After an AI-generated song with a Blanco Brown-sounding vocal went viral, the country singer decided to release his own version of ‘Walk My Walk.’ He discusses why he chose to release his version of the song, who he believes is behind the artist and the creation of the AI-generated song, where he draws the ethical line when it comes to AI, and more!  

Melinda Newman:

How are you, sir? 

Blanco Brown:

I’m coming along. How about yourself? 

I’m very, very good. I want to jump in with, what did you think the first time you heard “Walk My Walk”? Did you feel it sounded like your style?

When I first heard it, I said, “Man, this right here has a lot of grit, and it reminds me of my tone, but he doesn’t sound like me.” I can just tell that I inspired him, but it’s like putting the two pieces together, knowing that somebody I mentored actually created him. Then it all started making sense, because people will actually hit me in my inbox and say, “Hey, man, there’s this song that’s going up the charts, and it seems like it could be No. 1 soon. It has a little reminiscing feel of like, how you approach songs” and, you know, that’s how it all started.

Did you think it was a good song? 

It was decent. It’s certain things in it that I would have changed, and I felt like it didn’t have a real human hand in it, like no real instrumentation. It was one big old loop, just one, you know, one thing, like somebody just — it didn’t grow or anything. 

Hey, you kind of said earlier that it was created by someone that you had worked with. We don’t know that for sure. Do you know that for sure? It seems like there’s a path from “Walk My Walk” to Abraham Abushmais, who you worked with on your first album in 2019, but we’re not 100% sure on the connect the dots. Are you? Have you heard from people that it’s 100% his creation? 

I mean, I’ve heard that he actually has a hand in the app that created the AI artist, and he told me that he was working on something that was in the tech field. So, I mean, two and two allegedly, maybe, maybe not, but, uh, definitely. I’ve heard so many people say he was a part of, like… 

Have you reached out to him? 

Yep, but I can’t get in touch with him. His number didn’t change, but we haven’t talked in like, maybe three years.

Keep watching for more!

Romeo Santos and Prince Royce make a splash across Billboard charts with their collaborative album, Better Late Than Never, as set opens at Nos. 1 and 2 on the Top Tropical Albums and Top Latin Albums charts (dated Dec. 13).

Better Late Than Never was announced as a surprise launch on social media just days prior to its Nov. 28 release via I Love Amiguita/Sony Music Latin. It debuts at No. 1 on Top Tropical Albums with 23,000 equivalent album units earned in the United States in the tracking week ending Dec. 4, according to Luminate.

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Of the 13-track set’s opening total, streaming accounts for 17,000 units, equal to 24.1 million official on-demand audio and video streams of the album’s songs. This secures a debut at No. 41 on the Top Streaming Albums chart, marking the first appearance for both Santos and Royce. Meanwhile, 7,000 units stem from album sales, enough for a No. 38 debut on Top Album Sales.

Better Late Than Never marks the seventh No. 1 for both artists, tying them with Juan Luis Guerra for the fifth-most chart-topping albums among all acts on Top Tropical Albums. They trail Gilberto Santa Rosa and Victor Manuelle who both lead with 12 No. 1s, El Gran Combo de Puerto Rico with 10 hits, and Marc Anthony with nine.

Santos’ previous effort, Formula. Vol. 3, dominated for 16 weeks between 2022-23. As for Royce, the new release arrives just six months after his album Eterno secured a No. 3 high in May.

In addition to its No. 1 arrival on Top Tropical Albums, Better Late Than Never also starts at No. 2 on the overall Top Latin Abums chart and at No. 32 on the all-genre Billboard 200, their seventh career entry each on the latter.

A Weekly Record on Hot Latin Songs: Better Late Than Never ushers in nine total appearances for the album’s tracks on the multi-metric Hot Latin Songs chart, a weekly debut record for both artists among tropical acts. Additionally, Royce lands another entry with “I Want It That Way” at No. 30. Among the new debuts, “Dardos” leads with a No. 8 start with 3.3 million official on-demand streams earned during the tracking period. This new top 10 becomes Royce’s highest entry since his collaboration on “Sensualidad,” with DJ Luian & Mambo Kingz, Bad Bunny and J Balvin (2017). Santos achieves his 23rd top 10, tying with Gloria Estefan for the third-most among tropical acts, trailing only Marc Anthony’s 27 top 10s.

