The Rolling Loud hip-hop festival will only hit one U.S. city this year, but in a return to the event’s Florida roots, that city will be Orlando. On Wednesday morning (Jan. 7), organizers announced that Rolling Loud 2026 will touch down at the 60,000-capacity Camping World Stadium on May 8-10, with a lineup to be announced soon.

“We wanted to bring Rolling Loud back to the summer and build it without compromise,” co-founder/co-CEO Matt Zingler said in a statement. “With Orlando, we’re able to be more accessible for fans, expand our footprint, and think long-term. Rolling Loud has always been about meeting the culture where it’s going, not where it’s been. Bringing the festival back to the summer — in a market built for it — lets us do that at the highest level.”

A pre-sale will kick off on Friday (Jan. 9) at 10 a.m. ET here, with all early purchasers receiving an exclusive Rolling Loud 2026 T-shirt.

Organizers also hyped what they’ve dubbed “RL Week,” a full lineup of exclusive events, pre-parties, afterparties, pop-ups, theme park takeovers, exclusive drops and experiences that will take over Orlando during the festival week, with more details to be announced soon. A preview of the festival setup depicted three stages — Punx, Loud and Tent — as well as a carnival space and the “Rolling Arena.”

While the Orlando stop is the only one in the U.S. this year, the Rolling Loud World Tour will touch down in Sydney and Melbourne, Australia on March 7-8, with a lineup featuring headliners Gunna and Ken Carson along with Sexyy Red, Swae Lee, Tyga and Ski Mask the Slump God. Producers also noted that after November 2025’s successful roll-out of the first Rolling Loud India with headliners Central Cee, Wiz Khalifa, Don Toliver and Karan Aujla, the event will return to the country this November.

Last March’s Rolling Loud California featured a stacked roster including headliners A$AP Rocky, Playboi Carti and Peso Pluma, as well as YG, Bossman Dlow, Cash Cobain, Blxst, Quavo, 03 Greedo, Dom Kennedy, Tee Grizzley and Luh Tyler, among many others.


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Conan Gray, Durand Bernarr, Elton John and Brandi Carlile, Ethel Cain, G Flip, Lady Gaga, Maren Morris, Reneé Rapp, Ty Herndon and Young Miko are nominated for outstanding music artist at the 37th GLAAD Media Awards. The nominations were announced on Wednesday (Jan. 7). The awards will be presented in Los Angeles on Thursday, March 5.

Gaga’s MAYHEM is also nominated for Grammys for album of the year and best pop vocal album. John and Carlile’s Who Believes in Angels? is Grammy-nominated for best traditional pop vocal album. Herndon and Morris gained fame in the comparatively conservative world of country music before coming out as LGBTQ.

KATSEYE, Grammy-nominated for best new artist, also received a GLAAD Media Awards nomination for outstanding breakthrough music artist, where the group faces Wet Leg, who were Grammy-nominated in that category three years ago; Frankie Grande, the older half-brother of Ariana Grande; and Amaarae, Chris Housman, Destin Conrad, Eli, Guitarricadelafuente, Shygirl and Snow Wife.

Heated Rivalry, the much buzzed-about HBO Max miniseries, is nominated for outstanding new TV series.

Since 1990, the GLAAD Media Awards have grown to be the most visible annual LGBTQ awards show in the world. Nominees for the 37th Annual GLAAD Media Awards reflect work published, released or broadcast between Jan. 1 and Dec. 31, 2025. This year’s nominations spotlight 291 nominees across 32 categories.

Each year, GLAAD presents non-competitive honors to projects across entertainment and media that do not fit into existing GLAAD Media Awards categories. GLAAD has chosen four projects to receive this honor this year. For their impact and contributions to LGBTQ acceptance and visibility, GLAAD has awarded the Special Recognition honor to Andry José Hernández Romero; Before We Forget (Twenty Nine Palms Ent.); The Drowsy Chaperone in Concert (Breaking the Binary Theatre); and Gaydar With Anania.

GLAAD president and CEO Sarah Kate Ellis serves as executive producer of the 37th GLAAD Media Awards, alongside GLAAD’s Rich Ferraro and Anthony Allen Ramos. GLAAD’s Jose Useche will serve as producer. The ceremony is produced in partnership with STAMP Event Co.


