Perrie Edwards and her fiancé, Alex Oxlade-Chamberlain, are celebrating the arrival of their second child.
On Saturday (Jan. 17), the 32-year-old Little Mix singer announced on Instagram that she and the professional soccer player, 32, welcomed a baby girl.
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Little Mix’s Perrie Edwards Is Pregnant, Expecting Second Child With Fiancé Alex Oxlade-Chamberlain
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“Alanis Valentine,” Edwards captioned a sweet black-and-white photo of the newborn, adding pink heart emojis.
The adorable snapshot shows Alanis snuggled against her mother’s chest while her parents and the couple’s 4-year-old son, Axel, gently rest their hands on her back.
Edwards and Oxlade-Chamberlain, who got engaged in 2022, revealed in September 2025 that they were expecting another child. In a video shared on Instagram at the time, the singer wore a T-shirt reading, “If He Wanted To He Would…” on the back. As she turned around, she revealed her baby bump along with a second message on the front that read, “…and He Did!”
Moments later, Oxlade-Chamberlain and their son joined her in the frame, sharing a sweet family embrace.
The happy announcement came after Edwards previously shared her experience with a heartbreaking pregnancy loss following Axel’s birth in 2021. Speaking candidly on the We Need to Talk podcast in August 2025, the singer reflected on one of the most challenging periods of her life.
“Axel wasn’t even walking yet and we were pregnant,” the former X Factor star said. “I found out when I was rehearsing for the Little Mix tour. I was at rehearsals and I thought, ‘Oh I don’t feel good.’ Every symptom under the sun so I was like, ‘I think I’m pregnant.’”
Although tests confirmed she was expecting again, Edwards said something didn’t feel right once she began touring in April 2022 with bandmates Leigh-Anne Pinnock and Jade Thirlwall. Despite early reassurance from doctors, she later received devastating news during her 20-week scan.
See Edwards’ birth announcement on Instagram here.
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Actor Finn Wolfhard is hosting Saturday Night Live this week. The Stranger Things star opens 2026 as host for the first time on Saturday, Jan. 17. The variety show also has iconic musical guest on the booking with A$AP Rocky. SNL airs on NBC at 11:30 p.m. ET/PT.
This is the first episode of the new year, as the cast is down one “Not Ready for Prime Time” player with Bowen Yang exiting the show after seven seasons. Yang left the show after the Dec. 20 episode with host Ariana Grande and musical guest Cher.
Want to watch SNL online without cable and for free? Your easiest bet is to grab a free trial to DirecTV or FuboTV to stream an NBC live feed online without needing a subscription.
Keep reading to learn all the other streaming options to watch SNL online without cable.
How to Stream ‘Saturday Night Live’ for Free
In order to watch SNL, you’ll need to have access to NBC. If you have cable, then you just need to look up what channel NBC is on, which you can find it in your channel guide through your cable provider. Don’t have cable? There are a few ways to watch Saturday Night Live online for free.
A subscription to DirecTV — which comes with NBC for SNL — gets you access to live TV, local and cable channels, starting at $39.99 per month for the MyNews package. The service even offers a five-day free trial to watch for free, if you sign up now.
You can watch local networks such as CBS, ABC and FOX, while you can also watch many cable news networks, including CNN, FOX News, C-Span, MS Now and others.
A subscription to Sling Blue, which comes with NBC for SNL, gets you access to live TV, local and cable channels.
You can watch local networks such as ABC and FOX (in select markets), while you can watch many cable networks, including Bravo, Cartoon Network, Discovery Channel, E!, Fox Sports, FX, Fox News, MSNBC, National Geographic, SYFY, TLC, USA Network, A&E, AMC, BBC America, BET, CNN, Comedy Central, Food Network, Fuse, HGTV, History Channel, IFC, Lifetime, Nick Jr., QVC, TBS, TNT, Travel Channel, Vice and many others.
Starting at $48.99 for the first month of service ($73.99 per month afterwards), FuboTV offers a five-day free trial when you sign up for one of its plans. You’ll gain access to more than 200 live TV channels — including NBC — so you can watch SNL for free. After your free trial is over you’ll be charged the subscription price based on the plan you choose or you can cancel at anytime.