Here is the full rundown of Better Late Than Never songs on the Hot Latin Songs chart:

No. 8, “Dardos”
No. 12, “Lokita Por Mí”
No. 13, “Estocolmo”
No. 14, “Better Late Than Never”
No. 28, “Jezabel”
No. 29, “Ay! San Miguel”
No. 36, “Celeste”
No. 40, “La Última Bachata”
No. 41, “Encerrados”

All charts (dated Dec. 13, 2025) will update on Billboard.com tomorrow, Dec. 9. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram. Plus, for all chart rules and explanations, click here.

The singing voices behind KPop Demon Hunters, Zara Larsson, Conan Gray and more musical stars jingled all the way to the Intuit Dome in Los Angeles over the weekend for KIIS FM’s annual Jingle Ball, taking the stage for a number of festive performances and endless holiday cheer — and Billboard has all the best photos from the night.

From singers EJAE, AUDREY NUNA and REI AMI reuniting as HUNTR/X from the Netflix chart-topping animated film sensation to hitmakers such as Alex Warren, Leon Thomas and The Kid LAROI, the yearly seasonal event was full of good music, dancing and A-list appearances, not to mention a bounty of twinkling fairy lights and gorgeous Christmas trees. Other stars that lit up the venue through song were Renee Rapp and Jessie Murph, while Taylor Momsen was in the building on the heels of her Pretty Reckless Christmas album release and an appearance on the Macy’s Thanksgiving Day Parade route.

The L.A. event will soon be followed by a train of additional holiday concerts presented by iHeartRadio across the country, with other Jingle Balls coming soon to Chicago, Detroit, New York, Boston, Philadelphia, Atlanta, Miami and Washington, D.C., in the next few weeks. Additional performers for the upcoming dates include Ed Sheeran, Laufey, Ravyn Lenae, BigXThaPlug, Nelly, Monsta X, Myles Smith and more superstars.

Tickets for the upcoming Jingle Ball stops are available to purchase on iHeartRadio’s website. But if you can’t get in on the fun in person, check out the best photos from onstage and backstage at the showcase in L.A. to feel like you were there below.

The founder of El Gran Combo de Puerto Rico, Rafael Ithier, has died, but the legacy of the salsa orchestra as one of the most recognized in Latin America will live on through dozens of hits — from 1975’s “Un Verano en Nueva York,” which has found new life through Bad Bunny, to “Me Liberé” and “Se Nos Perdió el Amor.”

Founded in 1962 by Ithier, who was for many years the pianist and musical director of the orchestra, El Gran Combo de Puerto Rico was born out of the breakup of Rafael Cortijo y su Combo, with some members of the disbanded group brought together by Gema Records for a recording. Since then, they have made generations dance to classics such as “Ámame,” “Brujería,” “Falsaría,” “Hojas Blancas,” “Gotas de Lluvia,” “La Muerte,” “Se Me Fue,” “La Fiesta de Pilito,” “El Menú,” “No Hay Cama Pa’ Tanta Gente,” “Julia,” “Y No Hago Más Na’,” and many more!

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On Billboard‘s Tropical Airplay chart alone, they’ve placed 41 songs — the second-highest number for a group since the ranking launched in 1994 (behind Grupo Manía’s 50 entries). Of those, 15 reached the top 10, and two hit No. 1: “Me Liberé,” which gave the group its longest leadership on the chart with three weeks at the top in 2001, and “Se Nos Perdió el Amor” the following year.

Among other achievements, they had 22 songs on Hot Latin Songs between 1986 and 2005, two of which reached the top 10: “Cúpido” and “Ámame,” which peaked at No. 8 in 1988 and 1989, respectively. They also have 10 entries on Top Latin Albums, five of which reached the top 10, with Salsa: Un Homenaje a El Gran Combo earning them their best position in 2010 at No. 3.

Nicknamed the “University of Salsa,” the group also holds several Billboard records: most entries for a group on the Top Tropical Albums chart, with 22; most top 10s on the same chart for a group, with 19; and most No. 1s on Top Tropical Albums for a group, with a total of 10. Additionally, their album Y Su Pueblo held the record for most weeks at No. 1 on Top Tropical Albums for a group since its debut in 1985 until December 1992, with 16 weeks at the top.

Below, enjoy all the songs by El Gran Combo de Puerto Rico that have entered the top 10 of the Billboard Tropical Airplay chart, listed in chronological order. And long live salsa music!

21 Savage‘s next album is ready, and he’s not waiting until 2026 to deliver the LP to the masses. The Slaughter Gang CEO announced Monday (Dec. 8) that his What Happened to the Streets? album is slated to be released this week, on Friday (Dec. 12).

21 shocked fans when he posted a menacing black-and-white trailer to Instagram, which closed with the album announcement, and he wants to know what happened to the street code he was raised on.

