented by Kobalt.)

Sony had a share in 75 songs on the Radio Airplay chart, the same amount as the prior quarter, but its market share was slightly down from Q3’s 30.76%. Its top song placement came from having a stake in the quarter’s No. 1 song, Leon Thomas’ “Mutt.” On the Hot 100, Sony’s song representation fell from 69 songs in Q3 to 49 songs in Q4 — and a corresponding market share drop of eight percentage points from Q3’s 30.10%. Sony’s top song was Alex Warren’s “Ordinary,” the No. 3 tune on that chart.    

In scoring the No. 2 spot in the Radio Airplay rankings, Warner Chappell tallied a 22.13% tally, with 57 song placements on that chart, including a stake in its No. 2 song, “Ordinary.” Even though its song count and share were down from 64 placements and a 23.67% share in Q3, its Q4 showing represented the ninth consecutive quarter that Warner Chappell came in second place on that chart. On the Hot 100 rankings, however, Warner Chappell fell from No. 2 to No. 3 as its market share declined from 22.32% to 16.92%, and its song count dropped from 52 to 36 in the prior quarter.

Universal Music Publishing Group scored the No. 3 ranking on the Radio Airplay chart with a 13.92% mark, down from the prior quarter’s 14.79% showing. Yet despite a higher Q4 share on the Hot 100 chart, at 16.69%, it only managed the No. 4 spot there. Its top Q4 song on the Radio Airplay chart was Justin Bieber’s “Daisies,” the No. 3 song on that chart and one of UMPG’s 44 placements; on the Hot 100, it snared 47 song placements, including the Swift tracks, with “Ophelia” its top song.     

Kobalt may have been No. 4 on the Radio Airplay chart, with a 11.59% tally (40 song placements, including “Mutt”), but it came in at No. 2 on the Hot 100 chart, with a 21.43% share and 43 song placements. The last time Kobalt attained that lofty ranking was in the first quarter of 2013 on the Radio Airplay chart. (Billboard began tracking the Hot 100 publishers ranking in 2019.) What’s more, that Hot 100 tally marks the first time Kobalt has surged past the 20% market share milestone since Billboard began tracking the Radio Airplay rankings for publishers in 2006.

BMG notched a No. 5 publisher ranking on both charts, with a 6.23% score from 14 songs on the top Radio Airplay chart and an 8.15% tally from the same amount of songs on the Hot 100. Its top-placing song on both charts was “Golden” from the KPop Demon Hunters soundtrack, which was No. 4 and No. 2 on the tallies, respectively.    

The second half of the Radio Airplay rankings saw Concord (No. 6), Spirit (No. 7), Position Music (No. 8) and Big Machine (No. 10) holding over from Q3, though Concord was the only one that showed market share improvement, with its 2.36% share up from the prior quarter’s 1.40% — lifting it from Q3’s No. 8 ranking. Meanwhile, Reservoir returned to the top 10 at No. 9 with a 1.19% tally, after missing out in the prior two quarters.

On the Hot 100 rankings, the only holdover was Concord at No. 7, with a 2.05% share, the same ranking as last quarter despite nearly doubling its Q3 share of 1.07%. The new additions were St. Nicholas Music (No. 6), making its traditional 4th quarter appearance thanks to its representation of legendary Christmas music songwriter Johnny Marks. Ranked Nos. 8-10 were peermusic, Round Hill Music and a debut from Tamir Music, thanks to its stake in Eartha Kitt’s “Santa Baby” with Henri Rene and His Orchestra.

**Methodology: For the Top 10 Publishers Top Radio Airplay chart, percentage calculations were based upon the overall top 100 detected songs from 3,122 U.S. radio stations electronically monitored by Mediabase 24 hours a day, seven days a week during the period of Oct. 1 to Dec. 31, 2025. For Top 10 Publishers Hot 100 Songs, percentage calculations were based upon the top 100 songs ranked by Billboard Hot 100 points calculated from digital sales, streaming and Mediabase-tracked radio airplay detections during the period of Sept. 25 to Dec. 25, 2025, reflecting the chart dates of Oct. 11, 2025, to Jan. 3, 2026. Publisher information for musical works on both charts has been identified by the Harry Fox Agency. A “publisher” is defined as an administrator, copyright owner and/or controlling party.**


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All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Crocs has had a lot of collaborators in the past, but its latest takes the cake.

This time around, the footwear brand is teaming up with legendary anime series One Piece to create a line of its signature clogs and coordinating Jibbitz, all available March 5. One Piece is a popular franchise with film, books and even live action adaptations thanks to Netflix.

