Bad Bunny isn’t done with smashing the history books.
Fresh from his headline performance at Super Bowl LX, Bunny will headline the upcoming edition of Spotify’s Billions Club Live series, to be presented next month in Asia for the first time.
Bunny is booked for a special concert in Tokyo, Japan on March 7, held exclusively for his top listeners in the market.
“Fans in Tokyo can expect a setlist packed with the billion-stream hits that have defined his career,” reads a statement from Spotify.
The one-off date will be the Puerto Rican superstar’s first in Asia, and the streaming giant’s first Billions Club Live in the region. And it’s absolutely not a tour stop, according to the Sweden-based DSP.
The reggaeton giant’s performance is a celebration of his historic run in Spotify’s Billions Club, which has seen 28 of his tracks cross the one billion streams threshold. Spotify users love Bunny; he came in as the No. 1 Global Top Artist in 2025 for an unprecedented fourth time.
Bad Bunny busts records for fun. Following his Super Bowl halftime show on Feb. 9, which pulled in 128.2 million viewers, for the fourth-biggest halftime audience in history, the rapper swept the Billboard charts. This week, he lands a record-breaking 29 simultaneous titles on the Hot LatinSongs chart, including the leader with “DtMF” (for a 47th week), while bagging top spot on the all-genre Billboard Hot 100.
Earlier in the month, on Feb. 1, Bunny ‘s DeBí TiRAR MáS FOToS entered the books when it became the first Spanish-language album, and more broadly, the first album not recorded in English, to win album of the year at the Grammy Awards. On the latest ARIA Albums Chart, Australia’s official tally, DeBí TiRAR MáS FOToS gives Bunny his first top 10 appearance, powering 20-4. That easily eclipses its previous best of No. 16 in 2025.
Bunny’s Billions Club Live performance follows shows from Ed Sheeran in Dublin, Miley Cyrus in Paris, and The Weeknd in Los Angeles.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-18 04:48:172026-02-18 04:48:17Bad Bunny Set For Spotify’s First Billions Club Live Performance In Asia
Bad Bunny‘s “Super Bowl Halftime LX Show (Live)” performance reaches Billboard‘s charts, as the 14-minute medley arrives on a trio of rankings (dated Feb. 21).
The title bows on the multimetric Hot Tropical Songs (No. 6), Hot Latin Rhythm Songs (No. 22) and the overall Hot Latin Songs (No. 31) charts. On the latter list, the “Halftime” track is one of a record 29 titles from Bad Bunny on the tally, where he holds the entire top 25. (All three charts blend streaming, sales and radio activity.)
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“Halftime” takes a bow largely from streaming activity, as it garnered 2.78 million official streams in the United States in the week ending Feb. 12, according to Luminate.
The “Halftime” audio track was released on Feb. 8 to digital retailers and streamers shortly after the big game that same day. It includes the entirety of Bad Bunny’s halftime performance, in addition to the spoken introduction from Apple Music’s Ebro Darden and closing voiceover thanks that aired along with it on broadcaster NBC.
Among the tracks heard during the medley are Bad Bunny’s own “Tití Me Preguntó,” “EoO,” “BAILE INoLVIDABLE and “DtMF,” as well as the performances by Lady Gaga of “Die With a Smile” and Ricky Martin’s cover of Bad Bunny’s “LO QUE LE PASÓ a HAWAii.”
Bad Bunny’s “Super Bowl Halftime LX Show (Live)” is not the first time such audio was released to streamers and retailers. Last year’s “Super Bowl LIX Halftime Show (Live),” from Kendrick Lamar, was issued on Feb. 9, 2025.
All charts (dated Feb. 21, 2026) will update on Billboard.com tomorrow, Feb. 18 (one day later than usual due to the Presidents’ Day holiday in the United States Feb. 16). For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram. Plus, for all chart rules and explanations, click here.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-18 02:57:332026-02-18 02:57:33Bad Bunny’s 14-Minute Super Bowl Halftime Medley Debuts on 3 Billboard Charts
Bad Bunny starts the week with a massive sweep across Billboard charts. He lands a record-breaking 29 simultaneous titles on the Hot Latin Songs chart (dated Feb. 21), as his track “DtMF” adds a 47th week at No. 1 on the multimetric ranking, while also securing the No. 1 spot on the all-genre Billboard Hot 100.