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The cryptic teaser follows a person walking down a dark alley, and they appear to be the target for a group of gunmen armed with snipers who are looking to wipe out their existence, all to the tune of a heart-pumping orchestra. Footage of the target’s life is chopped up into a montage before the album announcement hits the screen.

Plenty of 21’s peers were excited to hear that the East Atlanta rapper was back, as Conway the Machine, G Herbo, DJ Khaled, Zaytoven and Honorable C.N.O.T.E. all chimed in on IG. “You know you go NO SKIPS every time Buddy,” Herbo commented.

According to Apple Music, the album boasts 14 songs with none already being available as singles. 21 has stayed pretty quiet in 2025, but ended up making a guest appearance on Summer Walker’s “Get Yo Boy” track in November.

21 Savage’s last album, American Dream, topped the Billboard 200 in January 2024 with 133,000 total album-equivalent units earned. The project was 21’s fourth to reach the album chart summit and netted him 14 more Billboard Hot 100 entries.

Watch the What Happened to the Streets? trailer below. Stream the album on Friday (Dec. 12).

Two Australian Metallica fans have been hit with lifetime bans from Perth’s Optus Stadium after climbing a speaker tower during the band’s Nov. 1 show on the M72 World Tour.

According to local outlet PerthNow, 20-year-old Beau William Loch Rollings and 23-year-old Rory Hugh Culbert jumped a safety barrier and scaled the central tower inside the stadium bowl, clinging to the structure at heights reportedly between 10 and 50 meters for around 20 minutes while the concert continued.

The stunt triggered a major security response as venue staff and police moved in, with thousands of fans watching the incident unfold mid-show. Police later seized the pair’s phones, which contained footage of the climb, as part of the trespass investigation.

Magistrate Ruth Dineen was blunt in her assessment, describing the tower climb as “an incredibly stupid thing to do and a good way to ruin your night out,” noting that what “seemed funny at the time” had escalated into a serious safety issue.

Defence lawyer Rachael Gemmell characterized it as “just stupid behavior,” arguing the experience had been sobering for the young fans.

Both Rollings and Culbert entered guilty pleas to trespassing charges, acknowledging the gravity of the situation without offering a motive. Rollings was fined $1,000 and ordered to pay $308.80 in court costs. Culbert received a similar penalty.

Throughout their Aussie tour, Metallica have delighted fans with surprise covers of local hits, such as “Zebra” by John Butler Trio during their signature “doodle” segment.

Butler, who is currently touring across Europe and the U.K., shared his bluesy interpretation via Instagram, using a custom-made Indian slide guitar known as a Chaturangui. “@metallica ‘Enter Sandman,’ but make it John Butlery,” he captioned the clip.

“It’s taken me a minute to pull my sh*t together after Metallica covered my song ‘Zebra’ last weekend in Perth/Boorloo… I thought I’d tackle one of their lesser-known tracks. I hope you like it.”

In Adelaide on Nov. 5, Hammett and Trujillo mashed up INXS’ “Need You Tonight” with the Angels’ “Am I Ever Gonna See Your Face Again,” blending two Australian staples into a blistering live medley.

Zara Larsson caught up with Billboard’s Tetris Kelly on the red carpet at Jingle Ball 2025.

Jackson Wang caught up with Billboard’s Tetris Kelly on the red carpet at Jingle Ball 2025.

Sylvester Stallone, KISS, George Strait and Gloria Gaynor are among the luminaries being celebrated Sunday (Dec. 7) at the annual Kennedy Center Honors, with Donald Trump hosting the show, the first time a president will command the stage instead of sitting in an Opera House box.

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Since returning to office in January, Trump has made Washington, D.C.’s John F. Kennedy Center for the Performing Arts, which is named after a Democratic predecessor, a touchstone in a broader attack against what he has lambasted as “woke” anti-American culture.

Trump said in August that he had agreed to host the show. The Republican president said Saturday at a State Department dinner for the honorees that he was doing so “at the request of a certain television network.” He predicted that the broadcast, scheduled to air Dec. 23 on CBS and Paramount+, would have its best ratings ever.

“It’s going to be something that I believe, and I’m going to make a prediction: This will be the highest-rated show that they’ve ever done and they’ve gotten some pretty good ratings, but there’s nothing like what’s going to happen” on Sunday night, Trump said.

Trump is assuming a role that has been held in the past by journalist Walter Cronkite and comedian and Trump nemesis Stephen Colbert, among others. Before Trump, presidents watched the show alongside the honorees. Trump skipped the honors altogether during his first term.