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Here’s a complete list of nominees for the 37th annual GLAAD Media Awards:

KATSEYE thinks a collaboration with a certain pop star would be totally gnarly — and maybe even a little “brat,” too.

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In an interview with People published Monday (Jan. 7), the girl group’s members revealed that Charli xcx — who cowrote KATSEYE’s Billboard Hot 100 hit “Gabriela” — is “definitely” on their list of dream song partners. “I just recently met her, and I think we all really hope to work with her more in the future,” Manon Bannerman told the publication.

“She’s definitely a KATSEYE girlie, and we’re in love with Brat and everything about her,” the performer continued. “She’s such an inspiration to us. We don’t know what the future holds, but we’re definitely, definitely super into that idea.”

The interview comes shortly after the band — which also consists of members Sophia Laforteza, Daniela Avanzini, Lara Raj, Megan Skiendiel and Yoonchae Jeung — earned its first-ever Grammy nomination, getting recognition alongside Addison Rae, Lola Young, Olivia Dean and more in the best new artist category.

As the six women have risen to fame through hits such as “Gabriela” and “Gnarly,” they’ve garnered higher amounts of both adoration and hate — the latter of which they opened up about in a recent conversation with BBC News. “If 1,000 people are, like, sending you death threats, it’s jarring,” Raj said at the time, with Laforteza adding, “We know it’s a part of fame. But it doesn’t change the fact that we are human.”

But the ladies have also found allies within the industry. While speaking to People, Raj noted that Kehlani had recently reached out to her and offered “a lot of advice.”

“She’s someone I really, really look up to,” Raj said. “She’s such an R&B girl, and she gave a lot of advice about pushing through. I also think a lot of artists that we look up to have given us the advice to really stay in the present and enjoy real life. Not the internet or the things that aren’t in real life. Enjoy the performances, enjoy meeting the fans in person, things of that nature. Just stay present and enjoy every single moment.”

As for Charli, the British alt-pop star is currently busy readying for the release of her Wuthering Heights companion album for Emerald Fennell’s upcoming film adaptation of the classic novel starring Margot Robbie and Jacob Elordi. So far, the singer has dropped “House” and “Chains of Love” from the project.


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“Check your ego at the door.”

That was the famous credo that producer Quincy Jones posted during the all-star 1985 “We Are the World” recording session that featured some of the biggest names in pop and rock congregating for a good cause as they set their A-list status to the side for one night of good work.

That is also the marching order for this year’s Freezing Man 2026 two-day benefit concert at The Sylvee in Vig’s native Madison, Wis. on Friday (Jan. 9) and Saturday (Jan. 10), whose proceeds all go toward epilepsy research and programs. “It’s so fun and everyone is super cool and they all check their egos at the door,” Garbage drummer and indie rock producer Butch Vig tells Billboard of the “plethora of treasures” at the show that will feature him playing along side Garbage guitarist Duke Erikson, as well as members of the Bangles (Vicki Peterson), Goo Goo Dolls (John Rzeznik), Belly (Gail Greenwood) and Big Star (Jody Stephens, Jon Auer).

That all-star crew will also be joined by some of the members of Soul Asylum, Letters to Cleo, Silversun Pickups, Fountains of Wayne, the Cowsills, Miguel Cervantes (of Hamilton) and a few new faces joining the line-up this year: members of the Go-Gos (Jane Wiedlin, Gina Schock), Eve 6 (Max Collins), Guns N’ Roses (Matt Sorum) and Olivia Rodrigo touring drummer Jordi Radnoti.

The benefits began 15 years ago under the title Joey’s Song, around the time Vig says he first started playing with Erikson and their friend musician Freedy Johnston at small cafes in Madison as a pick-up group called the Know-It-All-Boyfriends. That ad hoc group then transformed into the benefit’s official backing band as the event expanded and re-branded as Freezing Man, now in its second year.

“We called ourselves the world’s greatest and worst cover band because we would never practice,” says Vig of the Boyfriends. In addition to releasing eight albums with Garbage since 1995, Vig is also known for producing a number of landmark rock albums, including Nirvana’s Nevermind and the Smashing Pumpkins’ Siamese Dream, but he says the annual benefit has become one of his favorite shows of the year.

