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The 2026 College Football National Championship game is finally here. The No. 1 Indiana Hoosiers are taking on No. 10 Miami Hurricanes in a hard-hitting finals matchup with plenty of big stakes. Indiana is fighting for its first national championship in school history while Miami is trying to snap a streak without a championship that dates back to 2001.

How to Watch Indiana vs. Miami, At a Glance:

With the college football championship game taking place at the Hard Rock Stadium in Miami, the Hurricanes do get home field advantage, which could help their odds. However, the Hoosiers remain undefeated this season and have steamrolled teams by outscoring opponents by 31.5 points per game.

Wan to stream the 2026 College Football National Championship game live? We’ve compiled every way you can watch and stream the game online without cable and for free. Keep scrolling to learn how.

How to Watch the Indiana vs. Miami Game Online for Free

If you don’t have cable, there are still plenty of ways to watch ESPN and the Indiana vs. Miami game online. Fans can take advantage of multiple streaming services that offer free trials, so you can watch the college championship game today without paying a dime. Signing up to streamers like DirecTV, Hulu + Live TV, Sling TV and Fubo you can get right into the football action.

DirecTV is offering a five-day free trial, which will let you watch ESPN and more for free. The Entertainment and Sports Programming Network is included in all of the streaming packages. In addition to unlimited DVR storage, you’ll get access to local channels and the ability to stream on as many devices as you want.

With prices starting at just $4.99 for a day pass, Sling TV includes ESPN, ESPN2 and ESPN 3 (for ABC simucast) with it Sling Orange and Sling Orange + Blue packages — which features dozens of channels that can be streamed on up to three devices at the same time. Sling Orange + Blue features FS1 and the NFL Network too

Please note: Sling TV’s pricing and channel availability depends on your local TV market.

Fubo is another great option you can take advantage of to watch ESPN online. The streamer offers a seven-day free trial that’ll give you access to ESPN free and more than 240 live TV channels. The service offers a promo that’ll get you up to $30 off the first month, which can get you access to ESPN and more for as low as $54.99 (reg. $84.99 per month).

For the most content options, Hulu + Live TV gives you access to the entire Hulu library in addition to more than 95 live TV channels — including ESPN for just $82.99 per month.

And, unlike the rest of the options, you can also expand your content library by bundling Hulu + Live TV with Disney+ and ESPN Unlimited. You’ll not only have all of the Hulu library to watch, but also exclusive and original programming available exclusively on ESPN Unlimited.

How to get ESPN Unlimited online (ESPN Unlimited logo)

ESPN Unlimited


ESPN Unlimited is the official streaming platform for ESPN, and a subscription includes instant access to games and more exclusive content for $29.99 per month. You can save almost 17% off by purchasing an annual subscription for $299.99 per year. There is no free ESPN Unlimited trial, but it does include exclusive on-demand videos and access to content from what was formerly known as ESPN Insider.

In addition to live sports, ESPN Unlimited has original shows to stream on-demand, plus game recaps and analysis, a shorter version of NFL Primetime and full replays of historic NFL matchups.

To expand your savings and content offerings, currently, you can bundle ESPN Unlimited with Hulu and Disney+ for a single monthly price of just $29.99 per month for all three services for 12 months of streaming.

This podcast episode is part of the Billboard editorial staff’s Greatest Pop Stars of 2025 list. Find our accompanying Tyler essay here, and all the rest of our essays and podcasts related to the list here.

Tyler, The Creator had a big enough 2024 to end up an honorable mention on our Greatest Pop Stars Honorable Mentions list that year, with his October release Chromakopia landing the best first-week numbers of his career and spawning multiple top 10 Hot 100 hits, including his first long-lasting rap radio hit “Sticky.” But rather than spend 2025 basking in the afterglow of that success, Tyler just kept pushing forward last year, with a dancefloor-oriented semi-surprise new album, one of the year’s biggest tours and even a feature film debut in one of the year’s biggest movies.

This Greatest Pop Stars of 2025 episode of the Greatest Pop Stars podcast looks at how Tyler, The Creator ended up at No. 10 on our list — his first time making the top 10 — thanks to an impressively full year where he really decided to just go for it. (You can find Eric Renner Brown’s essay on Tyler’s full-speed-ahead season here.) Kyle Denis joins host Andrew Unterberger to relive the surprisingly robust glories of his 2025, and explain how he really proved his pop star mettle by seizing the momentum and the moment and continuing to scale new heights as one of the defining artists of his generation.