Another great option is to subscribe to Peacock, which is the official NBC streamer. The Peacock Premium Plus plan ($16.99 per month) gives you access to the NBC channel, which means you can watch SNL live. There is no free trial for the streaming platform, but if you want to watch the episode on-demand, Peacock does comes with an ad-supported plan that’s only $10.99 per month month and you’ll have access to new episodes of SNL the day after it airs.
You can also expand your streaming library through Hulu + Live TV, which gives you access to the entire Hulu, Disney+ and ESPN Unlimited libraries on top of hundreds of live TV channels, like NBC.
In the meantime, watch a promo reel for tonight’s episode below:
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-01-17 17:05:352026-01-17 17:05:35‘Saturday Night Live’: How to Watch the TV Variety Show Online for Free
From career milestones to new music releases to major announcements and those little important moments, Billboard editors highlight uplifting moments in Latin music. Here’s what happened in the Latin music world this week.
Bad Bunny Honors Late Chilean Protest Singer Víctor Jara
Bad Bunny launched his 2026 world tour at Santiago’s legendary Estadio Nacional, and on Jan. 11, he paid tribute to Víctor Jara, the Chilean folk singer and activist murdered in 1973 during Augusto Pinochet’s brutal dictatorship. Performing at a stadium once used as a detention and torture center under Pinochet’s regime, one of Bad Bunny’s musicians played an emotional instrumental version of Jara’s protest anthem “El Derecho de Vivir en Paz” (The Right to Live in Peace) on the mandolin. The crowd joined in to sing the lyrics, which have become a symbol of resistance and survival in Chile’s history. See the moment below.
Xavi Kicks Off Second Leg of U.S. X Tour
Xavi launched the second leg of his U.S. X Tour on Saturday (Jan. 14) with a sold-out performance at the San Jose Civic in California. The Live Nation-promoted tour has already packed major venues nationwide and coincides with the Mexican-American star’s growing dominance in Latin music, bolstered by seven Premio Lo Nuestro nominations, an iHeartRadio Music Awards nomination and continued success with recent singles like “En Privado” with Manuel Turizo and “No Capea” alongside Grupo Frontera.
On Friday night (Jan. 16), Xavi will perform at the Delta Center in Salt Lake City, followed by a show at the Fillmore Auditorium in Denver, Colo., on Sunday (Jan. 18). The tour will also pass through Seattle and Wheatland, Calif., and will conclude in Las Vegas at the Pearl Concert Theater at Palms Casino Resort on Jan. 30. For more dates and tickets, visit livenation.com.
Latin Grammy Foundation Adds Two New Music Scholarships
The Latin Grammy Cultural Foundation has announced the addition of two new scholarships for 2026, supported by the Frost School of Music at the University of Miami and Gibson Gives. The Frost School of Music scholarship will provide financial aid ranging from $32,000 to $250,000 to at least one talented student passionate about Latin music, covering tuition and additional support for a four-year bachelor’s degree.
Gibson Gives will fund three tuition assistance scholarships, providing additional support for music students while gifting each recipient a guitar or bass. “Together, we continue to support the next generation of Latin music creators,” said Raquel “Rocky” Egusquiza, executive director of the Latin Grammy Cultural Foundation, in a press release. Applications for the Frost scholarship are due by Feb. 17 and for the Gibson scholarships by April 10 at latingrammyculturalfoundation.org.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-01-17 15:00:342026-01-17 15:00:34Bad Bunny Pays Tribute to Late Protest Singer Víctor Jara & More Uplifting Moments in Latin Music
Veteran punk outfit NOFX are opening the vault on four decades of chaos, excess and survival with a new feature-length documentary titled 40 Years of F**kin’ Up, which is currently in post-production.
The band revealed details of the project on Friday (Jan. 17), with founding member Fat Mike confirming the film’s status while appearing at The Punk Rock Museum’s NOFX exhibition. According to Fat Mike, the documentary does not shy away from the most extreme, uncomfortable or self-destructive chapters of the group’s history.
“Most people wouldn’t be OK with releasing a film that shows footage of getting whipped in their dungeon, or their drug use for the past 20 years, or dressing up like a rubber cheap whore, or the ambulance ride when they were naked while puking and shitting blood… I’m not like most people,” Fat Mike said.
