Charli xcx & Aidan Zamiri discuss the chaos of making The Moment, the inspiration behind the film and how brat summer sparked the concept, the tension between artistic integrity and commercial pressure, future projects together and more.
Noah Reardon:
What exact moment did this idea spark for you? Do you have, like, place and time?
Charli xcx:
I think I was sort of, it was sort of probably mid 2024, maybe, like after the record came out, probably like end of summer, and I was just kind of thinking about, like, this sort of transition that I’ve been through in my life, where I’ve been this kind of like, relatively like niche sort of artist, and then had suddenly been, like, opened up to this, like, huge New Audience, some of whom really connected with me, some of whom only connected with aspects of me, some of whom liked me but didn’t really get me, or like the music didn’t really get me, you know, and how to sort of like deal with with that. And I think how much you’re under scrutiny, in the spotlight, being listened to, watched is a really interesting thing. I, in reality, think I handled that quite well. I was, obviously, I’ve been doing this for a long time. It wasn’t like I was like an overnight success, like I sort of had a very steady, kind of a you know, trajectory in my career, but like, I think it made me so acutely aware of, like, how hard that transition can be. And like, how, you know, in another world, I could have made completely different decisions than I did make in reality. And those are some of the decisions that we chose to make within the film, you’re constantly pulled apart in a million different directions in my line of work.
Well, I mean, yeah, in reality, you declared an end to brat summer. You drove it home with your Coachella set. So I’m curious, why did you decide to take it into your own hands when it could have continued forever. And then what inspired you to encourage your fans to like, move on to other artists?
As Super Bowl LX draws near on Feb. 8, millions of sports fans are gearing up to tune in to see the New England Patriots face off against the Seattle Seahawks at Levi’s Stadium in Santa Clara, Calif. This year, Billboard Hot 100-topping artist and Grammy winner Bad Bunny will headline the Super Bowl Halftime Show.
Potential viewers will now have an alternative with conservative nonprofit Turning Point USA’s “All-American Halftime Show,” which is also set for Feb. 8. It will be led by performances from Kid Rock, Lee Brice, Brantley Gilbert and Gabby Barrett. After weeks of keeping quiet, TPUSA announced its lineup today on its socials.
When his NFL Super Bowl Halftime Show performance was announced, the Puerto Rican artist released a statement through the NFL saying, “What I’m feeling goes beyond myself. It’s for those who came before me and ran countless yards so I could come in and score a touchdown…this is for my people, my culture and our history. Ve y dile a tu abuela, que seremos el HALFTIME SHOW DEL SUPER BOWL.”
Bad Bunny also just made history at the Grammys on Feb. 1, when his album Debí Tirar Más Fotos became the first Spanish-language album to win the album of the year trophy. He also picked up two more trophies that evening, for best música urbana album, and best global music performance for “EoO.”
The announcement of Bad Bunny as the Super Bowl halftime show performer drew criticism from some right-wing commentators and President Donald Trump, who declared he would not attend the game and that he was not a fan of either Bad Bunny or Green Day, who will kick off the Game Day ceremonies. “I’m anti-them. I think it’s a terrible choice. All it does is sow hatred. Terrible,” he said of the two performers to the New York Post. The Puerto Rico-born Bad Bunny is an American citizen, and he almost always performs in Spanish; he is expected to perform in Spanish during the Super Bowl halftime event.
During Bad Bunny’s hosting role on SNL in October 2025, Bad Bunny delivered a message to the viewing audience in Spanish, then added, “If you didn’t understand what I just said, you have four months to learn.”
That same month, conservative nonprofit Turning Point USA, founded by the late conservative advocate Charlie Kirk, announced it would be launching its own “counterprogram” event to the NFL’s official Super Bowl Halftime Show. The organization had kept the list of performers under wraps until now.
On his Instagram Stories, Gilbert shared the Turning Point USA Instagram post, writing, “Y’all don’t wanna miss this,” while Barrett, Kid Rock and Lee shared the performance graphic.
Barrett has earned one top 10 hit on the all-genre Billboard Hot 100, with “I Hope” in late 2020, and two Billboard Country Airplay chart-toppers with “I Hope” in 2020 and “The Good Ones” in 2021. Brice has earned eight No. 1 Country Airplay chart hits, with his most recent being “Memory I Don’t Mess With” in 2021; he also earned a Grammy nomination for best country solo performance for “I Drive Your Truck.” Gilbert has earned five No. 1 Billboard Country Airplay chart hits. Kid Rock earned a top 10 hit on the Billboard Hot 100 in 2003 with “Picture” and has earned five Grammy nominations to date.
