Jack White has made it crystal clear over the past few months that he is not playing the MAGA GOP’s games. After repeatedly slamming Donald Trump last year for everything from his controversial gold-plated White House makeover and East Wing demolition to the President’s “vile,” hate-filled obituary for beloved moviemaker Rob Reiner, White has not held his tongue when it comes to calling out the divisive rhetoric and actions of Trump 2.0.

The Rock and Roll Hall of Famer was at it again this week when he took aim at U.S. Rep Tim Burchett after the Congressman from White’s home state of Tennessee shared a misleading AI-generated video that appeared to show the “Seven Nation Army” star telling Trump supporters to not listen to his music.

While X flagged Burchett’s original post as containing fake footage using quotes falsely attributed to White (with the links to those videos seemingly deleted from the first version), the 61-year-old Republican who has served Tennessee’s second congressional district since 2019 doubled down in his accompanying message, which tauntingly read: “That cute girl from the Addams Family got really ugly and angry.”

The attempt at a schoolyard jab — in keeping with the Trump administration’s frequent use of social media to mock, belittle and denigrate its perceived opponents, sometimes using AI-generated memes or videos — indeed got White riled up. In a heated response posted on Tuesday (Dec. 30), White slammed his state’s rep for going so low.

“Can you believe that a U.S. congressman, that’s right, a CONGRESSMAN (from my state no less), a once hallowed and respected position in our society, would repost an AI generated video, containing a false comment that I never said and refuted (without researching that I might add) and like a 10 year old on a playground, add to it attempted insults to my physical appearance?” White wrote. “What kind of joke are we all living in now?”

Reacting to the post’s claims that White told MAGA supporters “don’t even think about listening to my music, you fascists,” White clarified, “All of trump’s lackeys and bootlicks like this elected official are cowards that would never talk this way to anybody like me or you in person. trump really lowered the bar when he brought his scourge to this government. Neither him nor his sycophantic congressmen and women manifest class or dignity, they all just regurgitate cheap, childish, grade school bullying points and fake christian(!) rhetoric. It’s really sad how embarrassing our leadership has become, I so wish the average American conservative could have a conversation with any intelligent people in other countries around the world, just for one brief moment, and actually see just what a joke our government (and by proxy our country) has become.”

White said his great state “deserves better” than Burchett, while taking aim at giving power and a voice to what he called “low class playground bullies” such as Trump and his state’s rep. Billboard has reached out to the congressman’s office for comment.

“The great state of Tennessee deserves better Mr. Burchett but you and your cult are too dug in and blinded to even realize it,” White wrote. “Holding a bible in one hand and a flag in the other while you stomp out our democracy day by day in the service of one man’s ego so that he can use taxpayer money to receive his fake peace prize and tear down the White House brick by brick. Embarrassing. I’ve said it before and i’ll say it again, there will come a time in the future when none of these right wingers will admit to being a part of this cult from this time period. All the maga hats will be in landfills and actual intelligent and honorable leadership will take their place.”

Instead, White encouraged his fellow Americans to focus instead on such “highly educated and well spoken leaders” of the past including presidents John F. Kennedy and Franklin Delano Roosevelt and civil rights icon Martin Luther King, Jr., “because when i look around now, I’m wondering if half of these so called representatives have ever actually read the constitution that they pledged an oath to,” the rocker wrote.

Last August, White lashed out at Trump for his White House renovations, calling the all-gold-everything decor “vulgar, gold leafed and gaudy,” comparing it to a “wrestler’s dressing room.” Then, in December, White expressed his outrage at Trump’s insult-filled comments about Spinal Tap director Reiner’s death. “Trump, you disgusting, vile, egomaniac loser, child,” White wrote, adding that using someone’s tragic death to “promote your own vanity and fascist authoritarian agenda is a corrupt and narcissistic sin.”


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By just about any measure, Nick Jonas had a very big 2025. He released a new album with his siblings, Greetings From Your Hometown, and then went on the road for their 20th anniversary tour, starred in a Christmas movie and, at the very tail end of the year, dropped an emotional new solo single, “Gut Punch.”

