Springsteen: Deliver Me From Nowhere has received mixed reviews from critics, and has gotten off to a slower-than-expected start at the boxoffice, but as of Sunday (Nov. 9) it has grossed $34.6 million worldwide, according to boxofficemojo.com. That puts it at No. 24 on Billboard‘s list of music biopics with the highest worldwide grosses.

Springsteen: Deliver Me From Nowhere isn’t a traditional cradle-to-grave biopic – for one thing, its protagonist is, thankfully, still very much with us. It’s part of a subgenre of biopics which focuses on one fateful period in an artist’s life. Springsteen: Deliver Me From Nowhere is set in the period following Springsteen’s 1980 commercial breakthrough, The River (which spawned his first true pop smash, “Hungry Heart”) where the artist felt compelled to make a low-key, acoustic album, Nebraska. All concerned understood that this project wouldn’t have the same commercial potential as The River, which had spent four weeks at No. 1 on the Billboard 200. (And it didn’t, peaking at No. 3.) But Springsteen has always been an artist, more than just a hitmaker, and this was the album he wanted and needed to make at that time.

Here are the highest-grossing biopics of musicians in terms of worldwide box office. We didn’t include a few high-grossing films about real-life music personalities because the subjects are not well-known music stars in their own right. These include The Sound of Music (which tells the story of Maria von Trapp and the Trapp Family Singers); Green Book (which deals with a road trip taken by pianist and composer Don Shirley); Florence Foster Jenkins (about an heiress and hopelessly untalented soprano by that name); and Music of the Heart (about violinist and music educator Roberta Guaspari). Meryl Streep starred in the latter two films.

Here are the 25 biopics of music stars with the highest worldwide grosses.

Bad Company joined an exclusive club on Saturday (Nov. 8), becoming just the 10th artist whose debut album had topped the Billboard 200 to be inducted into the Rock & Roll Hall of Fame. The band’s eponymous debut album reached No. 1 in the issue dated Sept. 28, 1974, dethroning Stevie Wonder’s Fulfillingness’ First Finale, which had led the previous two weeks.

Three of the acts on this list reached the top spot with their first solo albums, after tenures with successful groups. Paul McCartney’s first solo album reached No. 1 in 1970, following six years of unprecedented success on the Billboard 200 with The Beatles. Stevie Nicks topped the chart in 1981 (following three studio albums with Fleetwood Mac), as did George Michael in 1988 (following three studio albums with Wham!).

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As you look through this list of artists who topped the Billboard 200 with their debut album and were later inducted into the Rock Hall, you may be wondering where are The Beatles? The Fab Four’s debut Capitol album, Meet the Beatles!, did indeed top the Billboard 200 (for 11 weeks), but it wasn’t their first U.S. album release. Introducing… The Beatles, on Vee Jay, was released 10 days earlier. Introducing… The Beatles peaked at No. 2 — behind Meet the Beatles!

The Ink Spots and Nat King Cole, who were separately inducted into the Rock Hall as early influences in 1989 and 2000, respectively, deserve special mention. The King Cole Trio, a jazz trio that Cole led, was No. 1 on the very first Billboard album chart, a top 10 listing called Best-Selling Popular Record Albums, in March 1945. The Ink Spots topped that chart in September 1946. Both acts scored with eponymous debut collections. But both came years before the March 1956 inception of the Billboard 200, the first regular, weekly album chart in Billboard.

Here’s a full list of every artist in the Rock & Roll Hall of Fame whose debut album topped the Billboard 200. They are listed in chronological order by the date their debut album reached No. 1.

Pete Davidson returned to Saturday Night Live for a surprise appearance on Nov. 8.

The comedian and actor, who was an SNL cast member from 2014 to 2022, crashed the “Weekend Update” segment to poke fun at a recent article about a decommissioned Staten Island ferry he purchased with Colin Jost in 2022. The two had planned to transform the vessel into an upscale entertainment venue.

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The New York Times recently ran an article calling the Staten Island Ferry that I purchased with Pete Davidson a ‘money-losing fiasco.’ With more on this, is Pete Davidson,” Jost said in introducing The King of Staten Island star.

