Kali Uchis and Blood Orange are among the artists added to Tyler, the Creator’s 2025 Camp Flog Gnaw, following the festival’s postponement to this weekend (Nov. 22-23) due to inclement weather.

Geese and emerging rapper Fakemink were also added to the bill after Clairo, Don Toliver, Men I Trust, Sombr, Tems and The Alchemist pulled out over the rescheduling.

Limited passes are still available at various price points. A two-day GA pass is $449, while a VIP pass is going for $799 and a super VIP package is $1,699.

The rest of the lineup set to take over Dodger Stadium this weekend includes Tyler, Doechii, A$AP Rocky, Deb Never, Childish Gambino, Larry June, 2 Chainz, Samara Cyn, Clipse and Bbtrickz.

An incoming “atmospheric” rain storm left Tyler and festival organizers scrambling and forced their hand to play it safe and reschedule the annual festival to avoid issues with flooding on the carnival grounds.

“Due to the fact this storm became an atmospheric rain torrential downpour we had 2 choices — cancel or move to next weekend. We chose the latter,” Tyler wrote in a statement posted to Instagram. “We understand this is not ideal so we will offer refunds. For everyone else we will see you next weekend.”

Kali Uchis has put together a strong 2025 campaign, which saw her release her Sincerely album in May and she followed up the LP with a Sincerely, P.S. deluxe in October. The singer also guested on Mariah the Scientist’s Billboard Hot 100 hit “Is It A Crime”

Find the updated 2025 Camp Flog Gnaw lineup below.

Released Nov. 7, YEONJUN’s debut solo album NO LABELS: PART 01 is one of the most compelling K-pop releases of 2025.

When his first mixtape GGUM dropped in fall 2024,  it initially felt like a slightly puzzling choice. Its electronic-tinged hip-hop sound — filled with mechanical textures, indistinct vocals, and a repetitive hook — seemed to lean more toward concept than toward showcasing YEONJUN’s strengths: vocal ability, dynamic tonal shifts, and live power that had long been overshadowed by his reputation as a dancer. Yet as reactions remained divided, the view began to shift as I watched YEONJUN continue stepping onto stages alone — including year-end award music shows — driven purely by love for performance. I began to understand why he had chosen the song and, eventually, to cheer for that choice. During the group’s subsequent tour, TOMORROW X TOGETHER members appeared in various ways during YEONJUN’s “GGUM” stage, making it clear that they were proud of the performance as well. And when YEONJUN chose the reggae rock genre track “Ghost Girl” for TXT’s fourth studio album The Name Chapter: TOGETHER released in July this year, the question naturally arose: Where would he go next? The answer arrived in the form of NO LABELS: PART 01.

The album cover — an instantly viral image capturing YEONJUN dancing shirtless in his most unfiltered form — was shot by photographer Hye.W.Kang (@hyeawonkang). Although she had previously worked with him for magazine covers and TXT group shoots, this was the first time they spent three full days together on a project. To her, YEONJUN was unmistakably an artist with strong self-assurance.

“YEONJUN knows exactly what he wants to express; he moves with a clear artistic direction in both performance and music,” Kang told Billboard Korea. “The album title NO LABELS had already been finalized, and because I naturally gravitate toward work that focuses on the person rather than any devices or concepts, I was grateful to be offered this project.” Understanding the music was also essential. “From the morning of the first day, I kept listening to his tracks so I could fully absorb the mood he wanted to convey. I listened to them over and over — quite a lot.” In both the early-released images and the album cover, YEONJUN exists not as a static figure but as a presence defined through movement. The slight distortions, shadows, and irregular poses are not “safe A-cuts,” but closer to the aesthetic of a deliberately chosen B-cut — images that capture an artist’s energy most vividly. “The shirtless shoot took place on the second day. YEONJUN felt a bit unfamiliar at first, but quickly found his rhythm. We did very minimal retouching. We all agreed that rather than crafting a smooth, refined image, we wanted to preserve his natural expressions and movements.” While design considerations likely influenced the final cover choice, YEONJUN’s own presence — and the strength of his decisions — undoubtedly played the biggest role.