“Wow, what a year 2025 was,” Jonas said in a video that dropped on Thursday (Jan. 1) in which he recapped a whirlwind 365 days and looked forward to the next adventure. “One of my favorite years of my life, to be honest.” As the new year begins, Jonas said he’s feeling all of the start-of-the-new-calendar feelings: reflective and definitely a little anxious (which he said he was going to try to “curb” for now).

But despite that trepidation, the singer said he wanted to start the new year with “Gut Punch” specifically because of those feelings, not just for himself, but for all his fans as well. “There’s a lot of pressure to be the perfect version of yourself at the start of the year, and that’s just not possible and that’s okay,” he said.

Despite those anxious feelings, Jonas said he was preparing to go into the next room and hug his loved ones — wife actress Priyanka Chopra and daughter Malti — and give thanks for the simple things, such as the quiet moments with the people you love and looking yourself in the mirror and saying, “hey, you’re enough. It’s okay… you’re not defined by your hurt or your mistakes. And 2026, I believe, will be a great year for all of us.”

Jonas had been performed the song during his solo segment on the JoBros’ Jonas20: Greetings From Your Hometown anniversary tour, which wrapped up in Brooklyn on Dec. 22. “Hit me like a gut punch/ I hurt my own feelings/ How did I get so good at being mean to myself?” he sings on the song’s upbeat chorus.

The track will appear on Jonas’ upcoming first full-length solo album in five years, Sunday Best, which is due out on Feb. 6.


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Amy Taylor, the fearless frontwoman of Amyl and The Sniffers, has filed a lawsuit against an award-winning American photographer who she claims sold photos from a magazine shoot without permission.

In papers filed with a California district court, Taylor’s reps accuse Jamie Nelson of unauthorized commercial exploitation of images originally snapped for Vogue Portugal.

The photos, part of the so-called “Champagne Problems” series, were published in July 2025, and have been shared widely on social media. However, prints remain for sale through Nelson’s website, with prices ranging from $1,500 up to $3,600, reduced from $4,000.

The series is a “visual dialogue between two kindred spirits,” reads Nelson page, both “fiercely embodying defiance, glamour, and authenticity.”

The shoot took place at Nelson’s “iconic vintage pink palace in Los Angeles,” and captures Taylor’s take-no-prisoner’s punk spirit, and wicked sense of Aussie humor.

According to the Australian Broadcasting Corporation, the court documents include a portion of a letter sent by the band’s manager Simone Ubaldi, co-director of Sundowner Artists, to Nelson, addressing the commercialization of the photos.

“I cannot be clearer about this — [Ms Taylor] does not want you to sell images of her face, or her body as fine art prints,” the letter reads.

“If you had been transparent with her in advance of the shoot about your desire/intentions to sell the photos, she would have said no to the shoot.

“We simply would have said no to the shoot.”

Billboard reached out to Taylor and Nelson’s respective reps for comment.

Nelson’s photography has appeared in many celebrated publications, including Vogue, Playboy, and Vanity Fair, and she has worked with a long list of recording artists, including Halsey, Camila Cabello, Gwen Stefani, Megan Thee Stallion, and Maren Morris.

Amyl and The Sniffers are arguably Australia’s hottest rock band right now. The rockers are coming off a barnstorming year, during which they played Glastonbury Festival, earned a BRIT Award nomination, cleaned up at the ARIA Awards with four wins, and scored a first-ever nomination for the 2026 Grammy Awards.

Taylor took her own leap into electronic music with “you’re a star,” a collaboration with Fred Again, and the group opened for AC/DC on the legendary Australian rock band’s stadium tour of Australia. Amyl’s appearance was an early “bogan Christmas” present to fans of AC/DC, “the best band in the f—ing world,” Taylor said at the tour finale, Dec. 18 at Brisbane’s Suncorp Stadium.

The month of December was an eventful one for the Kennedy Center. In the leadup to Christmas, the institution was controversially renamed Trump-Kennedy Center, with new signage installed. Then came the boycotts, the threat of retaliatory lawsuits, and the Dec. 23 broadcast of the 2025 Kennedy Center Honors, which delivered all-time low ratings.