TPUSA’s show will livestream on Turning Point USA’s official social media channels, on X and Rumble. The show will also air on outlets including The Daily Wire and Trinity Broadcasting Network.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-02 20:57:102026-02-02 20:57:10Here’s Who Is Playing Turning Point USA’s All-American Halftime Show
Mexico’s Consumer Protection Agency (Profeco) announced Monday (Feb. 2) that it has initiated proceedings to impose a fine of more than 5 million pesos (approximately $277,800) on Ticketmaster México for alleged legal violations during the sale of tickets for the three concerts that K-pop superband BTS will hold this spring at the GNP Seguros Stadium.
“The provider company has 10 business days to submit evidence and respond. This deadline concludes on Feb. 12,” Iván Escalante, head of Profeco, said during the morning presidential conference. He added that the ticketing company was notified about the proceedings on Wednesday (Jan. 28) and highlighted that three resale platforms — Viagogo, TopHop and Hello Ticket, based in the U.S., Switzerland and Spain, respectively — were also urged to comply with the country’s laws and avoid unfair practices that negatively affect Mexican consumers.
Related
BTS in Mexico: Ocesa Announces Prices after Government Demand for Ticket Clarity
Vans Warped Tour Reveals First Artists for 2026
After Ozzy’s Death, Sharon Osbourne Is Still Changing The Music Industry: ‘I’m Up 24 Hours a Day’
If the companies fail to respect Mexican laws, Escalante warned, Profeco will initiate legal and administrative actions, including procedures for legal violations and “possible operational restrictions” on these platforms in Mexico.
Billboard Español sent a request for comment to Ticketmaster México, but did not receive an immediate response.
The announcement of a possible fine against Ticketmaster México comes nearly two weeks after Profeco urged the ticketing company and promoter Ocesa to issue clarifications regarding ticket prices, the venue map and the number of tickets allocated to each stage of the sale. This followed the receipt of more than 4,700 requests from members of ARMY, as BTS fans are known, demanding transparency and fairness in the ticket sales process.
In a statement shared with Billboard Español last week, Ticketmaster México said that ticket sales for BTS experienced “unprecedented demand,” with more than 2.1 million users accessing the platform in search of tickets, and a peak of 1.1 million people in the virtual queue during presales and general sales. Ticketmaster México clarified that it does not use dynamic pricing or algorithms that modify ticket prices during sales, and that “prices were established by the artist, their team, and promoter according to the location of each section, and remained unchanged throughout the presale and sale process.”
The historic demand for tickets for BTS’ concerts scheduled for May 7, 9 and 10 at the GNP Seguros Stadium in Mexico City led Mexico’s president, Claudia Sheinbaum, to send a diplomatic note to South Korean President Lee Jae-myung, requesting his intervention to have the group hold more concerts in Mexico after tickets for the three shows sold out in less than an hour.
The Mexican president said Monday that she has already received a response from the South Korean government: “The president of Korea replied to me, thanking Mexicans for their interest in this musical group, expressing his gratitude for the letter, and informing me that he has already contacted BTS’s production company,” Sheinbaum shared. “Hopefully, there will be good news.”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-02 20:50:492026-02-02 20:50:49BTS in Mexico: Government Initiates Fine Against Ticketmaster Over Sales Controversy
Harry Styles’ “Aperture” comes into immediate focus atop the Billboard Global 200 chart, where it debuts at No. 1. He earns his second leader on the list, after “As It Was” launched in the top spot to start a 15-week command in 2022.
Related
Harry Styles’ ‘Aperture’ Debuts at No. 1 on Billboard Hot 100
Megadeth Earns First No. 1 Album on Billboard 200
Harry Styles & Louis Tomlinson Score U.K. No. 1s in First Post-One Direction Chart Double
Meanwhile, Taylor Swift’s “The Fate of Ophelia” holds for a seventh week at No. 1 on the Billboard Global Excl. U.S. chart. It debuted at the summit in October.
The Billboard Global 200 and Global Excl. U.S. charts rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.
Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.
“Aperture” — the lead single from Styles’ fourth album, Kiss All the Time. Disco, Occasionally, due March 6 — leads the Global 200 with 51.3 million streams and 9,000 sold worldwide Jan. 23-29, following its Jan. 22 release.
“The Fate of Ophelia” falls to No. 2 after six weeks atop the Global 200 beginning in October; Djo’s “End of Beginning” dips 2-3, three weeks after it became the singer-songwriter and actor’s first leader; HUNTR/X’s “Golden” descends 3-4, after 18 weeks on top beginning last July; and Olivia Dean’s “Man I Need” holds at No. 5, after reaching No. 3.
