After winning his first Grammy this year for best R&B song with SZA’s “Snooze,” Leon Thomas could sweep almost every R&B category at the 68th annual Grammy Awards, as the nominations were announced Friday morning (Nov. 7).

While the continued success of his Billboard Hot 100 top 10 hit “Mutt” has proven Thomas is no underdog anymore, its “Live From NPR’s Tiny Desk” version is up for best R&B performance. (The original version was commercially released on Aug. 8, 2024, during the eligibility period for the 2025 Grammy Awards, and it was submitted for consideration then. Thomas released the 5-song Mutt (Live From NPR’s Tiny Desk) EP on Aug. 15, 2025, which qualifies for next year’s ceremony.) Its parent album, which shares the same title, is nominated for best R&B album, while its tracks “Vibes Don’t Lie” and “Yes It Is” are up for best traditional R&B performance and best R&B song, respectively.

Following Thomas, Durand Bernarr has the second most nominations in the R&B field with three: best traditional R&B performance (“Here We Are”), best R&B song (“Overqualified”) and best progressive R&B album (Bloom). He only scored his first Grammy nod ever this year in the best progressive R&B album category. “Folded,” arguably the biggest song of Kehlani’s career to date, has earned her her first Hot 100 top 10 hit and No. 1 on Hot R&B/Hip-Hop Songs and Hot R&B Songs (charts dated Nov. 8), and now two Grammy nods for best R&B performance and best R&B song. While Kehlani has yet to win a Grammy, they’re poised to take home the gold for the first time next year.

“I’m not big [on letting] any award validate how great your art is. But it’s nice when the system in place or the hierarchy of what you’re doing in art recognizes that what you’re doing is great,” Kehlani told Billboard earlier this year while reflecting on her debut commercial mixtape You Should Be Here, which earned the star her first Grammy nod 10 years ago for best urban contemporary album.

Ledisi could snag her first best traditional R&B performance win in five years with “Love You Too,” the lead single from her 12th studio album The Crown, which is up for best R&B album. After the deluxe edition of 11:11 won best R&B album this year, Chris Brown returns to the best R&B performance field one year later with “It Depends,” featuring Bryson Tiller, which is also up for best R&B song. This week, “It Depends” rose to the No. 1 spot on R&B/Hip-Hop Airplay and spends a fifth week atop Mainstream R&B/Hip-Hop Airplay. And one week before Summer Walker’s third studio album Finally Over It drops, its lead single “Heart of a Woman” earns two nomination for best R&B performance and best R&B song.

Five years ago, Teyana Taylor called out the Recording Academy for the male-dominated best R&B album category after she dropped her third studio album The Album. “Y’all was better off just saying best MALE R&B ALBUM cause all I see is d–k in this category,” she wrote on X. Now, she’s up for her first Grammy ever in this female-dominated category, with Escape Room coming alongside Ledisi with The Crown and Coco Jones with her debut album Why Not More? Bilal’s first album in nine years, Adjust Brightness, earns the dynamic singer/songwriter/musician his first Grammy in 10 years for best progressive R&B album. After their “Peaches” collaboration with Daniel Caesar scored Justin Bieber and Giveon a hefty sum of nominations at the 2022 Grammy Awards, where both lost in every category they were up in, both could avenge themselves in the R&B field, as Bieber is up for best R&B performance (with “Yukon”) for the first time since “Peaches” and Giveon is up for best R&B album (for Beloved) for the first time since Take Time scored a nod in 2021.

U.K. R&B acts like kwn and Odeal have made a lot of noise from across the pond this year, but FLO is the only one nominated for a Grammy next year, as the girl group earns its first nod for best progressive R&B album with its debut album Access All Areas. And after five songs from SZA’s blockbuster 2022 album SOS earned Grammy nods at the 2024 awards ceremony, where SZA was the most-nominated artist with nine total nods, one more is added to her collection: “Crybaby,” from the deluxe Lana edition of SOS, is up for best traditional R&B performance.

While Recording Academy CEO Harvey Mason jr. welcomed The Weeknd back with open arms during the ceremony earlier this year, where he performed “Cry for Me” and “Timeless” with Playboi Carti, Grammy voters did not. His repeat shut out includes “Baptized in Fear” from his sixth studio album Hurry Up Tomorrow not being included in the best R&B song slate. Ravyn Lenae also surprisingly received zero nominations despite her R&B/pop crossover hit “Love Me Not” reaching No. 5 on the Hot 100 and, as Billboard’s awards editor Paul Grein put it, being “played on every pop radio station in America every hour on the hour during the voting period.” While “Love Me Not” competed in the pop field, “Love Is Blind” from the same Bird’s Eye album was submitted for best R&B song, and received no love.