The first day’s shots, using props like a bed and chairs, were featured prominently in the album’s ‘SET-UP B’ version. Kang felt that if the focus remained solely on movement, YEONJUN’s iconic face and energy might not fully come through. The result: images that balanced his power as a performer with his presence as an individual.

The third day of shooting took place alongside the music video schedule in Thailand. “The movement-based scenes and video shots wrapped surprisingly quickly,” Hyewon Kang recalls. “YEONJUN was already fully prepared for his performance. He wasn’t someone who ‘showed’ something in front of the camera — he was an artist who stepped in with conviction and completion already within him.”

“NO LABELS, JUST ME” — a phrase anyone could throw around rhetorically — is something YEONJUN proves thoroughly through both the music and visuals of his first solo album. Aside from the final track “Coma,” all six songs were produced entirely by producer-songwriter MISHA (@thatboymishaa), giving the album remarkable cohesion. MISHA, who previously worked with TXT’s “Upside Down Kiss,” shared via social media, “This project is a lot of firsts for me and means the world. Thank you for believing in these songs and allowing me to be completely myself as a writer and producer throughout this project.”

The opening track “Talk to You” begins with crisp drum beats and YEONJUN’s confident attitude, pairing his rap with rhythmically controlled vocals that cut through the intense electric guitar in the chorus. Its rock energy flows naturally into the relaxed electronic sound, synth textures, and minimal rhythm of “Forever.” The third track, “Let Me Tell You (feat. Daniela of KATSEYE),” featuring KATSEYE’s Daniela, continues the synth-driven warmth and sensual tone, deepening the album’s cohesive mood. “Do It,” an old-school hip-hop number built on drums, bass, and a standout keyboard in the latter half, lets YEONJUN’s laid-back voice take the lead — before shifting into the hard-hitting hip-hop sound of the fifth track, “Nothin’ Bout Me.” With lines like ‘Define me if you can,’ ‘Say what you want, no cares,’ and the explosive ‘All that talkin’ Shut up,’ punctuated by scratching and shouting, the track delivers the album’s message most directly. The heightened energy flows seamlessly into “Coma,” whose tape-stop effects allow the intensity to slowly ease as the album nears its end — leaving behind the line, “You’re in my zone, come and follow.”

Given its cohesive sound and concept, the music video for this project was created as a six-minute omnibus combining three tracks — “Coma,” “Let Me Tell You (feat. Daniela of KATSEYE),” and “Talk to You” — under the banner of NO LABELS: PART 01. Director Song Taejong(@songtaejong) recalls, “The idea of making a 6-minute omnibus video came from the label(BigHit Music). Honestly, I was worried at first. Since videos are getting shorter these days, we added fun moments and unexpected elements throughout the 6-minute video to keep viewers attention. I always try to capture the full charm of my subjects, but during the wire scenes, I looked at the monitor and thought, ‘This might be the coolest shot I’ve ever filmed,’” he said with a laugh.

Conversations around K-pop are endless. Whether it’s “music to watch or music to listen to,” what elements it borrows from past legacies, or whether its intricate vocabulary and overbuilt imagery allow the core — the music — to truly shine. Amid constant doubt, criticism, pressure, and anxiety — YEONJUN has openly shared that he cried from fear and burden before his “GGUM” promotions, and his behind-the-scenes videos show the emotional strain of songwriting, choreography, performance, and tight deadlines — he still brought forward something entirely his own. And for that reason, YEONJUN’s latest album carries no labels and no references. Perhaps it’s because he doesn’t need them. He already knows — with his whole body, through every lesson learned — exactly how he is meant to move.

Last fall, Kito and her good friend Blue May spent a lot on the couch at her house in L.A., binge-watching Couples Therapy and discussing the trajectories of their respective careers. Both producers had recently come out of relationships, and they decided they were ready to focus on not only working, but working on something great.

“We were like, ‘We’ve got to make some s–t happen that we believe in so hard,’” Kito says.