Speaking of the live-action adaptation, this Crocs collaboration drops at a pretty opportune time, given the second season of the show is set to return to screens on March 10. The adaptation’s first season was a massive success, amassing a viewership of 18.5 million, according to Variety. What better way to celebrate the return of the live-action series than by shopping for One Piece-themed footwear?

There are three new Classic Clogs to pick from, all with designs that pull inspo from important motifs from the anime. The collection’s crowning piece is a Luffy clog for $69.99 that emulates the beloved character’s outfit down to his iconic yellow and red straw hat, to a skull and crossbones print on the toe box that makes reference to the flag flown on Luffy’s ship, the Thousand Sunny.

Speaking of Luffy’s ship, the collection also features a Classic Clog inspired by the pirate vessel for $79.99, with details such as a large 3-D Jolly Rodger flag Jibbitz, that classic lion figurehead on the front and a dimensional rudder at the stern of the heel cup. A Chopper-inspired clog for $69.99 rounds out the trio in shades of blue to emulate the character’s color scheme. A larger motif of the cute reindeer doctor of the Straw Hat Pirates is attached to the toes. Every style comes in sizes for both men and women. The Chopper silhouette also comes in sizes for kids ages 5+, and retails for $54.99.

Beyond the array of clogs, the collection also features One Piece Jibbitz that depict some fan-favorite characters, from the katana-wielding Zoro to the chef of the Straw Hat crew, Sanji. Some of these Jibbitz come in a set of five, while other larger ones are sold as singles, such as the Brook or Robin Jibbitz. Like all Jibbitz, these are made of a durable, high-quality soft polyvinyl chloride material that can withstand wear and tear. Jibbitz can be inserted into the ventilation holes of your Crocs to further customize your footwear with even more One Piece flair. All these pieces mentioned and more are available on Crocs’ website starting March 5.

Shop Some of Our Favorites From Crocs’ One Piece Collection Below

Where to buy Crocs' 'One Piece' collection online.

One Piece Thousand Sunny Classic Clog

This Classic Clog model is designed to resemble the main character Luffy’s pirate ship, known as the Thousand Sunny.


Where to buy Crocs' 'One Piece' collection online.

One Piece Luffy Classic Clog

This Classic Clog is meant to emulate the fearless pirate captain of the Straw Hat Pirates Luffy from the beloved anime down to his iconic straw hat.


Where to buy Crocs' 'One Piece' collection online.

Kids One Piece Chopper Classic Clog

This Classic Clog is meant to mirror the look of Chopper, the cute reindeer doctor of the Straw Hat Pirates. The toes of these shoes are even adorned with little Chopper motifs.


Where to buy Crocs' 'One Piece' collection online.

One Piece Five Pack of Jibbitz

$(Pricing Varies)

Buy Now at crocs

This set of five Jibbitz allows you to customize your clogs with the Straw Hat crew.


Where to buy Crocs' 'One Piece' collection online.

One Piece Luffy Five Piece Jibbitz Set

$(Pricing Varies)

Buy Now at crocs

This Jibbitz set is all about Luffy featuring motifs from the pirates life from his ship to his iconic straw hat.


Andra Day is set to receive the Harry Chapin Humanitarian Award at WhyHunger’s Chapin Awards Gala on May 6 at Cipriani 25 in New York City. WhyHunger is a global nonprofit dedicated to ending hunger and advancing the right to nutritious food.

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Day is best known for her hit “Rise Up,” which brought her a Grammy nomination for best R&B performance in 2016, and for her Oscar-nominated performance as jazz legend Billie Holiday in The United States vs. Billie Holiday. She won a Grammy for that film’s soundtrack album in 2022.

“‘Rise Up’ began as a personal reminder to keep going when the world feels heavy, and I never imagined it would become an anthem for resilience and justice,” Day shared in a statement. “To me, justice isn’t abstract — it means no one goes hungry, every child has nourishment and every community has hope. If this song has helped even one person have more compassion or be healed, I’m grateful.”

The Chapin Awards Gala will include a cocktail reception, dinner and live music. Previous event honorees include Pat Benatar and Neil Giraldo, Barbra Streisand, Elvis Costello, Emmylou Harris, Grace Potter, Darryl “DMC” McDaniels, Harry Belafonte, Jackson Browne, Jason Mraz, John Mellencamp, Jon Batiste, Judy Collins, Pete Seeger and Tom Morello.

Day’s participation in the 2020 PlayOn televised benefit concert helped raise more than $7 million to support WhyHunger and the NAACP LDF. Beyond hunger, Day’s charitable work has championed social and racial justice, gender equality, girls’ and women’s rights, the Elton John AIDS Foundation, and juvenile justice system reform.