Drake and PartyNextDoor’s “Somebody Loves Me” is nominated for best melodic rap performance, but its parent album $ome $exy $ongs 4 U isn’t up for best progressive R&B album as some might’ve expected. Mariah the Scientist’s breakthrough year isn’t captured by the 2026 nominations either, as “Burning Blue,” her first Hot 100 top 40 hit and first Rhythmic Airplay chart-topper, is looked over for both best R&B performance and best R&B song, and its parent album Hearts Sold Separately, her highest-charting Billboard 200 album (No. 11), isn’t up for best R&B album.

The 2026 Grammy Awards will be held on Sunday, Feb. 1 at Crypto.com Arena in Los Angeles, California, airing live on CBS and Paramount+ Premium at 8 p.m. ET/5 p.m. PT.

Numerous artists are currently flying high after scoring 2026 Grammy nominations on Friday (Nov. 7) –but there are also several major contenders who didn’t get quite as lucky.

Despite garnering major award buzz this past year, stars such as The Weeknd, Gracie Abrams and Alex Warren didn’t get recognized in certain categories, which were unveiled Friday morning in a livestream on the Grammy website. The absence of the artist born Abel Tesfaye from the nominations list was particularly noticeable, as he had just reconciled with the academy last year and dropped Billboard 200-topping album Hurry Up Tomorrow in February. But while Kendrick Lamar, Sabrina Carpenter and Bad Bunny got honors in the album of the year category, The Weeknd did not.

Both Abrams and Warren were also excluded from the major categories, with neither “That’s So True” nor “Ordinary” getting song or record of the year consideration, even though those were two of the biggest Billboard Hot 100-charting tracks of the year. Warren at least scored a nod for best new artist, but that category was also missing several big names, including Zach Top, Megan Moroney, Ella Langley and Ravyn Lenae.

The producer of the year, non classical category will turn heads for the second year in a row as well, as Jack Antonoff — who was notably excluded from the list in 2025 — once again did not make the cut. That comes in spite of his work on two album of theyear contenders, Lamar’s GNX and Carpenter’s Man’s Best Friend, both of which spent time at No. 1 on the U.S. albums chart. Instead, Dan Auerbach, Cirkut, Dijon, Blake Mills and Sounwave will fight it out for the prize.

But while the academy’s word is final, it’s your turn to share how you feel about the outcome of the initial voting process this year. Have any strong feelings on which snubbed artist was the most deserving of recognition? We want to know.

Tell us who you think should have been nominated in a category they were shut out of by voting in the poll below.

Following its release on the spookiest week of the year, Florence + the Machine’s Everybody Scream has landed at No. 1 on the U.K.’s Official Albums Chart dated Nov. 7.

It makes for Florence Welch’s fifth set to reach the summit following 2009’s Lungs, 2011’s Ceremonials, 2015’s How Big, How Blue, How Beautiful and 2022’s Dance Fever. Her fourth studio LP, High as Hope, peaked at No. 2 in 2018.

Speaking to the Official Charts Company, Welch said, “Sixteen years on from Lungs, I take none of this for granted. I’m so grateful to everyone who took time with this record. It is a scream, but I also wanted it to be a balm to anyone who needed it. Sending love x.”

Everybody Scream was produced alongside The National’s Aaron Dessner, Glass Animals’ Dave Bayley, IDLES’ Mark Bowe, Danny L Harle, and superproducer and frequent collaborator James Ford. Welch will embark on a U.K. and Ireland arena tour in February 2026, before hitting North America in April.

Chatter around Lily Allen’s West End Girl has propelled the LP up the charts to a new high of No. 2. It first arrived on the U.K. Albums Chart at No. 4 last week, though discourse about the songs’ subject matter — that of an unfaithful former partner, widely assumed to be Stranger Things star David Harbour — has kept momentum on streaming and downloads. Physicals of the record will be released in January.

Taylor Swift’s The Life of a Showgirl holds its position at No. 3, having already spent three weeks at the summit in October. She was dethroned by a massive opening week for Dave’s third LP, The Boy Who Played the Harp.

Olivia Dean’s The Art of Loving holds strong at No. 4 as she readies herself for a performance on Saturday Night Live on Nov. 15. Following her stint on the U.K. version of the Celebrity Traitors, Cat Burns’ How to Be a Human lands at No. 5 for a new career high.