“Everyone who came to the shows knew it would be kind of loose and then we started pulling in some bigger artists and moved to some bigger theaters over the last three years,” Vig adds, noting that the show is now a two-night affair at the 2,500-capacity Sylvee. The benefit raises funds for Joey’s Song, a non-profit dedicated to supporting epilepsy research and education.

Joey’s Song was founded 15 years ago in honor of Joey Gomoll, who died before his fifth birthday after a lifelong battle with Dravet Syndrome, a severe form of epilepsy. The series of benefit concerts that also donates funds for family support services has raised more than $1.75 million to date.

This year’s show will add the first-ever “Electric Jam Livestream,” which will take place at 7 p.m. CT during the Jan. 10 concert. The first night will feature an unplugged show, during which the musicians will tell the stories behind their most beloved hits, followed by Saturday night’s high-energy, electric set.

Vig will once again be the musical director for the show, with the Know-It-All-Boyfriends serving as the house band. The festivities will kick off with a Joey’s Song tradition: a battle of the bands between the Boyfriends and their all-female alter egos, the Know-It-All-Girlfriends, each performing randomly chosen songs. The show will end with a jam session featuring a rotating group of musicians playing everything from the participants’ chart hits to deep cuts and their favorite catalog songs.

The real work for Vig is corralling more than 70 singers and musicians into a “giant puzzle” of a band featuring 12 guitarists, 10 drummers, seven bass players, two keyboardists and countless singers. Last year’s setlist was a prime example of the breadth of the night’s performances, which swung from covers of AC/DC, the Beatles, the Clash, Cranberries and Bikini Kill to songs by the Stooges, Chappell Roan, Stevie Nicks, Toto, Talking Heads and David Bowie.

And while the Boyfriends used to famously never rehearse because Vig joked they didn’t want to get “too good,” this year there will be a full run-through and a “fair amount of rehearsing” on Thursday (Jan. 8) of the acoustic and electric sets, as well as the battle of the bands.

Vig says he got involved in Freezing Man because, as it turns out, he knew Gomoll, who was a stage manager at one of Madison’s most beloved rock clubs, Headliners, where the drummer/producer’s pre-Garbage band, Spooner, used to play a lot. He hadn’t seen Gomoll for a long time, though, before being re-introduced to him by Johnston at a festival show a few years ago.

Johnston mentioned he was working on a Joey’s Song benefit and asked if Vig wanted to join up, and after hearing about Gomoll’s heartbreaking loss of his son, the indie rock veteran felt compelled to sign up for what he says were some very personal reasons.

“I have some people in my life who have epilepsy,” says Vig, noting that one of his best friends and a sister-in-law both have the seizure disorder. “I just said, ‘I’m on board, what can I do?’”

In addition to wanting to support a good cause, Vig said the show is just a ton of fun, comparing the “super loose” backstage vibe to “rock and roll summer camp,” with everyone hanging out singing and playing guitar while trying to find a way to hop in on each other’s sets.

And while he was still working on the setlist at press time, asked which newcomers he’s excited about this year, Vig said he’s psyched that Tears For Fears bassist/singer Curt Smith — who toured with Garbage in 2022 — is joining the lineup for the first time.


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Iconic guitar maker Fender has named Edward “Bud” Cole as its new CEO, effective Feb. 16, the company announced this week. Cole, who currently serves as president of Asia Pacific for the brand, will succeed Andy Mooney, who is stepping down after a decade in the top role.

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As part of the new gig, Cole will also become a member of the Fender Musical Instruments Corporation board of directors, and take on the title of CEO-Designate beginning Jan. 19, before assuming the full role the following month. Mooney will retire at the end of the transition.

“[Bud] has a deep understanding of the Fender brand, our global players and the commercial and operational foundation required to propel us into the future,” FMIC board executive chairman Mark Fukunaga said in a statement. “His track record of building teams, expanding markets and elevating Fender’s presence around the world makes him uniquely qualified to lead the next chapter of growth. On behalf of the board, I also want to thank Andy Mooney for his leadership over the past decade and for the significant contributions he has made to the company.”

