LISA of BLACKPINK has scored her next big acting gig. According to Variety, the K-pop superstar will appear alongside Korean action veteran Don Lee (Train to Busan, Eternals) and Squid Game star Lee Jin-uk in an expansion of Netflix’s Extraction film franchise titled Tygo.
The movie is based on an original graphic novel created by sibling duo Anthony and Joe Russo (Avengers: Endgame) and Ande Parks, with the Russo brothers also signed on as producers. The story follows Tygo (Lee), a former child-soldier-turned-mercenary who goes on a revenge mission through the Korean criminal underworld after a job goes sideways.
“I’m so honored to be a part of this project and grateful for the opportunity to work alongside such incredible actors,” Lisa said in a statement about the project that will be directed by Lee Sang-yong (The Roundup). “Being in an action movie has always been a dream of mine, so for my film debut to be such an exciting project feels very special.”
Lee was also excited to sign on, saying, “I’m thrilled that this project, which I’ve been developing for years with AGBO, is finally moving into production. Tygo brings a distinctly Korean identity into the global Extraction universe. We can’t wait to unleash its explosive energy on audiences worldwide.” Jin-uk added, “As a fan of the ‘Extraction’ franchise, it’s a great honor for me to join this universe. I’m especially excited and grateful to be working with Don, whom I’ve always admired, and with Lisa as well.”
Lisa (credited by her given name Lalisa Manobal) made her acting debut in this year’s third season of The White Lotus.
The first Extraction film in the franchise was been seen by 90 million households in its first four weeks, with the second chapter hanging around at No. 1 on Netflix’s Global Top 10 movies list for seven weeks, racking up more than 123 million views, according to Variety.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-12-05 14:02:472025-12-05 14:02:47BLACKPINK’s LISA to Co-Star In ‘Extraction’ Universe Action Movie ‘Tygo’ For Netflix
Republic Records and Grammy-nominated songwriter/producer Freddy Wexler have jointly signed JYT (Just Your Type), a new boy band that will be the subject of a multi-part docuseries documenting their formation, it was announced Friday (Dec. 5).
Composed of five members aged 15-17 — Caden, Tyler, Bryan, Recker and Toby — JYT was formed through an unusual process that saw the members choose each other, a press release states. The group has spent the last year in “intensive development” in Los Angeles, training with choreographers led by Nick DeMoura, who has worked with stars including Justin Bieber, Ariana Grande, Usher and Megan Thee Stallion. DeMoura choreographed JYT’s first visual project — the video for their debut single “What U Want,” released on Friday (Dec. 5).
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“From the moment these five kids stood in a room together, I knew we had something special,” said Wexler, who has written and produced for artists including Selena Gomez, Shakira, Halsey, Kanye West and Lil Wayne. “JYT isn’t a manufactured boy band, they chose each other. I’m thrilled to be partnering with Monte and the incredible team at Republic, with whom I’ve shared some of the most pivotal moments of my career. America hasn’t launched a global boy band in decades, and these kids are about to change that.”
“My first interaction with Freddy was nearly 20 years ago when I tried unsuccessfully two separate times to sign him to a record deal,” added REPUBLIC founder and chairman Monte Lipman in a statement. “Two decades later, I’m proud to call Freddy an extraordinary partner as producer, label head, and creative force; as we launch an explosive new band together via his label Wexler Records / Republic Records. In the spirit of never say never, we finally found a way to be in the Freddy Wexler business after all these years.”
Added DeMoura, “When I first saw JYT dance, I felt the same fire that made NSYNC a movement, not just a band. These kids train like athletes, perform like veterans, and have the potential to be this generation’s defining boy band…which is exactly why I wanted to be part of this.”
According to the release, JYT has racked up more than 500,000 followers across platforms before releasing any music.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-12-05 14:02:462025-12-05 14:02:46Republic Signs New Boy Band JYT, Subject of Upcoming Docuseries, Alongside Freddy Wexler
Selena Gomez and Benny Blanco have been together for more than two years, but on Thursday (Dec. 4) the couple celebrated a major milestone: their first Christmas as a married couple. The singer and producer/songwriter, who got married on Sept. 27, posted a series of cute photos and videos on Instagram in which they trim their Christmas tree and share a sweet kiss in between hanging ornaments.
