Rapper Boosie Badazz was sentenced on Friday (Jan. 9) to no prison time following his guilty plea on gun possession charges.

At a court hearing in San Diego federal court, Judge Cathy Ann Bencivengo sentenced Boosie (Torence Hatch) to time served, plus three years of supervised release and a $50,000 fine, for illegally owning a gun after earlier felony convictions.

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The light sentence comes after Boosie struck a plea deal with prosecutors in August after he said he was “tired of fighting.” But even under the terms of that deal, the feds had recommended a stiffer sentence of two years in prison.

“I’m blessed not to be in prison right now,” Boosie said in a video statement released after the hearing, adding that he planned to accelerate touring and artistic projects that had been stalled during the case. “I’m just grateful right now.”

Boosie was first charged in June 2023 with being a felon in possession of a firearm — meaning he violated a federal law that prohibits people with felony convictions from owning guns. The rapper had previously been convicted of drug charges in 2011, along with numerous other earlier convictions.

The details of Boosie’s arrest were unusual. Local authorities spotted a handgun tucked in his waistband while monitoring the Instagram feed of a “known gang member” in San Diego — then used a helicopter to track him in real-time in an allegedly gang-associated neighborhood. After a traffic stop, he was found with a matching Glock pistol in the vehicle.

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Following years of procedural ups-and-downs, the case against Boosie was scheduled for a trial last summer. But in August, the rapper said he would accept a plea deal to “get on with my life.” The feds later revealed that they had promised a two-year sentence in return for the guilty plea. Last week, they formalized that request to the judge, citing the rapper’s “difficult upbringing which likely contributed to his current predicament.”

In the lead-up to sentencing, Boosie’s lawyers asked for less: No prison time at all and just two years of probation. The possession of the gun was a “serious but isolated lapse in judgment” and rather than any kind of “ongoing criminal behavior,” they said, and it had had no victims: “Mr. Hatch did not discharge a firearm or cause harm.”

In his statement following the hearing, Boosie suggested that he would seek even further to clear his name by seeking a pardon from President Donald Trump — an outcome he has already hired lobbyists to seek: “Praying for a pardon now, you know.”


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Blake Shelton secures his milestone 30th No. 1 on Billboard’s Country Airplay chart as “Stay Country or Die Tryin’ ” lifts two spots on the ranking dated Jan. 17. The single delivered 29.5 million audience impressions (up 13%) during the Jan. 2-8 tracking week, according to Luminate.

Written by Beau Bailey, Graham Barham, Sam Ellis and Drew Parker, the track marks another collaboration with longtime producer Scott Hendricks. Shelton last reached the summit as featured on Post Malone’s “Pour Me a Drink” for three weeks in October 2024. Before that, his “Happy Anywhere” and “Nobody but You,” both with Gwen Stefani, ruled in 2020. He earns his first leader as the sole billed artist on a song since “God’s Country” in 2019. Shelton first topped the chart, for five weeks, in 2001 with his debut single, “Austin,” which remains his longest-held No. 1.

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With 30 Country Airplay leaders, Shelton moves solely into second place on the chart’s all-time leaderboard, trailing only Kenny Chesney’s 33 since the ranking launched in 1990. Tim McGraw places third with 29 No. 1s, while Luke Bryan, Alan Jackson and George Strait each claim 26. Jason Aldean has notched 25, Keith Urban and Thomas Rhett, 21 each, and Brooks & Dunn, Toby Keith and Brad Paisley, 20 apiece. Garth Brooks, Luke Combs and Morgan Wallen follow with 19 each, ahead of Dierks Bentley‘s 18 and Florida Georgia Line and Carrie Underwood’s 16 each.

Westbrook Top 10 ‘Again’

Hudson Westbrook’s “House Again” returns to the Country Airplay top 10 (11-10; 19.6 million, up 6%). Over the holidays, Westbrook became the fifth and final act of 2025 to reach top 10 for the first time, joining Hootie & the Blowfish (“Bottle Rockets,” with Scotty McCreery), John Morgan (“Friends Like That,” featuring Jason Aldean), Josh Ross (“Single Again”) and Zach Top (“I Never Lie”). In 2024, 16 acts logged their first top 10s on the chart.

Billie Eilish is using her platform to amplify protests against the United States Immigration and Customs Enforcement, which has come under fire (even more than usual) for the killing of a Minnesota woman earlier this week.