Directed by James Buddy Day, 40 Years of F**kin’ Up traces NOFX’s evolution from teenage punks to one of the most influential and polarising bands in modern punk history. The documentary features extensive interviews with the band’s core lineup — guitarist Eric Melvin, lead guitarist El Hefe and drummer Erik Sandin — all of whom also serve as executive producers on the film.
Additional executive producers include Gary Ousdahl, Cisco Adler and Jon Nadeau, with the project produced through Pyramid Productions.
While the trailer leans heavily into the band’s infamous reputation — showcasing scenes of drug use, sexual provocation and medical emergencies — the filmmakers have positioned the documentary as a comprehensive portrait rather than a highlight reel of shock value.
According to Day, the film captures both the absurdity and the emotional toll of the band’s long-running self-destruction.
“Working with Fat Mike, the band, and the entire NOFX crew has been like nothing I’ve ever experienced,” Day said in a statement. “This is the punkest band ever — and their story is exactly as insane as you’d expect: hilarious, painful, reckless, and deeply human.”
He added: “Digging through decades of footage, I saw things I’ll never unsee — but that honesty is what makes this film essential.”
In keeping with NOFX’s anti-industry ethos, the documentary will also introduce new music from the band — though it won’t be released through traditional channels. Instead, the unreleased tracks will only be available to audiences attending screenings of the film.
Sneak-peek screenings of 40 Years of F**kin’ Up are scheduled to take place in Austin, Texas, from March 15–16 at Brushy Street Commons, before the documentary rolls out to select theatres worldwide beginning in April. Tickets are set to go on sale Feb. 20.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-01-17 07:21:432026-01-17 07:21:43NOFX Set Feature-Length Documentary Exploring 40 Years of Punk, Excess and Survival
Heated Rivalry star Hudson Williams made his catwalk model debut Friday (Jan. 16), opening the Dsquared2 fall 2026 runway show in Milan to an A.I. reworking of Carly Simon’s “Let the River Run.”
Ahead of the 2026 Winter Olympics — which are taking place in both Milan and Cortina, Italy, starting next month — the Dsquared2 presentation was themed around winter sports and closed the first day of Milan Fashion Week Men’s Fall/Winter 2026.
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The soundtrack of the 15-minute runway show largely consisted of a mash-up of reworkings of “Let the River Run,” with the opening two minutes scored by an orchestral-rock interpretation of the Academy Award-winning song. On streaming services, the song is credited as “Running on the Water” and is billed to such artist names as Kradex (on Apple Music) or Da Soul Orchestra (on YouTube and Deezer). Notably, on Deezer, the track carries an “AI-generated content” label, which indicates the release is “detected as AI-generated” by the service. Further, on Da Soul Orchestra’s YouTube channel, the act’s bio notes “we use AI technology to rework iconic tracks in fresh styles.”
Simon’s “Let the River Run” was written for the 1988 film Working Girl, starring Harrison Ford, Sigourney Weaver and Melanie Griffith. The film’s opening sequence and end credits are soundtracked by “Let the River Run.” The track would go on to win Simon the Oscar for best original song and the Grammy Award for best song written specifically for a motion picture or television. The single climbed to No. 49 on the Billboard Hot 100 and No. 11 on the Adult Contemporary airplay chart.
Milan Fashion Week continues through Jan. 20. Could Williams’ Heated Rivalry co-star Connor Storrie hit the fashion slopes in Milan? W magazine noted rumblings of Storrie possibly making his runway debut for Dolce & Gabbana on Saturday, but the outlet said the actor’s publicists denied the rumor.
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All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.
Distributing your music as an independent artist can be tricky. Yes, you have outlets like Soundcloud, Bandcamp and even YouTube, but if you’re looking to move your work over to major platforms including Apple Music, Spotify or Tidal, it’s not as easy as hitting the upload button. To help distribute your music to an even wider audience, here’s everything you need to know about distributing your music as an independent artist.
For signed artist, your label should take care of all this for you, but if you’re independent, to share your music on major streaming platforms you’ll have to go through a third-party distributor. With sites like DistroKid, the process to upload your music becomes a lot more simpler.