While doing so, we ask all the most pressing questions about Tyler’s 2025: Can we actually hear Lola Young on “Like Him”? Could we have maybe used a couple more obvious dance songs on Don’t Tap the Glass? How exactly did that album end up in the alternative category at the Grammys? Were we able to separate Tyler from his cabbie character in Marty Supreme? What pop collaborator should he team up with in 2026? And perhaps most importantly: Is there any pop star who’s career we’d rather have right now than Tyler, The Creator’s?

Check it out above, along with a YouTube playlist of some of the greatest moments of Tyler, The Creator’s 2025 — all of which are discussed on the pod — and subscribe to the Greatest Pop Stars podcast on Apple Music or Spotify (or wherever you get your podcasts) for complete podcast coverage of this year’s Greatest Pop Stars of 2025 list!

And as we say in every one of these GPS podcast posts — if you have the time and money to spare, please consider donating to any of these causes in the fight for trans rights:

Transgender Law Center

Trans Lifeline

Destination Tomorrow

Gender-Affirming Care Fundraising on GoFundMe

Also, please consider giving your local congresspeople a call in support of trans rights, with contact information you can find on 5Calls.org.

For this year’s update of our ongoing Greatest Pop Star by Year project, Billboard will be counting down our editorial staff picks for the 10 Greatest Pop Stars of 2025 all the next two weeks. Last week, we revealed our Honorable Mentions artists for 2025 as well as our Rookie of the Year and Comeback of the Year artists. Now, we kick off our top 10 with an artist who kept the pedal to the floor for 2025, trying new sounds and new mediums and ending up more ubiquitous than ever: Tyler, The Creator.

Listen to our Greatest Pop Stars podcast discussion about Tyler’s first year making our 10 Greatest Pop Stars list here.

About 15 years ago, in February 2011, a menacing group of young adults set the internet ablaze with its anarchic musical performance on Late Night with Jimmy Fallon. The rabble-rousers of Odd Future took their off-color, Tumblr-coded rap music to network television – and their appearance marked their introduction to the mainstream. 

But at the time, and for years after, Odd Future’s ringleader and breakout talent, Tyler, The Creator, seemed an unlikely candidate to ever transcend cult status. Odd Future’s left-field aesthetic and at-times nauseating lyrical content was a non-starter for many. Later that year, GLAAD denounced Odd Future’s homophobic and misogynistic subject matter; as late as 2015, the U.K. banned Tyler from entry due to his lyrics. All par for the course for an artist whose signature lyric up to that point was “KILL PEOPLE BURN S—T F—K SCHOOL.” 

Tyler the Creator for Billboard's Greatest Pop Stars of 2025

Theo Wargo/Getty Images

A decade later, however, Tyler is an integral part of the pop cultural fabric, both domestically and abroad. Today, his high-concept hip-hop has placed him in rarefied air with rap superstars like Kendrick Lamar and Drake, with Grammy wins, lucrative world tours and impressive chart success — a position he cemented with his massive 2025. 

Tyler’s transformation from skate-rap misfit to hip-hop A-lister started in 2017, when he released Flower Boy, a conceptually ambitious project dealing with loneliness and sexuality that fused rap, jazz, and neo-soul — and kicked off a streak of four consecutive records nominated for the best rap album Grammy. With 2019’s Igor and 2021’s Call Me If You Get Lost, Tyler continued to redefine himself as an artist, and while his material didn’t exactly lose its edge, it became less confrontational and drew in legions of new fans — including at the Grammys, where both sets won best rap album. 

Tyler’s 2025 effectively began in October 2024, with the release of that fourth-consecutive best rap album Grammy nominee, Chromakopia. The album debuted at No. 1 on the Billboard 200, and all 14 Chromakopia songs charted on the Billboard Hot 100; that month, three of its songs – “St. Chroma,” “Noid” and “Sticky” — became Tyler’s first three top 10 entries on the Hot 100. And unlike many high-profile rap releases today, the album – which featured Doechii, Sexyy Red, Lil Wayne, Daniel Caesar and Lola Young, among others – stuck around on the charts: When the calendar had turned, and the glut of holiday singles had receded, three Chromakopia songs remained on the Hot 100. 