“The Fate of Ophelia” leads Global Excl. U.S. with 41.9 million streams (down 6%) and 4,000 sold (down 28%) outside the U.S.
“End of Beginning” is steady at its No. 2 Global Excl. U.S. high; “Aperture” debuts at No. 3, becoming Styles sixth top 10 (as it marks his seventh on the Global 200), with 33.5 million streams and 4,000 sold beyond the U.S.; “Golden” drops 3-4 after a record 20 weeks at No. 1 since July; and RAYE’s “Where Is My Husband!” falls to No. 5 from Its No. 4 best.
The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated Feb. 7, 2026) will update on Billboard.com tomorrow, Feb. 3. For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-02 20:41:442026-02-02 20:41:44Picture-Perfect: Harry Styles’ ‘Aperture’ Snaps Up No. 1 Debut on Global 200
Listen to the 68 Grammy winners for album of the year, and they’ll tell the story of the last six-and-two-thirds decades of popular music. Except, well, not really, at all. Zoom out on all 68 and squint a little and you might be able to see a general progression from jazz and vocal standards to rock to pop and hip-hop, but the timeline traced by the album of the year winners is really more of a Jeremy Bearimy: constantly curving, skipping around and looping back unpredictably.
That’s part of the fun of the Grammys canon, though: The tale it tells isn’t always the most coherent, but it’s rich with moment-in-time pretzel logic that makes sense when viewed in totality — not to mention fascinating quirks forgotten in most enduring pop narratives of the past. And every so often, the Recording Academy gets it totally right, rewarding an album so undeniably essential that all voting roads lead back to it as the one and only answer. (And then the next year it might very well revert to an entirely WTF selection.)
So now that we’ve added Bad Bunny’s first-ever AOTY winner to this list, let’s see where it ranks among all 68 sets that have brought home the biggest honor from Music’s Biggest Night — hits, misses, and all the many negotiations in between. You might need a seatbelt to guard against the sheer whiplash caused by careening through some of these wildly disparate albums, but viewed all together they provide a pretty good representation of the wild ride that the Grammys have taken us on since 1959.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-02 20:38:022026-02-02 20:38:02Every Grammy Winner for Album of the Year, Ranked
When the Grammys debuted in 1959, there were only 22 total categories and no live performances, and the ceremonies were held in New York and Los Angeles at the same time and didn’t air nationally. At the 68th Grammys this past weekend (Feb. 1), there were 96 total awards given out – including two brand-new ones – as well as much-anticipated performances from nominated stars like Bruno Mars, Sabrina Carpenter and Tyler, The Creator, with the ceremonies airing live on CBS and streaming on Paramount+.
To commemorate the milestone Grammys, we at Billboard are digging into show’s history to find the moment from each of the previous 64 years that most defined that year’s ceremony. Sometimes those are dramatic wins or unforgettable performances – but they also include unexpected fashion statements, memorable presentations and, of course, a stage crasher or two. Some of them speak to the power of the Grammys in commemorating (or even creating) the most important and impactful musical moments of the year, and some of them are just the kind of surreal and unnerving happenings that tend to transpire when you get dozens of the biggest names in music in the same room for the evening.
From Chubby Checker to Stevie Wonder to Jethro Tull to SOY BOMB to the Chicks to BTS, encompassing surprise performances, historic wins and unexpected acceptance speeches, come relive nearly seven decades’ worth of Grammys greatness and weirdness with us — and find out which moment from Sunday night becomes the most recent to join this proud legacy.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-02 20:38:012026-02-02 20:38:0168 Grammys, 68 Moments: The Greatest Moment From Every Grammys Ceremony So Far
SZA was among the artists to speak out against ICE at the Grammy Awards. After collecting a pair of Grammy trophies on Sunday night (Feb. 1), the superstar singer slammed U.S. Immigration and Customs Enforcement after being asked by Varietyabout the importance of artists speaking up.
“It’s incredibly dystopian that we’re dressed up and able to celebrate accolades in the material world, and people are getting snatched up and shot in the face on the street,” she said. “It just feels bizarre, and I find so many of us don’t really know how to feel right now besides rage and hopelessness, and I don’t feel like that’s the calling card that I want to subscribe to.”
SZA continued: “I really believe in great possibility. I believe that entropy can breed change. I believe that this is a time when we can dig deep as a community and really learn that okay, it’s not time to count on anyone else but us and our neighbors to protect ourselves; to rally for each other, to be that morale booster, to disseminate mutual aid, to take care of each other. And I just feel like, yay, that’s an amazing opportunity; boo that this is even happening.”