The platform will handle most of the work for you, pushing tracks and albums to major streamers, automatically adding metadata and song credits to each platform, schedule release dates and upload as many track as you want while you keep 100% of the profit. More recently, DistroKid also added a direct-to-fan platform, called DistroKid Direct, that lets independent artists create an online store to sell their merch. The best part? Artists also get to keep 100% of their earnings.
How to Distribute Your Music to Apple Music and Spotify
DistroKid offers a variety of tiered memberships with different perks. Starting at just $2.08, the Musician tier offers you unlimited music uploads, your lyrics in Google, a Spotify verified check mark and royalty splits. There’s also the Musician Plus plan, which is slightly more pricier at $3.75/month, and includes everything listed above, as well as synced lyrics in Apple Music, daily streaming stats, a customizable label name, release dates, and even adjustable iTunes pricing. Finally, their most premium plan, the Ultimate tier, offers artists free iPhone app access, 1TB instant file sharing and adding contact info for thousands of playlists for $7.50/month.
Whatever tier you decide to go with, artists are given tons of freedom on how to distribute your music and when. When it comes to royalties, Distrokid automatically splits earnings amongst all collaborators whether its producers, song writers, or artists, to make sure everyone involved within the project is equally and fairly paid.
Once you create a profile and choose your tier plan, all the tools to upload, share and distribute your music is right at your finger tips. So, if you’re looking to grow audience, DistroKid is a great option to freely share your music on major platforms.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-01-17 03:00:412026-01-17 03:00:41How to Share Your Music on Apple Music and Spotify as an Independent Artist
Since releasing her debut solo album, 1967’s Hello, I’m Dolly, Dolly Parton has changed the face of the entertainment industry. Kicking down doors for female performers in both country and pop music, she has soared in the worlds of books, television, philanthropy and movies — and pretty much whatever else she tackled. On Jan. 19, Parton – who has topped the Billboard Hot 100 twice and Billboard‘s Hot Country Songs a whopping 25 times — is turning 80 years old.
Her expansive roster of hits reads like a “best of” list of the 1970s and 1980s, and it remains one of the strongest song catalogs of any singer-songwriter in any genre. As a writer, she has penned everything from poignant, detailed ballads about life in the Great Smoky Mountains, where she grew up, to some of the most defining love songs of all time.
Her prowess as a songwriter and performer is so great, it earned her a historic induction into the Rock & Roll Hall of Fame in 2022 — an accomplishment she almost didn’t accept, telling Billboardat the time that she didn’t feel like she “measured up” to past inductees. A legacy like hers, however, deserves the title of “rock star” no matter what style of music she makes, and the world agreed. She went on to become the second female country artist (after Brenda Lee) to be inducted in both the Rock & Roll and Country Music Halls of Fame. (Parton has also been inducted into the Songwriters Hall of Fame.)
“People usually [say] ‘Dolly rocks’ or ‘you rock’ or ‘you’re a rock star,’” she said. “I thought they just meant that I was cool, and I took that as a great compliment. But now I’m going to have to take it literally!”
In choosing our favorite Dolly Parton songs, we settled on these 25. Many of them came from her own pen, and all of them will “Always” have staying power. To be fair, we could do a list of our favorite Dolly duets, too, but wanted to keep this one solo focused.
Keep reading to see Dolly Parton’s best songs to date below. [Ed. note: A shorter version of this list was published prior to Billboard writer Chuck Dauphin’s passing in 2019.]
Alternate versions of her tracks like “Everything Has Changed” from Red; “Wildest Dreams” from 1989; “Delicate” from Reputation; “You Need to Calm Down,” “Lover” and “Cruel Summer” all from Lover; “willow” from evermore; “Love Story (Taylor’s Version)” from Fearless (Taylor’s Version); “Anti-Hero” and “Lavender Haze” from Midnights; “I Can Do It With a Broken Heart” from The Tortured Poets Department; and “The Fate of Ophelia” from The Life of a Showgirl are perfect, whether your dance floor is at the club, in your living room or at a wedding reception. (Of course, we give deference to Swift’s talents on her initial works – otherwise, these remixes wouldn’t exist.)