“Our first Christmas as a married couple,” Gomez, 33, wrote in the post. In the first, time lapse video, they are sitting on the floor picking out ornaments, with Gomez dressed in a grey holiday sweater and white short shorts and Blanco, 37, rocking a brown-on-brown ensemble as they busily get ready and take time out for a quick kiss. The rest of the photos and videos chronicle their holiday cheer, concluding with a tender image in which Blanco is bent over putting a bit of bling on a lower branch as Gomez gently places her hand on his signature head of curly hair.
The couple got married in an intimate ceremony at Sea Crest Nursery in Santa Barbara, Calif. in September. And though they looked happy and relaxed, a few weeks later, during her panel at Fortune magazine’s Most Powerful Women conference in Washington, D.C. on Oct. 15, the Only Murders In the Building star admitted to having irrational fears that she could lose everything she’s worked for, including her relationship with Blanco.
“This is how I work personally, but something great happens in my life, I expect something bad to happen,” Gomez told the audience. “So instead of being present and saying, ‘OK, wow, we’ve done a great thing,’ which I do, I’m always thinking, ‘OK, but this could all go away tomorrow. How can I make sure that doesn’t happen?’”
She added, “I would say that’s my biggest conflict sometimes when wonderful things happen. I got married and then I was sobbing, because I was like, ‘I’m gonna die the next day.’”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-12-05 13:37:102025-12-05 13:37:10Watch Selena Gomez and Benny Blanco Celebrate Their First Christmas As a Married Couple With an Adorable Tree Trimming Video
Netflix has agreed to acquire Warner Bros. Discovery’s studio and streaming business in a landmark $72 billion deal, uniting two of Hollywood’s most influential entertainment companies. The agreement, announced early Friday, will give Netflix control of Warner Bros.’ film and television assets, including HBO Max and DC Studios, alongside its own dominant streaming platform and original hits such as Stranger Things, Kpop Demon Hunters and Squid Game.
The transaction, structured as a cash-and-stock deal valued at $27.75 per Warner share, places Warner’s enterprise value at approximately $82.7 billion. The deal is expected to close in late 2026, following Warner’s planned spin-off of its Discovery Global cable operations into a separate publicly traded company.
Netflix co-CEO Ted Sarandos said the merger will combine Warner’s legendary catalog — from classics like Casablanca and Citizen Kane to franchises such as Harry Potter and Friends — with Netflix’s culture-defining originals. “Together, we can give audiences more of what they love and help define the next century of storytelling,” Sarandos said.
Sarandos’ co-CEO Greg Peters highlighted the deal’s potential to broaden Netflix’s global reach and “accelerate our business for decades to come,” while also providing members with more choices, “attracting more fans to our best-in-class streaming service, strengthening the entire entertainment industry and creating more value for shareholders.”
Warner Bros. Discovery CEO David Zaslav called the partnership a union of “two of the greatest storytelling companies in the world,” add, “By coming together with Netflix, we will ensure people everywhere will continue to enjoy the world’s most resonant stories for generations to come.”
Warner Bros. shares climbed nearly 3% in premarket trading, while Netflix and Paramount each slipped more than 2%.
Despite the optimism from executives, the acquisition has sparked industry concerns. Cinema United warned the deal poses “an unprecedented threat to the global exhibition business,” while the Directors Guild flagged “significant concerns” about its impact on creative and competitive dynamics. If it passes regulatory muster, the merger would transform the entertainment industry, creating a powerhouse with unparalleled production capabilities, a vast library of intellectual property, and dominant streaming reach — paving the way for a new era of media consolidation.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-12-05 13:26:592025-12-05 13:26:59Netflix to Acquire Warner Bros. Discovery in $72 Billion Deal
The Backstreet Boys are going back to the start. The boy-turned-man band announced the dates for a six-night 2026 residency in Germany on Friday morning (Dec. 5), slated to kick off on Sept. 25. The gigs at the Merkur Spiel Arena in Düsseldorf, dubbed Into the Millennium — Homecoming: Live in Germany, will be the band’s only European gigs next year.
