Cailin Russo captured widespread attention this year when her 2018 song “Bad Things” was featured in the end credits of Season 1 of the buzzy Crave drama series Heated Rivalry, introducing her to a global television audience. Yet her rise to prominence has been years in the making, marked by a diverse body of work that spans music, visual media and high-profile collaborations.

Now, still scorching from her Heated moment, Russo is releasing a new EP, DON’T, on March 11th alongside a new single today, “I Can’t Help You Now,” which is her first new music release since the runway success of “Bad Things.” She’s also set to tour this upcoming spring for her Bad Things Tour.

“I’ll perform old and new music,” She tells Billboard of the upcoming tour. “I will definitely perform ‘Bad Things.’ I have to give the people what they want!”

Russo initially stepped into the public eye in 2012 with her appearance in Justin Bieber’s “All That Matters” music video, a breakout moment that established her as a compelling on-screen presence. She continued to expand her creative reach with “Phoenix,” the anthemic track created for League of Legends, further solidifying her crossover appeal within both the music and gaming worlds.

Beyond her performances, Russo has earned critical recognition as a songwriter. Her contributions to Kanye West’s DONDA secured her a nomination for Album of the Year at the 2022 Grammys. Together, these milestones reflect an artist whose career has evolved through strategic collaborations, genre-spanning projects, and a steadily growing cultural footprint.

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Born and raised in San Diego, Russo grew up immersed in music from an early age, with a father who performed in a pop-punk band and made live instrumentation and creative collaboration part of her everyday life. Surrounded by music at home and influenced by her proximity to Los Angeles’ vibrant music scene, she developed both her artistic instincts and ambitions early on. Rooted firmly in rock, her sound reflects inspiration from No Doubt and The Rolling Stones while maintaining a style that is distinctly her own.

“I get a lot of inspiration from going to concerts,” she says. “I’m keeping my mind more open and receptive to all types of concepts and words that stand out. I’m into pushing the envelope musically.”

Her breakout track “Bad Things,” draws clear inspiration from the Rolling Stones’ “Miss You,” yet it carries a voice and edge entirely her own. Reflecting on the song’s origins eight years ago, Russo recalls writing it in a single day alongside collaborator, Gianluca Buccellati, ultimately landing on the now-beloved refrain, “I want to do bad things with you.”

The creative process was instinctive and unapologetically bold. “It had the sexual nature… hot, leather… saddle up cowboy,” she tells Billboard while describing how the track’s sultry, rebellious tone came together almost effortlessly.

At the time, however, Russo’s life looked far less glamorous. In October, while working a retail job, she was asked to have her team clear the song for Heated Rivalry while in between retail shifts. Similar to Connor Storrie and Hudson Williams, Russo balanced a regular day job while steadfastly pursuing her creative ambitions. The contrast was stark: industry breakthroughs unfolding in tandem with everyday responsibilities. “I had no idea it would be such a big show,” she admits.

What happened next was organic and powerful. The fans found the show — and in turn, they found Cailin Russo. Her rapid rise in attention and on streaming translated into chart action, with “Bad Things” raching No. 5 on the Billboard Rock Digital Song Sales Chart early this year. “This is something people dream of,” she tells Billboard. Yet beyond the numbers and visibility, Russo remains grounded in purpose. Describing the experience as “so wholesome, iconic,” she emphasizes what matters most to her: “I’m so happy to create a safe space for the LGBTQ [community].”

Since “Bad Things” surged in popularity, Russo admits the moment was not without its complications. “It threw me through an identity crisis,” she shares, reflecting on the tension between the youthful spirit that fueled the track and the maturity she has gained since it’s release in 2018. While she remains grateful that the song continues to create a space where listeners feel seen and safe, she acknowledges the personal evolution that comes with time. “There’s a stark difference between [being] a 22-year-old and a 32-year-old; there’s a lot more maturity,” she notes. 

Russo approaches that growth with humor and perspective. Joking about “digital footprints,” a playful nod to Hudson Williams’ viral portrayal of “Land Leopard” from his university days, she laughs easily, underscoring her belief that creativity should always carry a sense of silliness. “You have to laugh during a session to make sure it’s a good song,” she says, adding that whether something is clever or silly, “you have to celebrate it.”

Embracing the past as part of the story has brought renewed attention to her 2018 album, House With a Pool, now rediscovered by a wider audience. After scoring about 1,000 official on-demand U.S. streams a week in the pre-Heated Rivalry period, the album now racks up around 140,000 total weekly streams, according to Luminate. Though she initially had no plans to create a music video for “Bad Things,” overwhelming fan demand changed her mind, and she delivered, releasing the long-awaited video in January 2026, a testament to the community that helped propel the song’s resurgence.