And this after Donald Trump, who became the first sitting president to host the show, had predicted it would be “the highest-rated show that they’ve ever done.”

That soft viewership result didn’t reflect what was a “successful night,” say reps for the Kennedy Center.

“Comparing this year’s broadcast ratings to prior years is a classic apples-to-oranges comparison and evidence of far-left bias,” Roma Daravi, vp of public relations for the Kennedy Center, said in a statement shared with The Hollywood Reporter. “The program performed extremely well across key demographics and platforms, despite industry and timing disadvantages, including a Tuesday air date two days before Christmas.”

According to THR, Nielsen Live + Same Day Panel + Big Data reported the special averaged 4.1 million viewers, representing a 26% drop in viewership year-on-year.

Since the 2024 show, however, Nielsen changed its methodology by launching its Big Data + Panel system that combines its traditional panel data with data from smart TVs and set-top boxes.

Also, notes, THR, the previous show was broadcast on a Sunday with an NFL lead-in, the Kennedy Center outlined on background.

“With overall television usage down roughly 20 percent year over year, the broadcast still tied for the #1 spot among adults aged 25–54, alongside a live NBA doubleheader,” Daravi adds. “And on social media, Honors garnered 1.5 billion impressions in just one night — up from only 50 million similar impressions last year. This was a successful night celebrating the outstanding achievements of our Honorees at the Trump Kennedy Center.”

While the serving president traditionally sits in the balcony with the honorees, Trump took the stage three times during the 48th annual event, which this year feted Sylvester Stallone, KISS, George Strait, Gloria Gaynor and Broadway legend Michael Crawford.

The annual presentation took place Sunday, Dec. 7, and aired later in the month on CBS and Paramount+, following the announcement of plans to rename the Kennedy Center to The Donald J. Trump and The John F. Kennedy Memorial Center for the Performing Arts.

Efforts to rename the Kennedy Center, reportedly approved by its board, could face legal hurdles. The original laws that guided the creation of the Kennedy Center specifically prohibited the renaming of the building. It would take an act of Congress to change that now.

That board looks a lot different than it did a year earlier. In February 2025, Trump abruptly fired members and installed himself as chair, writing in a post on Truth Social at the time, “At my direction, we are going to make the Kennedy Center in Washington D.C., GREAT AGAIN.”

Weeks later, the newly installed members of the Kennedy Center board, handpicked by Trump, officially elected Trump as board chair.

Celebrities who have disassociated themselves from the Kennedy Center this year include Rhiannon Giddens, Issa Rae, Renee Fleming, Shonda Rhimes and Ben Folds. The landmark musical Hamilton and play Eureka Day soon cancelled performances at the center, while jazz supergroup The Cookers pulled out of a planned New Year’s Eve concert, and musician Chuck Redd scrapped a Christmas Eve performance.

Olivia Dean is still doing all the talking on Australia’s charts in 2026.

The English singer and songwriter starts the New Year on a high in the land Down Under, where she completes another chart double.

Dean’s sophomore album The Art Of Loving (via Universal) leads the ARIA Albums Chart for a fifth non-consecutive week, while “Man I Need” rules the ARIA Singles Chart for a seventh week.

According to ARIA, “Man I Need” becomes the longest reigning single by a solo female artist since Sabrina Carpenter’s “Taste” topped the leaderboard for eight weeks in 2024.

Add another week and you have the longest-running No. 1 by a female English artist, Kate Bush, whose 1985 song “Running Up That Hill” topped out for nine weeks in 2022, thanks to its sync in season four of Stranger Things. The all-time crown belongs to Tones And I’s “Dance Monkey,” a monster which led the ARIA Chart for 24 non-consecutive weeks in 2019 and 2020.

Further down the latest ARIA Singles Chart, published late Friday, Jan. 2, Dean’s “So Easy (To Fall In Love)” dips 5-7 and “Nice To Each Other” holds at No. 9. The Brit will show her fans some love this October, when she embarks on a six-date east coast arena tour of Australia and New Zealand, produced by Handsome Tours and Laneway Presents.

