GloRilla and Mustard are set to suit up in the 2026 Ruffles NBA All-Star Celebrity Game on Feb. 13 in Los Angeles.

Tickets are currently available on Ticketmaster, while the rest of the roster will be filled out with streamers, artists, actors, athletes and more creatives in the coming weeks.

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GloRilla performed at the 2025 NBA All-Star Game in the Bay Area and now she’ll be taking her talents to the Intuit Dome’s court. The Memphis rapper has been dating Toronto Raptors star Brandon Ingram, so hopefully she picked up some tips from BI’s signature mid-range jumper to bring to the Celebrity Game next month.

Mustard, a Los Angeles native, will be making his Celebrity Game debut this year. About a decade ago, he curated the NBA 2k16 video game soundtrack alongside production titans DJ Premier and DJ Khaled. The “Not Like Us” producer has been on a fitness journey in recent years, which has seen him slim down from 340 pounds to about 225. He opened up about his drastic weight loss to Men’s Health earlier in January, which includes a heavy regimen of tennis, in addition to other workouts and proper dieting.

“I’ve had five different trainers. I’ve done every diet you can think of,” Mustard said while revealing he kicked poor eating habits and drinking lean to the curb. “I remember the doctor would always tell me I have a fatty liver. So, I’d say, ‘How do I get rid of a fatty liver?’ He’d say, ‘Lose weight.’ ‘How do I get rid of high blood pressure?’ ‘Lose weight.’ I got tired of hearing that.”

Last year’s NBA All-Star Celebrity Game saw appearances from ShaboozeyNoah KahanMickey Guyton, NFL icon Terrell Owens, Druski, Kai Cenat, former NBA star Baron Davis, basketball trainer Chris Brinkley and WWE star Bayley. 2 Chainz and NFL legend Jerry Rice served as coaches of the respective squads.

The NBA All-Star Game adopted a revamped U.S. vs. the World format in 2026, which will be on display at the Intuit Dome on Feb. 15.

K-pop boy band ENHYPEN will descend on your local multiplex in March with ENHYPEN [WALK THE LINE SUMMER EDITION] IN CINEMAS, an immersive chronicle of the band’s world tour stops in Japan last summer. The movie will hit theaters for a limited engagement on March 5 and 7, screening in traditional formats, as well as CJ 4DPLEX’s SCREENX, 4DX and ULTRA 4DX special formats.

According to a release announcing the film, it will offer audiences “an immersive look at the global K-pop powerhouses during their historic world tour stop in Japan, featuring electrifying live performances, intense rehearsals, candid behind-the-scenes moments, and the everyday lives of the members as they travel through Japan in the heat of summer. More than a concert, it is a celebration of connection, a line that continues to extend forward, carrying ENHYPEN and ENGENEs (their fandom) toward the future, together.”

Tickets for the movie will be available in all formats globally beginning on Feb. 5 at 8 a.m. ET here.

“We are excited to bring ENHYPEN’s historic Japan show from their world tour to cinema attendees worldwide,” said Trafalgar Releasing CEO Marc Allenby in a statement about the two-hour film. “This film captures the group at the height of their powers, and we’re pleased to offer global ENGENEs a way to collectively experience the energy of the ‘WALK THE LINE’ tour.”

This week, the group consisting of members HEESEUNG, JAY, JAKE, SUNGHOON, SUNOO, JUNGWON AND NI-KI, topped the Billboard Artist 100 chart for the first time when they re-entered at No 1 on the Jan. 31-dated chart following the opening-week performance of its new EP, THE SIN : VANISH.


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Premio Lo Nuestro announced the first set of performers on Tuesday (Jan. 27), which includes Carín LeónCristian CastroGloria TreviHa*AshKapo, María José and Ryan Castro.

The 38th annual edition will be hosted by Thalia, Nadia Ferreira and Clarissa Molina, which will air live at 7p.m. ET on Thursday, Feb. 19, on Univision, UNIMÁS and Galavisión in the U.S. The event will stream across most of Latin America on ViX.