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Technically, both “Bad Blood” featuring Kendrick Lamar and “Karma” featuring Ice Spice could be considered remixes, but their official titles don’t reflect that. (And while “Anti-Hero” featuring Bleachers is listed, its inclusion on the Anti-Hero Remix EP makes it acceptable.) And we’re also not considering any pop or radio versions – of which Swift has many.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-01-17 03:00:392026-01-17 03:00:39The 12 Best Taylor Swift Remixes (Critic’s Picks)
This week’s Friday Music Guide brought a trio of albums and a trio of songs that Billboard editors will have in our headphones all weekend — but which of the half-dozen selections is your favorite new music of the week?
Starting with the albums, we had the long-awaited A$AP Rocky project Don’t Be Dumb — his first album since 2018’s Testing. We heard lead singles “Punk Rocky” and “Helicopter” first, but Friday’s (Jan. 16) release brought 15 tracks on the standard album plus two digital bonuses.
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ENHYPEN’s ‘THE SIN : VANISH’: Every Song Ranked
ENHYPEN (Heeseung, Jay, Jake, Sunghoon, Sunoo, Jungwon and Ni-Ki) dropped the 11-track EP The Sin: Vanish on Friday, highlighted by lead single “Knife.” The vampire-themed release is the first in the seven-member K-pop group’s expected The Sin series.
Finally, Madison Beer put out her third album locket, which follows 2023’s Silence Between Songs. We all know the 2024-released single “Make You Mine” — a top 10 hit on Billboard‘s Pop Airplay chart — and the album was also preceded by the songs “Yes Baby” and “Bittersweet” (Beer’s first Billboard Hot 100 hit).
On the song front, we got new tunes from Nigerian superstars Wizkid and Asake (“Jogodo”), country crooner Megan Moroney (“Wish I Didn’t”) and indie-pop singer/songwriter Mitski (“Where’s My Phone?”).
But which was your favorite of the week? Below, you can vote for one of our half-dozen Friday Music Guide selections or write in your own in our poll. We’ll close the poll on Sunday and share the results so fans can see which album or song wears the weekly crown.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-01-17 03:00:392026-01-17 03:00:39ENHYPEN, A$AP Rocky, Madison Beer & More: What’s Your Favorite New Music of the Week? Vote!
Few television shows in the streaming era have so fully captured the cultural zeitgeist as Stranger Things. Emerging from Netflix in 2016, the show immediately captivated audiences with its sci-fi spookiness, retro ‘80s throwback feel and endearing cast of kids, who spent the next decade growing up before the public’s eyes through December, when the blockbuster show finally came to an end with its megawatt fifth season finale.
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One thing Stranger Things has been known for over the years is the often surprising popularity of its music, which has delighted audiences by resurfacing older songs to score critical moments in the show — the most famous being the massive surge in streams and attention for Kate Bush’s “Running Up That Hill” in its fourth season in 2022, which pushed the song all the way to No. 3 on the Hot 100 that fall. But its cast has also produced a major musical milestone — in the form of actor Joe Keery, who plays Steve Harrington in the show, and is also a musician performing under the name Djo.
Djo’s been building his music career for years, and has released three albums — Twenty Twenty, DECIDE and The Crux via AWAL — between 2019 and 2025. But it was his 2022 song “End of Beginning,” originally released on DECIDE, that has really taken off — the song went viral on TikTok in 2024, then underpinned Keery’s first major tour last year which saw him play the main stage at Lollapalooza, and then exploded after the Stranger Things finale, even though it didn’t appear in the show at all, such was the popularity of Keery’s character and the song itself. And this week, it has reached official Major Hit Status: “End of Beginning” reached No. 6 on the Hot 100, Keery’s first-ever top 10 on the chart, while also soaring to No. 1 on the Global 200 and on Streaming Songs and Hot Rock & Alternative Songs, a major moment for his music career. And that earns his manager, Stern Management founder Nick Stern, the title of Billboard’s Executive of the Week.
Here, Stern talks about the song’s enduring success, how Stranger Things helped boost Djo’s music career and Keery’s acting career simultaneously, and what makes him more than just another actor dabbling in music. “Touring is the piece that makes this real to people,” Stern says. “The live show highlights just how good he is, how strong the production is, and brings the music to life — and that’s what’s taken this from a hit song to a career with legs.”