On Friday (Jan. 9) — two days after 37-year-old Renee Nicole Good was fatally shot by an ICE officer during an immigration enforcement operation in Minneapolis — the pop star shared several back-to-back posts condemning the organization. The first one was a graphic calling ICE a “federally funded and supported terrorist group,” with the original creator describing the agency’s actions as “tearing apart families, terrorizing citizens, and now murdering innocent people.”

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The second post Eilish reshared on her Story calls on the country to “abolish ICE,” listing 32 people who reportedly died in ICE custody last year. The third encourages U.S. citizens to call their representatives in Congress to demand that ICE be defunded, and for the officer who fired the deadly shot in Minneapolis to be arrested and charged immediately.

Billboard has reached out to the White House and the Department of Homeland Security for comment.

ICE’s actions under the Donald Trump administration have been polarizing since he took office a year ago, but backlash has reached an all-time high this week following the scene in Minneapolis. The DHS, the president and Vice President JD Vance have all claimed that Good was trying to run over the agents with her car leading up to the shooting, and that the officer in question was acting in self defense; however, widely circulated video footage of the incident shows that Good had actually been driving the opposite way.

Even Trump struggled to explain what happened after he personally watched the video of the shooting in the Oval Office with a New York Times reporter also in the room. “Well … I … the way I look at it … it’s a terrible scene,” the newspaper reports of the twice-impeached POTUS’ reaction to the footage. “I think it’s horrible to watch. No, I hate to see it.”

Eilish has long been vocal in her opposition to Trump’s policies, endorsing his opponent, Kamala Harris, in the 2024 election. Prior to Friday, the nine-time Grammy winner had also shared other posts condemning the ICE raids in her home city of Los Angeles.


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All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Alex Warren is finally embarking on his first-ever arena tour.

That’s right. The Billboard chart-topper is bringing hits like “Ordinary” and “Carry You Home” to a stage near you starting May 25 in Bridgestone Arena, Nashville, TN, with his Finding Family on the Road tour. The tour will make stops in Houston, Los Angeles, Portland, San Diego, Kansas City and Chicago, among others, before ending in New York at the iconic Madison Square Garden on July 15. The tour will also make stops in Canada and Europe. It’s likely an opener or openers will be announced, if there is one, in the coming months as we creep closer to the first few dates.

Warren’s debut album, You’ll Be Alright, Kid, reached No. 5 and charted in the top 10 on the Billboard 200 for 13 nonconsecutive weeks this year. The set features his Hot 100 No. 1 hit “Ordinary,” plus his singles “Eternity,” “Bloodline” featuring Jelly Roll, “On My Mind” featuring Rosé and “Burning Down” with Joe Jonas.

In partnership with PLUS1, Warren is giving $1 from every ticket sold to Camp Kesem, which provides free camp and programs to children whose parents are fighting cancer. Speaking of tickets, presale for the tour began on Wednesday, Nov. 19, with hefty sales made on tickets at a number of stops. If you’re looking to get tickets for yourself, but you don’t want to spend a fortune, ShopBillboard has got you covered. We’ve scoured a bunch of ticketing websites to find you some of the most-affordable tickets out there for Warren’s tour. Keep reading to shop for tickets to the highly-anticipated event.

Where to Buy Tickets to Alex Warren’s 2026 Finding Family on the Road Tour

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PROMO CODES

SeatGeek


With our help, you can grab tickets to Warren’s tour with ease. Right now, you can use promo code BILLBOARD10 at checkout to receive $10 off at checkout. We’ve seen tickets at some venues for as low as $69. The ticketing service features a Buyer Guarantee that ensures smooth ticket purchases every time. The site also offers you venue options based on your location, giving you the closest venue to you. Thus far, we’ve seen affordable tickets starting as low as $55 depending on the venue, a price tag that will be even more affordable when you use our code.

How To Get Tickets To Alex Warren's 'Finding Family on the Road' Tour

BEST SEATING

StubHub


Pricing on StubHub is a little more hefty depending on which tour stop you’re planning on attending; however, the platform features some of the best seating we’ve seen thus far. In short, there’s ample room for you and your besties to get comfy seats wherever you please, both up close and in the nosebleeds.