“Colin, you’re looking great as ever. [Michael] Che, starting to crack,” Davidson joked, mentioning his recent appearance at the 2025 Riyadh Comedy Festival and that he’s expecting his first child.

“So yeah, in case you’re wondering why I had to do a show in Saudi Arabia, we’re losing millions on this ferry,” he continued. “I assume that’s what the article says. I can’t spend $5 on a paywall when I got a kid on the way.”

Davidson and Jost then continued trading jokes about the 2,109-ton ferry, which they bought at a New York auction for $280,100.

“We even gave the boat a new name,” Davidson said. “We thought the Staten Island Ferry sounded too depressing, so now it’s called the Titanic 2.” Jost added, “That’s right, and it’s actually going very well. Recently, we got paid by Nike to put an ad on it for the New York City Marathon.”

Earlier on Saturday, Davidson told People that he’d “do anything” for SNL boss Lorne Michaels, saying he’d return to the show if asked.

“I had a great time hosting last time, and anytime you get that call, it’s an honor and a privilege,” the eight-season SNL vet said. “It’s always relevant, it’s a hot show. People look forward to it, and the cast is great.”

Saturday’s episode was hosted by comedian Nikki Glaser, with singer-songwriter Sombr serving as the musical guest.

Watch SNL’s “Weekend Update” segment with Davidson below, and find all the ways to stream the full episode here.


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The Los Angeles Dodgers weren’t the only winners in town this week. Returning to City of Angels for the first time since 2022, the Rock & Roll Hall of Fame ushered in a new class of inductees during its 40th annual induction ceremony Saturday night (Nov. 8).  

“Welcome to the second-best thing to happen to Los Angeles in the past week,” said John Sykes, chairman of the R&R Hall of Fame, welcoming the audience at the Peacock Theater in downtown Los Angeles.

The Rock & Roll Hall of Fame is officially middle aged and to celebrate the 40th induction ceremony, a 10-minute sizzle reel spanning the four decades played prior to the official start of the proceedings, which, thanks to a more streamlined process when honoring the musical excellence and non-performer categories, came in at a relatively brisk four-and-a-half hours.

Beamed live on Disney +, the Rock Hall honored Bad Company, Chubby Checker, Joe Cocker, Cyndi Lauper, Outkast, Soundgarden and The White Stripes in the performer category, Salt-N-Pepa and Warren Zevon for musical influence; Thom Bell, Nicky Hopkins and Carol Kaye for musical excellence, and longtime Warner Records executive Lenny Waronker with the Ahmet Ertegun Award (named after the Atlantic Records co-founder). A primetime trimmed- down special will air on ABC on Jan. 1, 2026.  

Many of the 2025 honorees were not in attendance: Of course, Zevon, Cocker, Hopkins and Soundgarden’s Chris Cornell were inducted posthumously, and legendary Wrecking Crew bassist Kaye declined in advance to attend. Though the White Stripes’ Jack White referenced her and even dedicated part of his speech to her, his former bandmate, Meg White, did not attend. At 84, “The Twist” singer = Checker was still doing what he does best and passed up his induction to keep a regularly scheduled paying gig, though he delivered his acceptance speech from the show before going into a shortened version of his biggest hit. After initially hoping to attend and even reunite with his band Bad Company, lead singer Paul Rodgers pulled out for health reasons.  

But there was still a dazzling amount of star power in the room from the honorees who were present and the nearly 40 artists who helped induct them.

Below are nine highlights from the evening.

Soundgarden were officially inducted into the Rock & Roll Hall of Fame on Saturday (Nov. 8), with actor-comedian Jim Carrey leading the tribute in a heartfelt, deeply personal speech that recalled his first experience seeing the grunge pioneers perform live.

The comedian told the audience at the Peacock Theater in Los Angeles that he met the band in 1996 while hosting Saturday Night Live, where he personally requested Soundgarden as the musical guest.

“By then, the lineup was Chris [Cornell], Kim Thayil, Matt Cameron on drums, and Ben Shepherd on base. They launched into the dark, epic beauty of ‘Pretty Noose,’” Carrey explained.

“I stood right in front of them, letting the waves of electricity wash over me, like an audio baptism. They pushed me under and when I came up I was free.”