Among his 29 titles on Hot Latin Songs is his 14-minute “Super Bowl LX Halftime Show (Live)” medley, which debuts at No. 31.
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Bad Bunny’s ‘Baile Inolvidable’ Lands at No. 1 on Hot Latin Songs Chart
Following his halftime performance at the Super Bowl LX on Feb. 8, Bad Bunny’s songs experience a massive surge as fans flock to his catalog. On the Hot Latin Songs chart, he lands 29 concurrent songs, surpassing Peso Pluma’s previous record of 25 titles set in 2023 –when songs from his album Génesis populated the tally. The Hot Latin Songs chart blends streaming data, radio airplay, and digital sales into its formula.
“DtMF” Surges with Big Streaming Gains, Extends Dominance
Starting with “DtMF,” the song adds a 47th week at No. 1 on Hot Latin Songs, inching closer to “Despacito,” which holds the record with 56 weeks atop since its inception in 1986. “DtMF” races at breakneck pace, with a 185% increase in streams during the week ending Feb. 12, generating 43 million official clicks in the United States, according to Luminate. That sends it to No. 1 on the all-genre Billboard Hot 100, his second leader there. It also jumps 4-1 on the overall Streaming Songs and adds a 33rd week at the summit on Latin Streaming Songs chart, tying with Jose Feliciano’s “Feliz Navidad” for the third-most weeks at No. 1. They trail Enrique Iglesias’ “Bailando,” featuring Descemer Bueno and Gente de Zona (66 weeks at No. 1) and Luis Fonsi and Daddy Yankee’s “Despacito,” featuring Justin Bieber (59 weeks).
Hot Latin Songs’ Top 10 Takeover & Super Bowl Halftime Debut
In addition to his No. 1 extension through “DtMF,” Benito dominates the entire top 10 on Hot Latin Songs. “BAILE INoLVIDABLE” holds at No. 2 for a 16th week with significant gains in streams. The previous two-week champ registered 28.8 million clicks, up 141%, during the tracking week, rebounding to its No. 2 (from No. 10) on Streaming Songs. Plus, it debuts at No. 18 on the overall Digital Songs Sales list with 4,000 downloads sold.
“NUEVAYoL,” also on Benito’s halftime setlist, is the biggest gainer in sales. It logged 5,000 in digital sales, up 238%, holding at No. 3 on Hot Latin Songs for a ninth nonconsecutive week. That sum yields a No. 9 debut on the overall Digital Song Sales chart and a 2-3 dip on Latin Digital Song Sales.
Among the re-entries, “Tití Me Preguntó” becomes the biggest winner, returning at No. 4 with 22.6 million streams and 10,000 downloads sold.
Plus, “Super Bowl LX Halftime Show (Live)” makes its first appearance, debuting at No. 31 with 3 million U.S. clicks and 2,000 downloads after its first full tracking week.
Here’s a recap of Bad Bunny’s 29 songs on Hot Latin Songs. Among them, 11 re-entries and one debut; he’s the first artist to hold the entire top 25 in a single week, besting his takeover of the top 17 spots (Oct. 28, 2023):
No. 1, “DTMF” No. 2, “BAILE INoLVIDABLE” No. 3, “NUEVAYoL” No 4, “Tití Me Preguntó” (reentry) No 5, “EoO” No 6, “VOY A LLeVARTE PA PR” No 7, “La Canción,” with J Balvin (reentry) No 8, “MONACO” (reentry) No 9, “VeLDÁ,” with Omar Courtz & Dei V No 10, “Qué Pasaría…,” with Rauw Alejandro (reentry) No 11, “DÁKITI,” with Jhay Cortez (reentry) No 12, “Me Porto Bonito,” with Chencho Corleone (reentry) No 13, “Safaera,” with Jowell & Randy & Nengo Flow (reentry) No 14, “CAFé CON RON,” with Los Pleneros de La Cresta No 15, “WELTiTA,” with Chuwi No 16, “LA MuDANZA” No 17, “PERFuMITO NUEVO,” with RaiNao No 18, “KLOuFRENS” No 19, “Yo Perreo Sola” (reentry) No 20, “Moscow Mule” (reentry) No 21, “LO QUW LE PASÓ A HAWAii” No 22, “EL CLúB” No 23, “Party,” with Rauw Alejandro (reentry) No 24, “KETU TeCRÉ” No 25, “TURiSTA” No 26, “BOKeTE” No 28, “PIToRRO DE COCO” No 29, “El Apagón” (reentry) No 31, “Super Bowl LX Halftime Show (Live)” (debut)
Latin Streaming & Latin Digital Songs Control
Lastly, Benito holds the entire 25-position Latin Streaming Songs chart (a first), including nine re-entries. As mentioned, as “DtMF” adds a 33rd week at No. 1, it enters a tie with Jose Feliciano’s “Feliz Navidad” for the third-most weeks at No. 1 since the ranking began in 2013.