You can shop for all dates and arenas with ease thanks to the ticketing service’s FanProtect Guarantee. This initiative protects fan’s purchases by ensuring valid tickets or your money back. Plus, if your event is canceled and not rescheduled, you will receive a credit worth 120% of the amount you paid for the impacted event, or the option of a cash refund.

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EARN REWARDS

Vividseats


You can also grab affordable seating options through Vivid Seats now, with some venues charging only $98. The ticketing service offers a 100% Buyer Guarantee that vows your transaction will be secure, that your tickets will be delivered before your event and that those tickets will be valid and authentic. Right now, you can use promo code BB30 to snag $30 off of your purchase. Our favorite feature of the site is that it shows you the lowest ticket pricing for each venue on the landing page without having to click into the venue so you can compare in one place.

ticketmaster

AFFORDABLE OPTIONS

Ticketmaster


Ticketmaster has a slew of good seating options at affordable prices, with standard tickets at some venues starting at as low as $46. Even close-up seating flush with the stage is affordable with prices like $135. The ticketing service offers a Fan Guarantee, which allows for cancellations, refunds or exchanges within 24 hours of booking, subject to certain exclusions. You’ll be scream-singing “Ordinary” in your perfect seats in no time.

The ticketing site also recently announced that they’re barring fans and brokers from operating multiple accounts on its platform. They also plan to shut down its long-criticized TradeDesk ticket uploading application and start requiring ticket brokers to hand over their Social Security numbers in order to sell tickets on Ticketmaster’s resale platform, further making sure your tickets are secure.

How To Get Tickets To Alex Warren's 'Finding Family on the Road' Tour

PROMO CODE

TicketNetwork


More savings can never be bad. You can grab Warren’s tour tickets through TicketNetwork with the code BILLBOARD300 to save $300 off orders of $1,000, and BILLBOARD150 to save $150 off orders of $500. If you don’t have the funds to buy your tickets just yet, you can also buy the tickets on the website now and pay later with help from Affirm. Plus, the website includes all-in pricing that lets you see exactly what you’ll be paying upfront (fees included).

How To Get Tickets To Alex Warren's 'Finding Family on the Road' Tour

GOOD PRICING RANGE

Gametime


Gametime features a slew of seating options for a range of prices, the most versatile we’ve seen. Some venues have tickets starting at $109, a steal given how in high-demand the tour is and how pricy tickets can become. Gametime guarantees the lowest prices, event cancellation protection, job loss assurance and on-time ticket delivery for a smooth ticket buying experience every time, no matter the occasion.

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

The 2026 Peach Bowl is headed to Atlanta. The college football playoffs continues with a showdown between the No. 5 Oregon Ducks and the No. 1 Indiana Hoosiers on Jan. 9 at 7:30 p.m. ET.

Oregon has been on an impressive redemption run after being demolished as the top seed last season. But, so far this season, the team has been dominating on both sides of the ball, including allowing just 16.3 points per game on defense while the offense scored a whopping 39.2 points per game. On the flip side, Indiana has had a perfect run this year with being the only undefeated record remaining in the FBS.

The 2026 Peach Bowl, at a Glance:

Who will come out victorious during the 2026 Peach Bowl? Well, you’ll have to watch to find out. We created a guide to streaming the college football game live online for free and without cable. Keep reading below to learn more.

How to Watch the 2026 Peach Bowl Oregon vs. Indiana Game Online for Free

While ESPN Unlimited doesn’t currently offer a free trial, there are other streamers that offer ESPN online free. If you want access to ESPN and additional channels, you can take advantage of DirecTV, Hulu + Live TV, Sling TV and Fubo, which are all offering free trials or promos right now. Some of them can give you free access to ESPN for up to a week.

Here are all the ways to watch ESPN online, including ways to stream ESPN online for free.

DirecTV is offering a five-day free trial, which will let you watch ESPN and more for free. The Entertainment and Sports Programming Network is included in all of the streaming packages. In addition to unlimited DVR storage, you’ll get access to local channels and the ability to stream on as many devices as you want.

With prices starting at just $4.99 for a day pass, Sling TV includes ESPN, ESPN2 and ESPN 3 (for ABC simucast) with it Sling Orange and Sling Orange + Blue packages — which features dozens of channels that can be streamed on up to three devices at the same time. Sling Orange + Blue features FS1 and the NFL Network too

Please note: Sling TV’s pricing and channel availability depends on your local TV market.