Call it fate or good luck or hard work paying off, but the binge-watching sessions ended a few weeks later, when May got a call from his old friend and previous collaborator Lily Allen. She wanted to make an album, and she was coming to Los Angeles, and more specifically to May’s house in the Hollywood Hills, to do it.

May brought Kito into the project, and with that they were off the couch and in May’s home studio, making some s–t happen that they believed in so hard and that millions of people around the world would eventually believe in too.

An electronic artist and multi-genre producer from Australia who’s lived in Los Angeles since 2018, Kito has a long list of releases on labels including Diplo’s Mad Decent, Astralwerks and Sweat It Out, along with her ongoing Club Kito party at The West Hollywood Edition hotel, events to which surprise guests including Empress Of, A-Trak, Diplo, Mallrat and Tove Lo have shown up. As of October, she also has co-producing credits on eight tracks of Allen’s confessional smash West End Girl.

“I mean, it feels like a new chapter starting,” the artist born Maaike Kito Lebbing says over Zoom from her house, her cat intermittently walking in and out of frame. In addition to working on West End Girl, Kito released a grip of excellent tracks in 2025 and has also executive producer on A Girl Is a Drug, the seven-track EP from DJ/musician/choreographer Parris Goebel that’s out Thursday (Nov. 20). (Goebel is globally known to pop fans for her choreography for superstars like Beyoncé, Rihanna and Justin Bieber, recently becoming a close collaborator of Lady Gaga’s for her Mayhem videos and tour.)

“There were days when I’d be working with everyone on the Lily album, and then I’d be recording with Parris in the evening, and it’s just like, the complete opposite energy — going from just [the Lily project] to club bangers,” Kito explains.

But dipping into, and in fact helping build, the sounds and worlds of other artists has been Kito’s focus for a while. Her career started in Australia when she got into electronic music, then started collecting records and DJing parties. Upon moving to London, she “lived in a five bed share house with a bunch of creatives and got paid cash to DJ” while scoring releases on Skream’s Disfigured Dubz label and generally exploring dubstep, lo-fi and other genres of the day.

She liked this bopping around between sounds and scenes, a sensibility that would inform her later work. “I think that’s why I’m really in my element as a producer for other artists,” Kito says, “because it feels so fun to get into someone’s world and explore it. It’s like being in a different band all the time. I really like that, because I get bored doing the same thing.”

Back in London, things leveled up for her again when began sending out demos, with a beat she sent to Diplo eventually sampled on Trinidad James’ 2013 song “Female$ Welcomed.” This led to her first publishing deal (“I didn’t even know what publishing was,” she says now), with her original James-sampled track eventually used in a Victoria’s Secret campaign.

Compelled by people in her London community who were simultaneously making their own music while also producing for other artists, she moved to L.A. in 2018 to pursue this type of dual path. In SoCal she felt more “invited into rooms that maybe I wouldn’t have been invited into in London, because London is a smaller scene, and people focus on what you’ve done. Coming here people were more like, ‘Oh, you’ve got a different perspective.’”

While experimenting with production techniques, she made loads of music that she just released under her Kito project, which drew the attention of labels in L.A. and resulted in more than two dozens single and EP releases since 2018. But the goal was never to become a jet-setting DJ.

“I’m really proud of the stuff I’ve put out on my artist project, but it’s definitely been me trying stuff as a producer and loosely fitting in the large umbrella of dance music,” Kito says. “I don’t really have a crazy career as a DJ because I don’t know if people know what they’re going to get [from my work.]”

But while her sound vacillated between dancefloors anthems and more indie singer songwriter type fare, she realized she had a superpower in her ability to bridge underground music and pop: “I realized I needed to lean more into what I’m coming to the table with, which is my unique perspective and the more underground music that I’ve been always into. It was always too pop for the underground, and too underground for pop. My palette is a little bit left-of-center, but I love pop music.”

This symbiosis of tastes made Kito the perfect fit to work on left-of-center pop music. She’s got producing credits for artists including Fletcher, Jorja Smith and Empress Of, and also spent 16 days in late 2024 working with May, Allen and a crew of collaborators on West End Girl.