Meanwhile, the Latin Digital Song Sales chart highlights Bad Bunny’s dominance as 14 of the 15 songs on the list are his (a record), with the sole exception being Daddy Yankee’s “Gasolina,” which re-enters at No. 9 with a little over 1,000 downloads sold.
All charts (dated Feb. 21, 2026) will update on Billboard.com tomorrow, Feb. 18 (one day later than usual due to the Presidents’ Day holiday in the United States Feb. 16). For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram. Plus, for all chart rules and explanations, click here.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-18 02:32:112026-02-18 02:32:11Bad Bunny Makes History as First Artist With Entire Top 25 on Hot Latin Songs Chart
Bad Bunny‘s Super Bowl halftime show is still making waves more than a week later — including his song “DtMF” topping the Billboard Hot 100 for the first time — but that doesn’t mean we can’t start looking ahead to who might be up next for the 2027 halftime.
On the new Billboard Pop Shop Podcast, Katie & Keith are taking a closer look at the Billboard.com reader poll that went live last week asking who should headline next year’s Super Bowl halftime show, Right now, BTS is leading by a landslide, with more than 85% of the vote. It would make sense for the newly reunited Korean superstars to cap their sure-to-be-active comeback year with potentially a big Grammys night — like Kendrick Lamar and Bad Bunny have done the last two years — followed by an epic performance on the Super Bowl stage. Of course, Taylor Swift is always in the Super Bowl conversation too, and we think Post Malone could be an overwhelmingly supported pick knowing how many genres he crosses.
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And speaking of genres, there hasn’t been a country moment on the Super Bowl stage since the 1994 all-country halftime (Clint Black, Tanya Tucker, Travis Tritt and The Judds) or when Shania Twain was part of a show that also included No Doubt and Sting in 2003. Who could be the best country pick to take the massive stage?
Listen to our full discussion below:
Also on the show, for the third week in a row, we have new No. 1s on both the Billboard 200 albums chart and the Billboard Hot 100 songs chart, as J. Cole’s The Fall Off debuts atop the former while a Super Bowl-powered Bad Bunny gets his first solo No. 1 on the Hot 100 with “DtMF.”
The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard‘s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard‘s executive digital director, West Coast, Katie Atkinson and Billboard’s managing director, charts and data operations, Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-18 02:20:342026-02-18 02:20:34The 2027 Super Bowl Halftime Discussion Has Already Kicked Off: Could BTS, Taylor Swift or Post Malone Be Up Next?
Billboard caught up with Diplo at one of his Run Club events, and he shares how he got inspired to bridge the gap between fitness and dance music, what his PR is, tips to people who want to get into running and more!
Diplo:
I started this Run Club as sort of a meeting point between dance and fitness because I ended up at Space Nightclub after running the Miami marathon, it was 9am and DJ Tennis was playing. I texted him, I got on the guest list, and I ran there. I walked, it’s like, three blocks away from the finish line, wandered over, got in with my bib on everything, and I was like, hanging out. I was like, this is the best time ever. And I never really make it to Space that late, because I usually go to bed. I don’t really want to, unless I’m DJing. I don’t, I don’t stay out till seven, eight in the morning, like psychopaths. But I was up early, and I wouldn’t see him play. I was like, this is the best way to enjoy a DJ. I felt so clear headed. I had the best time. I loved the music. I was chilling. I made a TikTok, and the next year, like 40 kids did the same thing. They ran the marathon and went to Space. So I said, we got to do this properly. So I think we had the idea: my team, Teamwork, Wasserman Music, and we put together the first one in San Francisco about a year and a half ago, and it was a big success. So we started to make this in many different cities. And I think Phoenix was the last one we expected. We almost had 10,000 kids here. I thought it was gonna be cold. The weather said it was maybe 50 degrees, but it warmed up. This is Arizona, so when the sun comes out, it starts to cook. And we had a lot of runners, and we had the fastest runners in the history of the Run Club. One kid did like, 15 minutes and like 20 seconds. Which is just insane for a 5k that’s like, would win, like a state championship. I think I did 21:59 or 22:22. I did, like, right on the nose there. I ran, like, a little over seven minute miles. I did New York, 19:50 very fast. I threw up at the end of that.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-18 00:20:312026-02-18 00:20:31Inside Diplo’s Run Club: The Inspiration, Fastest Runners & More | Billboard Presents
Johnny Blue Skies & the Dark Clouds are bringing new music to the fans, with the upcoming release of Mutiny After Midnight.