Coming out the day before Valentine’s Day, her latest single, “I Can’t Help You Now,” arrives with impeccable timing. “We love a dramatic drop,” she said with a smile. The track, written by one of her friends, was a gift she describes as both flattering and creatively invigorating. Calling it “an incredible song,” Russo embraces the opportunity to weave in her own personal reflections, shaping it into a sharp, emotionally charged anthem about breakups and self-worth. Anchored by the biting lyric, “You fumbled a gangster,” the song captures love lost with equal parts vulnerability and edginess.

The single, part of her new EP, DON’T, also signals a clear evolution in her artistry. While her distinctive essence remains intact, there is a noticeable growth in her lyrical depth. Her newer work leans into themes that reflect her present-day experiences, with a deliberate focus on adult perspectives and the complexities of womanhood.

“My new EP is a little taste of the old stuff… it’s fresh, fexy,” she says, coining the term as a blend of fun and sexy. 

Next, Russo’s busy year continues as she prepares to hit the road this March and April, touring across the United States with stops in Los Angeles, New York, and Chicago.

“Being on the road is one of my favorite parts of being a musician,” she shares, expressing excitement about performing both her earlier catalog and new material. She is especially eager to sing “Bad Things” for the passionate Heated Rivalry fans who helped reignite the track’s popularity.

Looking ahead, Russo has her sights set even higher, naming Glastonbury and Coachella as dream stages. Festivals, she says, have been a lifelong goal and as she steps into this next era with new music on the horizon, fans are ready to follow wherever she goes.

Her advice to young artists looking to follow in her breakout footsteps is straightforward: “Put everything out and trust your gut. It’s youthful and creative. It’s so important to not overthink.”

Scott Borchetta is starting over and he couldn’t be more excited. “I can’t wait for us to be small again,” he says in his first interview after HYBE AMERICA announced Thursday (Feb. 12) that the Big Machine Label Group CEO/founder was leaving the company.

Borchetta reacquired the Big Machine name from HYBE and has relaunched Big Machine Records. In an interview that took place Thursday afternoon, Borchetta laid out his plans for his newest iteration of his label, including which artists he takes with him (Among the artists staying with HYBE are Thomas Rhett, Brett Young, Midland, Justin Moore, Carly Pearce, Preston Cooper, Jackson Dean and Mae Estes).

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Nashville-based BMLG, which Borchetta founded in 2005, become part of HYBE AMERICA in 2021 after HYBE purchased Ithaca Holdings. Ithaca bought BMLG 2019. As the end of Borchetta’s five-year contract with HYBE approached, the two entities looked at how to move forward and the answer was separately. Borchetta was itching to be on his own again and HYBE, which will announce more of its plans in coming days, was looking to move into other directions.

Borchetta declined to say how much he paid to buy the Big Machine Records name back from HYBE. Preferring to stay focused on his new company, he also stayed away from questions that had to do with how the new HYBE-owned label will run beyond what has already been announced, as well as if the changes had anything to do with BMLG’s Valory Music Co. president George Briner announcing his retirement earlier this week and if there would be layoffs in the reorganization.

The below interview was edited for length and clarity.

Why did you decide that you wanted to strike back out on your own?

I have never really been a great employee. I’ve always been an entrepreneur. I’ve always been around entrepreneurs, whether it was [former CEO of HYBE America] Scooter [Braun] or [Hybe’s Chairman] Bang. When [you look at] how many founder/CEOs have lasted a complete term within a new company, I’m really proud that I made my commitment and delivered it. When we start talking about what was next for both of us, I think that they really realized I’m so connected to the brand and that [my leaving] was probably the best conversation to have. I truly am so [grateful] to [chairman/CEO of HYBE AMERICA] Isaac Lee and [HYBE CEO] Jason Lee and Chairman Bang for this opportunity. They went over and above and I’m just so thrilled. And to know that “Hey, the handcuffs are off.” Now we just go again. I don’t have to check with anybody. And when we see something, we can go 200 miles an hour after it and go get it.

To clarify, your five-year deal that you signed in 2021 was up?

The actual deal is up in April. We parted on wonderful terms and so, as of today, I am a free man.

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You used the word handcuffs, were there ways that you felt restrained?

Honestly, handcuffs is not fair. I don’t mean it like that. To say I have my wings is probably more appropriate. They were predominantly very hands off. They’re reimagining the company. The way that I operate and what they want to do moving forward with Isaac being the new CEO of HYBE AMERICA, they’ve got a different vision. I think it’s a great vision for them. My vision is different. And so, we came to a really beautiful place to support each other moving forward.

How did you tell the staff? Was there a Town Hall on Thursday?

Isaac Lee and myself addressed the staff, and it was pretty beautiful moment when he announced that I’m reacquiring Big Machine. I think everybody in that moment knew that was the last time that we would all be Big Machine in that room. It was a big standing ovation and a lot of love because they knew that this was the end of the season.

In the press release announcing your departure, it mentions a number of acts that HYBE will keep, but there were a lot of acts that weren’t mentioned. Will any be coming with you?

