Addison Rae was just sittin’ at a game sipping Diet Pepsi in Uber Eats’ new Super Bowl commercial when Matthew McConaughey tried to rope her into his ongoing quest to convince Bradley Cooper that football is nothing but a ploy for companies to sell food — a conspiracy theory she wants nothing to do with.
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The TikToker-turned-singer is one of several famous faces taking part in the food delivery service’s customizable ad campaign for the Big Game this year, as revealed Tuesday (Feb. 3). On the Uber Eats app, fans can pick and choose different scenes — including Rae’s — to create their own commercials based on the one set to air during the Super Bowl Sunday, in which the Interstellar star drives the A Star Is Born actor crazy by constantly pointing out all the food terminology that pops up in the sport.
In an example of the build-your-own function, the Grammy nominee pops up during a scene in which McConaughey and Cooper attend a Philadelphia Eagles game. “Not every food reference means they’re actually trying to sell you that food,” Cooper tells McConaughey, who ropes Rae in by saying, “You’re right, sometimes they’re selling you beverages — singing the song, huh?”
The camera then cuts to Rae drinking the namesake of her breakthrough hit, “Diet Pepsi,” which reached No. 54 on the Billboard Hot 100 in 2024. “Don’t drag me into this,” the Thanksgiving actress tells him.
Amelia Dimoldenberg, Tramell Tillman, Sauce Gardner, Jerry Rice, Pork Chop Womack and Sourdough Sam also filmed scenes from which fans can pick and choose while assembling their own Uber Eats commercial leading up to the ultimate showdown between the Seattle Seahawks and New England Patriots on Sunday. Featuring Bad Bunny as halftime show headliner, the 2026 Super Bowl will begin at 6:30 p.m. ET at Levi’s Stadium in Santa Clara, Calif.
Her partnership with Uber Eats comes shortly after Rae attended this year’s Grammys on Sunday (Feb. 1), joining fellow nominees Olivia Dean, sombr, Leon Thomas, The Marías, Alex Warren, Lola Young and KATSEYE in performing in a best new artist medley. Rae sang “Fame Is a Gun” from her Billboard 200 No. 4 debut album, Addison, during the showcase, shortly after which the award went to Dean.
Watch Rae’s cameo in one of the possible Uber Eats commercial combinations above.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-03 19:00:512026-02-03 19:00:51Addison Rae Sips Diet Pepsi as Matthew McConaughey & Bradley Cooper Squabble in Uber Eats’ Super Bowl Ad
Fifteen years after being folded into RCA Records, the influential hip-hop, R&B and pop label JIVE Records is being relaunched as a standalone frontline imprint under Sony Music’s RCA, with former UnitedMasters executives Mike Weiss and David Melhado named co-presidents.
According to a press release, the revived JIVE aims to honor the label’s storied legacy while reimagining its role for today’s music landscape. The new iteration will focus on signing and developing artists across genres, guided by what the company describes as a bold, artist-first creative approach.
Weiss, the son of longtime Jive leader Barry Weiss, and Melhado arrive after successful tenures at UnitedMasters, where they helped drive what’s described as a “holistic artist development model.” During their time at the company, they worked with artists including Brent Faiyaz, NLE Choppa, BigXthaPlug, FloyyMenor and Ekkstacy, among others.
“JIVE Records is deeply personal to me—it shaped entire generations and the way I learned this business,” said Weiss in a statement. “Relaunching this iconic label allows us to carry forward JIVE’s legacy of creative and operational excellence while proving that major labels can deliver both innovation and fairness for artists.”
Melhado added that the relaunch reflects his career-long focus on building artists from the ground up, “which has shaped my perspective on this business and what artists need to build lasting careers.” He called working with Weiss to relaunch the imprint an “opportunity to honor JIVE’s independent spirit and double down on developing artists while shaping culture.”