Johnny Blue Skies (formerly known as Sturgill Simpson) & The Dark Clouds, along with label High Top Mountain Records, have teamed with Atlantic Music Group’s Atlantic Outpost for the upcoming album, set for March 13 on vinyl, CD and cassette only. Johnny Blue Skies is joined by fellow musicians, drummer and backing vocalist Miles Miller, lead guitarist Laur Joamets, bassist Kevin Black and keyboardist/saxist Robbie Crowell.
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“There’s a simple goal we as a band set out to achieve: to make a dance record,” Johnny Blue Skies said in a statement. “This is a new and very different Atlantic Records than my last go-around. Mostly, I’m very excited and honored to be working with my dear friend Ian Cripps, and to finally bring to fruition a vision we initially shared together over ten years ago. I wrote words to what is happening in the world and my life in real time, and played with a group of musicians I deeply love and respect. Together, we made an album that is very fun and will hopefully offer some relief from darkness in the world.”
He recorded multiple albums, including the Grammy-winning 2016 album A Sailor’s Guide to Earth, under the name Sturgill Simpson, before issuing the 2024 project Passage Du Desir under the name Johnny Blue Skies. The upcoming Mutiny After Midnight project was produced by Johnny Blue Skies and recorded at Easy Eye Sound Studios.
On Instagram, Johnny Blue Skies further explained the new project, writing, “Inspired heavily from endless hours on the bus watching old clips of the great fusion-funk band Stuff, and revisiting off-the-beaten-track concept records like Marvin Gaye’s In Our Lifetime, where, in what looks like the end of the world, the artists response is, ‘Let’s dance and make love’ —we decided to make an album centered firmly on groove. We started every day from scratch with a basic groove, I wrote the songs and lyrics in the moment on-the-spot, and everyone established their individual parts servicing the songs and not the individual ego.
“You can break down the songs on this album into two categories—the dark state of the world and the bright state of love. Light lives in darkness just as darkness lives in light. I have come to find over time that it’s far easier to just embrace contradictions rather than attempting to resolve them. Hence ‘Johnny Blue Skies & the Dark Clouds’ … The enjoyment we experienced in making this album of songs will be quite evident for the listener. But it’s a lot more than joy. You can call it a mutiny…an open rebellion. In any case, despite the motivations behind it the mutiny in the studio turned into a party.”
The message also seemed to address future touring plans for the group, adding, “We’re going out to play arenas and theaters with a vengeance. No opening act. We’re going to take every minute the venue gives us. We’re gonna rock this Mutiny as hard as humanly possible.”
See the tracklist for Mutiny After Midnight below:
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-18 00:05:312026-02-18 00:05:31Johnny Blue Skies & the Dark Clouds Set Upcoming Album ‘Mutiny After Midnight’ — And It’s a ‘Dance Record’
The Rev. Jesse Jackson, who was arguably the foremost Black leader in the U.S. in the years between the assassination of Dr. Martin Luther King Jr. in 1968 and the emergence of Sen. Barack Obama as a national political figure in 2004, died Tuesday (Feb. 17). He was 84.
Jackson, who had battled the neurodegenerative condition progressive supranuclear palsy (PSP) for more than a decade, died at home surrounded by family. His daughter, Santita Jackson, confirmed his death with the Associated Press. Jackson was originally diagnosed with Parkinson’s disease in 2017 before the PSP diagnosis was confirmed in April.
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“Our father was a servant leader — not only to our family, but to the oppressed, the voiceless, and the overlooked around the world,” the Jackson family said in a statement they posted online. “We shared him with the world, and in return, the world became part of our extended family. His unwavering belief in justice, equality, and love uplifted millions, and we ask you to honor his memory by continuing the fight for the values he lived by.”