Tyler carried that momentum into the Chromakopia world tour, a nearly-100-date trek that kicked off in February – when he played six sold-out shows at L.A.’s Crypto.com Arena – and took him to arenas from North America to Europe to Asia, securing him a No. 11 rank on Billboard’s Top Tours chart for 2025, with $174.5 million grossed. Along the way, he headlined major festivals, including Governors Ball, Lollapalooza and Outside Lands. For years, Tyler’s concerts had been spectacles, and the pyro-laden Chromakopia was no different. 

But by July, the creatively restless rapper threw fans a curveball: the surprise-released Don’t Tap The Glass, a 28-minute project that eschewed Chromakopia‘s grandiosity for a tight set of funky electronic bangers. Before the Chromakopia tour had even wrapped for 2025 (a brief Latin American leg is on tap for this March), Tyler was debuting Don’t Tap the Glass material at sweaty, club-inspired pop-up shows. Like Chromakopia and its two predecessors, Don’t Tap the Glass debuted at No. 1 on the Billboard 200; all 10 of its songs hit the Hot 100. The set’s “Sugar on My Tongue” became a breakout hit, spending 25 weeks (and counting) on the chart to become Tyler’s second-longest-running Hot 100 entry. Don’t Tap the Glass also scored a 2026 Grammy nomination for best alternative music album, meaning Tyler could take home not one, but two album Grammys in genre categories this February. 

At the same time, Tyler notched another accomplishment as one of the select few guests to appear on Clipse’s comeback albumLet God Sort Em Out, produced by his longtime musical lodestar, Pharrell Williams. The song he appeared on, “P.O.V.,” landed on the Hot 100 and represented a full-circle moment: One of the first established rap artists to champion Tyler was Clipse’s Pusha T, who featured the then-20-year-old on his 2011 single “Trouble on My Mind.” Clipse also played a small role in the Don’t Tap the Glass launch, making cameos – alongside LeBron James and his business associate Maverick Carter – in the music video for that album’s “Stop Playing With Me.”  Next month, Tyler will face off against Clipse – and himself – when Chromakopia and Let God Sort Em Out both vie for the album of the year and best rap album Grammys. 

A mammoth 2025, to be sure. But before the year wrapped, Tyler had another zeitgeist-seizing moment up his sleeve – on the silver screen, as Tyler Okonma. On Christmas Day, the Josh Safdie-directed, A24-distributed, Timothée Chalamet-starring ping-pong period drama Marty Supreme hit theaters, and featured Tyler in a prominent supporting role. As Wally, a taxi-driving buddy of Chalamet’s unstoppable Marty Mauser, Tyler stole each of his scenes, matching Chalamet’s energy and proving his charisma extends well beyond recording studios and festival stages. Since the start of his career, Tyler has directed many of his own music videos and played a key role in the creative direction of his concerts; Marty Supreme may be the first Oscar contender he’s had a hand in, but it’s likely not his last. 

For Tyler, it’s all somewhat poetic: The artist who once scared parents and grandparents who’d stayed up late to catch Fallon now appearing in a bona fide Christmas blockbuster, after a year where his music found more ears than it ever had before. As head-spinning as it might be for his Odd Future day ones, given his last decade, there’s little reason to think Tyler won’t become even more ubiquitous — mainstream, even — in the years. 

Listen to our Tyler, The Creator Greatest Pop Stars of 2025 discussion here, check back for our No. 9 artist tomorrow, and stay tuned the next two weeks as we roll out our top 10 — leading to the announcement of our top two Greatest Pop Stars of 2025 on Friday, Jan. 30!


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Billboard U.K.’s Power Players list is set to return for 2026, celebrating the most powerful industry leaders across the U.K. and Ireland. 

An extension of Billboard’s flagship Power 100 list and Power 100 event, the list will celebrate the executives driving change at the forefront of the region’s music scene across labels and distributors, management, publishing, streaming companies, the live business and rights associations.