No new titles appear on the latest singles frame, and the only homegrown recording to make an impact is Tame Impala’s “Dracula” (Columbia/Sony), improving 41-37.

Over on the ARIA Albums Chart, the entire top 10 is stacked with albums that have logged at least one week at No. 1. All are pop, with the exception of Pink Floyd’s Wish You Were Here (50th Anniversary Edition) (via Columbia/Sony), down 7-8, and Tyler, The Creator’s Chromakopia (Columbia/Sony), down 8-10.

Just one title debuts in the top 50, $uicideBoy$’s Thy Will Be Done (Orchard). It’s new at No. 32. Thy Will Be Done is the New Orleans, LA hip-hop duo’s sixth studio album, and the followup to 2024’s New World Depression, which peaked at No. 6 in Australia.

Holding at No. 19, Tame Impala’s Deadbeat is the highest-ranked of the eight homegrown releases on the national albums tally.

Cometh the hour, cometh Dom Dolla.

The Australian EDM superstar was behind the decks and had countdown honors at Beyond The Valley festival, which celebrated its 10th anniversary. Dom (real name Dominic Matheson) kept the tunes pumping into the New Year, footage of which can be seen below.

Presented at Victoria’s picturesque Barunah Plains, BTV this year welcomed 40,000 party-goers and sold out “instantly,” according to organizers Untitled Group.

The lineup across the four days from Dec. 28 to Jan. 1 also featured Addison Rae, who made her first-ever festival appearance; Kid Cudi in his first Australian performance in over a decade; along with Turnstile, The Temper Trap and many more.

“Man, bringing in the New Year at BTV was the most epic s— ever!!!,” Kudi wrote on his Instagram. “I had the best time w u all!!! So much love, bouncing back from me to u. Such a beautiful experience.”

Handing countdown duties to Dolla made a whole lot of sense. Dom has now performed at eight editions of BTV, and made history on Dec. 20 with a show at Allianz Stadium –the first stadium date in these parts by a homegrown DJ. He established another mark in December 2024, when he sold more than 170,000 across a four-date national tour. Untitled produced all those shows, and has a career-long relationship with the Grammy-nominated, multiple ARIA Award-winning producer and DJ.

“Reaching ten years of Beyond The Valley is something we’re incredibly proud of,” comments Untitled Group co-founder and managing partner Nicholas Greco. “Moments like Addison Rae’s debut festival performance, Kid Cudi’s return to Australia, Dom Dolla counting down the new year and the response to our surprise sets really capture what BTV is all about – discovery, connection and shared experiences.”

The party didn’t end there. Dom, Rae, Cudi and others carried on with performances at Wildlands festival at Brisbane Showgrounds on Thursday, Jan. 1, and they head west for the second and final date Saturday, Jan. 3 at Perth’s Arena Joondalup.

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Este Haim and Jonathan Levin are married. The bassist of sister trio Haim and the tech entrepreneur tied the knot in California on New Year’s Eve (Dec. 31) in a wedding celebration with family and friends — a day Este’s “been looking forward to since I was five,” she tells Vogue, who documented her final dress fitting at Louis Vuitton ahead of her wedding day.

Among those in attendance for the bride and groom’s big day were Taylor Swift and Stevie Nicks, spotted together in photos captured by paparazzi from a distance (and later published by People).

Swift — wearing a formal, gold-sequinned gown fit for a New Year’s Eve gala — is a longtime, close friend of Este, Danielle and Alana Haim. They’ve also collaborated musically on “No Body, No Crime” (from Swift’s Evermore; Este’s even a main character in the song) and “Gasoline” (from the expanded edition of Haim’s Women in Music, Pt. III). Swift’s fiancé, Travis Kelce, was not seen in images from the wedding.

“When I was five, I had this vision of me coming down a spiral staircase. Like there’s a scene in Cinderella that probably is what I’m kind of mimicking. I would come down in this giant ballroom gown, descending down, and then my fiancé, husband, would be at the bottom [and] grab my hand,” Este shared in a video filmed by Vogue.