The first round of Latin music performers will see Mexican music star Carín León’s live premiere of the rustic tang of “Lado Frágil” from his celebrated 2024 album, Palabra de To’s, which reached No. 20 on Billboard‘s Hot Latin Albums chart. The country-leaning musician is one of the night’s most nominated acts, earning 10 nods, including artist of the year and album of the year.

The legendary Mexican pop act Christian Castro will make his debut at Premio Lo Nuestro, where he will be joined by band Matisse to sing “Conmigo Sin Ti.” The pair is in the running for pop collaboration of the year that night.

Afrobeats-laden duo Ryan Castro and Kapo will make their Premio Lo Nuestro debut with a performance of “La Villa.” Both Colombian artists are up for multiple nominations, with Castro earning five nods, and Kapo, a previous winner, receiving three, including song of the year.

Then there’s sister duo Ha*Ash, who will be joined by María José on stage to deliver their collab “Te Apuesto.” The powerhouse pair boasts four nominations, including pop album of the year for Haashville.

This year’s Premio Lo Nuestro will also be presenting five special awards to honor “iconic figures in Latin music whose legacies continue to shape the history and evolution of the genre,” according to the press release.

Arcángel will receive the Urban Icon Award for his influence on Latin urban music, while Juanes will be honored with the Lifetime Achievement Award. Los Bukis will accept the Musical Legacy Award, and Manolo Díaz will be recognized with the Visionary Award for his role in defining the sound of Spanish-language music. Paloma San Basilio will receive the Award for Excellence, celebrating her five-decade career in music, theater,and Ibero-American culture.

The event will broadcast live from the Kaseya Center in Miami. Tickets are now available on Ticketmaster.


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Harry Styles’ blockbuster Together, Together touring run is showing no signs of slowing just yet.

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The British singer has added another six dates to his summer 2026 trek, with an additional two nights at Amsterdam’s Johann Cruijff Arena (June 4-5) and a further four at London’s Wembley Stadium (June 26, 27, 29 and July 1), respectively. 

The dates will join the singer’s previously announced shows in Amsterdam, London, São Paulo, Mexico City, New York City, Melbourne and Sydney starting in May. 

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With the new Wembley dates, Styles becomes the solo artist with the most shows at the iconic stadium in the same calendar year, and ties Coldplay‘s all-time record with 10 concerts for the band’s Music of the Spheres jaunt in 2024.

That broke the previous joint record of eight nights held by Taylor Swift (2024) and Take That (2011) for the group’s Progress tour. Oasis’ Live ‘25 Tour, meanwhile, tallied up seven sold-out shows at Wembley last summer.

As a solo act, former One Direction member Styles has been no stranger to performing at Wembley. He sold out the stadium twice in 2022 for the first leg of his Love On Tour run, before returning for another four shows the following year. Coldplay, meanwhile, has played Wembley 22 times across its three decade-long career and holds the all-time record.

An artist presale for Amsterdam and London will commence on Jan. 28 via AMEX with full details and times for each new date available at Styles’ website. 

The presale will be open to fans who preordered his forthcoming LP Kiss All the Time. Disco, Occasionally from the artist’s official store prior to Saturday, Jan. 24, at 11:59 p.m. local time. General sale will commence on Jan. 30 via Styles’ website.

The Together, Together run features a number of charitable partners. Humanitarian charity Choose Love is partnered on all dates, with HeadCount also partnering with Styles at his New York shows. In the U.K., £1 from every ticket will be donated to the LIVE Trust to support grassroots music venues.

Kiss All the Time. Disco, Occasionally will arrive on March 6 via Columbia Records. The upcoming release will mark Styles’ first full-length record since the Billboard 200-topping LP Harry’s House, which won the album of the year prize at the Grammys in 2023.