Several are coming with me: Tim McGraw, Rascal Flatts, Lady A, The Jack Wharff Band, Aaron Lewis, Cole Goodwin, MacKenzie Carpenter…

What about Riley Green?

Riley’s already with me. He’s at Nashville Harbor. [Big Machine Label Group’s] Nashville Harbor is an independent label outside of HYBE.

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So it was more than a rebranding when you changed the name to Nashville Harbor from BMLG Records in 2024 and it also included a restructuring of ownership? I don’t think people knew that.

I don’t think we were necessarily loud about it. We created a new opportunity a couple of years ago. Nashville Harbor is owned predominantly by me and president/CEO Jimmy Harnen; HYBE does have a minority ownership in it… [In 2024], we didn’t want anybody to not be focused on the artists, and we figured out a really great way to make [the transition] seamless. To a certain extent what we’re doing today with Big Machine is an extension of the idea that I came up with for Harbor. Both imprint names will continue on [and] they will share staff.

HYBE also keeps what is now called Big Machine Music, the publishing company you started in 2012 that includes Grammy-nominated songwriters Jessie Jo Dillon and Laura Veltz. Will you start a new publishing company?

We intend to start a new publishing company.

Do you have any restrictions or non-competes on what you can do?

There’s a no-compete with the artists and executives that are staying [with HYBE AMERICA], but as far as operationally, no. We are independent and wholly owned.

Are you taking any executives with you?

There are several. In addition to Sandi [Borchetta, senior vp of creative] and myself, there’s another 16 employees that are moving over, including Julian Raymond and Andi Brooks. I have a handful of people from other departments.

Who will handle your distribution?

Universal through HYBE distribution.  I am going to stay connected to HYBE and the Nashville division because we are going to continue distribution with them, and I will have access to backroom services, marketing…we’re going to stay with our international team. So, there’s still a lot of connectivity that we will have.

When Big Machine started 20 years ago, you were selling CDs for around $12 to brick and mortar outlets, now you’re receiving .0004 cents per song stream. How do the changing economics affect how you launch a label and how you sign artists?

I think one of the things that we’ve been a little bit weary of is not calling our artists influencers, but anybody who has an audience is an influencer…As far as signing, there has to be some spark. It’s one thing to see something that you think is incredible, but it’s got to go beyond. Do they have a social story? Are people attracted to whatever it is they have to say? I’ve seen so many things on paper that look great. It’s like, “How did that not work?” It’s like, “Well, nobody cared.” So, there’s got to be a life story, there’s got to be some kind of significant conversation that’s leading to selling a ticket and a stream. You can start from zero, but it’s never been harder.

Under the old Big Machine Label Group, there were five imprints, including a rock imprint. Do you anticipate starting another rock label?

As much as I love rock music–we tried really hard and we had some moderate success–but at this point, I couldn’t sign a rock artist and properly service them. When I had [Big Machine Rock GM] Heather Luke and that team, we had some hits with Badflower and with The Struts and all that, but we weren’t able to scale it. So right now, the focus is on our country and Americana stuff.

What does next week look like logistically? Do the 16 of you take over the current offices, which you own, on Tuesday after President’s Day?

All my people are in that office already, so they don’t have to move. We’ve got to pick up the ball because MacKenzie Carpenter, who was on Valory, has a radio tour that I’m not stopping so I’m changing out regionals. We have The Band Perry record out [Friday] on Nashville Harbor. I told everybody that I could tell ahead of this day, which wasn’t a lot, don’t lose focus of what we need to do. We were able to keep our eye on the ball to get this Band Perry record out and off to a great start. So, we can’t forget what our job is. Are there distractions? There’s always distractions. Is this one of the bigger ones? Yes, it is.

Are you staffing up beyond this 16?

I’ve got the 16 there and then we have another eight or so at Nashville Harbor. So, this is going to be between a 25 and 30-person staff, and so I think we’re in really good shape. I think we can cover everything we need to cover. We will continue to stay in our Big Machine headquarters, and I believe HYBE’s intention is to have their own standalone space which they will announce when they are ready.

What excites you the most about starting over again?

I think I’m most excited about being smaller again, reacquiring that indie vibe of literally having everybody able to fit in my conference room. I’m excited about going from as many as 40 artists when we had the rock label and now going down to like 11 or 12. This is going to be like the early days all over again. And that’s exciting.

The Foo Fighters are gearing up for… something. The veteran band appeared to tease their next era this week when their official website turned into a high school rocker’s bedroom festooned with rock posters that serve as interactive previews of new songs, amid piles of CDs and a clump of dirty clothes.

In a nod to old web 1.0 technology, fans can tool around on the landing page and discover the hidden clips by hovering or clicking on the wall full of images of the band in the studio and on stage. And while none of the song titles are currently available, last month lead singer/guitarist Dave Grohl confirmed a new LP is on the way during a one-off show at UTAS Stadium in Tasmania.