Founded in 1981 by Clive Calder as part of the Zomba Group, Jive rose to prominence in the 1980s and 1990s through its key role in hip-hop, R&B and pop. The label released bangers by DJ Jazzy Jeff & The Fresh Prince, A Tribe Called Quest and Too Short, later expanding into major pop successes with the Backstreet Boys, *NSYNC and Britney Spears. Following Sony’s acquisition of BMG, Jive was folded into RCA during a 2011 restructuring.
JIVE Records will operate out of Sony Music’s New York headquarters, with Weiss and Melhado reporting to RCA Records Chairman and CEO Peter Edge and COO John Fleckenstein. Edge called the relaunch “a natural evolution—and a poetic way to revive a label that has been at the forefront of hip-hop and pop.”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-03 18:37:302026-02-03 18:37:30JIVE Revived: RCA Reboots Label With Mike Weiss and David Melhado as Co‑Presidents
Fresh off her best pop solo performance win at Sunday night’s (Feb. 1) Grammy Awards, British sensation Lola Young will take the stage on March 15 for the 34th annual Elton John AIDS Foundation Academy Awards viewing party in West Hollywood, Calif.
According to a release announcing the gig, the “Messy” singer — who is also nominated for five Brit Awards this year — will play some of her biggest hits, “bringing her raw storytelling, powerhouse vocals and unmistakable edge to one of the most iconic events on the Oscar calendar.”
“It’s been incredible getting to know Elton and David, and I’m grateful for the support they’ve shown my music,” said Young ‚ whose “Messy” reached No. 14 on the Billboard Hot 100 singles chart — in a statement. “Performing at the Foundation’s Academy Awards Viewing Party feels like a special moment in today’s world. Their work to support communities who need it most is so important to me, and I’m proud to be part of a night that helps make a meaningful impact.”
The annual viewing party, hosted by John and husband David Furnish raises funds to support the Foundation’s crucial work to end HIV transmissions and tear down the stigma around the epidemic. The night will be co-hosted by Emmy- and Tony-winning actor Neil Patrick Harris and his husband, chef/author David Burtka.
“To honor the more than 40 million people living with HIV around the world, we cannot wait to gather once again with our friends and supporters to raise much-needed funds for our lifesaving programs,” John said in a statement. “Over the years, this stage has welcomed extraordinary young artists I have championed like Chappell Roan, Sam Fender, Gabriels, Rina Sawayama, Brandi Carlile, Dua Lipa and many more — big voices that have gone on to shape culture and move the world. This year, we’re thrilled to continue that tradition with Lola Young, a truly remarkable talent. It’s such an exciting time for new British artists, and Lola’s sheer brilliance has put her right at the forefront globally.”
Among the benefit chairs and committee members expected to attend are: Patricia Arquette, Sophia Bush and Ashlyn Harris, Brandi Carlile and Catherine Shepherd, Chris Colfer, Lana Condor, Tiffany Haddish, Colton Haynes, Christina Hendricks, Tove Lo, Melanie Lynskey and Jason Ritter, Eric McCormack, Keke Palmer, Orville Peck, Michaela Jaé Rodriguez, Sharon Stone and designer Donatella Versace.
After the Trump administration moved to halt funding for its crucial PEPFAR HIV/AIDS relief program overseas last year and Congress rejected a Republican House bill that would have wiped out more than $1.7 billion in funding for domestic HIV prevention programs this week, Anne Aslett, CEO of the Foundation, said that the fight is still ongoing and there is much left to do.
“HIV is not over, but we have the tools to end AIDS,” said Aslett. “We fund where others won’t, reach communities too often ignored, and scale solutions that work. Since 1992, this community of supporters, partners and advocates has raised nearly $124 million because we refuse to let anyone face HIV alone. The Academy Awards Viewing Party is more than a celebration. It’s how we turn bold action into real progress, and we won’t stop until this epidemic is over.”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-03 18:37:292026-02-03 18:37:29Lola Young Tapped to Perform at 34th Annual Elton John AIDS Foundation Oscar Viewing Party
Travis Scott was named Oakley’s chief visionary last year, and it’s only fitting that his music provides the soundtrack to the sunglasses company’s first Super Bowl commercial.