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Nominations for the Billboard U.K.’s Power Players list open on Jan. 19, with a deadline of Feb. 3, 11:59 p.m. GMT. Nominees may be submitted via the link below.

The inaugural Billboard U.K. Power Players list launched in 2025, with honorees attending an accompanying Global Power Players event that took place in London (June 4). The invite-only event took place at Shoreditch House, where huge names including Sir Elton John and his husband and manager David Furnish, EMPIRE founder and CEO Ghazi Shami and Afrobeats superstar Tems were also recognised with special awards.

Set to be published in May 2026, the Power Players list will be nominated by executives’ peers and companies, and selected in full by the Billboard U.K. team. Interested parties can fill in the nominations form here.

“British and Irish music continues to set the pace globally, not just creatively but commercially,” said Mo Ghoneim, president of Billboard U.K. “The return of the Power Players list in 2026 is about recognising the executives who are driving that momentum forward. From global chart success to sold-out arenas and boundary-pushing festivals, this region remains one of the most influential music markets in the world, and we’re proud to spotlight the leaders shaping its future.”

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The news follows a huge year for British and Irish acts on the world stage. In December, the BPI announced that in 2025 the U.K. recorded music market had grown by 5%, while Hozier, Ed Sheeran, Lola Young, Myles Smith and Olivia Dean are among the names who made an impact on the Billboard Hot 100. 

This year, meanwhile, is already stacked with major cultural moments. Dean is set to perform six nights at London’s O2 Arena in the spring, while the likes of Lily Allen and RAYE will also embark on huge arena tours across the U.K. and Europe in the coming months. In February, The BRIT Awards leave London for the first time, while Reading & Leeds Festival will return in August with all headlining acts at the event being exclusively British and Irish names.

For any queries regarding Billboard U.K.’s Power Players list, please contact tsmith@uk.billboard.com.


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Australian indie favourites Lime Cordiale have announced a new climate-focused live music event, unveiling the inaugural Lime Green Festival, a one-day, off-grid festival designed to place environmental action at the centre of the live music experience.

Set to take place on April 18 at Point Malcolm Reserve in Semaphore, Adelaide, the festival is being presented in partnership with Chugg Music and supported by the South Australian Government and City of Charles Sturt. According to organisers, Lime Green is being developed as a 100% off-grid event, with the goal of significantly reducing the environmental footprint typically associated with large-scale live music festivals.

Lime Cordiale brothers Oli and Louis Leimbach said the project emerged from years of questioning the environmental impact of touring and live events.

“From the accelerating loss of polar ice to the devastating algal blooms currently choking the South Australian coast, it is impossible to ignore that our climate is at a breaking point,” the duo said in a statement. “For the last five years, we’ve wrestled with a deep, personal dilemma as environmentalists: Is our touring contributing to the problem? Does it still make sense in a world that’s hurting?”

They added that the answer, for them, was not to stop touring, but to change how it is done.

Lime Green Festival is being positioned as both a music event and a community-driven platform, incorporating live performances alongside talks, workshops and interactive activations focused on regenerative practices and climate innovation. Organisers say the festival is intended to explore how live events can operate more sustainably, particularly in regional and coastal locations.

A major focus of the event will be its power infrastructure, with plans to run the main stage off-grid through a partnership with Aggreko, using industrial-scale mobile batteries backed by vegetable-oil generators. Additional initiatives include eliminating single-use plastics, prioritising re-use systems, offering renewable catering solutions, and encouraging low-emission transport options for attendees.

Food and beverage vendors will be curated to prioritise local, organic and carbon-neutral operators, with surplus food donated to charities and free drinking water available on site.

The Lime Green Festival line-up will be headlined by Lime Cordiale alongside The Dreggs, aleksiah and PASH, with an additional slot reserved for a triple j Unearthed winner. Further performance opportunities will be offered to emerging local artists through partnerships with the City of Charles Sturt and the band directly.

Formed in 2009, Lime Cordiale have released multiple albums, received 12 ARIA nominations and two wins, and toured extensively across Australia and internationally. The band said Lime Green builds on environmental initiatives they have already integrated into their touring model over recent years.

The festival will also incorporate the Solar Slice initiative, led by FEAT, which directs $1 from every ticket sold toward climate and nature-based projects. Funds raised from Lime Green will support a South Australian community-led response to the ongoing algal bloom affecting the state’s coastline.