See the new Together, Together dates below:

  • May 16 – Amsterdam – Johan Cruijff Arena
  • May 17 – Amsterdam – Johan Cruijff Arena
  • May 20 – Amsterdam – Johan Cruijff Arena
  • May 22 – Amsterdam – Johan Cruijff Arena
  • May 23 – Amsterdam – Johan Cruijff Arena
  • May 26 – Amsterdam – Johan Cruijff Arena
  • June 4 – Amsterdam – Johan Cruijff Arena
  • June 5 – Amsterdam – Johan Cruijff Arena
  • June 12 – London – Wembley Stadium Connected by EE
  • June 13 – London – Wembley Stadium Connected by EE
  • June 17 – London – Wembley Stadium Connected by EE
  • June 19 – London – Wembley Stadium Connected by EE
  • June 20 – London – Wembley Stadium Connected by EE
  • June 23 – London – Wembley Stadium Connected by EE
  • June 26 – London – Wembley Stadium Connected by EE
  • June 27 – London – Wembley Stadium Connected by EE
  • June 29 – London – Wembley Stadium Connected by EE
  • July 1 – London – Wembley Stadium Connected by EE
  • July 17 – São Paulo – Estadio MorumBIS
  • July 18 – São Paulo – Estadio MorumBIS
  • July 31 – Mexico City – Estadio GNP Seguros
  • Aug. 1 – Mexico City – Estadio GNP Seguros
  • Aug. 26 – New York – Madison Square Garden
  • Aug. 28 – New York – Madison Square Garden
  • Aug. 29 – New York – Madison Square Garden
  • Sept. 2 – New York – Madison Square Garden
  • Sept. 4 – New York – Madison Square Garden
  • Sept. 5 – New York – Madison Square Garden
  • Sept. 9 – New York – Madison Square Garden
  • Sept. 11 – New York – Madison Square Garden
  • Sept. 12 – New York – Madison Square Garden
  • Sept. 16 – New York – Madison Square Garden
  • Sept. 18 – New York – Madison Square Garden
  • Sept. 19 – New York – Madison Square Garden
  • Sept. 23 – New York – Madison Square Garden
  • Sept. 25 – New York – Madison Square Garden
  • Sept. 26 – New York – Madison Square Garden
  • Sept. 30 – New York – Madison Square Garden
  • Oct. 2 – New York – Madison Square Garden
  • Oct. 3 – New York – Madison Square Garden
  • Oct. 7 – New York – Madison Square Garden
  • Oct. 9 – New York – Madison Square Garden
  • Oct. 10 – New York – Madison Square Garden
  • Oct. 14 – New York – Madison Square Garden
  • Oct. 16 – New York – Madison Square Garden
  • Oct. 17 – New York – Madison Square Garden
  • Oct. 21 – New York – Madison Square Garden
  • Oct. 23 – New York – Madison Square Garden
  • Oct. 24 – New York – Madison Square Garden
  • Oct. 28 – New York – Madison Square Garden
  • Oct. 30 – New York – Madison Square Garden
  • Oct. 31 – New York – Madison Square Garden+
  • Nov. 27 – Melbourne, Australia – Marvel Stadium
  • Nov. 28 – Melbourne, Australia – Marvel Stadium
  • Dec. 12 – Sydney – Accor Stadium
  • Dec. 13 – Sydney – Accor Stadium


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The Dave Matthews Band has joined the rising tide of anger and shock at the Trump administration’s deadly immigration enforcement actions in Minneapolis. Following the killing of 37-year-old American citizen and intensive care nurse Alex Pretti by U.S. Border Patrol agents in Minneapolis on Friday (Jan. 24) DMB posted an urgent message to fans on Instagram on Monday (Jan. 26) decrying what some have called a deadly government overreach.

“We are horrified by the images coming out of Minneapolis,” the band wrote. “It’s hard to watch and hard to believe this is America. There is so much shameful dishonesty coming out of Washington right now, but this much is true: If ICE wasn’t in Minneapolis, Renee Nicole Good and Alex Pretti would still be alive today.”