We might have a whole new record of f–king songs that we just finished the other day,” Grohl told the audience in the first public confirmation about a follow-up to 2023’s But Here We Are. On their Instagram page, the band wrote “consider this an evaluation,” along with a shot of the bedroom.

From sounds of it, the group’s 12th studio album is a ripper. Going from left to right, one brief clip is mostly just Grohl screeching what sounds like “Decide, decide decide/ Do I, do I, do I,” over spare guitar before the drums kick in. Right next to that is a bouncy pop number whose wordless refrain is classic Foos, and just below is one in which Grohl repeats “turn the cameras on” over a rising beat. Underneath is a mid-tempo tune in which Grohl sings, “unconditional, it’s unconditional” over a driving beat, just above a poster that features the repeated phrase “Do you want more???,” perhaps hinting at the title of the album.

A picture of new drummer Ilan Rubin — with a picture of currently injured guitarist Pat Smear on the bass drum — unveils another driving rock tune, though none of the lyrics are included. Right next to that is a showcase for Rubin’s frenetic playing in the form of a furious pattern over slashing guitars. An image of a seated Smear in the studio previews a whipsawing rocker, while a snippet near the bottom of the page gives a sneak of one of the more sedate songs, with Grohl singing, “Lately I don’t hear a sound,” over a midtempo groove.

The mood cranks back up to furious chaos when you click on a pic of a smiling Grohl sitting in bed, his screaming bleeding out over a chorus of “na, na, na”‘s. Eagle-eyed fans might also notice a subtle tribute to late drummer Taylor Hawkins in the bottom right corner in the form of his signature hawk logo, which changes from black to bright colors surrounded by stars when you click on it; the beloved drummer died at age 50 in 2022 when the Foos were on tour in Colombia.

Earlier this week the band posted what sounded like a smash cut of new songs on Instagram, cryptically writing “of a broken broadcast system” and on Feb. 4 they shared another mega-mix of uptempo rockers with the message “this is just a test.”

At press time no additional information was available on the album’s title or release date.


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Have you ever wondered if your favorite musicians could shoot hoops like the pros?

Each year, the Ruffles NBA All-Star Celebrity Game gives your favorite musicians, talk-show hosts, reality TV stars and more a chance to prove their stuff on the court for the world to see. This year’s game is slated to take place at the Kia Forum in Inglewood, Calif., on Feb. 13 at 7 p.m. ET/4 p.m. PT.

The show, which is available to stream on ESPN, features a decorated roster of some of music’s biggest acts, including DJ Mustard and GloRilla. You’ve also got actor and comedian Keegan-Michael Key, NBA legend and champion Jeremy Lin, Hulu’s The Secret Lives of Mormon Wives star Taylor Frankie Paul, Love Island USA standout Nicolas Vansteenberghe, among others. Teams will be coached by legendary names in sports such as Giannis Antetokounmpo alongside his brothers Thanasis and Alex Antetokounmpo, Chris Brickley and Mookie Betts, just to name a few.

This year’s celebrity game will also feature a halftime show, headlined by five-member K-pop group CORTIS. This marks the first-ever halftime Celebrity Game performance by a K-pop artist. The group was recently named part of the NBA’s Friends of the NBA program, which is the league’s official network of celebrities and influencers.

Looking to watch the celebrity game? Below, we’ll be taking you through how to stream the event live for free. You can also learn more about the event here.

Watch 2026 Ruffles NBA All-Star Celebrity Game:

DIRECTV

If you’re looking to watch figure skating during the 2026 Winter Olympics, we suggest you consider DIRECTV. The streaming service’s MySports package features ESPN Unlimited, which will give you access to the basketball game.

This package is currently available for $59.99 for the first two months of service ($69.99 a month afterwards) and is perfect for those looking to tap into a slew of sports-based channels, including ABC, CNN, FOX and NBA TV. Remember, this is a sports-oriented package. If you’re unsure about committing to a new subscription, you can simply try the service out for free for five days, which will give you plenty of time to watch the celeb game before canceling your subscription.

Sling Orange

Another way to tune into the celeb game is with a subscription to Sling, specifically Sling Orange. The package is available for $45.99 a month, and gives users access to live channels, including ESPN. Subscribers will also have access to Disney Channel, CNN, NCAA, WNBA, ESPN, TNT and more.

If you aren’t looking to shell out on a monthly subscription just yet, Sling Orange also has one day, three day and seven day passes that offer a window of time that users can stream for an affordable price. This comes in handy for special events like this basketball game. A one day pass will run you $4.99, while three days is $9.99 and a seven day pass is $14.99.

