Taylor Swift is not the only pop star football superfan showing up in style to cheer on her significant other as the NFL season rumbles to a close. Cardi B was once again in the stands on Sunday to support her boyfriend, New England Patriots wide receiver Stefon Diggs, and the mother of four — including a newborn with Diggs — showed up runway ready for the Pats’ blowout 42-10 victory over the lowly New York Jets.

Cardi was in the stands at the Patriots’ easy victory against the 3-13 New York Jets, walking to her seats with serious swag while wearing a pink tweed Chanel jacket over a white collared shirt and grey miniskirt, accented by pink tights, rose-colored pumps, a pearl belt and bleach blonde Barbie hair. The ensemble also featured a few eye-popping accessories, including a wildly oversized Chanel pearl necklace she wore across her chest like a sling bag. She was also spotted carrying another item, a jeans jacket featuring pink trim and golden buttons.

In an Instagram Story about game day, New York native Cardi can be seen sitting in a row all by herself and chanting what sounds like “beat the Jets!” and then walking with her jacket in hand through the tunnels beneath the stadium. The clip ends with Cardi lip synching along to Babyxsosa’s 2024 single, “Chanel” while striking some poses in her couture outfit.

Cardi and Diggs welcomed their first child together, a boy, on Nov. 4. The Bronx rapper shared a glimpse of her holiday celebration with the fam last week, including a slideshow of photos from Christmas Day that showed off her kids’ personalities and the chaos of being a busy music superstar mother of four. “The perfect Christmas picture don’t exist in this house,” she wrote alongside photos showing her trying to get all the kids on the same page for a sweet family photo.

In addition to showing up for Diggs, Cardi has been hard at work getting into shape for her upcoming Little Miss Drama tour, which is slated to kick off on Feb. 11 in Palm Desert, Calif. and run through an April 17 gig in Atlanta.

“Nothing beats being in a band.” That’s what singer Gary Barlow says in the first trailer for Netflix’s upcoming three-part limited series about 1990s British boy band Take That. The Take That series, set to drop on the streamer on Jan. 27, will feature a behind-the-scenes look behind the group that featured Barlow, as well as Howard Donald, Mark Owen, Jason Orange and Robbie Williams.

The boy band in which Barlow served as the lead singer and songwriter, with Owen and future break-out star Williams mostly singing backing vocals, scored 17 top 5 singles in their native U.K. during their run, including five No. 1 hits.

After Barlow’s opening note about the beauty of being in a band, we hear him say in voice-over “there’s a strength… there’s a buzz,” over footage of the guys goofing around backstage before a gig in steampunk-style military outfits capped by goggles on their heads. “From the beginning, there was something within us that wanted to prove something,” says Owen.

The band members attest to being “tight amongst ourselves,” as well as a feeling of being “kings of the world” at the height of their fame, even as they admit that there is nothing that could have prepared them for the level of fame they achieved at their peak in the ’90s.

The series promises to document the group’s rise to fame and their tricky interpersonal relationships via never-before-seen footage, interviews and rare archive material gathered over the past 35 years, including new interviews with Barlow, Donald and Owen. According to Deadline, all five members of the band took part in the doc, even Williams, who split with the group in 1995, a year before they broke up.

They reunited, sans Williams, in 2005, for a documentary and subsequent world tour as a four-piece, releasing two albums (2006’s Beautiful World and 2008’s The Circus) before Williams rejoined in 2010 for their sixth studio LP, Progress. Williams was gone again by the time of 2014’s III album, as was Orange, reducing the band to a three-piece for the first time in its career.

The clip ends with the predictably cheeky Williams, wearing a shiny silver helmet, turning to the camera and joking, “We all kissed before the show… in a butch way.”

Take That will hit the road next summer for their The Circus Live tour, slated to kick off on May 29 at St. Mary’s Stadium in Southhampton, U.K.

Watch the Take That trailer below.

Miley Cyrus knows how to work a room. The 33-year-old pop icon has been a Hollywood staple for much of her life and when it comes to pitching herself to directors for projects, Miley has a surefire method that seems to be working out for her: go to where they all are.

A perfect case in point is Cyrus’ dramatic end credits song “Dream As One” in the new Avatar: Fire and Ash movie from director James Cameron, which opened on Dec. 19 and has already raked in nearly $220 million in the U.S. and more than $760 million globally.

Speaking to People, Cyrus said the Avatar job came about because she threw it out there, “as I always do,” in describing her first meeting Cameron at the 2024 D23 Expo, where they were both honored as Disney Legends. “I already knew the answer to, ‘So what have you been up to? I know he’s been up to Avatar for a very long time,” she said.

So, Cyrus reminded Cameron that she was available if he ever needed some movie music, which was perfect timing as the director was developing the third in a planned five-movie series. “It just kind of organically happened,” she said of the soundtrack job. “James actually calls us ‘Legends in law.’”

Cyrus revealed that she also landed her Golden Globe-nominated song “Beautiful That Way” from the Pam Anderson drama The Last Showgirl last year by going directly to the movie’s co-star, Jamie Lee Curtis. “That’s how I ended up doing Last Showgirl and now being a part of Avatar,” she said.

As it turns out, directly offering original songs to movie makers is a pretty efficient method for scoring soundtrack gigs. In fact, Cyrus just cut out the middleman this year and said she specifically attended the 2025 Oscars intending to offer up her services. “No, literally that’s why I went to the Oscars this year,” she said. “Everybody that came up and introduced themselves, I said, ‘Well, if you need any music, I’m around.’”

She even pronounced herself available for shows that might not have second seasons. “I don’t know what I would write for Baby Reindeer season two, but I threw that out there!,” she said of her offer to the team behind Netflix’s Emmy-winning psychological thriller Baby Reindeer.

Britney Spears shared a pointed message on social media over the weekend, criticizing her family after they appeared to celebrate Christmas together without her.

On Sunday (Dec. 28), Spears posted a message to Instagram alongside a photo of a decorated Christmas tree, using sarcasm to address what she described as long-standing hurt tied to her family relationships.

“Merry late Christmas to my beautiful family who have never disrespected me, harmed me, ever done anything completely unacceptable or caused unbelievable trauma, the kind you can’t fix,” Spears wrote. “To my dear sweet innocent family… so so sorry I was busy this Christmas but I will definitely show up and surprise you soon.”

The post appeared to be in response to a festive photo shared earlier in the week by her younger sister, Jamie Lynn Spears, which showed Jamie Lynn celebrating the holiday with her husband Jamie Watson, daughters Maddie, 17, and Ivey, 7, as well as their mother Lynne Spears and Britney’s son Sean Preston Federline.

In a separate line within the same post, Spears directly referenced her niece Ivey, writing, “Hello, beautiful Ivey… I just want to hold you, my love… Godspeed, friends.”

According to People, Spears spent Christmas Day with her younger son, Jayden James Federline, 19. “Britney had a fun time celebrating Christmas with Jayden,” a source told the outlet. “It’s been such a special holiday.”

Spears shares Jayden and Sean with her ex-husband, Kevin Federline.

The singer has remained estranged from several members of her family since the end of her 13-year conservatorship in November 2021, a legal arrangement that governed both her personal and professional life.

Since its termination, Spears has repeatedly spoken — often through social media — about the emotional toll of that period and her fractured relationships with relatives involved in the arrangement.

While Spears’ relationship with her family has remained strained, she has recently suggested that her bond with her sons is improving.

In recent months, she has posted more positively about her children, including acknowledging time spent together and expressing optimism about their connection moving forward.