The former reference was to the Jan. 7 killing of 37-year-old American citizen and mother of three Renée Nicole Good, who was shot to death by ICE agent Jonathan Ross after video of the incident appears to show her turning her car away from him and attempting to leave the scene of an ICE enforcement action. As with the killing of Pretti, Trump administration officials were quick to blame Good for what they claimed was the “weaponizing” of her car against the agent who shot her three times in rapid succession as she was driving away from him.

Similarly, in a statement, DHS spokesperson Tricia McLaughlin claimed that the unnamed officer who fired one of the 10 shots that killed Pretti, “attempted to disarm the suspect but the armed suspect violently resisted,” claiming the officer feared for his life and that of fellow officers. CNN and a number of other major media outlets have reported that a video analysis appears to show a federal immigration officer removing Pretti’s permitted firearm and whisking it away from the scene just before officers unleashed a barrage of gunfire on the prone, unarmed Pretti, who witnesses said had stepped in to help a woman observing the scene who had been violently shoved to the ground and pepper-sprayed in the face by agents.

Given increasingly vocal and, in some cases, bipartisan shock at another controversial killing of an American citizen during purported immigration enforcement activity, there are rising calls for an investigation into ICE’s tactics in Minnesota.

“None of this makes sense and it’s incredibly cruel,” the DMB wrote. “We must find a better way.” For those frustrated and alarmed by the killings and ICE’s aggressive tactics, the DMB said that their charity, Bama Works, have made donations to the ACLU and the ACLU of Minnesota.

Their comments came after Billie Eilish implored fellow A-listers to speak out about what’s going on in Minneapolis and other cities around the country. “Hey my fellow celebrities u gonna speak up?” Eilish asked. Her brother and musical partner, Finneas, weighed in with his own video in which he blasted the administration’s claims that Pretti’s shooting was justified because he was carrying a holstered weapon.

Joining them in speaking out were Pearl Jam, who reposted a letter from former President Barack Obama and former First Lady Michelle Obama about the Pretti’s killing. “The killing of Alex Pretti is a heartbreaking tragedy. It should also be a wake-up call to every American, regardless of party, that many of our core values as a nation are increasingly under assault,” the Obamas wrote.

“Federal law enforcement and immigration agents have a tough job. But Americans expect them to carry out their duties in a lawful, accountable way, and to work with, rather than against, state and local officials to ensure public safety. That’s not what we’re seeing in Minnesota. In fact, we’re seeing the opposite.”

The Obamas noted that for several weeks Americans have been “rightly outraged” by the sight of masked ICE recruits and other federal agents “acting with impunity and engaging in tactics that seemed designed to intimidate, harass, provoke and endanger the residents of a major American city,” actions that have resulted in the fatal shootings of two U.S. citizens. The Washington Post reported on Tuesday that Trump aides have declared 16 DHS shootings since July “justified” before those investigations have been completed.

While past presidents have traditionally been loath to criticize a sitting commander-in-chief, in his letter former President Obama lashed out at Donald Trump and his administration, who he said seem “eager to escalate the situation, while offering public explanations for the shootings of Mr. Pretti and Renée Good that aren’t informed by any serious investigation — and that appear to be directly contradicted by video evidence.”

The former first couple’s letter concluded that, “this has to stop,” and expressed a hope that in the wake of the latest tragedy, the administration would reconsider their approach and find ways to work constructively with Minnesota Gov. Walz and Minneapolis Mayor Frey, as well as state and local police, to “avert more chaos.” In the meantime, he suggested, every American should support and draw inspiration from the thousands of protesters who’ve flooded the streets of Minneapolis and cities around the country to express their disdain for ICE’s deadly tactics.

“They are a timely reminder that ultimately it’s up to each of us as citizens to speak out against injustice, protect our basic freedoms, and hold our government accountable,” said Obama of the citizens expressing their First Amendment rights to free speech and peaceful assembly.