Este’s wedding dress was designed by her friend Nicolas Ghesquière, women’s creative director at Louis Vuitton. She also had two alternate designs created to wear at the reception and after-party.

Though Haim publicly announced her engagement to Levin in February with a cheeky Instagram post revealing she was “TAKEN,” her beau had proposed on Dec. 22, 2024 — and the mid-hike proposal took the bride-to-be by surprise. “I had Mario Badescu acne medication on, my hair was in a top knot, I had no makeup on, I was in sweats and sneakers,” she said, recalling that she screamed in excitement and got some fellow hikers to take their picture.

As the Haim sisters point out in their video for Vogue, Este’s the first of the three to marry.

Haim’s latest studio album, I Quit, was released in July and reached No. 2 on the Top Rock Albums chart, No. 3 on Top Alternative Albums and No. 25 on the all-genre Billboard 200.


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Kelsea Ballerini and actor Chase Stokes are kicking off 2026 together again.

The pair called off their romantic relationship in September after three years of dating, but with the new year comes an apparent reunion — with both Ballerini and Stokes sharing their views on love via Instagram on Wednesday (Dec. 31).

“Something I’ve learned this year: don’t take advantage of the most beautiful things that in 33 years of life are fleeting,” Stokes wrote in a post featuring photos of him snuggling with the country singer. “Take accountability, learn from mistakes. Lean into love and say it often. 2026 my year of growth, my year of truth. Starting here, starting now. Happy new years.”

Meanwhile, Ballerini took to her Instagram Stories to share, “Messy year for the heart, messy year for the outside coming in, messy year for the way it became an out of our hands portrayal of it. But what i’ll say, and all i really care to share indefinitely with my personal life anymore, is that i really love love. I believe in it, i believe in him, and i believe in breaking patterns.”

 “go kiss your person and stop speculating,” she added in her New Year’s Eve update.

The “Emerald City” singer and the Outer Banks star originally confirmed they were a couple back in 2023, walking the CMT Awards red carpet together that year. They’d first connected in 2022, when Ballerini introduced herself to Stokes through a direct message on social media.

In early December, Ballerini told fans, “I’m trying to make my personal life personal for now. Unless it comes from me, it’s not from me, and that is really important in protecting my peace right now.”

The singer-songwriter’s most recent release is her six-song EP Mount Pleasant, which arrived in November via Black River Entertainment. The EP followed her Top Country Albums No. 1 Patterns.


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There’s no better way to ring in the new year than with a new chance to find love. At least that’s what contestants are hoping for on Second Chance Love, a new reality dating series that gives five couples who previously dated, another chance to reconnect.

Hosted by TLC singer Chilli and her real-life boyfriend, actor Matthew Lawrence, Second Chance Love premiered on New Year’s Day, Jan. 1 and is streaming now on Hallmark+. The eight-episode series is airing exclusively on Hallmark+, which is the streaming arm of Hallmark Channel, and new episodes premiere each Thursday. You won’t be able to watch Second Chance Love on traditional TV, as the unscripted series is only airing (for now) on the Hallmark+ streaming platform.

So how do you get Hallmark+? Amazon Prime members can get a week-long free trial here to test out the service with no commitment. The free trial will let you watch Second Chance Love online free, with the ability to stream the dating show on your phone, computer, tablet or smart TV (via the Hallmark+ app).

You can cancel at anytime or continue on with a Hallmark+ subscription for just $1.99/month for your first two months as part of a Prime Channel promotion right now. The new deal saves you 75% off the regular monthly price of $7.99 but you’ll want to act fast as the Hallmark+ promotion is ending soon.

Only Amazon Prime members have access to the Hallmark+ streaming deal. If you don’t have Amazon Prime, you can get a 30-day free trial to test-drive the service here.

Shot on location in Sardinia, Italy, Second Chance Love features five couples who dated anywhere from five to 40 years ago, as they reunite at a romantic Italian resort to see if the sparks are still there. The couples will all go on intimate dates, have candid conversations and undergo various challenges to “revisit their pasts, confront unfinished business, and rediscover what once brought them together,” per a press release.