“Blue called me and said, ‘Lily’s coming over to do music and wants to try to do an album. Do you want to do it with us?’” Kito recalls. “I was like, ‘Obviously yes, let’s do it.’”

Kito had actually worked with Allen once before in 2019. Based on that experience and the knowledge Allen wanted to work fast, had the idea to “just rope in all our friends that we know who are great and that everyone’s really comfortable with and see how that feels.”

This social alchemy worked, as a crew including Allen, May, Kito, and a collection of songwriters, producers and instrumentalists — including Chloe Angelides, Chrome Sparks, Alessandro Buccellati, Micah Jasper, Oscar Scheller, Leroy Clampitt, Leon Vynehall, Violet Skies and Hayley Gene Penner — set up shop in the pair of recording spaces May set up in his home.

“It was really special working with Blue, because he’s so good at shutting out the noise of the music industry, and so is Lily,” says Kito. “It was like, ‘This is going to be a little bubble and a world that we’re going to create.”

Gathered with Kito and May, Allen unveiled the themes of the album, which is allegedly about her separation from actor David Harbour amid his infidelities. “She wrote all the song names down in order and told us what she wanted to do the album about,” says Kito. “I mean, she filled us in on everything. We had a big cry and spent a couple hours drinking coffee and just catching up. Then she was like, ‘Okay, let’s do the album.’ I was like, ‘Are you sure?’”

Allen was sure, with the project’s instant rapid pace being “quite unsettling for me,” says Kito, “because I’m used to doing a lot and then picking the best of it. So this was really exciting, but also terrifying. I would be calling Blue like, ‘Hang on a minute. Don’t we need more time?’ But I think he’s such a brilliant quick decision type of person and is so good at trusting his instincts that it gave me confidence to trust mine. I actually don’t think I would have thrown myself into working with Parris this year if I hadn’t come off the back of that process with Lily.” (For his part, upon the album’s release May wrote to Kito on his Instagram that “this record would literally not exist without you! … You brought so many key people into this project – alongside your own insane talent!”)

With two high-profile projects on her 2025 resume, Kito says new opportunities are being presented for her and everyone that worked on West End Girl: “We’ve all been here doing the same work, but this is what happens when one thing connects, it opens doors in a great way. I’m so happy. I’m like, ‘What’s next year gonna be like?’”

While the calendar is quite yet clear, what’s obvious is that there’ll be less binge-watching on the couch and more making s–t happen that Kito believes in, so hard.

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Gifting season doesn’t mean you have to spend all your cash to surprise a loved one with something unique and thoughtful. Walmart has become a one-stop destination for all of your necessities, including gifts for everyone on your list.

Most of the online retailer’s selections are offered at a fair price, whether you’re looking to keep things under $20 or only want to spend as much as $50. Plus, Walmart offers basically anything you could ever want from stylish and cozy celeb-approved fashion and cookwear to celebrity brands like Paris Hilton’s Y2K-themed purses and Jessica Simpson’s Cali-boho accessories.

The best part? Walmart’s expansive line of exclusive brands and products means that they’re the only place you can shop them. That also makes it essential to snag your gifts sooner rather than later as once they’re out of stock you won’t be able to buy them online from another retailer — and the last thing you want to do is stalk the website in the hopes it gets restocked. Keep reading to shop our favorite Walmart-exclusive picks below.

What Are the Best Walmart-Exclusive Gifts?

To help you find the best gifts for friends and family, ShopBillboard put together a list of Walmart-exclusive ideas that you can shop below.

onn Wireless Headphones, Over-Ear with 20 Hour Playtime, Orange Sun Glitter

$19.89

Buy Now at walmart

Bright over-the-ear headphones.

---

Onn is a Walmart exclusive brand that brings consumers a slew of tech all at an affordable price, which is definitely something we can get on board with. True to their mantra, these wireless headphones are affordable at $19.98, but of extremely good quality. The bright orange style is wireless and sits over the ear. The tech offers up to 20 hours of playtime at 50% volume with a quick 1.5-hour recharge time via USB. It also comes equipped with a built-in microphone so you can take calls without taking your headphones off. The headphones are universally compatible, seamlessly working on all devices from iOS and Android to PC.