Check out DMB’s statement and PJ’s repost below.


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People have been shipping Marcello Hernández and Sabrina Carpenter ever since the former appeared as “Domingo” at the latter’s Los Angeles concert more than a year ago — and at the urging of Dax Shepard, the Saturday Night Live cast member finally addressed whether he’d date the pop star.

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On the Armchair Expert podcast episode posted Monday (Jan. 26), the show’s host, Shepard, asked Hernández point-blank whether there’s anything romantic between him and Carpenter. The pair’s chemistry was evident in November 2024, when the two-time Grammy winner “arrested” the comedian — who was dressed as his Domingo character from SNL — for a recurring bit she used throughout her Short n’ Sweet Tour.

“[If] I’m 28, I’m going to try to date her with all my might … are you not trying your hardest to marry her?” Shepard questioned Hernández, who replied, “I’m in a relationship.”

“Yeah, I’m in a relationship with a Dominican girl,” Hernández continued. “She’s an architect. She’s unreal. She went to Yale. But Sabrina’s awesome, and she’s really funny and cool. She’s great.”

Of his relationship with Carpenter, Hernández added, “I would say we’re pals, for sure.”

“Sabrina’s really, like, she’s down,” he also said of the Girl Meets World alum. “She’s down to clown. She’s down to think of something funny.”

Carpenter and Hernández’s paths have been intertwined since October 2024, when SNL debuted the “Domingo” sketch series on an episode hosted by Ariana Grande. The original featured a parody of Carpenter’s Billboard Hot 100 hit “Espresso,” which is why “Domingo” made a cameo at the Short n’ Sweet trek.

Carpenter has since been featured in two “Domingo” sketches, first in February 2025 for SNL50 and then in October, when she hosted SNL.

Watch Hernández’s full interview with Shepard below.


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For the last four years, we’ve counted down our picks for the 10 greatest pop stars of the year, with full essays for everyone from No. 10 (Jelly Roll in 2024) to No. 1 (Kendrick Lamar in 2024), as well as bonus write-ups for our picks for Rookie and Comeback of the year, and even 10 close-but-not-quite honorable mentions. This January, we’re doing the same for our Greatest Pop Stars of 2025 — a legacy-expanding year for many of our longtime favorites, and a breakout season for a number of future icons.

We counted down the first half of our top 10 over the course of last week, with our top five being revealed all this week (Jan. 26-30). You can catch up on all we’ve unveiled so far here, which now includes essays and podcasts for each of our No. 10-4 picks — as well as for our rookie and comeback artists of the year winners, and shorter recaps for our 10 runner-up honorable mentions. (And if you missed any of our Greatest Pop Stars of the 21st Century rankings that we rolled out in 2024, be sure to catch up on those as well — and listen to additional deep dives into each of the artists selected, and our process and reasoning behind their rankings, on our Greatest Pop Stars podcast here.)

First, though: a reminder that unlike with our Year-End Charts, these Greatest Pop Stars are not mathematically determined by stats like chart position, streams or sales numbers. Those all play a big part in our final rankings, of course — but so do things like music videos, live performances and social media presence, and more intangible factors like cultural importance, industry influence and overall omnipresence. (And we measure this over the entire 2025 calendar, so if you were only heard from at the beginning or end of the year — or only had one big song or moment — that will hurt your performance here as well.)

Check out our honorable mentions, rookie and comeback of the year, and updating top 10 below — and keep it tuned to Billboard all next week as we continue counting down to the No. 1 Greatest Pop Star of 2025!

This podcast episode is part of the Billboard editorial staff’s Greatest Pop Stars of 2025 list. Find our accompanying Kendrick Lamar essay here, and all the rest of our essays and podcasts related to the list here.