They will also mark a return to the country where the group scored their first-ever platinum record 30 years ago when — before U.S. audiences really caught wind of them — German fans helped make “I’ll Never Break Your Heart” a top 10 hit in that country.
“When we talk about this being a homecoming, it’s because Germany is where everything clicked for us,” the group’s Brian Littrell said in a statement. “It’s where our dream stopped being hypothetical and became something real. Coming back for these shows feels full circle.”
In a promo video for the run, the group — Nick Carter, Howie Dorough, AJ McLean, Kevin Richardson and Littrell — make their way to an airplane hangar, where they encounter some of their vintage late 1995 stage gear and crates of dusty Millennium CDs. Gathered for a photo shoot in their all-white outfits, things go sideways when the backdrop falls down, prompting Littrell to ask, “Guys, are we doing this again?,” as Richardson announces “our ride’s here fellas,” while their BSB-branded private jet idles in the background.
The release notes that long before the group became one of the best-selling boy bands in music history, Europe, specifically Germany, was where they initially took off. “They recorded some of their biggest hits overseas and spent their first years performing across Europe, building a loyal audience show by show,” according to the statement. “German fans were among the very first to pack venues, call radio stations, and wait outside hotels, giving the group an early glimpse of what their career would become.”
The shows will take place on Sept. 25, 26, 27, 29, 30 and Oct. 2, with sign-ups available here now for access to an artist pre-sale beginning on Dec. 12 at 12 p.m. CET; a general on-sale will kick off on Dec. 15 at 10 p.m. CET.
The German Millennium shows will kick off more than a year after the band wrapped their run of 20 gigs at Las Vegas’ Sphere in August. The release promised that the band will bring “an unforgettable, stadium-sized celebration of the Backstreet Boys’ legacy. The group will bring their iconic, five-time GRAMMY-nominated Millennium album to life on stage, featuring beloved classics like ‘I Want It That Way,’ and ‘Larger Than Life’ along with a powerful lineup of their greatest hits.”
Check out the promo video for the German shows below.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-12-05 13:10:412025-12-05 13:10:41Backstreet Boys Announce Six-Night 2026 Into the Millennium German Residency
Taylor Swift’s Showgirl is back in Australia’s chart spotlight.
The U.S. pop superstar returns to No. 1 on the ARIA Albums Chart with The Life Of A Showgirl (via Universal), after two weeks adrift.
Showgirl lifts 3-1 on the latest chart, published Dec. 5, for a seventh non-consecutive weeks at the summit. With that effort, it becomes her fourth longest-reigning album after Midnights (16 weeks at No. 1), 1989 (Taylor’s Version) (14 weeks) and The Tortured Poets Department (eight weeks), the latter of which is up 21-16 on the current frame. Earlier this week, Swift was confirmed by Spotify as the most popular artist with the streaming giant’s users in Australia.
The top new release on the ARIA Chart belongs to homegrown blues and roots duo Pierce Brothers, as Moonrise opens its account at No. 14. That’s Jack and Patrick Pierce’s seventh top 50 appearance on the all-genres ARIA Chart, and it’s the top-ranked Australian recording of the week, giving it leadership of the ARIA Top 20 Australian Albums Chart.
Also new to the top 20 is Melbourne singer Jemma Siles, whose debut EP Scripts Of Fate bows at No. 18.
The Queen of Pop, Madonna, enjoys another top 20 appearance on the ARIA Chart as Bedtime Stories – The Untold Chapter. The 30th anniversary homage to the singer’s R&B-flavored sixth album collects early demos, alternate versions and rarities, and it appears at No. 20.
Close behind is Aussie punk rock act Godspeed, which bags a top 40 debut with These New South Whales, new at No. 23.
Over on the ARIA Albums Chart, Olivia Dean can’t be moved from the throne as “Man I Need” holds top spot for the third straight week. The English singer was recently in the market, for a performance of the song at the 2025 ARIA Awards and a separate outdoor set at Fleet Steps. She’ll return next year for a tour proper.