Fubo

Another way to watch the basketball game is via ESPN on Fubo, which has a weeklong free trial available here. Fubo’s package includes a free DVR so you record the broadcast to watch the special back on-demand. Continue with one of Fubo’s streaming deals or cancel before your free trial is up to avoid being charged. The streaming service’s Sports + News package includes ESPN Unlimited so you can watch the celeb match. The service is currently $10 off for new users for the first month, coming in at $45.99. Users will have access to 29 channels, including FOX, ABC and CBS, among others. See details here.

Hulu + Live TV

Another option for our readers is a Hulu + Live TV subscription, given that ESPN is included in the live TV channel lineup. The service’s live package includes major networks along with MTV, like CBS, ABC and more for all your live TV viewing needs. The service also offers a three-day free trial to new users. A subscription to the service (with ads) will cost $89.99 per month, while the plan without ads goes for $99.99 per month. Both plans give you access to watch the celeb basketball game.

ESPN Unlimited

ESPN Unlimited gets you directly to all the sports you’ll ever need, including this celebrity basketball game. The service will run users $29.99 a month for the unlimited plan, which will give you access to the game. Channels available to you with a subscription include NFL, WWE Premium Live Events, NBA, WNBA, NHL, SportsCenter, FOX Sports and FS2, among others. There is no free trial for the service.

Some recordings take years or even decades to acquire classic status. Others are classics right off the bat. Seventeen records from the 1990s have been inducted into the Grammy Hall of Fame, which means they went in as soon as they became eligible, or soon after. Records become eligible 25 years after their release. Counting this year’s 14 additions to the Grammy Hall of Fame that were announced on Wednesday (Feb. 11), the Hall now includes 1,179 recordings.

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Of the 17 recordings from the 1990s that have been inducted so far, hip-hop and alternative rock are the genres with the most representation – five recordings each. Lauryn Hill, Dr. Dre, Jay-Z, A Tribe Called Quest and 2Pac represent rap and hip-hop. Nirvana (with both an album and a single), Pearl Jam, Radiohead and R.E.M. are the acts associated with alternative that have been acknowledged.

The 17 inducted recordings include 13 albums and four singles. Two of the inducted singles were written by the bands (Nirvana’s “Smells Like Teen Spirit” and R.E.M.’s “Losing My Religion”), but the other two were cover versions that were so definitive that they instantly seemed like more than ordinary cover versions – Whitney Houston’s power ballad rendition of Dolly Parton’s “I Will Always Love You” and Bonnie Raitt’s tender reading of Mike Reid and Allen Shamblin’s “I Can’t Make You Love Me.”

Three of the inducted recordings were debut albums (Buena Vista Social Club’s Buena Vista Social Club, Jay-Z’s Reasonable Doubt and Pearl Jam’s Ten). Two others were solo debut albums (Dre’s The Chronic and Hill’s The Miseducation of Lauryn Hill). At the other extreme, two of the inducted recordings were those artists’ 18th studio albums – Santana’s Supernatural and Emmylou HarrisWrecking Ball.

The Grammy Hall of Fame was established by the Recording Academy’s national trustees in 1973. The original idea was to honor recordings that were released before the Grammys were first presented in 1959. It is now open to any recording that is at least 25 years old. The inducted recordings are selected annually by a committee, with final ratification by the Recording Academy’s national board of trustees. Selected recordings must demonstrate “qualitative or historical significance.” Eligible recipients receive a certificate from the Recording Academy.

Recordings released in 2000 and 2001 are now eligible, though none have been selected yet.

Here’s the complete list of recordings from the 1990s that have been selected for the Grammy Hall of Fame, listed alphabetically by artist.

A week after dropping the hilarious, retro ’90s video for “Opalite,” Taylor Swift is doubling down with two extended versions of the star-studded clip. In an Instagram post announcing the bonus footage on Friday morning (Feb. 13), Swift shared a series of behind-the-scenes screen grabs from the set, writing, “I never want to forget a single detail of this hysterical shoot, and now I don’t have to! Excited to share more of the ‘Opalite’ Music Video with two extended versions full of dance lessoning, our phenomenal cameos, camcorder footage, gigantic scrunchies & fanny pack angles!”

In the first extended cut, after the full official video featuring dance partner Domhnall Gleeson, as well as Lewis Capaldi, Greta Lee, Jodie Turner-Smith, Graham Norton and Cillian Murphy unspools, Swift pops up on old school TV explaining the genesis of the clip that had a real-life inspiration. “For like a year I was like, ‘what would I do for the ‘Opalite’ video?’,” Swift says, explaining that the idea for the visual she wrote and directed was hatched when she appeared on Norton’s British chat show in October with a panel that became the cast of the video.

Lee adds, “It was wild. In the middle of our interview we turn and we see,” then Capaldi breaks in and notes that Gleeson made his pitch on the show to one day be in a Swift video, with Lee wondering where his nerves went in that moment. Turner-Smith says, “we were all thinking it,” as the camera cuts to Swift’s surprised look at Gleeson shooting his shot during the broadcast.