At the end of one of the best years for pop music and pop stardom in recent memory, Kendrick Lamar stood alone for us as the No. 1 Greatest Pop Star of 2024. His run for the ages in that year included three No. 1 hits on the Billboard Hot 100, a Billboard 200-topping surprise-release album, the most world-stopping concert event of the year and a decisive victory in the biggest rap beef of his generation. But if anyone — particularly a certain Canadian someone — was hoping he was going to ease up in 2025, they were quickly disappointed, as Lamar kept pushing on with achievement after achievement, matching his 2024 dominance for much of the year, and even looking for a minute like he might end up our No. 1 for the second straight year.

This Greatest Pop Stars of 2025 episode of the Greatest Pop Stars podcast looks at how Kendrick Lamar ended up at No. 4 on our list — thanks to a year where he just couldn’t seem to stop winning, from the Grammys to the Super Bowl to the charts to just about everywhere in between (You can find Angel Diaz’s essay on Lamar’s stunning sequel year here.) Today, Billboard Hip-Hop‘s Carl Lamarre joins host Andrew Unterberger to relive the flashbulb moments from the rapper’s second straight all-world campaign, whose greatness Carl can’t help but acknowledge, even as it continued to come at the expense of his own No. 1 guy.

Along the way, we ask all the most pressing questions about Kendrick Lamar’s 2025: Was he intentionally dragging it on the way to the Grammys stage to get the “A-Minor” timing just right? Was Drake watching the Super Bowl halftime show live from somewhere in Australia? Does “Luther” make sense to us yet as a 10-plus-week No. 1 on the Hot 100? How does the Grand National tour compare to Jay-Z and Beyoncé’s On the Run trek? Why didn’t Playboi Carti’s “Good Credit” and the Clipse’s “Chains & Whips” end up bigger hits with those K Dot guest verses on them? And perhaps most importantly: Was there a world in which Kendrick Lamar ended up the first artist to ever top our Greatest Pop Stars list two years in a row?

Check it out above, along with a YouTube playlist of some of the greatest moments of Sabrina Carpenter’s 2025 — all of which are discussed on the pod — and subscribe to the Greatest Pop Stars podcast on Apple Music or Spotify (or wherever you get your podcasts) for complete podcast coverage of this year’s Greatest Pop Stars of 2025 list!

And as we say in every one of these GPS podcast posts — if you have the time and money to spare, please consider donating to any of these causes in the fight for trans rights:

Transgender Law Center

Trans Lifeline

Destination Tomorrow

Gender-Affirming Care Fundraising on GoFundMe

Also, please consider giving your local congresspeople a call in support of trans rights, with contact information you can find on 5Calls.org.

For this year’s update of our ongoing Greatest Pop Star by Year project, Billboard will be counting down our editorial staff picks for the 10 Greatest Pop Stars of 2025 all the next two weeks. Last week, we revealed our Honorable Mentions artists for 2025 as well as our Rookie of the Year and Comeback of the Year artists. Now, we reach No. 4 on our list with an artist who kept an all-time run in pop or hip-hop history going for another year — half a year, at least — with similarly dazzling results: Kendrick Lamar.

Listen to our Greatest Pop Stars podcast discussion about Kendrick Lamar’s year continuing to pile it on here, and find the rest of our updating top 10 list with all our corresponding essays and pods here.

How do you follow up one of the best years of any artist in hip-hop history? You just let off the first shot in the most significant rap battle since The Battle of New York City in 2001 when Jay-Z got on that Summer Jam stage, stood in front of that crowd, and said, “Ask Nas, he don’t want it with Hov.” You then meticulously picked your opponent apart with clever and maniacal diss records effectively mimicking what Drake did to Meek Mill when he answered “Charged Up” with a hit record in “Back to Back” back in 2015. The knockout punch then goes viral, hits No. 1 on the only chart that matters, and gets nominated for multiple Grammys. 