“Five pairs of first loves reunite for a two-week journey filled with nostalgia, emotional reflection, and intimate dates,” the release teases. “Led by our hosts, they revisit their pasts, confront unfinished business, and rediscover what once brought them together. As they build new memories and lean on each other for support, one big question remains: will they rekindle the spark they once had or discover that love belongs in the past?”

The diverse cast includes couples ranging from the ages of 30 to 70, while hosts Chilli and Lawrence (who’s also currently recording his Brotherly Love podcast with brothers Joey and Andrew), are 54 and 45, respectively. The two recently told Sherri Shepherd on her eponymous talk show that they feel uniquely positioned to host the dating series, as they’ve also had to go through the relationship ringer to find each other.

“Working with Hallmark is a dream come true because the brand represents good quality content,” Chilli says. “I’ve always been very specific about brand alignment because representation matters in every aspect of partnership. I love what Hallmark stands for, and this project is special to Matthew and me for several reasons. As executive producers and hosts, we can’t wait to share the inspiration behind the pursuit of true love.”

“Studies show that nearly 80% of reunited first loves stay together for years, often for life,” adds David Stefanou, head of Unscripted Programming at Hallmark Media. “There’s something undeniably powerful about a love that endures, even across time and distance. It’s a theme that has defined so many of Hallmark’s most cherished stories, and with Second Chance Love, we’re bringing that magic into the real world. We’re giving couples the chance to rediscover a connection that may have never truly faded.”

Watch Second Chance Love online for free with a free trial to Hallmark+ here.

Yungblud is teaming up with the Smashing Pumpkins for a darker reimagining of his song “Zombie.”

On Thursday (Jan. 1), the 28-year-old British singer announced that the collaboration and its accompanying music video will drop on Friday (Jan. 2).

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“Zombie with The Smashing Pumpkins out worldwide midnight,” Yungblud captioned an Instagram photo of himself alongside Smashing Pumpkins frontman Billy Corgan. “Music video out tomorrow. Happy new year.”

The post includes black-and-white photos of Yungblud (real name: Dominic Harrison) with the other Pumpkins members, as well as a snapshot of him rocking out with Corgan — likely a still from the forthcoming music video. Yungblud also teased a snippet of the collaboration on his Instagram Stories.

“Zombie,” which is nominated for best rock song at the 2026 Grammy Awards, appears on Yungblud’s fourth studio album, Idols, also nominated for best rock album.

Yungblud shared the story behind the collaboration in an interview with Loudwire.

“When I was making ‘Zombie,’ I was really channeling Siamese Dream,” he told the publication. “It was really the sadness and the melancholic emotion mixed with the aggression of Billy’s f—king guitars … Billy, as a songwriter, was really at the forefront of my inspiration when I was making this album. When ‘Zombie’ came along, I knew I wanted to do a new version if it.”

The rocker explained that the original version of “Zombie” was heavier, but he adjusted it because he worried it might sound too much like the Pumpkins. While he’s happy with the album version, he always imagined another take.

“I called Billy and I was like, ‘Billy, please help me scratch this itch. I want this record to dig in harder,’” Yungblud said. “There still needs to be an almost Jekyll and Hyde element, there needs to be the version that’s full of light and full of life and optimism, but then there needs to be this dark version that is pessimistic and a little bit bitter and a bit aggressive.”

Within 10 days of the conversation, Yungblud flew to Chicago, the Pumpkins’ hometown, to record the song and its music video.

This isn’t Yungblud’s first collaboration with a famous rock band. In September, he released “My Only Angel” with Aerosmith, which debuted at No. 1 on Billboard’s Hot Hard Rock Songs chart. The track was part of a five-song collaborative EP, One More Time, released in late November.

Yungblud released Idols in June, which topped the U.K. Albums Chart and reached No. 15 on Billboard’s Top Rock & Alternative Albums chart.

Check out Yungblud’s Instagram post about the collaboration here.


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