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Sports fans love a good rivalry game, and there’s no bigger NFL clash up than the Philadelphia Eagles vs the Dallas Cowboys. For ShopBillboard’s Game of the Week, Jalen Hurts and the Birds are headed into Dallas to take on their NFC East rivals, the Cowboys, at AT&T Stadium. Kicking off on Sunday (Nov. 23) at 4:25 P.M. ET, we’ve compiled a guide on how to watch this must-see game online for free and without cable.

Eagles vs Cowboys game, at a Glance:

The defending Super Bowl champs are still showing their dominance this season with an 8-2 record, but with inconsistent offensive performances, the Eagles have shown cracks in their armor. On the flipside, “America’s team”, the Cowboys, have had to heavily rely on their high power offense this season led by Dak Prescott, CeeDee Lamb and George Pickens. If Dallas aims to pull off a victory this Sunday, those three players will have to bring their A game.

Want to watch the NFL rivalry game live? Below is a quick guide on the best ways to watch Philadelphia vs. Dallas online.

How to Watch the Eagles vs Cowboys Game Online for Free

The Eagles vs. Cowboys game will broadcast live on Fox. Don’t have cable? We’ve compiled all the best ways to NFL games with DirecTV and other streaming services that carry Fox. Keep scrolling to learn more.

DirecTV

DirecTV is offering a five-day free trial, which will let you watch Fox and more for free. The Entertainment and Sports Programming Network is included in all of the streaming packages. In addition to unlimited DVR storage, you’ll get access to local channels and the ability to stream on as many devices as you want.

Sling TV

With prices starting at just $1 for a day pass during Black Friday, Sling TV includes Fox with its Blue package — which features dozens of channels that can be streamed on up to three devices at the same time. If you want even more sports content, get Sling Orange + Blue, which features FS1 and the NFL Network too.

Please note: Sling TV’s pricing and channel availability depends on your local TV market.

Fubo

Fubo is another great option you can take advantage of to watch Fox online. The streamer offers a seven-day free trial that’ll give you access to ESPN free and more than 240 live TV channels. The service offers a promo that’ll get you up to $30 off the first month, which can get you access to ESPN and more for as low as $54.99 (reg. $84.99 per month).

Hulu + Live TV

For the most content options, Hulu + Live TV gives you access to the entire Hulu library in addition to more than 95 live TV channels — including Fox for just $82.99 per month.

And, unlike the rest of the options, you can also expand your content library by bundling Hulu + Live TV with Disney+ and ESPN Unlimited. You’ll not only have all of the Hulu library to watch, but also exclusive and original programming available exclusively on ESPN Unlimited.

Carlos Vives brought all his energy and the joyful vallenato to the 2025 Coca-Cola Flow Fest in Mexico City on Saturday (Nov. 22), surprising his fans with a tribute to the legendary ranchera singer-songwriter José Alfredo Jiménez.

“It’s a joy to see you, and I want to tell you something that goes like this,” said the Colombian icon from the Sessions Stage before performing an a cappella version of “Para Morir Iguales” by Jiménez, prompting an ovation at the festival — which on its first day gathered 79,000 people at the Autódromo Hermanos Rodríguez, according to figures from promoter Ocesa. (Watch Vives’ a capella performance in a video captured from the show that was shared on X here.)

“Long live José Alfredo Jiménez! Thank you, Mexico!” he added, after making the crowd dance to a handful of songs that included “La Bicicleta,” his 2016 hit with Shakira that topped Billboard’s Latin Airplay chart for six weeks.

The 64-year-old artist had not been included in the festival’s original lineup, but on Thursday (Nov. 20), organizers announced that the alternative Sessions Stage would feature surprise musical acts, including Vives and Colombian band Bacilos.

“This is a cumbia, Mexico. What unites Colombians and Mexicans, what we have in our blood, is a race,” Vives added before performing “Para Robarte Un Beso.”

Later that evening, the Santa Marta native reappeared during Wisin’s set on the main stage to join his voice with the Puerto Rican star’s on “Nota de Amor,” a celebrated fusion of vallenato and reggaeton included on Wisin’s album Los Vaqueros: La Trilogía (2015), which originally also featured Daddy Yankee.