Scott took it back to the chaos of his Utopia opener “Hyaena” — which peaked at No. 14 on the Billboard Hot 100 in August 2023 — for the pair of adrenaline-inducing clips that star streamer IShowSpeed, former NFL star Marshawn Lynch, Spike Lee, Sky Brown, Sunny Choi, Kate Courtney and golfer Akshay Bhatia.
“This partnership has been really exciting for me. I need gear that fits my pace, and the Oakley Meta glasses let me capture moments and listen to music hands-free without breaking my flow,” Speed said in a statement on Monday (Feb. 2). “Everything’s hands-free, locked in and designed to fit naturally into how I move.”
The ad debuts the Oakley Meta Vanguard glasses, which combine athletics with performance and style while pushing the envelope of AI technology’s possibilities.
Scott has been a fan of Oakley and has even rocked the sunglasses during plenty of performances. The company tapped La Flame as the first-ever chief visionary in June, which will find him lending his trendsetting taste to Oakley products.
“I’m inspired by what people think can’t be done. It’s about pushing culture and reworking ideas to see how far they can go,” Scott said in a statement at the time. “Oakley’s design game is next level, and I had to be a part of that. We’re building something that blends legacy with the future — this is just the beginning.”
The Oakley ads will debut separately in the first and third quarters of Super Bowl LX on Sunday (Feb. 8). Watch the clips below.
The Grand Ole Opry will help celebrate the 25th anniversary of the RIAA 8x Platinum-certified O Brother, Where Art Thou? soundtrack on Feb. 28 with a special Opry show.
Billy Strings, Alison Krauss, Dan Tyminski, Alaskan Sunnyside Sisters, Chris Thomas King, Colin Linden, and Del McCoury will perform during the special event, as will Emmylou Harris, Fisk Jubilee Singers, Jerry Douglas, Molly Tuttle, Old Crow Medicine Show, Sarah Jarosz, The Fairfield Four, The Whites and Tim Blake Nelson.
T Bone Burnett produced the December 2000-released soundtrack, assembling a group of top-tier artists including Krauss, The Whites, Ralph Stanley, The Cox Family, Harris, Gillian Welch and more, creating a sampler of old-time music styles delivered with musical expertise and homespun elegance. The soundtrack sparked a revival of roots music styles, placing a spotlight on bluegrass, blues, folk, gospel and country, and reintroducing traditional American roots music to audiences.
The 2000 Cohen Brothers film starred George Clooney, John Turturro and Tim Blake Nelson as escaped convicts in rural Mississippi during the Great Depression.
The O Brother, Where Art Thou? soundtrack reached No. 1 on the Billboard 200 chart, and won a Grammy for album of the year. The set was also named album of the year at the CMA Awards, ACM Awards and the IBMA Bluegrass Music Awards, and also spurred a series of musical tours.
Tyminski was Clooney’s “Soggy Bottom Boys” singing voice on songs including “Man of Constant Sorrow,” a track that was originally recorded in 1917 by Dick Burnett. Elsewhere, standout performances included Stanley’s rendition of “O Death,” Krauss’s “Down to the River to Pray” and the collaboration of Harris, Welch and Krauss on “Didn’t Leave Nobody But the Baby.”
Lost Highway Records will mark the 25th anniversary of the iconic soundtrack by releasing a vinyl, gatefold edition on Feb. 20. The Hatch Show Print Shop will also issue an exclusive 25th anniversary O Brother, Where Art Thou? poster that will be available in the Opry Shop.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-03 18:05:312026-02-03 18:05:31Billy Strings, Alison Krauss & More to Help Celebrate ‘O Brother, Where Art Thou?’ Soundtrack’s 25th Anniversary
Esaú Ortiz, one of Billboard’s Latin Artists to Watch in 2026 and two-time Premio Lo Nuestro nominee, kicks off the year with an exciting initiative designed for content creators, Billboard can exclusively reveal Tuesday (Feb. 3).