South Australian Minister for Tourism Zoe Bettison described the festival as “a significant step forward for the arts industry and our planet,” while Minister for Climate, Environment and Water Lucy Hood said the initiative aligns with the state’s leadership in renewable energy and support for coastal communities.

Oli and Louis Leimbach said they see Lime Green as an evolving experiment rather than a finished solution.

“This is a genuine attempt to discover what is possible,” they said. “We aren’t claiming to be perfect; we will make mistakes along the way, but we are trying. We’re inviting you to be part of this experiment.”

Presale tickets for Lime Green Festival go on sale at 9 a.m. AEDT on Wednesday, Jan. 21, with general tickets available from 9 a.m. AEDT on Friday, Jan. 23. The event is licensed and all-ages.

Australian radio station Triple M has unveiled its Most Played Songs countdown, marking 45 years of broadcasting by tallying every track spun across the network since its launch — a data-driven snapshot of Australian radio history measured entirely by airplay.

Topping the list is GANGgajang’s “Sounds Of Then (This Is Australia),” which emerged as the most-played song in the station’s history. The track leads a top ten dominated by Australian artists, with six local songs making the cut, including INXS’ “Don’t Change,” Paul Kelly and The Messengers’ “Dumb Things,” AC/DC’s “You Shook Me All Night Long,” Choirboys’ “Run To Paradise,” and The Screaming Jets’ “Better.”

International staples also appear near the top, with Van Halen’s “Jump,” Queen’s “Bohemian Rhapsody,” Lenny Kravitz’s “Are You Gonna Go My Way,” and Bon Jovi’s “Livin’ On A Prayer” rounding out the upper tier of the list.

According to Triple M, the countdown differs from traditional listener polls by relying solely on broadcast data rather than voting or audience surveys. “This countdown isn’t a vote. It’s not a popularity contest. And it’s not built for debate. It’s the raw history of Triple M — measured entirely by airplay,” the station said in a statement.

The network described the list as a reflection of longevity and connection rather than trend cycles. “What emerged wasn’t just a countdown — it was a snapshot of history,” Triple M shared. “A living record of the songs Australians kept turning up, requesting, replaying, and returning to over nearly half a century.”

Beyond the top ten, the full list spans 600 songs and traces decades of rock and alternative staples familiar to long-time Triple M listeners. Tracks by Cold Chisel (“Khe Sanh”), Midnight Oil (“Beds Are Burning”), Nirvana (“Smells Like Teen Spirit”), and Red Hot Chili Peppers (“Under The Bridge”) feature alongside songs by Men At Work, Divinyls, Silverchair, Powderfinger, Fleetwood Mac, U2, R.E.M., Foo Fighters, Crowded House, Green Day, Metallica, and many others.

GANGgajang frontman Mark “Cal” Callaghan reacted with surprise to “Sounds Of Then” claiming the top spot, reflecting on the song’s origins. “What the heck!? That’s amazing,” he said. “It was a song that just came — out of the ether somewhere.”

Callaghan added that the moment felt full circle. “I’m house-sitting in Kirribilli, Sydney, and looking out the window at the same block of flats where, in 1982, I recorded the demo of ‘Sounds of Then’ on my first 8-track recorder. How about that?”

Triple M’s Most Played Songs list is available to view in full now.

Dolly Parton Day will officially be observed on Jan. 19 in the state of Tennessee, Gov. Bill Lee has announced.

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Gov. Lee proclaimed the tribute to Dolly Parton — honoring “her lifetime of achievement, service, and positive impact” — in coordination with the country music legend’s 80th birthday, which falls on Monday, Jan. 19.

“Dolly Parton, born on January 19, 1946, in Sevier Country, is a native Tennessean whose extraordinary life and career have brought pride to the State of Tennessee,” reads the state leader’s official notice of Dolly Parton Day, published by the Tennessee Department of State.

Gov. Lee’s proclamation highlights the star’s accomplishments, both professional and philanthropic, and how she’s affected the lives of Tennesseans.