During his own decade-long run at Fender, Cole expanded the company’s business to 14 new countries in the Asia Pacific region, launching Fender’s APAC headquarters and its flagship retail store in Tokyo, expanding into China and Korea and establishing direct-to-dealer connections in Australia, as well as direct-to-consumer operations and retail stores and activations across the region, according to a press release. Prior to joining Fender in 2015, Cole worked in leadership positions at brands such as Ralph Lauren, LVMH, QVC and Pernod Ricard, working in more than 60 companies across the globe.

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“To lead Fender is the honor of a lifetime,” Cole said in a statement. “This brand has been a part of my life since childhood, and I’m committed to ensuring Fender continues to empower players everywhere, from beginners picking up their first guitar to the artists shaping the sound of today and tomorrow. Together with our global teams, partners and loyal community of players, we will write the next era of Fender’s history.”

Mooney, who has also been CEO since 2015, helped to more than double the size of Fender during his tenure, the company said, and expanded the instrument maker into the world of subscription digital software, a key innovation as it expands its footprint. “Leading Fender has been a highlight of my career,” he said in a statement. “I’m deeply grateful for the creativity and commitment of the Fender teams around the world and proud of what we’ve accomplished. I’m excited to pass the baton on to Bud and confident that under his leadership, Fender will continue to inspire players for generations to come.”


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Megan Thee Stallion has been chronicling her hardcore workout routine for several years now. In videos encouraging her fellow Hot Girls to pump up, eat right and take care of their bodies, she’s made hitting the gym look and sound good.

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Now, Meg’s branching out with her latest endorsement deal, one that combines her fitness mindset while tapping into the craze for adding more protein to your diet. In a vibrant, retro 1980s ad that pays homage to Jane Fonda’s famous Reagan-era workout videos, Megan slips into a pink and orange body suit to rap the praises of Dunkin’s new Protein Refreshers shakes.

The one-minute spot — shared by Meg to her social media accounts, and which is part of Dunkin’s “Dunk N’ Pump” campaign — takes place on a bright pink soundstage, with the Grammy-winning MC introducing herself with her nom de rap, as well as alter ego The Hot Girl Coach and her new monetizing moniker: ProTina. “It’s time to grab those Protein Refreshers and start pumping!” Meg says as she sashays into place holding one of the drinks made with Protein Milk that come in a variety of flavors.

Joined by her fellow Hotties, Megan does some basic Jazzercise-like stretches as she takes periodic pulls from a straw and makes sure to seductively swirl the beverage while targeting the most important region in her workout: the “sip muscles.”

Backed by a bouncy funk track, she then busts out an original rap hyping the drinks. “6, 7, 8, 9, 10/ All of your exes gonna want you again/ Bang, bang, the body is bangin’/ Turn around the thing be bangin’,” she raps as the crew filming her join in on the sip-athon.

“Teaming up with Dunkin’ to bring my new Mango Protein Refresher to life has been such an exciting experience and I can’t wait for the Hotties to try it,” said the Houston Hottie in a statement. “Whether you’re drinking it to boost your fitness routine or just to power through a busy day, it’s the perfect drink for any occasion.”

It’s just the latest brand extension from the “Bongos” MC, who celebrated the opening of her first Popeyes restaurant in Miami, Fla., on New Year’s Eve (Dec. 31). After starting her partnership with the chain via her Hottie Sauce in 2021, the South Beach location marked Megan’s debut as a franchise owner, which she celebrated with a ceremonial ribbon-cutting at the South Beach location.


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By now, we all know a few things about sombr. He’s as talented as he is tall (6’7”). He wrote every song on his debut album by himself and co-produced the album with Tony Berg (except for two tracks he produced by himself). That album, I Barely Know Her, cracked the top 10 on the Billboard 100 and spawned a top 10 hit, “Back to Friends,” on the Billboard Hot 100.

At 20, sombr is the youngest of this year’s Grammy nominees for best new artist – and, in fact, the youngest in four years, since The Kid LAROI and Olivia Rodrigo, who were 18 and 19, respectively, on Grammy night in 2022.

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The youngest solo artist ever nominated for best new artist may surprise you. She’s long been a household name, but more for the weekly variety show she starred in with her brother than for her occasional hit records. The youngest best new artist winner is a country star who was anything but “blue” on Grammy night in 1997. (You probably were able to guess both artists from these clues. If not, never fear: All will be revealed as you scan the list.)