Gleeson recalls someone asking if he noticed Swift’s shocked reaction when he made his pitch and he admits he didn’t. “‘She’s thinking about it.’ [And I said], ‘there’s no way she’s thinking about it,’” The Paper actor says in an on-set confessional-style interview. But, Swift being Swift, she confirms that unscripted moment instantly sparked an idea for the video.

A smash cut of behind-the-scenes footage leads to Swift smiling and saying, “this one was absolutely absurd and hilarious to make,” as she waves goodbye to 1993. “We miss you,” she adds with a kiss to the camera in the bonus footage that, of course, dropped on the 13th, extending her obsession with her favorite number. The first extended clip ends with bonus footage of the guest stars on set goofing around, Swift wielding a handheld video cam, as well as the singer learning the choreo for her silly dance with Gleeson and joking that the song’s chorus “actually sounds like a commercial.”

“So what if it was in the music video this magical product?,” she says of her idea to turn the word into a spray that has otherworldly powers. “Opalite is for people who want to choose to be unhealed, Opalite is for people who want to choose a path that serves them, but in our metaphor, inanimate objects represent the kind of toxic relationship they’re in, so I become best friends with this rock who is always, like, weighing me down,” she explains of her igneous lover in the video.

The end of the clip reveals that Swift surprised Gleeson with the dance portion, including a bit where she advises him to go “full send” on his performance, and then explains what the phrase means to the Irish actor.

The second extended cut opens with a confessional video of Swift on the set, as well as Capaldi, who plays a mall photographer, bragging that he has a special gift for “capturing people’s essence.” He says that in the brief periods he’s spent with Swift in the past she definitely noticed that quality about him. We then see him giving Swift and Gleeson advice on how to pull off their ridiculous poses, as well as Swift freaking out when she sees Turner-Smith in her 1980s aerobics instructor outfit for the first time. “I don’t even know what to do! Your such a star!,” Swift tells the Queen & Slim actress.

Norton pops in to gush about how detailed Swift’s treatment for the video was, marveling at how close it was to the finished product. “I’ve written this shot list, I’ve chosen every frame. I know exactly what we’re going for,” says Swift, who has directed 14 of her own videos to date.

The two extended videos are available now on Spotify, Apple Music, Amazon Music and Tidal.


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The European Commission has given its final stamp of approval for Universal Music Group’s $775 million acquisition of Downtown Music Holdings, concluding a two‑phase review that focused on competition and data‑access risks tied to Downtown’s services business.

The proverbial thumbs-up, announced early Friday (Feb. 13), follows remedies UMG submitted in December to address regulators’ concerns over access to commercially sensitive information from rival labels via Downtown’s Curve royalty accounting and rights‑management platform, as well as its broader artist and label services operations. Following the closing of the deal, Curve Royalties will be held as a separate business until its divestment.

“Bringing Downtown’s exceptional team and capabilities to Virgin Music Group means greater flexibility and a sharper set of services for independent entrepreneurs, artists and labels,” said Nat Pastor and JT Myers, Virgin Music Group co‑CEOs. “By uniting two culturally compatible companies with deeply complementary strengths, we’re creating a more powerful, more open ecosystem… We appreciate the European Commission’s thoughtful review and look forward to welcoming our new Downtown partners and colleagues.”

Pieter van Rijn, CEO of Downtown Music, added: “By joining forces with Virgin Music Group, we’re helping build a more diverse, dynamic and opportunity‑rich environment—one that amplifies independence and expands the cultural impact of the extraordinary partners we serve.”

Trade association IMPALA, which represents Europe’s independent sector, called the decision a landmark that underscores the EU’s readiness to intervene in culture‑defining markets — while warning that allowing the market leader to grow larger “falls short.”

“We thank the European Commission for their determination… to securing structural concessions,” said Helen Smith, IMPALA’s executive chair. “With only 1% of mergers in 2025 going to Phase II and a conclusion arriving fourteen months after the deal was struck, the EC is sending a clear message about the risks of expansionist policies in music. At the same time, the final outcome falls short.”

This is a developing story…

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

The first week of the 2026 Winter Olympics is already almost over. Approximately 2,900 athletes from around the world have gathered in Milan to compete for medals across 16 sports. So far, fans have been able to witness tense matches in figure skating, Alpine skiing, curling, ice hockey, speedskating, biathlon, snowboarding, freestyle skiing, ski jumping and Zamboni ghost riding with Snoop Dogg at the Olympic Winter Games Milano Cortina 2026. As of Day 6, Italy leads the total medal count with 17 (6 Gold), closely followed by Norway (7 Gold, 14 Total) and the United States (4 Gold, 14 Total).