Motown founder Berry Gordy released a statement hours later in which he said, “I am deeply saddened by the passing of my dear friend, Reverend Jesse Jackson Jr. Jesse was not only a towering leader of the Civil Rights Movement — he was family. He stood with me, with my family, with Motown, and with our community through moments of hope, struggle, and profound change. He stood with Dr. Martin Luther King, Jr., and it was Jesse who brought Dr. King to Hitsville in 1963, just days before the historic Great March to Freedom in Detroit — a moment that forever connected music, movement, and mission.
“In the most difficult and uncertain times, Jesse never failed to remind us of what we were fighting for. His courage, his faith, and his unwavering belief in justice gave strength to countless people, myself included. Even as the road grew harder in recent years, Jesse never surrendered his spirit. He fought with dignity, purpose, and grace. Jesse Jackson was a force of history — a moral voice, a builder of bridges, and a champion for those whose voices were too often ignored. His legacy will live on not only in books and speeches, but in the lives he touched and the progress he helped make possible. My deepest condolences to his beloved wife, Jacqueline, his children, and all who loved him.”
A recording of a Jackson speech won a Grammy in 1989 for best spoken word or non-musical recording. He had been nominated on two previous occasions, in 1980 for best soul gospel performance, contemporary for Push for Excellence, and in 1985 for best spoken word or non-musical recording for Our Time Has Come.
In 1988, Jackson received the President’s Award at the annual NAACP Image Awards. In 2000, President Bill Clinton awarded him the Presidential Medal of Freedom, the nation’s highest honor bestowed on civilians.
Jackson was born on Oct. 8, 1941, in Greenville, S.C. In the summer of 1963, at age 21, Jackson traveled to Washington, D.C., where he heard Dr. King deliver his landmark “I Have a Dream” speech. Two years later, he and a group of college friends drove to Alabama to participate in King’s Selma-to-Montgomery march. He met King there. Early the next year, King asked Jackson to head his Southern Christian Leadership Conference’s Operation Breadbasket in Chicago. At 24, Jackson was the youngest of King’s aides.
In April 1968, Jackson joined King in Memphis, where the civil rights leader had agreed to stand in solidarity with striking sanitation workers. The next day, King was assassinated on the balcony of the Lorraine Motel where he and his team were staying in Memphis.
As Jackson’s media prominence grew — including a cover feature in Time magazine in 1970 — so too did tensions between Jackson and SCLC. In late 1971, SCLC’s board suspended Jackson for “administrative impropriety” and “repeated violation of organization discipline.” Jackson resigned and formed his own organization, PUSH – which originally stood for People United to Save Humanity before being amended to the less grandiose People United to Serve Humanity. Like Operation Breadbasket, its goal was to boost minority employment and ownership.
From the moment he began urging and registering Black Americans to vote, Jackson had found his calling – to empower African Americans and anyone else who had felt left behind. They responded to his signature rally chant, “I am somebody.” Jackson used PUSH resources to staff get-out-the-vote drives that helped elect Black mayors in Gary, Indiana; Newark, New Jersey; and Cleveland, Ohio.
Jackson was the first Black candidate for president to attract a broad following and to give rise to credible speculation about his chances. He received about 3.5 million votes in Democratic primaries in 1984 — roughly one in five of those cast. Former VP Walter Mondale won the nomination, and selected New York Congresswoman Geraldine Ferraro, not Jackson, as his running mate.
Four years later, he ran again, this time winning 7 million votes, second only to the eventual nominee, Massachusetts Gov. Michael S. Dukakis. Jackson’s hourlong speech at the 1988 Democratic National Convention brought many delegates to tears. Again, Jackson was passed over for the VP nomination, this time in favor of Texas Sen. Lloyd Bentsen.
Jackson had a complicated relationship with Clinton. In the 1992 campaign, Clinton used Jackson as a foil in what became known as the Sister Souljah moment. Jackson invited a little-known rap singer and activist, Sister Souljah, to a political event featuring the Arkansas governor. In an interview, Souljah had been quoted as saying: “So if you’re a gang member and you would normally be killing somebody, why not kill a white person? Do you think that somebody thinks that white people are better, are above and beyond dying, when they would kill their own kind?”