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This week, Djo’s “End of Beginning” reached No. 6 on the Hot 100, becoming his first-ever top 10 on the chart, and also soared to No. 1 on the Streaming Songs and Hot Rock & Alternative Songs charts. What key decisions did you make to help make that happen?
We’ve had some experience releasing music around previous seasons of Stranger Things — we launched DECIDE right when season four came out, so we had a sense of what to expect. With this being the final season of the show and knowing how beloved Joe’s character had become over the years, we anticipated a heightened interest Djo given the immense media campaign surrounding it. “End of Beginning” has had an unparalleled run — a song released in 2022 has resonated in a way that simply can’t be manufactured. We don’t do a lot of the things people probably think we do when it comes to marketing. From day one the idea has been to release music he’s proud of and hope people connect, without the games.
We have an incredible team both internally and at AWAL — a full global team who sadly had to deal with me every single day over the holiday break.
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The song also reached No. 1 on the Global 200 this week. Why do you think it’s resonating across the globe, and how are you helping fuel that?
I’ve always believed that you need to have both the business and the audience rooting for you if you’re going to make it. Once you take the huge check, or hire all the people to dance to your songs, fans can feel that and all of a sudden they’re trying to take you down. Joe is someone that everyone continues to root for. He’s not just a talented musician and actor, but he’s a sincere and wonderful person, and that can be felt in everything we do around the Djo universe. The fact that “End of Beginning” broke out of Dublin is a testament to that. There is no Chicago there, but there’s something about Djo and the song that allows Chicago to be anywhere, to anyone.
Following this resurgence, we’re certainly doing some promo pushing the song at radio, both internationally and at home, but the goal is to convert fans of “End of Beginning” to fans of Djo. We were working The Crux single “Delete Ya” before this recent “EOB” wave, and as a result we’re now seeing the song start to connect. The album’s lead single “Basic Being Basic” is also having a major uptick. For us, the real win here has been the huge uplift in people listening to his catalog, engaging beyond “End of Beginning,” and coming on board with Djo in a meaningful way.
What are some of the pros and cons of him becoming a star actor at the same time he has been building his music career?
Joe’s acting career certainly helped launch his music career, but I give it less credit than others might. There are plenty of actors who try to be musicians, but being famous doesn’t make you talented or mean people will actually like and connect with your music. “End of Beginning” connected before most even realized who the musician was behind the song. I started working with Joe in 2019 based solely on his debut album, which I thought was amazing. He writes, produces, mixes and plays nearly every instrument himself.
Joe was making music and in bands long before Stranger Things. I’m of course realistic about the boost this show has been to his career as a musician, but we’ve definitely spent a lot of time and energy trying to educate people about Joe as a musician vs. an actor. It’s logical that if you only know him from the show, you might not give him much of a chance as a musician, so we battle through that. With the launch of The Crux, we made giant leaps forward, globally, establishing him as a musician. This most recent wave is making us do more of that now.
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How do you plan on capitalizing on this moment to help push his career — either in music or as an actor — forward?
It’s crazy to think that before last year, Joe hadn’t toured much. We had one big tour planned following DECIDE, but then he booked Fargo and we had to scrap it. So to go from not having a ton of experience outside of a handful of festivals to the year he just had — I just can’t express how impressive it was. With a new band he went from a warmup show at Music Hall of Williamsburg in January, to playing in front of 75,000 people at Lollapalooza in August and delivering a show that would make you think he’d been touring and playing festivals his whole life. Need to give thanks to Huston Powell at C3 — he’s been the biggest champion, and took a huge bet on Joe last year. Also Kevin French and Andy Cook at CAA, who were Joe’s agents for years without being able to book a proper tour.
Touring is the piece that makes this real to people. The live show highlights just how good he is, how strong the production is, and brings the music to life — and that’s what’s taken this from a hit song to a career with legs. That’s the long-winded way of saying — touring is what’s going to keep this going. Showing people that Joe is an immensely gifted artist and performer. There’s more happening, of course, but to me being able to connect with fans around the world in a live setting is what’s going to really keep this going.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-01-16 17:40:512026-01-16 17:40:51How the ‘Stranger Things’ Finale Helped Djo’s ‘End of Beginning’ Take Over the World