The hottest new release is “I Run” by British producer Harrison Walker (aka HAVEN), which sprints in at No. 9. The controversial single reached No. 8 in October, but was scrubbed by a slew of streaming platforms following claims that its vocals were AI generated. There’s no such problem with this new version; British singer Kaitlin Aragon provides the vocals. It’s the only new release in the top 50, a tally that includes no homegrown recordings.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-12-05 10:49:062025-12-05 10:49:06Taylor Swift Returns to No. 1 on ARIA Chart With ‘The Life Of A Showgirl’
CMAT has extended her long-term global record deal with longtime partner AWAL, the label has revealed exclusively to Billboard U.K. The Irish country-pop songwriter has released three albums on the Sony-owned firm, having signed with it four years ago.
The 29-year-old artist, born Ciara Mary-Alice Thompson, put out her debut album If My Wife New I’d Be Dead in 2022 and followed up with the Ivor Novello and Mercury Prize-nominated Crazymad, For Me. Both records topped the charts in her homeland.
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It was the release of third LP Euro-Country earlier this year (Aug. 29) that pushed CMAT’s stature into a new stratosphere entirely, peaking at No. 2 on the Official U.K. Albums Chart as well as reaching the summit on the Irish Albums Chart. The album was supported with show-stealing appearances at major U.K. and Ireland festivals including Glastonbury and All Together Show, alongside a run of stadium tour support slots for Sam Fender.
Barry O’Donoghue, manager of CMAT, said in a statement: “After a whirlwind three albums in just over three years, and a very memorable 2025, we are excited and indeed delighted to extend our arrangement with the top tier team at AWAL.”
Lonny Olinick (AWAL CEO) added: “CMAT is one of those artists that you know matters from the moment you meet her. We have been so fortunate to have a front row seat to her masterful artistry over these last three albums and know the world stage is set for her. Our entire team is beyond excited to continue partnering with CMAT and Barry on these next incredible chapters.”
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Euro-Country includes standout tracks such as “The Jamie Oliver Petrol Station” and “Take A Sexy Picture Of Me.” The latter spawned a TikTok dance trend dubbed the “Woke Macarena” – thanks to simple choreography – which then translated into real-world success, with the song marking CMAT’s first placement on the Official U.K. Singles Chart (peaking at No. 42).
The album was greeted with near-unanimous five-star reviews from the British press, and also landed CMAT her second consecutive Mercury Prize nomination. Matt Riley (U.K. president, AWAL) noted: “CMAT is a unique and world class artist and it’s been immensely rewarding for everyone at AWAL to be a part of the emergence of a superstar.”
CMAT is currently on a sold-out headline tour across the U.K. and Ireland, which will conclude on Dec. 5 with a date at Dublin’s 13,000-capacity 3Arena. Next summer, she will top the bill at London’s Lido Festival, with support from the likes of Father John Misty and Sharon Van Etten.
AWAL’s roster also includes Laufey, Djo, Little Simz and Jungle. In September, the full-service recorded music company announced the launch of a new division, AWAL Middle East, which will be headquartered in Dubai in partnership with Sony Middle East.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-12-05 10:03:332025-12-05 10:03:33Irish Star CMAT Extends Long-Term Label Deal With AWAL Following Breakout Year
Like the rest of us, Alison Wonderland has self-doubts. Questions that can’t be answered. Wells of energy, the location of which is a mystery.
For Ghost World, her fourth solo studio which drops in full today, Dec. 5, Wonderland brushed aside the self-doubt, got answers, found the rush.
“This one felt like my first album, where I really had so much to say to the world and go hard. The energy was back for me,” she tells Billboard over a Zoom. “I just really had a lot to give in a more extroverted way where the last album felt very introverted. That was how I’ve been feeling. I’ve been feeling so strong.”
Much has happened in Wonderland’s life since 2022’s Loner, which crashed Billboard’s Dance/Electronic Albums tally at No. 3 and started at No. 9 on the ARIA Chart, her third consecutive top 10. Later that year, Wonderland (real name: Alexandra Sholler) launched FMU Records, and, in 2023, revived her darker, more industrial project Whyte Fang, with the release of a full-length album, Genesis.
Enter, health problems. Fertility issues. Wonderland experienced a miscarriage in December of 2024 that forced the cancellation of several shows, and backlash from gung ho types who didn’t yet know the full story. “This frustration I was feeling,” she remarks, “I went f— this.” She returned home to Australia, and felt “really welcome.” Rediscovered her groove, played more shows. The positivity flowed.