Carrey revealed that after the show, the band gifted him one of his most prized possessions: a Fender Telecaster signed by all four members, including late frontman Chris Cornell.

Cornell’s eldest daughter Lily took the stage following a video tribute to her father, delivering a touching speech and acknowledging her mother and Cornell’s former wife, Susan Silver, who once managed Soundgarden.

The surviving members of Soundgarden — Matt Cameron, Kim Thayil, Ben Shepherd, and founding bassist Hiro Yamamoto — were present for the induction. Yamamoto, who reunited with the band for the occasion, referenced his family’s internment during World War II: “That affected my life greatly,” he said. “And it really echoes strongly today. Let’s not add another story like this to our history.”

Kim Thayil reflected on Cornell’s creative leadership, stating, “If one of us ever hesitated in sharing an idea, Chris would be the first to say, ‘Let’s just try it out and see.’ I miss him. I love him, and I love all my [Soundgarden] brothers.”

The performance portion of the night featured Taylor Momsen (of The Pretty Reckless) fronting Soundgarden for “Rusty Cage” and Brandi Carlile joining them for “Black Hole Sun.” The ceremony concluded with Chris Cornell’s younger daughter, Toni, performing “Fell on Black Days” alongside Nancy Wilson.

The 2025 Rock & Roll Hall of Fame inductees also included OutKast, Bad Company, Cyndi Lauper, The White Stripes, Chubby Checker, and Joe Cocker. The event streamed live on Disney+ and will be available on-demand.

Australian musician John Butler has responded to Metallica‘s surprise nod at their Perth concert by delivering a heartfelt, blues-infused take on the band’s iconic single “Enter Sandman.”

Butler shared the cover via Instagram while on tour in Europe and the U.K., captioning the post: “@metallica Enter Sandman, but make it John Butlery.”

Butler, who is currently touring across Europe and the U.K., shared his bluesy interpretation via Instagram, using a custom-made Indian slide guitar known as a Chaturangui. “@metallica ‘Enter Sandman,’ but make it John Butlery,” he captioned the clip. “It’s taken me a minute to pull my sh*t together after Metallica covered my song ‘Zebra’ last weekend in Perth/Boorloo… I thought I’d tackle one of their lesser-known tracks. I hope you like it.”

Metallica’s rendition of “Zebra” came during the band’s signature “doodle” segment — a live intermission where lead guitarist Kirk Hammett and bassist Rob Trujillo jam on a local song as a nod to the host city’s musical legacy. Butler, who awoke to news of the tribute from across the globe, posted: “Metallica are performing in Boorloo/Perth tonight… I’ve just woken up in London to several texts/vids of them performing ‘Zebra’ wtaf!?? This is a spin out!! RESPECT🙌🤘♥️.”

The Perth doodle was part of a string of Australian tributes during Metallica’s 2025 M72 World Tour run. In Adelaide (Nov. 5), the band mashed up INXS’ “Need You Tonight” and The Angels’ “Am I Ever Gonna See Your Face Again,” blending two Aussie anthems into a gritty, high-octane medley.

The mutual admiration comes as Metallica continues the Australian leg of their M72 World Tour, with upcoming shows in Brisbane (Nov. 12), and Sydney (Nov. 15). The band last toured Australia in 2013, headlining Soundwave Festival.

Butler, meanwhile, is promoting his latest album PRISM, the third instalment in his Four Seasons series, following Running River and Still Searching. He recently completed an Australian tour and is currently performing across Europe.

The 2025 ARIA Awards will return to Sydney’s Hordern Pavilion on Nov. 19, with a stacked lineup of performers and presenters confirmed by the Australian Recording Industry Association on Nov. 9.

Leading the live performance slate is GRAMMY-nominated British artist Olivia Dean, who will make her ARIA Awards debut just weeks after announcing her sophomore album The Art of Loving. Dean has accumulated more than 4.5 billion global streams, including over 236 million in Australia.

She will be joined onstage by a wide array of Australian talent, including G Flip, Missy Higgins, Kita Alexander, Keli Holiday, You Am I, Thelma Plum, Young Franco, Baker Boy, Alex Lahey, Janet English, Anna Ryan, Neve Van Boxsel, and Touch Sensitive.