And while rumors of an album swirl, as fans and the industry alike assume you’d capitalize some way from all the attention the battle has garnered, you get tapped to headline the Super Bowl Halftime show. Finally, you do drop that sixth studio album, which debuts at No. 1 and takes over the entire top five of the Billboard Hot 100, and announce a stadium tour that would touch 18 countries the following year. That’s how Kendrick Lamar answered his critics after wrestling the crown away from his peers Drake and J. Cole, effectively turning the trio once affectionately known as “The Big 3” into officially just “Big Me.”

Lamar’s 2024 — which ended with him being named our staff’s No. 1 Greatest Pop Star of that year — effectively set up 2025 to be his victory lap. He started the year off with GNX still in the Billboard 200 top five and had an absolutely absurd February. He then took home five Grammys while having an audience of his peers scream “A-minor” in unison, needing extra arms to carry the best music video, best rap song, best rap performance, song of the year and record of the year trophies — all for “Not Like Us” — back to Compton. He then turned around and delivered the most watched Super Bowl Halftime Show to date, in which he ran up the score on Drake worse than the Eagles torching the Chiefs, by performing a song at the center of a preposterous and frivolous lawsuit — getting a sold-out stadium filled with people from all walks of life rapping along at the top of their lungs, while Drake’s ex tennis superstar Serena Williams Crip Walked on his proverbial grave. 

The response from his historical performance was so massive that both “Not Like Us” and “Luther,” his GNX duet with SZA, shot back up the charts — and his catalog saw the biggest post-Super Bowl chart gains we’ve ever seen, putting four of his songs back in the top five and 13 overall in the Hot 100. When it was all said and done, “Luther” not only topped the chart for the first time in March, it dominated for 13 consecutive weeks, longer than any other 2025 hit. 

Lamar also made appearances on two of the year’s best rap projects in the Clipse’s reunion album Let God Sort Em Out on the track “Chains & Whips,” as well as on Playboi Carti’s highly anticipated I Am Music on the songs “Good Credit,” “Backdoor” and “Mojo Jojo,” which added another layer to those already eventful albums — sort of like seeing Jigga feature during the late ‘90s and early ‘2000s’00s. Then there was the Grand National Tour he embarked on alongside former TDE teammate SZA — with whom he enjoyed yet another Hot 100 top 10 hit earlier that year, with the Lana bonus cut “30 for 30” — which ended the year as the highest grossing hip-hop tour of 2025, and served as the culmination of an 18-month run that will be referenced by for years to come. 

He then capped things off with nine Grammy nominations at February’s upcoming ceremonies, including record of the year, song of the year, rap song of the year, rap album of the year and album of the year. His guest appearances on SZA’s and the Clipse’s respective records were also nominated, rounding out yet another year leading music’s biggest night. Now that’s how you stay top of mind — particularly as Drake keeps trying to make that preposterous and frivolous lawsuit mentioned earlier happen, further confusing his own comeback efforts and preventing him from being able to take the throne back.

For the foreseeable future, rap’s crown now resides in the West, where Kendrick’s focus this year will be presumably on his cousin and pgLang labelmate Baby Keem. Fans aren’t really expecting new music from the Compton rapper in 2026, but that could change — especially depending on whether Drake says anything on his upcoming Iceman set that makes the boogeyman come back outside, or if J. Cole somehow decides to get back in the ring with The Fall-Off when it drops in February. 

Kendrick Lamar for Billboard's Greatest Pop Stars

Gregory Shamus/Getty Images

Kendrick has undoubtedly entered a new stratosphere within the pop culture zeitgeist, thanks to the cultural impact of “Not Like Us” and besting Drake in the most pivotal rap battle in more than 20 years. He’s officially a household name now. Your mom might’ve known who he was or heard his name before, but now your grandmother knows who he is or at the very least knows that he’s the guy with the song they kept hearing everywhere. Now we wait for the acting pivot (he once played a drug addict in Power) or maybe the running for office pivot, or even him hosting Saturday Night Live.