Considered the largest Latin urban music festival, the Coca-Cola Flow Fest brought some of the biggest stars of the genre to its five stages at the Autódromo Hermanos Rodríguez on its first day. Don Omar, Myke Towers, Nicky Jam, Álvaro Díaz, Santa Fe Klan, De La Rose, El Alfa and Jowell & Randy were among the acts that shone in a celebration that extended into the wee hours.

The festival continues Sunday with performances by J Balvin, Young Miko, De La Ghetto, Farruko, Bellakath and Mau y Ricky, as well as a special performance by corridos tumbados superstar Natanael Cano, among others.

Universal Pictures’ two-part Wicked gamble continues to defy gravity at the box office. Just a year after part one brought droves of audiences to movie theaters around the country, even more people bought opening weekend tickets to see the epic conclusion, Wicked: For Good. According to studio estimates on Sunday, Wicked: For Good earned $150 million from North American theaters in its first days in theaters and $226 million globally.

Not only is it the biggest opening ever for a Broadway musical adaptation, unseating the record set by the first film’s $112 million launch, it’s also the second biggest debut of the year behind A Minecraft Movie’s $162 million.

“The results are just fantastic,” said Jim Orr, who heads domestic distribution for Universal. “Some films can deliver a false positive when tickets go on sale early but these results speak for themselves.”

Universal began rolling out Wicked: For Good in theaters earlier this week, with previews on Monday ($6.1 million from 1,050 theaters) and Wednesday ($6.5 million from 2,300 theaters). By Friday it was playing in 4,115 North American locations and had raked in $68.6 million. IMAX showings accounted for $15.5 million, or 11%, of its domestic haul — a November record for the company.

IMAX CEO Rich Gelfond said in a statement that the strong market share shows “our momentum carries into demos and genres beyond our traditional core, including families.”

As with the first film, women powered opening weekend, making up around 71% of ticket buyers according to PostTrak exit polls. Critics were somewhat mixed on the final chapter, but audiences weren’t: An overwhelming 83% of audiences said it was one they would “definitely recommend” to friends. As far as foot traffic is concerned, the box office tracker EntTelligence estimates that about 2 million more people came out for Wicked: For Good’s first weekend than for Wicked’s.

Jon M. Chu directed both Wicked films, starring Cynthia Ervio and Ariana Grande. The first film made over $758.7 million worldwide and received 10 Oscar nominations (winning two, for costume and production design). The question is how high Wicked: For Good can soar. Combined, the two films cost around $300 million to produce, not including marketing and promotion costs.

“The first film paved the way,” Orr said. “It’s really become a cultural event I think audiences are going to be flocking to theaters for quite some time to come.”

Two other films also opened in wide release this weekend, but further down on the charts behind a buffet of holdovers. Searchlight Pictures opened its Brendan Fraser film Rental Family in 1,925 theaters where it earned $3.3 million. The Finnish action film Sisu: Road to Revenge, a Sony release, also played in 2,222 theaters. It earned an estimated $2.6 million.

Second place went to Now You See Me: Now You Don’t with $9.1 million in its second weekend, followed by Predator: Badlands with $6.3 million in weekend three. The Running Man followed in fourth place with $5.8 million, down 65% from its debut last weekend.

Although this weekend the box office was more of a winner takes all scenario, Wicked: For Good’s success is vitally important for the exhibition industry as a whole as it enters the final weeks of the year.

“It sets up a very strong final homestretch of the year,” said Paul Dergarabedian, Comscore’s head of marketplace trends.

After the slow fall season, the Thanksgiving blockbusters could not arrive soon enough. Early next week, Zootopia 2 enters the mix and is also expected to drive big crowds to the cineplex over the holiday break.

Thanksgiving is often one of the biggest moviegoing frames of the year, Dergarabedian said, and both Wicked 2 and Zootopia 2 will benefit. Last year Wicked, Moana 2 and Gladiator II helped power a record five-day frame.

The running domestic box office is currently hovering around $7.5 billion, according to Comscore. Before the pandemic, the annual box office would regularly hit $11 billion, but the post-pandemic goal has lessened to $9 billion. The big question now is whether titles like Wicked: For Good, Zootopia 2 and Avatar: Fire and Ash can push the industry over that threshold.