Fubo is another great option you can take advantage of to watch ESPN online. The streamer offers a seven-day free trial that’ll give you access to ESPN free and more than 240 live TV channels. The service offers a promo that’ll get you up to $30 off the first month, which can get you access to ESPN and more for as low as $54.99 (reg. $84.99 per month).

For the most content options, Hulu + Live TV gives you access to the entire Hulu library in addition to more than 95 live TV channels — including ESPN for just $82.99 per month.

And, unlike the rest of the options, you can also expand your content library by bundling Hulu + Live TV with Disney+ and ESPN Unlimited. You’ll not only have all of the Hulu library to watch, but also exclusive and original programming available exclusively on ESPN Unlimited.

How to get ESPN Unlimited online (ESPN Unlimited logo)

ESPN Unlimited


ESPN Unlimited is the official streaming platform for ESPN, and a subscription includes instant access to games and more exclusive content for $29.99 per month. You can save almost 17% off by purchasing an annual subscription for $299.99 per year. There is no free ESPN Unlimited trial, but it does include exclusive on-demand videos and access to content from what was formerly known as ESPN Insider.

In addition to live sports, ESPN Unlimited has original shows to stream on-demand, plus game recaps and analysis, a shorter version of NFL Primetime and full replays of historic NFL matchups.

To expand your savings and content offerings, currently, you can bundle ESPN Unlimited with Hulu and Disney+ for a single monthly price of just $29.99 per month for all three services for 12 months of streaming.

Grammy-winning Chicano rock band Los Lobos alleges in a pair of recent lawsuits that Sony has underpaid royalties on songs it recorded for the 1987 Ritchie Valens biopic La Bamba and 1995 Antonio Banderas western Desperado.

The legal complaints target different branches of the Japanese media conglomerate; one names Sony Pictures Entertainment and its subsidiary studio Columbia Pictures, while the other goes after Sony Music Entertainment. Together, the two lawsuits seek at least $1.5 million in contractual damages.

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The Sony Pictures case, brought in Los Angeles court in November, alleges that there’s a “massive deficiency” in Los Lobos’ royalties from the La Bamba soundtrack. The movie, starring Lou Diamond Phillips as Valens and distributed by Columbia Pictures, featured multiple Los Lobos covers, including a cover of Valens’ “La Bamba,” which spent three weeks at No. 1 on the Billboard Hot 100.

“Plaintiff’s representatives have recently discovered that no royalties for streaming exploitation of the recordings have ever been paid to Los Lobos for any country outside of the United States and Canada,” reads the lawsuit.

Los Lobos alleges that Sony Pictures is to blame for this underpayment because the movie company handles non-U.S. and Canada royalty accounting for the La Bamba soundtrack. The band says it sent a notice of breach in October, but to no avail.

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The Sony Music lawsuit, meanwhile, was filed last month but transferred to federal court on Friday (Jan. 9). This case focuses on the 1995 film Desperado, for which Los Lobos recorded the song “Canción del Mariachi” alongside Banderas, the movie’s star.

The band alleges it just learned that it has never been paid any streaming royalties for “Canción del Mariachi,” which was put on digital platforms by the Sony Music imprint Milan Records. This issue is “even more egregious,” says Los Lobos, because the song’s streams skyrocketed after mixed martial artist Ilia “El Matador” Topuria made it his walkout anthem in recent years.

“Despite the specific knowledge that the popularity of the recording was spiking and reaching new audiences, Sony and Milan still paid nothing to Los Lobos for streaming, and continues to pay nothing, for streaming anywhere in the world or for any time period,” reads the lawsuit.

“Canción del Mariachi” charted for the first time this summer, hitting No. 11 on the Billboard Latin Digital Song Sales chart.  

A spokesperson for Sony Music declined to comment on the matter on Friday. Reps for Sony Pictures did not immediately return a request for comment.


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Taylor Swift took over Toronto in late 2024, and the results have come in.

In November 2024, the blockbuster pop star played to 240,000 concertgoers across six sold-out nights at Rogers Centre during the first of two Canadian stops on her globally successful Eras Tour.

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A new city of Toronto costs and benefits report found that the three levels of Canadian government brought in an estimated $39.7 million from direct and indirect spending from Swift’s Eras Tour in 2024 and an economic impact of an estimated $282 million.