In 2025, WhyHunger celebrated 50 years of impact and raised $1.4 million from its 40th annual Hungerthon fundraiser involving Bruce Springsteen, Chef Marcus Samuelsson, SAINt JHN, Yola, Young the Giant and more. In the last five years, the nonprofit has connected 6.6 million people to food and invested $9.6 million in community-led solutions globally.


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The Country Music Association is again set to honor some of the songwriters behind country music’s biggest hits of the year when the 2026 CMA Triple Play Awards are held Monday, April 13, in Nashville, and hosted by songwriter and CMA board member Jim Beavers.

This year, the CMA Triple Play Awards will honor 16 recipients: Andy Albert, Louis Bell, John Byron, Jessie Jo Dillon, Ashley Gorley, Riley Green, Charlie Handsome, Jacob Kasher Hindlin, Ella Langley, Chase McGill, John Morgan, Blake Pendergrass, Taylor Phillips, Austin Post, Ernest Keith Smith and Morgan Wallen. 

The CMA Triple Play Award recognizes songwriters who earn three No. 1 hits within a 12-month period, as measured by the Country Aircheck and Billboard‘s Country Airplay and Hot Country Songs charts.

The CMA is also honoring more than 40 songwriters who are celebrating their first No. 1 country hit since the previous year’s ceremony. Albert, Bell, Green, Kasher Hindlin, Langley, Morgan, Pendergrass and Post each celebrate their first CMA Triple Play Award this year. Meanwhile, Gorley remains the most decorated recipient and will receive his 27th CMA Triple Play Award at this year’s ceremony. 

As the ceremony is centered on the songwriters who create country music’s biggest hits, the CMA is also honoring a longtime champion and advocate for songwriters. Bart Herbison, executive director of the Nashville Songwriters Association International, will be presented with the CMA songwriter advocate award. The honor recognizes individuals who have significantly supported and propelled the art and careers of songwriters, making an enduring impact on the songwriting community. Herbison was instrumental in spearheading industry advancements including the Music Modernization Act, and led efforts that resulted in a historic 44% increase in mechanical royalties, and helped launch the Mechanical Licensing Collective. Making strategic investments in the Music Mill studios and Nashville’s Bluebird Cafe, Herbison has continued strengthening the songwriting community.

“I am humbled at this recognition by the Country Music Association,” Herbison said in a statement. “And I want to use this opportunity to thank the hundreds and hundreds of writers, particularly anyone who served on the Nashville Songwriters Association International Board of Directors during my tenure, who have all been integral to our advocacy efforts.” 

“Songwriters are the heartbeat of Country Music, and the CMA Triple Play Awards give us the opportunity to celebrate the creativity and hard work it takes to land three No. 1 songs in a single year,” Sarah Trahern, CMA Chief Executive Officer, said in a statement. “It’s just as special to recognize Bart with the CMA Songwriter Advocate Award, as well as honor those celebrating their very first No. 1 — a milestone that is often the start of an extraordinary career. Bringing our songwriting community together to recognize these achievements is one of the most meaningful ways CMA supports the people behind the music and the continued growth of the genre.” 

The 2026 CMA Triple Play Awards recipients: 

Andy Albert 
“Bigger Houses,” recorded by Dan + Shay 
“Hometown Home,” recorded by LOCASH 
“Somewhere Over Laredo,” recorded by Lainey Wilson 

Louis Bell 
“I Had Some Help,” recorded by Post Malone feat. Morgan Wallen 
“Pour Me A Drink,” recorded by Post Malone feat. Blake Shelton 
“Guy For That,” recorded by Post Malone feat. Luke Combs 

John Byron 
“This Town’s Been Too Good to Us,” recorded by Dylan Scott 
“What I Want,” recorded by Morgan Wallen feat. Tate McRae 
“Just In Case,” recorded by Morgan Wallen 

Jessie Jo Dillon 
“Lies Lies Lies,” recorded by Morgan Wallen 
“Am I Okay?,” recorded by Megan Moroney 
“Happen to Me,” recorded by Russell Dickerson 

Ashley Gorley 
“Liar,” recorded by Jelly Roll 
“This Town’s Been Too Good to Us,” recorded by Dylan Scott 
“Park,” recorded by Tyler Hubbard 

Riley Green 
“You Look Like You Love Me,” recorded by Ella Langley feat. Riley Green 
“Worst Way,” recorded by Riley Green 
“Don’t Mind If I Do,” recorded by Riley Green feat. Ella Langley 

Charlie Handsome 
“Guy For That,” recorded by Post Malone feat. Luke Combs 
“This Town’s Been Too Good to Us,” recorded by Dylan Scott 
“What I Want,” recorded by Morgan Wallen feat. Tate McRae 