The Retro Bélico Influencer Program — named after the subgenre Ortiz pioneered, which came to him when he was listening to disco music at a party – is a content creation boot camp focused to “accelerate the growth of music commentary content on social media and empower creators with innovative creative tools. It also seeks to deepen the creative narratives of Mexican-American culture, with special emphasis on his sophomore studio album, Discontrol,” according to a press statement.
Released in October, Discontrol showcase’s Ortiz’s more nuanced approach to regional Mexican music, where he fuses disco, rap, cumbia, pop and ballads powered by Mexican music instruments.
The 14-track set is also home to his viral hit “Triple Lavada,” which includes a remix featuring Luis R. Conriquez, Alemán, Óscar Maydon and Victor Mendivil that earned Ortiz his first top 10 on any Billboard chart when it peaked at No. 9 on the Hot Latin Songs chart last year. The star-power collab also peaked at No. 12 on the Billboard Global Excl. U.S. chart and at No. 17 on the Billboard Global 200 chart.
Now, with his new initiative in partnership with Homegrown Mafia, content creators will have the freedom to develop their own narrative concepts around any of the tracks from Discontrol. Participants will also receive exclusive early access to new music, a Retro Bélico creative kit, workshops with industry professionals, access to Sony Music Latin and Homegrown Mafia events and a monetary stipend.
Under his Retro Bélico Influencer Program — which will officially begin Feb. 25 and run for six weeks — the Monterrey-born artist hopes to give participants a firsthand look at the music industry, offering networking opportunities and potential partnerships.
Applications are now open for Mexican content creators in the U.S. or U.S. creators of Mexican descent until Feb. 13. Click here for more information.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-03 18:01:432026-02-03 18:01:43Esaú Ortiz Launches Retro Bélico Influencer Program for Creators: Here’s How to Participate
Rockabye Baby is back, all right! And this time, the music brand is taking inspiration from the Backstreet Boys for its latest lullaby covers album.
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As Billboard can exclusively announce on Tuesday (Feb. 3), Rockabye Baby will drop its Lullaby Renditions of Backstreet Boys on Feb. 13, featuring bedtime-ready reimaginings of Billboard Hot 100 top 10 smashes such as “Everybody (Rock Your Body),” “Show Me the Meaning of Being Lonely” and “Quit Playing Games (With My Heart).” Rockabye Baby shared its soft, xylophone-led version of “I Want It That Way” on Jan. 30, and followed it up with an adorable animated visual that Billboard is premiering.
‘Rockabye Baby!’ Lullaby Renditions of Backstreet Boys cover
Rockabye Baby!
The Backstreet Boys lullaby album joins a long line of Rockabye Baby collections paying homage to music’s biggest stars. In 2025, the brand unveiled gentle takes on music by BTS, Billie Eilish, Ariana Grande, Linkin Park and more.
The Backstreet Boys have a busy year ahead, with a six-night residency at Merkur Spiel Arena in Düsseldorf, Germany, scheduled for September. In May, the group will headline BottleRock Napa Valley alongside Lorde, sombr, Foo Fighters and more.
Watch the “I Want It That Way” visual and full tracklist for Lullaby Renditions of Backstreet Boys by Rockabye Baby below.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-03 18:01:422026-02-03 18:01:42Everybody, Rock Your … Baby? Backstreet Boys Songs to Become Lullabies on ‘Rockabye Baby’ Album
Zendaya is madly in love, possibly for the first time, in the trailer for her upcoming dark rom-com The Drama. But in keeping with the outré vibe of envelope-pushing independent film studio A24 (Midsommar, I Saw the TV Glow), her meet-cute with beloved Robert Pattinson‘s Charlie Pattinson starts to go south as the two plan their wedding with a dark cloud hanging over the proceedings.