In an ARIA first, all five nominees for Best Soul/R&B Release — Boy Soda, Larissa Lambert, PANIA, Jerome Farah, and Jacotene — will perform with a 15-piece backing band in a joint showcase of the category.

Presenters for the evening will include Dom Dolla, Kacey Musgraves, Amy Shark, Budjerah, Josh Pyke, Kate Ceberano, King Stingray, Meg Washington, Melanie Bracewell, and Kobie Dee, alongside hosts Tim Blackwell and Concetta Caristo.

Annabelle Herd, CEO of ARIA, said in a statement, “Diversity, emotion, raw talent and constant evolution all make Australian music so powerful, and that’s exactly what we’re celebrating in this incredible lineup of artists. Each performer and presenter joining the stage represents a part of our story, one that’s deeply local but heard all over the world.”

Mikaela Lancaster, Managing Director of Spotify AUNZ, added, “AusMusic month is underway, and Australian music has never sounded louder or prouder. This year’s ARIA Awards lineup is stacked with incredible performers and presenters who embody everything that makes our industry so special – creativity, community, and a fearless drive to share our stories with the world. Spotify is proud to support the 2025 ARIA Awards. It’s going to be a night to remember.”

The 2025 ARIA Awards will stream live on Paramount+ from 5:00 p.m. AEDT, with red carpet coverage airing on Network 10 from 7:00 p.m., followed by the ceremony.

The event is presented in partnership with Spotify and supported by the NSW Government via Destination NSW.

Midnight Oil’s Rob Hirst has unveiled a deeply personal new EP, A Hundred Years or More, recorded while undergoing treatment for stage three pancreatic cancer.

The celebrated drummer and songwriter, 70, collaborated with longtime bandmates Jim Moginie and Hamish Stuart, and enlisted his daughters Gabriella and Lex Hirst to contribute vocals on the emotionally resonant four-track release.

The EP was created in pockets of time when Hirst felt well enough to sing and strum, following a major gastro bypass operation earlier this year. “It’s completely replumbed the inside because the tumour was pushing against the guts and I couldn’t eat,” he shared as per news.com.au. Despite the challenges, the sessions became a space of defiant creativity and familial healing.

Gabriella, an artist based in Berlin, delivers the lead vocal on the EP’s title track—a tender, melancholic ballad inspired by Hirst’s diagnosis. “May you live to be a hundred years or more,” she sings, with her father joining for the final line: “May you take another turn around the sun.”

“I was just working it up at home with an incomplete lyric and Ella was out for a while looking after me and checking up on all her arty friends in Sydney and she came in and said ‘Dad, I really like this song you’re singing and I said, ‘Well, here’s the rough lyric, you sing it,’” Hirst said.

Lex Hirst lends backing vocals to the opening track, “First Do No Harm,” while Hoodoo Gurus bassist Rick Grossman makes a surprise appearance on the EP as well.

Hirst, who co-founded Midnight Oil in the 1970s, has also led acclaimed side projects like Ghostwriters, The Break, and Backsliders. The band played their final show in October 2022 at Sydney’s Hordern Pavilion.

A Hundred Years or More follows 2023’s Red Continent and will be released Nov. 14.

Meg White missed the Rock & Roll Hall of Fame Induction Ceremony, which honored the the White Stripes — her iconic duo with Jack White — at the Peacock Theater in Los Angeles Saturday night (Nov. 8). But the bookends of Jack’s speech were all about Meg, who’d edited most of it.

“I spoke with Meg the other day,” he said at the podium, sharing, “She wanted me to tell you she’s very grateful to all the folks who supported her through all the years. It really means a lot to her tonight.”

“She checked it for me,” he added of the speech he was about to give on behalf of the pair. “A lot of punctuation corrections, too.”

Though White’s emotion was palpable throughout the speech, it was most felt in the poem he brought to the room, one that he said he was going to send to Meg ahead of time but hadn’t.

Instead, he noted, “I thought I’d read it to you all tonight.”

“One time, a girl climbed a tree, and in that tree was a boy — her brother, she thought. And the tree looked so glorious and beautiful, but it was just an oak tree. And these two so loved the world that they brought forth a parade float, one they built in their garage behind the oak tree with their own bare hands. And the boy looked at this giant peppermint on wheels and felt pride. Pride that it was produced in the Motor City just like in the big factories, but it was just in their garage.