The seven other nominees for best new artist this year are: Olivia Dean, 26; Addison Rae, 25; Leon Thomas, 32; Alex Warren, 25; and Lola Young, 24, plus two groups, KATSEYE and The Marías.

Final-round Grammy voting ended on Monday Jan. 5. The winners will be announced at the 68th annual Grammy Awards on Feb. 1. Here are predictions in 12 key categories, including all six of the General Field categories – album, record and song of the year, best new artist, producer of the year, non-classical and songwriter of the year, non-classical.

Here are all the solo artists who were nominated for the best new artist Grammy before their 21st birthdays. They are shown in chronological order. The age shown is their age on the night of the Grammy ceremony.


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Chaka Khan, St. Vincent, Haim and Amy Allen are among this year’s honorees at the 2026 Resonator Awards, which will be held on Tuesday, Jan. 27, at Chaplin Studios (formerly known as Henson Studios) in Los Angeles. The Resonator Awards are presented by We Are Moving the Needle, which was founded in 2021 by Grammy-winning mastering engineer Emily Lazar.

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“Empowered women empower women,” Khan, who is set to receive the Luminary Award, said in a statement. “I am honored to be part of a movement that celebrates the creativity, resilience, and determination of women creators everywhere. We lift each other and shine. Together, we are moving the needle.”

Fittingly, for an event being held during Grammy Week, several of the honorees are 2026 Grammy nominees.

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Allen has four nominations this year – songwriter of the year, non-classical (an award she won last year), album of the year for her contributions to Sabrina Carpenter’s Man’s Best Friend (Allen won in that category three years ago for her work on Harry Styles’ Harry’s House); and two song of the year nods, for cowriting Carpenter’s “Manchild” and the Bruno Mars/Rosé collab “APT.”

Honorees Roselilah and Jayda Love are current record of the year nominees. Roselilah is nominated for co-producing the Kendrick Lamar/SZA collab “Luther”; Love as engineer/mixer of Doechii’s “Anxiety.” Love won a Grammy earlier this year for best rap album for Doechii’s Alligator Bites Never Heal.

Many other honorees are past Grammy winners. Khan is a 10-time Grammy winner. In addition, she will receive a lifetime achievement award from the Recording Academy at the Special Merit Awards on Saturday, Jan. 31. St. Vincent, a six-time Grammy winner, is the only female solo artist to win multiple Grammys for best alternative music album. She has won in that category three times, for St. Vincent, Daddy’s Home and All Born Screaming. Gena Johnson has won two Grammys – best country album for Chris Stapleton’s Starting Over and best Americana album for Jason Isbell and the 400 Unit’s Weathervanes.

Other honorees include five-time Grammy nominees HAIM; 2025 Grammy nominee Bella Blasko (Taylor Swift, Gracie Abrams, The National); 2025 producer of the year (non-classical) Grammy nominee Alissia (Mary J. Blige, Anderson .Paak, Kaytranada); writer-producer duo Elvira Anderfjärd and Luka Kloser who crafted Addison Rae’s breakout debut album this year; and Betty Bennett, co-founder of the audio company Apogee Electronics.

Resonator Hall of Fame Awards will be presented to Elaine Martone, Jaime Sickora, Judith Sherman, Mary Mazurek and Michelle Sabolchick, and posthumously to songwriter Allee Willis, who died in 2019, and producer, songwriter and DJ Sophie, who died in 2021. Previous Hall of Fame inductees include Alicia Keys, Linda Perry, Ann Mincieli, Leslie Ann Jones and Marcella Araica.

The event will include a seated dinner, awards ceremony, and live performances. Funds raised will go to support the mission of We Are Moving the Needle – a nonprofit organization working to “radically reshape the future of the recording industry.” The organization empowers women, trans, and non-binary creators, producers and engineers to succeed through scholarships and grants, mentorship, research, advocacy, and community events.

“We Are Moving The Needle is about strengthening the music industry so creators can thrive on their own terms,” Lazar said in a statement. “The Resonator Awards are a reflection of that mission — honoring not only remarkable artistry, but the shared commitment to building an industry that lives up to its values.”