Clinton, in her presence, took issue with her words. “If you took the words ‘white’ and ‘Black,’ and you reversed them, you might think David Duke was giving that speech,” the candidate said. The moment burnished the image Clinton was trying to build as someone who was willing to stand up to the party’s special interests and most loyal voting base. But the gain for Clinton came at Jackson’s expense. Nonetheless, Jackson had hoped to be selected as Clinton’s VP, but on July 9, Clinton announced Tennessee Sen. Al Gore as his choice instead. Eight years later, in August 2000, President Clinton awarded Jackson the Presidential Medal of Freedom.
Jackson’s prominence waned in the 2000s, in part because there were now so many Black leaders in politics, business and entertainment that the idea of one Black leader who spoke for the entire community seemed passe. Jackson was on hand at Grant Park in Chicago when President-elect Obama accepted his victory. Jackson wept, moved that the moment had finally come and saddened, perhaps, that the doors were not nearly so wide open when he ran in 1984 and 1988.
Jackson is survived by his wife, Jacqueline, and six children, Jesse Jr., Yusef, Jonathan, Jacqueline, Santita and Ashley.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-17 23:30:552026-02-17 23:30:55The Rev. Jesse Jackson, Civil Rights Icon, Presidential Candidate & Grammy Winner, Dies at 84
Amber Glenn just got the ultimate seal of approval on her Olympic figure-skating routine set to Madonna‘s 1989 Billboard Hot 100-topper “Like a Prayer,” with the Queen of Pop herself sending the athlete into “shock” by recording a special personalized message for her ahead of the women’s short in Milan, Italy.
In footage shared by NBC Sports on Tuesday (Feb. 17), Glenn can barely contain her excitement while pressing play on a clip Madge filmed for her as a surprise. “I just watched you skate to my song ‘Like a Prayer,’ and I have to tell you, I was blown away by it,” the icon tells the skater, who covers her mouth in disbelief while listening. “So strong, so beautiful, so brave. I can’t imagine that you would not win. Go get that gold.”
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It was a moment before Glenn could formulate a response. “Sorry, I’m in shock,” she says after the video ends. “Oh my God. I’m legitimately shaking.”
She then sends a message directly to Madonna. “My queen, thank you so much,” Glenn says. “You are beautiful, stunning, amazing, and you are an icon forever. Thank you for supporting athletes in their artistic endeavors. I hope I can do the song justice.”
The spontaneous pep talk from Madonna came shortly before Glenn competed on the ice for the women’s short, which ended with the American at 13th place in the overall skater standings. At press time, Team USA’s Alysa Liu and Isabeau Levito are at third and eighth.
The 2026 Winter Games kicked off earlier in February. Prior to the women’s short, Glenn competed in the free skate with a routine set to Canadian artist CLANN’s “The Return.”
After the musician also known as Seb McKinnon voiced concern on social media that he hadn’t been asked permission before Glenn used his song in the free skate — ultimately winning a gold medal for her performance — both parties released statements confirming that all had been resolved.
“I discovered Seb McKinnon’s music (CLANN) two years ago and felt a deep connection to it,” she wrote at the time. “The issue of music rights can be complex and confusing. Seems like there was a hiccup in that whole process. I’m glad we cleared things up with Seb and I look forward to collaborating with him.”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-17 23:01:482026-02-17 23:01:48Olympic Skater Amber Glenn Goes Into ‘Shock’ Over Personal Message From Madonna: ‘I’m Legitimately Shaking’
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Five months after the midseason finale, Love & Hip Hop: Atlanta season 13 is back with a spicy new premiere airing on Tuesday, Feb. 17. The long-running reality series returns with its fan-favorite cast including Rasheeda and Kirk Frost, Scrappy, Karlie Redd, Bambi, and Yung Joc.
Following the events of season 13a, the new episode titled, “Southern Fried Lies,” finds Salma Slims putting in overtime to put to rest ongoing cheating rumors while Sierra Gates challenges her version of events, setting off a chain reaction within the group. Meanwhile, following a recent arrest, Erica Banks is looking for professional advice on how to handle the court of public opinion while her legal situation plays out. Lastly, Yandy and Mendeecees take a hard look at their marriage, questioning whether their long-standing issues can truly be resolved.
Similar to the first half of season 13, the full cast this season will also feature appearances from Ashley Conley, Erica Banks, Erica Dixon, Erica Racine, Jasmine Bleu, Jessica White, Kendra Robinson, Lil Zane, Mendeecees, Momma Dee, Renni Rucci, Saucy Santana, Sierra Gates, Spice, Yandy, and ZellSwag, along with newcomers Queen Key, Salma Slims and 24hrs.