The two-minute trailer for Norwegian writer-director Kristoffer Borgli’s (Dream Scenario) latest opens with the happy practicing their first dance just days before their wedding and nervous groom Charlie sweating over his speech. We see glimpses of the first blush of their love story as Charlie struggles to put into words Louisiana bookstore clerk Emma’s (Zendaya) signature honking laugh, which he finds cute, but which co-star Mamoudou Athie (Archive 81), describes as “repulsive.”
Co-star Alana Haim playfully grills Emma about Charlie being her first love and/or crush at age 30, but things turn not so funny when the two couples share a radical honesty game of “what’s the worst thing you’ve eve done?” at dinner and Emma reveals something that shocks them to their cores.
We don’t hear what she reveals, but after Emma shares her secret the table turns silent as Haim says in shock, “are you serious?” and British museum director Charlie eeks out a grim, nervous laugh. Despite her meek apology, Haim angrily shouts, “Emma, what the f–k?”
The rest of the trailer finds Charlie obsessing about Emma’s secret as the couple’s joy turns to awkward silence, tears, car crashes and Emma pulling a kitchen knife on her beloved. You know, typical pre-wedding jitters.
The movie is the first of three times film goers will see Zendaya and Pattinson on the big screen this year, with the duo showing up again on July 17 in Christopher Nolan’s sprawling The Odyssey and again on Dec. 18 in the anticipated third part of the Dune epic. Zendaya will also be back on the small screen in April for the third season of HBO Max’s Euphoria.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-03 17:51:522026-02-03 17:51:52Robert Pattinson Can’t Get Over Zendaya’s Super Dark Secret in Trailer For ‘The Drama’: ‘Are You Serious?’
Blackstone, the owner of around $4 billion in music assets including through Recognition Music Group, has sold a portion of the Recognition portfolio to Sony Music Group for more than $200 million, according to sources.
The deal, which has not been previously reported, includes mostly publishing assets and a smattering of master recording royalty income streams to songs including some by Jeff Bhasker, like Mark Ronson & Bruno Mars’ Uptown Funk and some performed by Taylor Swift; and some songs from Jack Antonoff, among other titles, sources say.
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Blackstone has accumulated a substantial pool of music assets through the $1.6 billion acquisition of Hipgnosis Songs Fund’s catalog in April 2024, after having separately spent around $800 million on music assets since 2021 under a separate Hipgnosis company, Hipgnosis Songs Capital. All of those Hipgnosis music assets were rolled into the renamed Recognition Music Group, run by CEO Ben Katovsky.
Recognition’s portfolio of 45,000 songs performed by artists including Red Hot Chili Peppers, Journey, Justin Bieber and Shakira secured more than $2.2 billion through two asset backed securitizations in 2024 and 2025.
Blackstone made its first foray into the music industry with the $1 billion acquisition of SESAC in January 2017, followed by the acquisition of eOne Music, renamed MNRK Music Group, for $385 million in June 2021. Those deals were done by Blackstone’s separate New York-based private equity investment group, while the firm’s tactical opportunities group based in London led the investments that became Recognition.
Blackstone’s London-based investment managers and its Recognition Music Group management team are said to be engaged in cleaning up that portfolio of music assets. In early 2025, it sold Hipgnosis Songs Group, the subsidiary that housed Big Deal Music and its administration business, to Sony Music Publishing in a deal where terms were not disclosed, but sources suggest it carried about a $70 million price tag.
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Besides the two deals with Sony, sources previously suggested that Recognition had been seeking a strategic partner for things like helping to manage its small pool of master recording assets and publishing administration when its arrangements with other administrators end. Sources say Sony could be in the running to fill that role.