He looked at the girl, his sister, he thought, and like the Little Rascals, they said, ‘Let’s put on a show.’ And they paraded this float through the Cass Corridor, standing atop the Peppermint, pulled by white horses or maybe it was a red Econoline van. And many of the blocks they traveled were empty, but some had people.

And some of those people cheered and some laughed and some even threw stones. And with their bare hands, the two started to clap and sing and make up songs. And some people kept watching and swaying and moving, and then one person even smiled. And the boy and the girl looked at each other, and they also smiled.

And they felt, they both felt the sin of pride, but they kept on smiling, smiling from a new freedom, knowing that they had shared and made another person feel something. And they thought the person smiling at them was a stranger, someone they didn’t even know. But it wasn’t just a stranger, it was God.”

Following White’s speech, Olivia Rodrigo and Feist performed a sweet duet of the band’s “We’re Going to Be Friends” (2002) and 21 Pilots took on “Seven Nation Army” (2003), in tribute to the honorees.

Jack White Olivia Rodrigo

Jack White and Olivia Rodrigo attend the 2025 Rock & Roll Hall of Fame Induction Ceremony at Peacock Theater on Nov. 8, 2025 in Los Angeles, Calif.

Kevin Mazur/Getty Images for RRHOF

Rodrigo’s been vocal about the White Stripes being her favorite band: “I was so obsessed with Jack White’s guitar, and I made my mom take me to guitar lessons so I could learn how to play all of his songs,” she said in a 2021 interview. “Fell in Love With a Girl” was one of the first songs she learned to play. Rodrigo first met her hero in 2022.

Hayley Williams’ tour dates for 2026 have been added to her official website’s homepage, which currently features a design reminiscent of a ’90s computer desktop.

An image file titled “oops.jpg” offers a peek at a snapshot of a Macbook screen that shows a tour announcement preview with a “NOT FOR RELEASE” watermark — suggesting that Williams leaked the itinerary early. The picture has a list of 20 cities she’s scheduled to visit on the At a Bachelor Party Tour.

The Paramore frontwoman’s solo trek kicks off in the United States with a concert in Atlanta, Ga., on March 28 and runs through June 29 in Dublin, Ireland. Williams will make it to several U.S. markets — plus Toronto, Canada, and select cities in Europe.

Information about ticket on-sale dates is not yet available.

Williams’ tour will be in support of her latest album, Ego Death at a Bachelorette Party — which arrived unsequenced and scattered across her website, and then on streaming services, in August, but just got a physical CD and vinyl release on Friday, Nov. 7, with an added track (“Showbiz,” embedded below). (Read more about her unique release strategy in Billboard‘s interview with Williams’ co-manager Leah Hodgkiss.)

See the list of Williams’ 2026 tour dates:

March 28 – Atlanta, Ga. (Tabernacle)
March 31 – Toronto, Canada (Massey Hall)
April 3-4 – Boston, Mass. (Citizens House of Blues)
April 6-7 – Philadelphia, Pa. (Franklin Music Hall)
April 9-10 – New York, NY (Hammerstein Ballroom
April 14 – Baltimore, Md. (The Lyric)
April 18 – Minneapolis, Minn. (Fillmore)
April 21-22 – Chicago, Ill. (Chicago Theater)
April 25, 27 – Nashville, Tenn. (Ryman Auditorium)
May 2 – Austin, Texas (ACL Live at the Moody Theater)
May 5 – Phoenix, Ariz. (Van Buren)
May 7, 9 – Oakland, Calif. (Fox Theater)
May 12-13 – Los Angeles, Calif. (The Wiltern)
June 5 – Milan, Italy (Alcatraz)
June 8 – Amsterdam, Netherlands (Paradiso)
June 10 – Cologne, Germany (Live Music Hall)
June 15 – Berlin, Germany (Tempodrom)
June 16 – Copenhagen, Denmark (Poolen)
June 22 – Manchester, U.K. (Academy)
June 26 – Glasgow, Scotland (O2 Academy)
June 29 – Dublin, Ireland (National Stadium)