The report also shows the city spent over $3.6 million in anticipation and during Swift’s two weekends of concerts.

The information was revealed in a briefing note from the city’s department of economic development and culture, which unpacked the impact of Swift’s stop in the city and what it means for the future of large-scale events. The report was presented to city council members last April and has now been provided to Billboard Canada.

Locally, the biggest expense was $2.6 million for the Toronto Police Services. The report specifies that included traffic management, safety and security, as well as pre-concert merchandise sales, post-concert activities, hotel security and staffing at the concerts themselves, as well as paid duties for Metrolinx and Rogers Centre.

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Other major costs included $1.7 million for increased TTC (public transit) service over two weekends. The city reported that TTC revenue increased by $588,000 in comparison to the weeks leading up to Swift’s first show.

Additional costs — tallying up almost $600,000 — included funds for emergency staffing, marketing, infrastructure changessignage and fan activations — which the city says they made up by the time Swift hit the stage.

“While these initiatives incurred costs, the initiatives delivered significant value by driving economic activity, promoting the city’s reputation on a global stage and laying the groundwork for improved delivery of future events,” the report reads.

During Swift’s stay, the economic impact was an estimated $282 million during the 10 days of the singer’s Toronto tour dates. Coined the “Swift lift,” the report noted a 45% increase in week-over-week spending in the city.

Of the total $282 million earned in economic impact, $152 million was a result of direct spending. Commerce sales company Moneris reported that the increased spending benefitted multiple sectors, including clothing stores, hotels, movie theatres and restaurants, which came during what is typically a “slower season” — proving Swift’s impact.

Read a full breakdown here

Quebec Superior Court Approves Class Action Lawsuit Against Ticketmaster for ‘Unreasonable’ Service Fees

The Quebec Superior Court has approved a class action lawsuit against Ticketmaster over the platform’s service fees.

Initially filed by Montreal law firm Paquette Gadler in August 2024, the lawsuit claims that the service fees charged by the ticketing service violate Quebec’s Consumer Protection Act and the Quebec Civil Code.

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Earlier this week, in a ruling dated Jan. 5, Justice Eleni Yiannakis said the case met the conditions for a full trial. A date has yet to be set.

Ticketmaster has faced similar criticisms and lawsuits related to ticket buying issues, from bots and resellers to high inventory demands and costs.

According to court documents, the firm notes that Ticketmaster’s fees fluctuate based on ticket prices instead of the actual cost of the service provided. It’s a pricing model they call “excessive, unreasonable, abusive and disproportionate.”

The lawsuit was filed in August 2024 on behalf of the plaintiff and Montreal resident Felipe Morales, who bought four tickets on Ticketmaster in 2022 to see Bruce Springsteen perform in New Jersey the following year.

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While initially buying tickets, Morales selected four floor tickets for $225, but was kicked out when his “transaction could not be finalized,” as cited in the lawsuit. In the following minutes, he returned to the purchase page, but had to select lesser-than-ideal seats. He proceeded to pay $1,000 per ticket, but was faced with an extra $599 in fees on top of the total $4,000 ticket price.

Morales claims that he “suffered harm” from what he describes as the platform’s “illegal and wrongful actions.” Additionally, he notes that Ticketmaster’s service fees are not on par with what he was provided, noting that they increase as ticket prices go up — the lawsuit found that the platform’s fees can reach up to 75% of the base ticket price.

In addition, the class action includes Quebecers who bought tickets through Ticketmaster for any concerts in North America since July 2021, as Morales is “certainly not the only person to have suffered damages caused by the Defendants’ fault in this matter.” This includes purchases made at a venue’s box office, on Ticketmaster’s website (including their Admission Network) or their mobile app.

“Fees are split between the venue and Ticketmaster to cover the essential costs of supporting the show from staffing the venue to funding anti-fraud technology and payment processing,” says a spokesperson in a statement to Billboard Canada. “Ticketmaster‘s share of service fees is typically around 5-7 % of the total ticket price. We believe the most fair and transparent approach is showing fans the total cost upfront, which we’ve done in Canada since 2018. These fees are also scaled with the ticket price to help keep lower-priced tickets as affordable as possible.”