Top 10 movies by domestic box office

With final domestic figures being released Monday, this list factors in the estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore:

1. Wicked: For Good, $150 million
2. Now You See Me: Now You Don’t, $9.1 million
3. Predator: Badlands, $6.3 million
4. The Running Man, $5.8 million
5. Rental Family, $3.3 million
6. Sisu: Road to Revenge, $2.6 million
7. Regretting You, $1.5 million
8. Nuremberg, $1.2 million
9. Black Phone 2, $1 million
10. Sarah’s Oil, $711,542

5 Seconds of Summer is No. 1 on the U.K. Albums Chart for the fourth time in their career. On the charts dated Nov. 21, the Australian group’s EVERYONE’S A STAR knocks Taylor Swift‘s The Life of a Showgirl from the top spot.

The group, composed of Calum Hood, Ashton Irwin, Luke Hemmings and Michael Clifford, has hit No. 1 on three previous occasions: Sounds Good Feels Good (2015), CALM (2020) and 5SOS5 (2022).

EVERYONE’S A STAR is also No. 1 on the Official Record Store Chart, which tracks the most popular album in U.K. independent record shops this week. 

In their home nation of Australia, the Sydney four-piece had a record-breaking week as they became the first act in the history of the ARIA Charts to hit No. 1 with their first six studio albums.

Olivia Dean’s The Art of Loving closes the week at No. 2 and follows a stylish performance on Saturday Night Live last weekend (Nov. 15) of “Man I Need” and “So Easy (to Fall in Love With Me).”

Swift falls just two places to No. 3 with The Life of a Showgirl, which has already earned four non-consecutive weeks at No. 1 on the U.K.’s Official Albums Chart.

U.K. rap duo D-Block Europe net a fifth top five album in six years with PTSD 2 (No. 4). The group — made up of Young Adz and Dirtbike LB — have seen success with PTSD (2019), The Blue Print — Us VS. Them (2020), Lap 5 (2022) and their No. 1 success Rolling Stone (2024). 

Sabrina Carpenter’s Man’s Best Friend completes the top five (No. 5), and there’s strong debuts for Oasis with a reissue of 2000’s Familiar To Millions live LP (No. 11), Celeste and her sophomore album Woman Of Faces (No. 12) and Summer Walker with Finally Over It (No. 13).

Hype around Liverpool rapper EsDeeKid — which fan theories jokingy posit is a moniker of actor Timothée Chalamet — continues to build as Rebel is up three places No. 16.

Beyoncé made an unexpected on-track appearance at the Formula 1 Las Vegas Grand Prix on Sun., Nov. 23, drawing widespread attention as she and Jay-Z arrived at the paddock ahead of the race.

The singer was first photographed in a white racing-style jumpsuit zipped to the neckline as she walked through the paddock before the race, as Formula 1’s official accounts highlighted her arrival.

Beyoncé also shared her own look inside the Grand Prix, posting a video on Instagram that showed her stepping into the passenger seat of a Ferrari supercar before taking a high-speed hot lap with Lewis Hamilton. The clip captured the pair preparing for the run, with Beyoncé captioning it simply: “Give it to Mama.”

Jay-Z, dressed in an all-black outfit, was photographed walking through the paddock with Beyoncé as the pair made their way toward the garages and hospitality suites before the race.

The visit marked one of the most high-profile celebrity sightings of the weekend, which has evolved into one of the most entertainment-driven stops on the global F1 calendar.

Hamilton was seen speaking with both Beyoncé and Jay-Z throughout the afternoon. The two previously crossed paths during a Grand Prix in 2009, and Hamilton has long been one of the most visible figures connecting Formula 1 with music, fashion and pop culture.

Their appearance added to the celebrity atmosphere surrounding the Las Vegas stop, which has quickly become one of Formula 1’s most entertainment-forward weekends since debuting in 2023.

They weren’t alone. Travis Scott, Cynthia Erivo, Magic Johnson, Brooks Nader, Michael Douglas, Catherine Zeta-Jones, Gordon Ramsay, Ciara and Ben Affleck were also spotted across the weekend — a reminder that the Las Vegas and Miami Grands Prix are increasingly functioning like music-adjacent cultural events as much as major sporting showcases.