“Dolly Parton is an acclaimed singer, songwriter, musician, actress, producer, and entrepreneur whose body of work embodies the spirit of Tennessee; and throughout her remarkable career, Dolly Parton has earned numerous awards and accolades and is widely regarded as one of the most influential and beloved artists in the history of American music; and in addition to her artistic accomplishments, Dolly Parton has demonstrated an enduring commitment to philanthropy and service, most notably through the Dollywood Foundation and the Imagination Library, which began in Tennessee and has provided hundreds of millions of free books to children around the world, helping to promote early childhood literacy and educational opportunity; and Dolly Patton’s generosity, humility, and dedication to improving the lives of others exemplify the values of the Volunteer State and serve as an inspiration to Tennesseans and people worldwide,” the proclamation says.

The proclamation issued through the Tennessee Department of State can be read in full here.

Jan. 19, 2026 marks a milestone birthday for Parton, the legendary singer-songwriter and performer whose 25 No. 1s on the Billboard Hot Country Songs chart have spanned a career across four decades (and counting).

Parton’s latest musical release is a new rendition of her 1977 hit “Light of a Clear Blue Morning,” featuring colleagues/collaborators Lainey Wilson, Reba McEntire, Queen Latifah and Miley Cyrus. Net proceeds from the song benefit the pediatric cancer research program at Monroe Carell Jr. Children’s Hospital at Vanderbilt in Nashville.

THE SIN: VANISH, the new mini concept album — or “mystery-show” album — from ENHYPEN, tops this week’s fan-voted music poll.

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Music fans voted in a poll published Friday (Jan. 16) on Billboard, choosing the septet’s cinematic collection rooted in vampire mythology as their favorite new drop.

THE SIN: VANISH was released in a week that also saw new music streaming in from Madison Beer, A$AP Rocky, Mitski, Megan Moroney and more. Support for ENHYPEN came in strong, with fans bringing the 11-track work to a win with 68% of the vote.

ENHYPEN’s Heeseung, Jay, Jake, Sunghoon, Sunoo, Jungwon and Ni-Ki delivered THE SIN: VANISH, led by the song “Knife,” on Friday. The concept album — available in Korean, English, Japanese and Chinese-language versions — is the group’s “most immersive and narratively driven chapter to date,” as described in a press statement, an experimental piece of art that digs into the world of vampire lovers and “the fragile balance between desire and consequence in a world bound by unbreakable rules” with music and narration.

Though THE SIN: VANISH is meant to be heard from start to finish, “Knife,” its lead track and the start of the lovers’ escape, was highlighted by a music video release on Friday.

Among the new releases trailing behind THE SIN: VANISH are Madison Beer’s locket (with 20% of the vote), A$AP Rocky’s Don’t Be Dumb (with 4% of the vote) and Mitski’s “Where’s My Phone?” (with 2% of the vote).

See the final results of this week’s poll below.


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Green Day will open the 2026 Super Bowl with an opening ceremony performance on Feb. 8 at Levi’s Stadium in Santa Clara, Calif.

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The East Bay band’s Billie Joe Armstrong, Mike Dirnt and Tré Cool will kick off this year’s Super Bowl festivities with “their most iconic rock anthems,” the NFL announced Sunday (Jan. 17). Though viewers will have to tune in to the show to see what they’ll play, the punk-rock trio’s collection of hits to pull from span the mid-’90s through today, beginning with breakthrough single “Basket Case” from their classic 1994 album Dookie.

The opening ceremony — celebrating 60 years of Super Bowl history and honoring Super Bowl MVPs — airs live on Super Bowl Sunday (Feb. 8) at 3 p.m. PT/6 p.m. ET on NBC, Telemundo, Peacock and Universo, ahead of the big game.

“We are super hyped to open Super Bowl 60 right in our backyard!” Green Day’s Billie Joe Armstrong said in a statement released by the NFL. “We are honored to welcome the MVPs who’ve shaped the game and open the night for fans all over the world. Let’s have fun! Let’s get loud!”

“Celebrating 60 years of Super Bowl history with Green Day as a hometown band, while honoring the NFL Legends who’ve helped define this sport is an incredibly powerful way to kick off Super Bowl LX,” said Tim Tubito, NFL senior director, event and game presentation. “As we work alongside NBC Sports for this opening ceremony, we look forward to creating a collective celebration for fans in the stadium and around the world.”