The “Saturn” singer bluntly stated it’s “f—k ICE” and explained how she refuses to remain quiet going forward, which she hopes inspires others to stand up.
“It’s always f—k ICE, but it’s just a matter of, I just don’t want everyone to fall into despair because when you lose steam and you lose morale, change becomes impossible but it’s so not,” she added. “It’s so not. And I’m personally not going, I will not be going quietly into the dying of the light. So I encourage everybody to the same.”
Bad Bunny and Billie Eilish were among the Grammy winners who took time out of their acceptance speeches to highlight immigration and blast ICE in the wake of the deaths of Renee Good and Alex Pretti. The pair of Minneapolis residents were shot and killed by U.S. Immigration and Customs Enforcement in January, which has raised tensions and fueled anti-ICE protests across the nation.
“No one is illegal on stolen land,” Eilish said. “It’s just really hard to know what to say and what to do right now, and I just, I feel really hopeful in this room. And I feel like we just need to keep fighting and speaking up and protesting and our voices really do matter, and the people matter.”
SZA took home a pair of trophies on Sunday night thanks to “Luther.” The Kendrick Lamar GNX collaboration, which topped the Billboard Hot 100 for 13 weeks, won honors for record of the year and best melodic rap performance.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-02 20:12:012026-02-02 20:12:01SZA Slams ICE at 2026 Grammys: ‘People Are Getting Snatched Up & Shot in the Face’
A night where music met mileage, Elevated Sounds brought an intimate, high-energy performance from Rayvn Lenae to Los Angeles’ Peppermint Club on January 15. Presented by Delta and Billboard, the exclusive event rewarded SkyMiles Members with ticket redemption access, transforming points into a front-row live music experience.
Ravyn Lenae:
Thank you so much, Delta, thank you for having me and thank you for coming tonight.
On Jan. 15, Billboard and Delta brought Elevated Sounds to life, transforming Los Angeles’ iconic Peppermint Club into a moody hideaway where fans could step inches away from the soaring, soulful world of Ravyn Lenae.
With the room capped at just 80 guests, SkyMiles Members redeemed miles for access to a night designed for closeness and connection. DJ Miss Milan set the tone early, spinning a groove-forward, mood-setting set and serving as the evening’s hypeman, warming the room and building anticipation before Lenae took the stage. Around her, deep velvet textures, lush floral arrangements, archival Delta imagery adorned the walls, nodding to decades of travel history, and gleaming chrome finishes layered the space with a premium, tactile elegance.
Lenae delivered an intimate set, her airy, emotionally resonant vocals filling the room with warmth. Highlights included her Billboard-charting hit “Love Me Not,” peaking at number 5 on the Hot 100, and the fan-favorite “Days,” (watch her performance HERE) each song unfolding with clarity and drawing the audience into a shared moment of connection.
The evening seamlessly shifted from stage to personal connection as Lenae met every attendee during a post-performance meet-and-greet. Customized cocktails, the Paper Plane and Negroni, flowed from the full-service bar, each crafted to match the night’s elevated vibe, while passed hors d’oeuvres offered a refined, bite-sized complement to the lush surroundings.
Guests left with more than memories: signed memorabilia, a custom deck of playing cards autographed by Lenae, and a premium crewneck served as lasting keepsakes from the night. As Elevated Sounds proved once again, being a Delta SkyMiles Member connects you to the experiences you care most about, making membership the first step toward music moments this close, this curated, and this unforgettable.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-02 19:46:522026-02-02 19:46:52Ravyn Lenae Brings Elevated Sounds to Life at Intimate SkyMiles-Only L.A. Showcase
Interscope Capitol had a big night at the 2026 Grammy Awards, emerging as the ceremony’s most decorated label with a combined 15 wins, according to an internal staff memo from chairman and CEO John Janick. Interscope led all labels worldwide with nine awards, while Capitol claimed six.
“We should all be so proud of our collective effort,” Janick wrote, calling it “another epic evening” that showcased the company’s mission to develop artists who “move culture through the power of music and storytelling.”
Related
Everyone Who Has Won 20 or More Grammys
Vans Warped Tour Reveals First Artists for 2026
After Ozzy’s Death, Sharon Osbourne Is Still Changing The Music Industry: ‘I’m Up 24 Hours a Day’
The night’s biggest storyline belonged to Kendrick Lamar, who, alongside pgLang, won record of the year, best melodic rap performance, best rap song and best rap album, becoming the most-awarded rapper in Grammy history, surpassing Jay‑Z. Lamar also earned an additional Grammy for his feature on Clipse’s “Chains & Whips,” making him the ceremony’s most awarded artist. Janick praised the historic moment, noting Lamar is also the first male artist to win record of the year consecutively and the first rapper to win the category twice.