Mainstays by Becky G Candle Warmer Lamp

Buy Now at walmart $17.88 $17.88

A candle warmer in the shape of a lamp.

---

This candle warmer is Becky G-approved and it’s only $17.88. If you or a loved one is into burning candles, this will make the process so much easier. The decor piece is shaped like a lamp and features a pedestal that you’ll place your candles on, giving them an even heat source that makes the candle burn uniformly, no tunneling. The warmer doesn’t use flames, rather an electric heat source that melts the wax so it’s safe around kids and pets. The lamp’s design is also extremely sleek and modern, great for accenting a desk or a side table.

Jessica Simpson Women’s Taylor Hobo Bag in Pinot Noir

$28.78 $36 20% off

Buy Now at walmart

A slouchy chestnut brown hobo bag.

---

This Taylor Hobo bag bridges the gap between form and function. The everyday style retails for $28.78 and is roomy enough to store all your go-tos at 16.5” W x 11” H x 5” D. The bag features a patchwork design on the front panel and a unique wine-color and gold-studded detailing that offers the piece that extra edge. The inside is lined with a whimsical paisley print, paying homage to the boho category it falls under. If you don’t like the reddish brown hue, the Taylor Hobo also comes in black, a more versatile option. It’s a unique find, especially at that price, and one we can see being worn frequently to the office or out for coffee with friends.

Jessica Simpson Butterfly Drop Earring

$7.96

Buy Now at walmart

Butterfly dangling earrings.

---

Add some shimmer to their ears with these drop earrings from Jessica Simpson’s jewelry line. Featuring a delicate construction, the accessories come with a butterfly design encrusted with rhinestones for some added shimmer.

Beautiful 6 Qt Air Fryer

$69

Buy Now at walmart

A sage green airfryer by Drew Barrymore.

---

The chef in your life can whip up recipes with this Drew Barrymore-approved air fryer. While the exterior shows off a display-worthy floral design, it also comes with a touchscreen to easily customize cooking temperature, settings and time.

No Boundaries Half Zip Plush Pullover (Women’s)

$10.98

Buy Now at walmart

A cozy half-zip pullover.

---

They can look comfortably stylish in a No Boundaries pullover (that’s only $10). With its sherpa material, your loved one can feel as though they’re wearing a blanket even as they commute to work — and it even comes with pockets for storing their phone or keeping their hands warm.

Time and Tru String Bow Ballet Flats (Women’s)

$12.98 $14.98 13% off

Buy Now at walmart

Bright red ballet flats.

---

Their feet will be doing all the talking whenever they slip on a pair of these ballet flats. The vibrant red style will add an eye-catching energy to your fashion friend’s outfits while the little bow on top provides a delicate vibe for a more chic appearance.

Better Homes & Gardens Luxury Velvet Plush Blanket

$30.54 $35.54 14% off

Buy Now at walmart

A cozy velvet blanket.

---

Encourage some R&R with an irresistibly soft blanket your friend can cuddle up with. There are nine shades to choose from and two sizes depending on their preferences, and it comes with fluffy velvet material they’ll immediately want to wrap themselves in.

Mainstays Mushroom Decorative Pillow

$3 $4.99 40% off

Buy Now at walmart

A decorative mushroom pillow.

---

If they’re always looking for another piece of home decor, you can complete their living room set with this eclectic mushroom pillow. It comes pre-stuffed with a plush filling that’ll help provide extra support when they’re lounging on the couch — and will be an instant conversation starter when they have guests come over.

Hyper Tough 70-Piece Project Kit

$49.97 $59.88 17% off

Buy Now at walmart

A 70-piece tool kit.

---

Essentials are never a wrong way to go when thinking of must-have gifts — and that includes this tool kit. Within the included travel bag is a mix of tools that’ll have them unleashing their handy side including a cordless drill, measuring tape, hammer, screwdriver and various head attachments.

For more gifting recommendations, check out ShopBillboard‘s roundups of the best gifts for musicians, gifts for white elephant and gifts for gamers.