Meanwhile, even though Recognition has sold off assets to Sony Music, sources say Blackstone is not trying to disinvest in music assets. However, those sources suggest that for the right price Blackstone would be a willing seller of any specific asset a suitor might target, if the giant equity firm is rewarded with a strong return on investment.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-03 17:41:442026-02-03 17:41:44Blackstone Trims Recognition Catalog With $200 Million Sale to Sony Music
The last week of January mysterious, intriguing posts popped up on HARDY, Tim McGraw, Morgan Wallen and Eric Church’s social media, each with a different first name and shared McArthur last name against a grainy background, birth and (except for Wallen’s) death dates and a red squiggly line like an EKG heartbeat.
Fans and journalists had fun speculating what the project could be until it was revealed last Friday (Jan. 30) upon the song’s release that the three stars had collaborated with HARDY on “McArthur,” the somber new track that addresses legacy and asks, “When you pass on, what you gonna pass down?”
HARDY co-wrote the song, which features four generations of McArthur men, including two from the grave, singing proudly about the land they own and passing it down. McGraw opens the song as patriarch John McArthur, followed by Church as his son Junior McArthur, who dies in Vietnam before he can meet his son, Jones McArthur, sung by HARDY, who tries to convince his son, Hunter McArthur, voiced by Wallen, not to let go of the land. The song concludes with Hunter ready to sell until he hears a “whisper in the pines” that may or may not be the spirit of his great-grandfather.
Before heading back on tour on Thursday (Feb. 5), HARDY hopped on the phone with Billboard on Monday (Feb. 2) to talk creating and recording the Jay Joyce-produced song, and if there’s more from the McArthur men to come.
When did you and your co-writers, Chase McGill, Jameson Rodgers, Josh Thompson, write the song and how did the concept come about?
I wrote it back in October. My wife and I have a beach house in Florida, and I just finished a tour, so we decided to spend the month there and I was like, “I’d love to do some writing while I’m here, and so I talked to some co writers into doing some zoom writes.
Jameson Rogers is really good at making song starts and he actually had a verse about, “I’m John McArthur, and I worked this dirt” and he had a little bit of the backbone of this thing. I take no credit for the concept coming to life. Chase McGill was the one that was like, “You know, what if we made it to where each verse was a different generation and we’re trying to hang on to this land?” I was in once I heard that. I love songs like that. Once we got the concept, we just dug in.
How did the idea come about to cast it with different singers to represent the different generations?
A few days after we wrote the song, I was listening to [the demo] over and over and I just on a whim sent it to Eric Church. I’ve gotten to know him pretty good and we’ll send each other song ideas. I just said, “Man, you and I and a couple other people should do this song together.” He immediately hit me back and was like, “Dude, I love this. Let’s get Morgan on it. And then we need, like an OG, like a heavy, heavy hitter, to play John.” And so, we threw some names around. Tim was the main guy the whole time and so sent it to Tim, and Tim immediately said, “I’m in” and it worked out like a dream. We really got lucky with everything. Then we were off to the races.
In March, you talked about how Tim was on your wish list to have him sing a song you wrote, but you hadn’t come up with the right song for him.
Tim, I just could not get him to bite on anything. And that’s what makes Tim Tim. He’s always had such amazing songs. He’s very picky, because he’s just got a career of phenomenal songs, and so I took that as like a challenge for me to get him to bite on something — and finally he did. So, it’s definitely a bucket-list moment for me.
Given your and Morgan’s friendship, was he an instant yes, even though he’s been quiet for a bit?
I sent him the song, and I just said, “Hey, Eric is in. I’m obviously in. We need one more, but do you want to do this with us?” And it was an instant yes.
The song deliberately leaves it vague as to if Hunter ultimately sells the land after he hears the voice in the pines. What do you think happens?