Then, in November of this year, Wonderland brought into this world a second boy. More joy.
Ghost World was pushed back from a scheduled Oct. 15 release date to a pre-Christmas unwrapping, due to production delays with merchandise, vinyl, and other important elements.
Better late than never.
Ghost World is anything but meek. Wonderland’s vision is a punchy one, a journey stretching across 14 tracks including the previously-released cuts “Get Started,” “Again? F—.,” “iwannaliveinadream” and “Heaven” featuring Ninajirachi.
“My aim is to always externally communicate what I’m internalizing. I’m not trying to be a sad sack about it,” Wonderland tells Billboard.com. “A lot of the meaning behind this album was me trying to get excited about where I was again, and I did. Ghost World is really about me trying to find my place. When you’re growing and evolving, you need to still be in love with what you do or you shouldn’t be doing it. I felt a little bit like a ghost. I will always feel that way. I just kinda felt like, what world do I fit in, where do I fit in anymore? It’s easy to feel replaceable.”
Having the break between Loner and Ghost World, and doing Whyte Fang “helped me go back to my roots.” On Loner, she recounts, “I was so isolated. And it was such an internalized album, it was a very different energy. There was something I felt like I was missing.” There was a moment in time when “I was stuck in the middle of the ocean, and couldn’t see any land on either side of me.”
Wonderland came back with a creative recharge. “It also made me really appreciate women, tenfold. I worked with a lot more women on this album.”
Collaborators include Nina Wilson, better known as the three-time ARIA Award winning EDM producer and artist Ninjirachi, plus DJ Dave and Erick The Architect. Wonderland produced the album with Dylan Ragland, MEMBA and QUIX. Ghost World was mixed by Tom Norris and Tristan Hoogland and mastered by Dale Becker.
Wonderland comes alive on stage, and can boast more than 800,000 headline ticket sales across her U.S. tours alone. In 2018, she wrote her name in the history books with a headline spot at Coachella, her fourth performance in the California desert, and has seven-times headlined the “Temple of Wonderland” at Red Rocks Amphitheatre.
She’ll hit the road again next year, in support of Ghost World. “There will be a big tour, I’m excited,” she admits. “I’m a perfectionist. Someone said something a long time ago, you can tell everyone you put everything into this body of work but at the end of the day the only person who will know if you really went there will be you. It sits with me and haunts me anytime I make anything. I think it’s why I push myself so hard. I think about it all the time to this day.”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-12-05 06:08:422025-12-05 06:08:42‘The Energy Was Back For Me’: Alison Wonderland Talks New Album ‘Ghost World’
The 36-track Anthology 4 collection features 13 previously unreleased tracks from The Beatles’ vault. The rest of the cuts on the album were available on previous reissues.
Anthology 4 was issued on vinyl, CD, as a digital download and via streaming services, and launches with nearly 17,000 equivalent album units earned in the United States in the week ending Nov. 27, according to Luminate. Of that sum, traditional album sales (purchases of physical copies and digital downloads of the album) numbered 13,000.
Anthology 4 also arrives at No. 48 on the overall Billboard 200, as does the boxed set The Anthology Collection. The latter compiles all four Anthology albums into one massive release, available on CD, vinyl, as a download and via streaming services.
The new Anthology album releases were accompanied by a 25th-anniversary reissue of the book The Beatles Anthology, and the streaming debut of The Beatles Anthology documentary series on Disney+, beginning on Nov. 26. The series, which premiered in 1995 on ABC-TV, initially aired as an eight-part documentary. For the new 2025 version, it was expanded to nine parts.
The first three volumes of the Anthology album series were released in 1995 and 1996, and all three topped the Billboard 200 and Top Album Sales charts.
Anthology 4 is among a crowded top 10 on the latest Top Album Sales chart, where Stray Kids’ DO IT debuts at No. 1, while the Wicked: For Good soundtrack enters at No. 2, and Aerosmith and YUNGBLUD’s One More Time starts at No. 3.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-12-05 03:16:562025-12-05 03:16:56The Beatles’ ‘Anthology 4’ Debuts in Top 10 on 5 Billboard Album Charts