Read more here


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Taylor Swift’s prolific songwriting skills have endured through the 2000s, 2010s and deep into the 2020s. With 13 Hot 100 No. 1 hits (including “The Fate of Ophelia,” which is her longest-running Hot 100 No. 1) and 15 Billboard 200 No. 1 albums (including her latest release, The Life of a Showgirl), she’s found great success with her catchy hooks, gorgeous melodies, and her storytelling powers.

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In addition to her charting accolades, Swift counts the record-breaking Eras Tour on her résumé as the highest-grossing tour of all time, as well as 58 Grammy nods (she and her longtime collaborator Jack Antonoff are tied with the most nominations in the song of the year category with eight), with 14 wins, including four album of the year wins: Fearless in 2009, 1989 in 2005, Folklore in 2021 and Midnights in 2023, the most of any artist.

Her pen is spread throughout not just her own catalog, but others’ work too. She’s written songs for Miley Cyrus’ alter ego Hannah Montana, Boys Like Girls, B.o.B, Calvin Harris, Little Big Town, Sugarland, Big Red Machine (the indie supergroup of Swift friends Aaron Dessner – who produced and wrote with the superstar for Folklore, Evermore, Midnights 3 AM Edition, and The Tortured Poets Department – and Bon Iver’s Justin Vernon, who appears on both of her 2020 albums) and more.

Here are the 14 songs that Swift has penned that either other artists have recorded, she wrote directly for, or on which she appears as a feature.

Claire Rosinkranz talks about what colors and symbols helped inspire her for her songs “Chronic,” “My Lover” and”Crazy B*tch,” what it’s like to tour with Maroon 5 and more.

Claire Rosinkranz
It is about being a crazy b-tch. “This love has taken its toll.” It’s really weird, and it doesn’t really make sense. I guess it’s not really weird, it’s really cool. Hi, I’m Claire Rosinkranz, and this is music, you should know. When I was making “My Lover,” I focused on the theme of a garden a lot, because a garden is a place where life, death, pruning, picking, watering, roots and weeds can all exist, good and bad, life and death all together and still look very beautiful. That’s a lot of things in my life. And I also constantly was visualizing, like the lifespan of plants. How you know, things are planted, and things grow and blossom and bloom and reach their fullest potential, and then they start to wilt and die and go back into the ground, becoming life for the next plants ahead. That’s how I see a lot of things in my life as well, and sometimes the wilting and the death part is a very necessary process to get to the other side and produce more life. So there’s a lot of nuance to that, but the garden theme was something that was a forefront. I don’t think I’ve ever released a song like “Chronic,” and I think that was birthed out of a pretty tragic time. It shows a lot of different phases in my life where I would say that kind of represents the imagery of the plant, like being sown and then growing and blossoming and wilting and dying and becoming food for the next life ahead.

Watch the full video above

After emerging out of Agoura Hills, Calif. in the early 2000s, Hoobastank broke into the big time with their 2003 album The Reason, the title track from which reached No. 2 on the Hot 100 and scored Hoobastank a pair of Grammy nominations.

“I think we were surprised at how massive it became, and still is,” Hoobastank guitarist Dan Estrin told Billboard in 2023. “But we also knew the record company loved the song and was going to do everything they could to get it out there.”

Now, 22 years later, the track continues its cultural endurance via an official remix by Steve Aoki and Dutch duo Sound Rush, who bring big EDM and hardstyle vibes to the alt-rock original. Listen to the edit below.

The project has long been in fruition, with Aoki — who himself came to prominence in Y2K era SoCal — playing edits of “The Reason” during his festival sets over the years. The track comes from the newly released HiROQUEST 3: Paragon Remixed, a remix project of Aoki’s 2025 HiROQUEST 3 album.

“Every single day, we get tagged in videos of people covering it. It’s pretty amazing,” Estrin continued to Billboard in 2023. “All different styles, from funk versions to Steve Aoki doing a remix at Tomorrowland. We’ve seen a country version, a group of dads that sing and harmonize together, punk rock versions, heavy metal versions, people playing it on drums, guitar, bass and piano. Different vocal performances and Latin versions. And so on. It’s insane! My favorite karaoke videos are when it gets to the bridge where the lyrics belt out ‘and the reason is youuuu.’ Watching and hearing the entire bar sing it together is always awesome.”

To that end, turn this one up loud and belt along.