I would hope that he doesn’t sell. I think that everybody hopes he doesn’t sell. But I love that we leave it open to interpretation. It’s like, if you’ve ever seen [Christopher Nolan’s movie] Inception, at the very end, [Leonardo DiCaprio’s character] spins the top to see if he’s still dreaming, and then the movie ends, and you never really know. That’s kind of the way the song ends, and I like it that way. You can decide what you think Hunter does at the end.
Can you get Christopher Nolan to direct the video?
I would love that. [Laughs.]
Are you thinking about a video?
We are, but I’m not sure that we would play the characters. I’m not really sure how that would work. We’ve tossed around some ideas like to make it a longer video and have real actors and actresses come in, but we haven’t made a ton of headway, so I’m not quite sure yet.
Is there going to be a full album coming from the four of you? Could this be like The Highwaymen with Willie Nelson, Waylon Jennings, Johnny Cash and Kris Kristofferson?
We have definitely thrown out the idea. It will take a lot of work, and it’s obviously four people that are heavy hitters and very busy. But, for the record, I would love to expand on this concept, truly. So the discussion has been had. There is no confirmation that it will happen, but we talked about it and if we could all somehow get together and have some time to write a storyline or the rest of a record than I would love for that to happen.
It feels like there could be so much more here to be mined, almost like a Taylor Sheridan TV series spanning across the four generations. There could be a whole world here you could expand upon in so many ways.
That’s sort of the world that we’ve talked about: different family members, did the McArthurs have brothers? Why did the other brother not get the land or the other sister? All of that kind of stuff we’ve definitely talked about and how much you could expand on that story. I’m hoping it comes to life one day, but, yes, it has definitely been in discussion.
Were all four of you in the studio together with Jay Joyce?
Yes, and it was super cool. I’ve never worked with Jay before. He cut it live. He was very different than the way that I’ve cut sessions with Joey [Moi]. There were very minimal musicians in the room, and then we had microphones set up and we all just stood up there and sang. It was very, very cool and a very bucket-list, pinch-me moment for me. Just thinking about the room I was in with the influence that the people in that room have had on the world and country music.
The song talks about what we pass down. Since you became a dad in March, do you think more about what you’re going to pass down?
Of course, yeah, absolutely. I think about it a lot. I’m an avid deer hunter, and our deer hunting land in Mississippi has been in our family for a very, very long time, and I’ve been able to obtain some of that, but I’ve also been able to, very thankfully, expand on it a little bit. And I’m just very excited that that land will continue to be passed down in my family. I think about that a lot because I take a lot of pride in it.
You addressed some of the same themes about generational legacy, loss and, especially, death on your most recent album Country Country on songs like “Buck on the Wall” and “We’re All Gonna Die.” Do you see “McArthur” as a progression of what we were hearing on that album?
I would like to say that. This song is sort of closing thoughts to that concept. I’ve definitely lived in that headspace a lot over the last… well, just writing for the Country, Country record, but I’m moving on from that, and it’s time to focus on living a little bit more than dying. I like to see “McArthur” as a period to the end of that sentence and just sort of moving on from that concept.
Is the McArthur name a salute to famed World War II General George McArthur?
Apparently, a buddy of Jameson Rogers is actually named John MacArthur. It’s a friend of his that’s a farmer. Jameson, just one day out of the blue, was like, “I’m going to put my buddy in the song.”
After the four of you posted the cryptic memes teasing what turned out to be the song, your wife Caleigh took to social media letting people know that it was your song when she felt you weren’t getting enough of the credit given McGraw, Church and Wallen’s involvement. She was looking out for her man, which must have made you feel good.
It felt good. She really defended me, and I was very thankful for that. It’s easy to be like, “No, it’s okay.” That was a moment where I wanted to say something, but I felt like I needed to let someone else say it for me and I was honored that my wife did that for me. It really meant a lot to me.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-03 17:38:062026-02-03 17:38:06HARDY Talks ‘McArthur’ Collab With Morgan Wallen, Eric Church & Tim McGraw and If More Is Coming: ‘I Would Love to Expand on This Concept’ (Exclusive)