Jacob Kasher Hindlin 
“Beautiful As You,” recorded by Thomas Rhett 
“Love Somebody,” recorded by Morgan Wallen 
“What I Want,” recorded by Morgan Wallen feat. Tate McRae 

Ella Langley 
“You Look Like You Love Me,” recorded by Ella Langley feat. Riley Green 
“Weren’t for the Wind,” recorded by Ella Langley 
“Choosin’ Texas,” recorded by Ella Langley 

Chase McGill 
“Happen to Me,” recorded by Russell Dickerson 
“I Got Better,” recorded by Morgan Wallen 
“20 Cigarettes,” recorded by Morgan Wallen 

John Morgan 
“Friends Like That,” recorded by John Morgan 
“Whiskey Drink,” recorded by Jason Aldean 
“How Far Does a Goodbye Go,” recorded by Jason Aldean 

Blake Pendergrass 
“Just In Case,” recorded by Morgan Wallen 
“Heart of Stone,” recorded by Jelly Roll 
“I Got Better,” recorded by Morgan Wallen 

Taylor Phillips 
“Liar,” recorded by Jelly Roll 
“This Town’s Been Too Good to Us,” recorded by Dylan Scott 
“Fix What You Didn’t Break,” recorded by Nate Smith 

Austin Post 
“I Had Some Help,” recorded by Post Malone feat. Morgan Wallen 
“Pour Me a Drink,” recorded by Post Malone feat. Blake Shelton 
“Guy for That,” recorded by Post Malone feat. Luke Combs 

Ernest Keith Smith 
“Guy for That,” recorded by Post Malone feat. Luke Combs 
“Just In Case,” recorded by Morgan Wallen 
“I Got Better,” recorded by Morgan Wallen 

Morgan Wallen 
“I’m the Problem,” recorded by Morgan Wallen 
“What I Want,” recorded by Morgan Wallen feat. Tate McRae 
“Just In Case,” recorded by Morgan Wallen 


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Baby Keem is the highest roller on Billboard’s Top R&B/Hip-Hop Albums chart as his new album, Ca$ino, debuts atop the list dated March 7. The set, released on eerie times/pgLang/Columbia Records, begins with 72,000 equivalent album units earned in the United States in the week of Feb. 20-26, according to Luminate.

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Of the first-week total, streaming activity contributed 55,500 units, a figure equal to 56.7 million official on-demand audio and video streams of Ca$ino’s songs. The remaining 16,500 units were from traditional album sales, while a negligible amount of sales of Ca$ino’s songs rounded the third and final metric. (One unit equals the following levels of consumption: one album sale, 10 individual tracks sold from an album, or 1,000 paid/subscription tier or 2,500 ad-supported tier of official on-demand audio and video streams for a song on the album.)

Elsewhere, Ca$ino cashes in a No. 1 arrival on the Top Rap Albums chart for Baby Keem’s first leader there and starts at No. 4 on the all-genre Billboard 200.

Before Ca$ino, the 25-year-old Baby Keem — born Hykeem Carter Jr. — charted with his debut album, The Melodic Blue. The 2021 project debuted and peaked at No. 3 on Top R&B/Hip-Hop Albums that September, spurred by its Grammy Award-winning collaboration with his cousin Kendrick Lamar, “Family Ties,” which hit a No. 8 best on Hot R&B/Hip-Hop Songs the same month.

Baby Keem, Lamar and No. 8 all meet again this week as Ca$ino track “Good Flirts,” a billing of Baby Keem featuring Lamar and singer Momo Boyd, debuts at the rank. It leads 10 cuts from Ca$ino onto the 50-position chart, and its entrance matches “Family Ties” for Baby Keem’s best result on the list. Boyd achieves her Hot R&B/Hip-Hop Songs debut while Lamar adds a 39th top 10 of his career, a sum that includes seven No. 1s.

“Good Flirts” traces its debut nearly entirely to 7.7 million official U.S. streams. It was the week’s most streamed Ca$ino track and opens at No. 4 on the R&B/Hip-Hop Streaming Songs chart. Beyond the R&B/hip-hop space, “Good Flirts” launches at No. 34 on the all-genre, multimetric Billboard Hot 100 chart.

Back to Hot R&B/Hip-Hop Songs. Here’s a rundown of Ca$ino’s premiere on the chart, with all songs debuting:

  • No. 8, “Good Flirts,” featuring Kendrick Lamar & Momo Boyd
  • No. 10, “Ca$ino”
  • No. 12, “House Money”
  • No. 14, “Birds & the Bees”
  • No. 17, “Circus Circus Free$tyle”
  • No. 18, “$ex Appeal”
  • No. 22, “No Security”
  • No. 26, “Highway 95 Pt. 2”
  • No. 27, “I Am Not a Lyricist”
  • No. 49, “No Blame”


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