Watch the 2026 Winter Olympics, At a Glance:

Thanks to the time-zone difference between Milan, Italy, and the U.S., expect most live events to happen early in the morning. If you’re not a morning person, there will be primetime replays and select live coverage airing on NBC throughout the event. The games officially kick off with the opening ceremony on Feb. 6. However, many preliminary matches are already taking place today and tomorrow for hockey, curling and other sports.

Live coverage of every event will be available to stream through the official streaming partner, Peacock. To learn how you can stream the 2026 Winter Olympics online without cable and for free, keep scrolling.

How to Watch the 2026 Winter Olympics Online for Free

The 2026 Winter Olympics in Milan will broadcast on NBC, USA Network, CNBC and NBCSN. The best way to stream the games is the channel’s official streaming platform, Peacock. While there is no free trial for new users, the platform offers affordable plans starting at just $10.99 per month, or an annual plan for $109.99 per year (which gets you 12 months of streaming for the price of 10).

DIRECTV

With DIRECTV, new subscribers can take advantage of a five-day free trial, so you can watch a week’s worth of Olympic games live and for free. The streaming platform carrier every network broadcasting the 2026 Winter Olympics, so you’ll never miss a sports moment. With so many different sports happening. DIRECT offers unlimited DVR storage so you can record, save and watch your favorite olympic moments whenever you’d like.

Hulu + Live TV

For the most content offerings, you can sign up for Hulu + Live TV and get access to the Hulu library in addition to more then 95 live TV channels (including NBC). The streaming platform starts at $89.99 per month, but there’s also three-day free trial for new users.

And, for even more programming, Hulu + Live TV now comes bundled with Disney+ and ESPN Unlimited, which gives you everything within the Hulu library, in addition to exclusive content on ESPN for even more sports coverage.

Sling TV

Sling TV offers the Blue package, which comes with NBC, USA Network, CNBC, MS NOW, Bravo and others. Blue is one of the most affordable options and comes with more than 40 channels and can be streamed on up to three device at a time. Please note: Pricing and channel availability varies from market-to-market.

Full 2026 Winter Olympics Streaming Schedule (Updating):

All times are in Eastern Standard Time.

Thursday, Feb. 12

  • Alpine skiing (slalom) – 4:00 a.m. (Peacock – Live)
  • Snowboard halfpipe finals – 6:00 a.m. (Peacock – Live)
  • Figure skating (ice dance rhythm dance) – 8:00 a.m. (Peacock – Live)
  • Curling (medal round qualifiers) – 10:00 a.m. (Peacock – Live)

Friday, Feb. 13

  • Biathlon pursuit – 5:00 a.m. (Peacock – Live)
  • Figure skating (ice dance free dance – medals) – 8:00 a.m. (Peacock – Live)
  • Skeleton finals – 10:00 a.m. (Peacock – Live)
  • Hockey (quarterfinals) – 12:00 p.m. (Peacock – Live)

Saturday, Feb. 14

  • Alpine skiing (tea.m. combined) – 4:00 a.m. (Peacock – Live)
  • Cross-country skiing distance race – 6:00 a.m. (Peacock – Live)
  • Figure skating (women’s short program) – 8:00 a.m. (Peacock – Live)
  • Speedskating medals – 11:00 a.m. (Peacock – Live)

Sunday, Feb. 15

  • Snowboard cross finals – 6:00 a.m. (Peacock – Live)
  • Figure skating (women’s free skate – medals) – 8:00 a.m. (Peacock – Live)
  • Luge relay – 11:00 a.m. (Peacock – Live)
  • Hockey (semifinals) – 1:00 p.m. (Peacock – Live)

Monday, Feb. 16

  • Freestyle skiing dual moguls – 6:00 a.m. (Peacock – Live)
  • Cross-country skiing team sprint – 8:00 a.m. (Peacock – Live)
  • Curling (medal games) – 10:00 a.m. (Peacock – Live)

Tuesday, Feb. 17

  • Biathlon relay – 5:00 a.m. (Peacock – Live)
  • Speedskating team pursuit – 7:00 a.m. (Peacock – Live)
  • Hockey (placement games) – 12:00 p.m. (Peacock – Live)

Wednesday, Feb. 18

  • Alpine skiing (final technical events) – 4:00 a.m. (Peacock – Live)
  • Freestyle skiing big air – 6:00 a.m. (Peacock – Live)
  • Curling (gold medal match) – 9:00 a.m. (Peacock – Live)

Thursday, Feb. 19

  • Cross-country skiing marathon – 6:00 a.m. (Peacock – Live)
  • Snowboard parallel events – 8:00 a.m. (Peacock – Live)
  • Hockey (bronze medal games) – 1:00 p.m. (Peacock – Live)

Friday, Feb. 20

  • Biathlon mass start – 6:00 a.m. (Peacock – Live)
  • Speedskating final medals – 8:00 a.m. (Peacock – Live)
  • Figure skating gala – 1:00 p.m. (Peacock – Live)

Saturday, Feb. 21

  • Men’s hockey gold medal game – 12:00 p.m. (Peacock – Live)
  • Women’s hockey gold medal game – 3:00 p.m. (Peacock – Live)
  • Men’s hockey gold medal game – 8:00 p.m. (NBC – Primetime)

Sunday, Feb. 22 – Closing Ceremony

  • Cross-country skiing final event – 6:00 a.m. (Peacock – Live)
  • Closing Ceremony – 2:00 p.m. (Peacock – Live)

Doja Cat‘s South African homecoming may have been brought to a halt when Hey Neighbour festival canceled its 2025 staging, but the Grammy winner will finally get to visit her motherland this spring.