Green Day’s performance at the Super Bowl opening ceremony precedes the NFL’s previously announced pregame entertainment lineup. Before the game begins, Charlie Puth will perform the national anthem, Brandi Carlile will sing “America the Beautiful” and Coco Jones will sing “Lift Every Voice and Sing.”

Bad Bunny headlines this year’s Super Bowl halftime show. The Puerto Rican superstar and Apple Music released a teaser trailer on Friday, promising “the world will dance.” Bunny’s Debi Tirar Mas Fotos ruled the Billboard 200 chart for four weeks last year, and his world tour in support of the album is already breaking records — grossing $107 million across 697,000 tickets sold across just the first 12 shows of the eight-month trek.


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Zach Bryan earns his second No. 1 album on the Billboard 200 chart (dated Jan. 24) as With Heaven on Top opens in the pole position with 134,000 equivalent album units earned in the United States in the week ending Jan. 15, according to Luminate. The 25-song set is the second leader for the singer-songwriter, who previously led the tally with his 2023 self-titled release. In total, Heaven marks the sixth top 40 set for Bryan, with five of those reaching the top 10.

In early 2025, Bryan announced With Heaven on Top as a forthcoming EP. Then in July, he shared the project’s release date of Jan. 9, 2026.

The set was issued via streaming services and as a widely available download for purchase, while a CD and vinyl release are expected in March. The album’s first-week was bolstered by its midweek deluxe reissue on Jan. 12 with 24 bonus acoustic tracks.

Also in the top 10 of the latest Billboard 200, The Kid LAROI nabs his second top 10-charting effort, as Before I Forget enters at No. 6.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 2,500 ad-supported or 1,000 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Jan. 24, 2026-dated chart will be posted in full on Billboard‘s website on Jan. 21 (one day later than usual due to the Martin Luther King Jr. Day holiday in the U.S. on Jan. 19). For all chart news, follow @billboard and @billboardcharts on both X and Instagram.

Of With Heaven On Top’s 134,000 equivalent album units earned in the latest tracking week, SEA units comprise 127,000 (equaling 130.32 million on-demand official streams of the set’s tracks — it debuts at No. 1 on Top Streaming Albums), album sales comprise 6,000 (it debuts at No. 7 on Top Album Sales) and TEA units comprise 1,000.

With Morgan Wallen’s I’m the Problem slipping a spot to No. 2 (with 82,000 equivalent album units earned, down 4%), the Nos. 1 and 2 albums on the Billboard 200 are country sets for the first time in nearly two years. It last happened on the Feb. 17, 2024-dated chart, when Toby Keith’s 35 Biggest Hits reentered the chart at No. 1 following his death, and Wallen’s One Thing at a Time fell to No. 2. (Country albums are defined as those that are eligible for, or have charted on, Billboard’s Top Country Albums chart. The genre-blending Bryan typically charts his projects on Billboard’s country, rock and Americana/folk charts.)

Olivia Dean’s The Art of Loving holds at its peak of No. 3 (64,000 equivalent album units earned, down 3%), Taylor Swift’s chart-topping The Life of a Showgirl falls 2-4 (63,000, down 13%) and the former No. 1 soundtrack to KPop Demon Hunters is down a rung to No. 5 (56,000, down 1%).

The Kid LAROI lands his second top 10 on the Billboard 200 as Before I Forget bows at No. 6 with 41,000 equivalent album units earned. Of that sum, SEA units comprise 30,000 (equaling 30.83 million on-demand official streams of the set’s songs; it debuts at No. 13 on Top Streaming Albums), 11,000 comprise album sales (aided by the availability of a signed CD, it debuts at No. 1 on Top Album Sales) and TEA units comprise a negligible sum. The artist previously visited the top 10 with the chart-topping F*ck Love in 2021.

Four former No. 1s round out the top 10 of the latest Billboard 200, as SZA’s SOS dips 6-7 (40,000 equivalent album units, down less than 1%), Tate McRae’s So Close To What falls 5-8 (nearly 40,000, down 2%), Wallen’s One Thing at a Time is down 8-9 (36,000, down less than 1%) and Sabrina Carpenter’s Man’s Best Friend descends 7-10 (33,000, down 12%).

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.


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