In 2019, Lazar became the first female mastering engineer to win a Grammy for best engineered album, non-classical for her work on Beck’s Colors. Two years later, she became the first mastering engineer to land three Grammy nods for album of the year in a single year. She was the mastering engineer on Coldplay’s Everyday LifeHaim’s Women in Music Pt. III and Jacob Collier’s Djesse Vol. 3

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Here’s a complete list of this year’s honorees, with the presenters listed alongside them:

Luminary Award: Chaka Khan presented by Sia

Golden Trifecta Award: St. Vincent presented by Olivia Rodrigo

Disruptors Award: HAIM presented by Rostam

Powerhouse Award: Gena Johnson presented by Jason Isbell

Exceptional Ears Award: Bella Blasko presented by Aaron Dessner 

Exceptional Ears Award: Jayda Love presented by special guest

Calliope Award: Amy Allen presented by Laufey

All-Star Award: Alissia presented by Anderson .Paak

In Stereo Award: Elvira Anderfjärd and Luka Kloser presented by Addison Rae

Breakthrough Award: Roselilah presented by Emily Lazar

Equalizer Award: Betty Bennett presented by Tony Berg

Resonator Hall of Fame Awards: Elaine Martone, Jaime Sickora, Judith Sherman, Mary Mazurek, Michelle Sabolchick, Allee Willis (In Memoriam), SOPHIE (In Memoriam)

In the end, video didn’t just kill the radio star, it did itself in as well. After MTV’s parent company pulled the plug on its remaining music-only channels in the U.K., Ireland and Australia on New Year’s Eve — including MTV Music, MTV ’80s, MTV Live, Club MTV and MTV ’90s, among others — as part of a $500 million cost-cutting effort, fans of the once-dominant media brand lamented the end of an era.

And while false rumors suggested the move meant a total shutdown of the MTV brand — it did not — many former admirers were still moved to pay tribute to the formerly vital music video channel that made megastars out of Prince, Michael Jackson, Madonna, Bruce Springsteen and so many more in the 1980s and ’90s. (Editor’s note: this writer was formerly employed by MTV News).

One enterprising superfan, in fact, went so far as to launch the exhaustive MTV Rewind site, which features more than 33,000 music videos spanning the 1970s-2020s, with no ads and a landing page that features the iconic first minutes of the debut broadcast from Aug. 1, 1981, including audio of the inaugural video, the Buggles’ “Video Killed the Radio Star.”

Logging in is like a trip to the way-back machine of MTV’s early days, when the channel that has mostly been a repository for Ridiculousness episodes and other reality TV and sitcoms since the late 1990s regularly played clips from the likes of Pat Benatar, Rod Stewart, the Pretenders, REO Speedwagon and The Cars.

The site features a navigator bar that bundles videos from the channel’s first day on air, as well as more than 6,000 clips from its beloved indie rock showcase 120 Minutes (think R.E.M., The White Stripes, Radiohead and the Flaming Lips) and 122 clips from its acoustic showcase, MTV Unplugged.

Sprinkled in among the 11 channels are vintage commercials (Shake Weight, Atari 2600, Grey Poupon), as well as collections from the ’70s, ’80s, ’90s and 2000s and videos played on Yo! MTV Raps, the hard rock-focused Headbangers Ball and a “shuffle all” option. And while, like the old MTV, you can’t select which specific video plays next, you can fast forward and rewind at your pleasure.

The site, whose database is powered by IMVDb (The Internet Music Video Database) features a disclaimer from it’s founder, who goes by the handle “FlexasaurusRex La Creme” on X, that MTV Rewind is an independent, non-commercial archival project that is not affiliated with, or endorsed by MTV, or parent companies Viacom and Paramount Global; it notes that the videos are all hosted on YouTube.

At press time a spokesperson for Paramount Global had not returned Billboard‘s request for comment on the project.

“MTV was a cultural institution that changed music, fashion and youth culture. Then they stopped showing music videos and became reality TV,” Flexasaurus Rex wrote in a post over the weekend. “I felt a wave of sadness when the announcement hit. Nothing felt like it could fill that void. So I started coding. Built it in 48 hours: MTV Rewind… no ads, no algorithm, completely free reddit killed my viral posts (1.1K upvotes) because of auto-mod BS I’m broke, exhausted, and honestly feeling like s–t but thousands are using it and that’s what matters.”

The latter is ironic because it was YouTube, in part, that helped to usher in the death of MTV’s 24-hour music channels by giving fans the opportunity to choose videos at will.


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