Billboard can exclusively announce that Doja Cat will headline the third edition of Move Afrika, in partnership with pgLang and Kendrick Lamar, performing at Rwanda’s BK Arena on March 17 and South Africa’s SunBet Arena on March 20. This year, Move Afrika intends to continue building toward the first-ever pan-African music touring circuit, bringing job growth and increased economic investment to the continent.

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“From my South African roots straight to the world stage, we’re bringing energy, purpose, and real change to Move Afrika in Kigali and Pretoria,” says Doja Cat. “This isn’t just a tour, it’s a movement that creates jobs and opportunities that last. I’m proud to be part of something that celebrates Africa’s creativity, invests in its future, and shows the world that Africa isn’t coming, it’s already here.”

Fans can purchase tickets for the Rwanda show, dubbed “Move Afrika: Kigali,” here. Tickets for the South Africa show, titled “Move Afrika: Pretoria,” will be available to Mastercard cardholders during a pre-sale from Monday to Wednesday. World & World Elite Mastercard cardholders will have their pre-sale on Wednesday. The Big Concerts Fan Club pre-sale will take place from Tuesday to Wednesday. Finally, general public on-sale begins on Wednesday on Ticketmaster. Global Citizen will release details regarding limited free tickets in the coming weeks.

No stranger to Global Citizen’s sprawling network of shows, Doja co-headlined the 2024 Global Citizen Festival, where she used her voice to raise awareness for the “millions of men, women and children in Gaza, Ukraine, Sudan, the Congo and all across the world, [who] are suffering.”

After launching with a Lamar-headlined Rwanda show in 2023, Move Afrika added Ghana as a host nation in 2024, bringing along Nigeria for a John Legend-led night in 2025. In the years prior, Global Citizen mounted star-studded shows in Johannesburg (2018), Lagos (2021) and Accra (2022).

Doja Cat kicked off her Tour Ma Vie trek in New Zealand last November. She toured arenas across Australia and Asia through the end of 2025, kicking off the show’s South America leg in São Paulo, Brazil, earlier this month. After her Move Afrika dates, Doja will resume her tour, visiting Europe and North America for the rest of the year, before concluding Dec. 1 at New York City’s Madison Square Garden.

Last year, Doja earned her fifth Billboard 200 top 10 album with Vie, which spawned a pair of Billboard Hot 100 hits in “Jealous Type” (No. 28) and “Gorgeous” (No. 56).

Ten years ago was a moment in time that future historians will pour over, and many of us will try scrub from our memories.

The year 2016 was a turbulent one. The U.K. voted (narrowly) to leave Europe, the Pulse nightclub shooting shook America, the Zika outbreak threatened to cripple the Rio Olympics, and an outsider, who promised to “drain the swamp,” was appointed president of the United States.

Troye Sivan might have different memories. Ten years ago, the Australian pop singer was basking in the afterglow of Blue Neighbourhood, his autobiographical debut studio album. Blue Neighbourhood followed the EPs Wild and TRXYE (both of which hit No. 5 on the Billboard 200), and went on to hit No. 7 in the United States.

The collection delivered Sivan his first Billboard Hot 100 top 40 hit, as “Youth” peaked at No. 23, and won him two ARIA Awards. The first two of many. Later in 2016, Sivan snagged the MTV Europe Music Award for best worldwide act.

Sivan celebrates the milestone anniversary with Blue Neighbourhood – Ten Years On, which features new, reimagined art from Hsiao-Ron Cheng, the illustrator behind the original cover, and gathers two additional tracks.

One of those is the fan favorite “Strawberries & Cigarettes,” originally written during the Blue Neighbourhood era and synced to the 2018 film and soundtrack Love, Simon. And in a surprise release, the special addition includes “Swimming Pools,” originally available on a retail, physical exclusive version of the album.

Blue Neighbourhood – Ten Years On is issued through EMI on a limited-edition release on Blush & Blue 2LP, CD and cassette.

Much has happened in those 10 years. For Sivan, 26 billion streams, 10 million adjusted albums sold worldwide, nine ARIA Awards, a Billboard Music Award, three MTV Europe Music awards and two GLAAD Media Awards happened.

Stream Blue Neighbourhood – Ten Years On below.