The question we have now is: Will he take a hiatus between music projects like he’s been known to do in the past, or will he continue to stay outside and remind us of who he is as the game’s best and who he wants to be when it comes to being a record executive? He doesn’t have to go on a stream to gamble or post consistently on social media like a certain somebody — but he can’t go back in hiding and expect to maintain cultural relevance, let alone cultural dominance, even if everyone in the world knows who Kendrick Lamar is now. 

Listen to our Kendrick Lamar Greatest Pop Stars of 2025 podcast discussion here, check back for our No. 3 artist on Wednesday, and stay tuned all next week as we roll out the top five of our list — leading to the announcement of our No. 1 Greatest Pop Star of 2025 on Friday, Jan. 30!

THE BIG STORY: Nelly’s “Hot in Herre.” Snoop Dogg’s “Drop It Like It’s Hot.” Gwen Stefani’s “Hollaback Girl.” Justin Timberlake’s “Rock Your Body.” If you can think of an infectious pop song from the mid-2000s (personally, I’m visualizing a college basement) there’s a decent chance it was produced by The Neptunes, the legendary duo of Pharrell Williams and Chad Hugo.

But as happens all too often in the music industry, that lucrative partnership has now, decades later, devolved into a legal battle over money.

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In a lawsuit filed last week, Hugo accused Williams — his friend since their Virginia childhoods — of committing “willful, fraudulent, and malicious conduct.” He says he’s been essentially cut out of their joint company, and that Pharrell could owe him as much as $1 million from an N.E.R.D. album.

For all the details, go read our full story – featuring a full breakdown of the case, a response statement from Pharrell, and access to the actual legal documents Hugo filed in court.

You’re reading The Legal Beat, a weekly newsletter about music law from Billboard Pro, offering you a one-stop cheat sheet of big new cases, important rulings and all the fun stuff in between. To get the newsletter in your inbox every Tuesday, subscribe here.

Other top stories this week…

-Drake filed his hotly-anticipated appeal seeking to revive his lawsuit against Universal Music Group over Kendrick Lamar’s “Not Like Us,” arguing that a judge’s ruling dismissing it was “dangerous.”

-Wixen sued Meta over claims that the social media giant wants to “drastically cut payments to human songwriters” and replace them with A.I. music – and that it’s now retaliating by smearing Wixen.

-Nicki Minaj finally paid $500,000 to a concert security guard allegedly assaulted by her husband in 2019, avoiding a court-ordered sale of her Los Angeles area mansion to satisfy the judgment.

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-Zac Brown scored a court ruling forcing his ex-wife, model and actress Kelly Yazdi, to return confidential business records she took amid her divorce from the Zac Brown Band frontman in 2024.

-Spotify and the big three music companies teamed up to sue Anna’s Archive, a so-called shadow library that they say copied “nearly all of the world’s commercial sound recordings” without permission.

-Elsewhere in Spotify litigation, the streamer fired back at a class action lawsuit claiming its Discovery Mode is a “modern form of payola,” arguing that its users waived the right to sue.

-A former Marilyn Manson assistant has again seen her sexual assault lawsuit against the controversial rock star revived in court, thanks to a new California law allowing for years-old abuse cases.

-Fugees rapper Pras Michel lost a bid to stay out of prison while he appeals his 14-year prison sentence for illegal foreign lobbying, but he did win a two-month reprieve.

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-R&B singer Trey Songz filed a lawsuit against the Kansas City Police Department over his 2021 arrest at an NFL game between the Kansas City Chiefs and Buffalo Bills.

-Slipknot decided to drop a lawsuit seeking to take over the web address for its name after the site fought back by arguing that it was the “lawful and long-time” owner of the address.

-Want to know how much you’ll be earning per stream under your new record deal? Top music law firm Manatt, Phelps and Phillips has a new royalty calculator to help figure it out.

-An Italian photographer has dropped a lawsuit that claimed Drake stole a key motif in the music video for his hit summer single “What Did I Miss?”


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