The Love & Hip Hop: Atlanta season 13b premiere will air live on Tuesday, Feb. 17 at 8 p.m. EST on MTV. For more information on how to stream the show live and for free, keep reading below.
How to Watch ‘Love & Hip Hop: Atlanta’ Season 13 Online for Free
With Love & Hip Hop: Atlanta airing on MTV, there’s plenty of ways for cord-cutters to stream the season 13 premier live online and for free. Streaming platforms like DIRECTV, Fubo and Philo offer free trials to newcomers to watch their favorite shows and movies without committing to a monthly subscription. Here’s a breakdown of each streaming service below.
DirecTV is offering a five-day free trial for new subscribers.
A subscription to DirecTV — which comes with MTV — gets you access to live TV, local and cable channels, starting at $59.99 for the first two months of service ($69.99 per month). The service even offers a five-day free trial to watch for free if you sign up now.
You can watch local networks such as FOX and ABC, while you can watch many of the best sports networks, including ESPN, FOX Sports, NFL Network, NBA TV, NHL Network, Big Ten Network, TNT Sports, The Golf Channel, USA Network and many others.
Fubo is another great option you can take advantage of to watch Love & Hip Hop: Atlanta online. The streamer offers a seven-day free trial that’ll give you access to MTV free and more than 240 live TV channels. The service offers a promo that’ll get you up to $30 off the first month, which can get you access to MTV and more for as low as $54.99 (reg. $84.99 per month).
Philo has a slate of free channels with ad-supported free-to-stream movies, TV shows and other programming. However, you can upgrade to Philoto stream more than 70 channels, including A&E, MTV, Lifetime, OWN, Nickelodeon, Nick Jr., HGTV, TLC, BET, FYI, WE tv, Logo and Discovery Channel for $28 per month. A subscription even comes with unlimited DVR cloud recording.
Alongside season 13, Love & Hip Hop: Atlanta season 1 through 12 are also available to stream on Paramount+ which includes MTV. With plans starting at $8.99/month, register and stream CBS, MTV, Comedy Central, and BET series, as well as live sports, movies, and more. Select Paramount+ Premium ($12.99/month) to unlock Showtime releases and ad-free streaming.
Sling TV offers the Blue package, which goes for $54.99 per month and comes with MTV, NBC, USA Network, CNBC, MS NOW, Bravo and others. Blue is one of the most affordable options and comes with more than 40 channels and can be streamed on up to three device at a time. Please note: Pricing and channel availability varies from market-to-market.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-17 22:27:192026-02-17 22:27:19How to Watch ‘Love & Hip Hop: Atlanta’ Season 13B Premiere Live Online for Free
HAVEN.’s “I Run,” featuring Kaitlin Aragon, jumps 4-1 on this week’s Dance/Mix Show Airplay chart (dated Feb. 21), earning each act its first career Billboard leader. The song rises to the summit thanks to a 44% increase in plays (among 24/7 dance reporters and pop stations’ mix show hours) Feb. 6-12, according to Luminate.
“I Run” also ranks at No. 5 on Hot Dance/Electronic Songs after spending the previous four weeks at its No. 4 high.
The track was released Nov. 21, 2025, via AAO/Isekai/broke records and gained traction through remixes by David Guetta and James Hype. Its path to No. 1, however, was marked by controversy. An earlier version of the song, released in October without Aragon, went viral on TikTok and quickly surged in streams, but drew scrutiny over its use of AI-assisted vocal processing. The uncredited vocals drew similarities to British singer Jorja Smith, prompting speculation that the recording was an unauthorized deepfake. Following complaints and multiple takedown notices, the song was removed from streaming platforms and withheld from appearing on Billboard’s charts amid the active dispute.
HAVEN., which comprises British producers Jacob Donaghue and Harrison Walker, has maintained that the song’s voice was created using AI-assisted processing that was applied solely to Walker’s own recorded vocal, and that it was not sampled or modeled on Smith specifically. Still, the controversy stalled the song’s initial momentum just as it was poised for a chart breakthrough.
The current version of “I Run,” featuring newly recorded vocals from Aragon, marks a fresh chapter for the song, and now a first No. 1 for both credited artists.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-17 22:21:312026-02-17 22:21:31HAVEN. & Kaitlin Aragon’s ‘I Run’ Tops Dance Radio Chart Three Months After AI Controversy