Billie Eilish and brother Finneas made history of their own as the first three-time winners of song of the year, taking home the award for “Wildflower.” Lady Gaga earned three Grammys — including best pop vocal album — and delivered what Janick described as an “extraordinary performance” that “galvanized millions.”
Janick also celebrated Nine Inch Nails, who won best rock song for “As Alive As You Need Me To Be,” marking their first Grammy since 1995, while HYBE‑formed girl group KATSEYE delivered “one of the most energetic and fun performances of the evening” with “GNARLY.”
Related
Billie Eilish Delivers a Pointed ‘F–k ICE’ in Grammys Speech: ‘No One Is Illegal on Stolen Land’
Capitol’s six wins were led by Leon Thomas, who performed multiple times and earned Grammys for best R&B album and best traditional R&B performance. Doechii won best music video for “Anxiety,” and YUNGBLUD, earning his first nominations this year, took best rock performance. Meanwhile, The Cure earned the band’s first-ever Grammys — two wins — after a 50‑year career.
Universal Music Group’s broader portfolio also posted major victories: Jelly Roll earned three awards, while Chris Stapleton, Samara Joy, Carín León, Blake Mills, and others added wins across country, jazz, Mexican regional and engineering categories. UMPG writers contributed to major-category wins, while composer Ludwig Göransson secured multiple soundtrack honors. Republic leaders Monte and Avery Lipman were presented with the 2026 Industry Icon Award.
“At Interscope Capitol our purpose is to sign and develop career artists who move culture through the power of music and storytelling,” Janick wrote. “Congratulations to all of you on what was a fun and rewarding night.”
Related
Billboard 2026 Power 100 List Revealed
Read Janick’s Full Memo:
Dear Team,
It was another epic evening at last night’s GRAMMY Awards, as Interscope Capitol artists brought home a total of 15 statues collectively. Interscope has the most wins of any label in the world by far, with 9 total. And Capitol, after just two years of rebuilding took home six awards. We should all be so proud of our collective effort.
In addition to being the most awarded label group at this year’s GRAMMYs, our artists also made history.
Kendrick Lamar and the pgLang team brought home a total of four awards, including Record of the Year, Best Melodic Rap Performance, Best Rap Song and Best Rap Album. With these wins, Kendrick Lamar becomes the most-awarded rapper in GRAMMY history, overtaking JAY-Z in that honored slot. Kendrick is also the first male artist to consecutively win Record of the Year and the first rapper to win that category twice. Along with another GRAMMY awarded for his performance on Clipse’s “Chains & Whips,” Kendrick was the most awarded artist of the evening.
Billie Eilish and Finneas, who won for Song of the Year for “Wildflower,” also made history, becoming the first three-time winners in the history of the Song of the Year category.
Lady Gaga took home three awards – Best Pop Vocal Album, Best Dance Pop Recording and Best Remixed Recording. Her extraordinary performance on the telecast galvanized millions around the world.
Nine Inch Nails’ return to Interscope also was recognized as they took home Best Rock Song for “As Alive As You Need Me To Be,” their first GRAMMY Award since 1995.
And although they didn’t take home an award, KATSEYE put in one of the most energetic and fun performances of the evening with “GNARLY.”
Capitol had an incredible night as well, taking home six awards in all. It was Leon Thomas’ night as he performed multiple times on the show and brought home GRAMMYs for Best R&B Album and Best Traditional R&B Performance. Doechii won for Best Music Video for “Anxiety” and YUNGBLUD who received the first nominations of his career this year, took home top honors in the Best Rock Performance category.
It was also a historic night for The Cure, who after a 50 year career took home their first-ever GRAMMYs, a pair for Best Alternative Music Album and Best Alternative Music Performance.
Our partners at Verve took home five awards in all, another impressive evening for a label whose artists are a mainstay of GRAMMY night.
At Interscope Capitol our purpose is to sign and develop career artists who move culture through the power of music and storytelling. The success of our artists at The GRAMMYs year in and year out, buoyed by your unwavering commitment and dedication to our artists, is an important signal that we continue to fulfill our mission.
Congratulations to all of you on what was a fun and rewarding night.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-02 19:42:362026-02-02 19:42:36Interscope Capitol CEO John Janick Celebrates Company’s ‘Epic’ Grammy Night in Internal Memo