Since 1978, the honors have recognized stars for their influence on American culture and the arts. Members of this year’s class are pop-culture standouts, including Stallone for his Rocky and Rambo movies, Gaynor for her feminist anthem “I Will Survive” and KISS for its flashy, cartoonish makeup and onstage displays of smoke and fire. Country music superstar George Strait and Tony Award-winning actor Michael Crawford are also being honored.

The ceremony is expected to be emotional for the members of KISS. The band’s original lead guitarist, Ace Frehley, died in October after he was injured during a fall. The band’s co-founder Gene Simmons, speaking on the red carpet when he and the other honorees arrived for the ceremony, said the president had assured him there would be an empty chair among the members of KISS in memory of Frehley.

Crawford called it “a beautiful honor” and said, “It’s humbling, especially at the end of a career.”

Mike Farris, an award-winning gospel singer who is performing for Gaynor, said she is a dear friend. “She truly did survive,” Farris said on the red carpet. “What an iconic song.”

Previous honorees have come from a broad range of art forms, whether dance (Martha Graham, Merce Cunningham), theater (Stephen Sondheim, Andrew Lloyd Webber), movies (Meryl Streep, Tom Hanks) or music (Bob Dylan, Joni Mitchell).

Trump has taken over the Kennedy Center

Trump upended decades of bipartisan support for the center by ousting its leadership and stacking the board of trustees with Republican supporters, who then elected him chair. He has criticized the center’s programming and the building’s appearance — and has said, perhaps jokingly, that he would rename it as the “Trump Kennedy Center.” He secured more than $250 million from Congress for renovations of the building.

Presidents of each political party have at times found themselves face to face with artists of opposing political views. Republican Ronald Reagan was there for honoree Arthur Miller, a playwright who championed liberal causes. Democrat Bill Clinton, who had signed an assault weapons ban into law, marked the honors for Charlton Heston, an actor and gun rights advocate.

During Trump’s first term, multiple honorees were openly critical of the president. In 2017, Trump’s first year in office, honors recipient and film producer Norman Lear threatened to boycott his own ceremony if Trump attended. Trump stayed away during that entire term.

Trump has said he was deeply involved in choosing the 2025 honorees and turned down some recommendations because they were “too woke.” While Stallone is one of Trump’s Hollywood ”special ambassadors” and has likened Trump to George Washington, the political views of Sunday’s other guests are less clear.

Honorees’ views about Trump

Strait and Gaynor have said little about their politics, although Federal Election Commission records show that Gaynor has given money to Republican organizations in recent years.

KISS co-founder Gene Simmons spoke favorably of Trump when Trump ran for president in 2016. But in 2022, Simmons told Spin magazine that Trump was “out for himself” and criticized Trump for encouraging conspiracy theories and public expressions of racism.

Fellow KISS member Paul Stanley denounced Trump’s effort to overturn his 2020 election defeat to Democrat Joe Biden, and said Trump supporters who stormed the Capitol on Jan. 6, 2021 were “terrorists.” But after Trump won in 2024, Stanley urged unity.

“If your candidate lost, it’s time to learn from it, accept it and try to understand why,” Stanley wrote on X. “If your candidate won, it’s time to understand that those who don’t share your views also believe they are right and love this country as much as you do.”

Taylor Swift’s The Life of a Showgirl returns to No. 1 on the Billboard 200 albums chart (dated Dec. 13), up from No. 3 a week ago, collecting its eighth nonconsecutive week atop the list. The set earned 99,000 equivalent album units in the United States in the tracking week ending Dec. 4 (up 12%), according to Luminate, aided by Black Friday promotions at retail and newly available signed CDs sold through the artist’s webstore.

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Also in the top 10, holiday music returns to the region, as albums by Michael Bublé, Bing Crosby and Vince Guaraldi Trio jingle up the list.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Dec. 13, 2025-dated chart will be posted in full on Billboard‘s website on Dec. 9. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of The Life of a Showgirl’s 99,000 equivalent album units earned in the latest tracking week, SEA units comprise 53,000 (down 18%, equaling 69.38 million on-demand official streams of the set’s tracks — it holds at No. 2 on Top Streaming Albums), album sales comprise 46,000 (up 121%; it climbs 4-2 Top Album Sales) and TEA units comprise less than 1,000 (down 76%).

Three former No. 1s are Nos. 2-4 on the latest Billboard 200, as Morgan Wallen’s I’m the Problem rises 4-2 (71,000 equivalent album units, down 6%), the KPop Demon Hunters soundtrack steps 5-3 (66,000, down 1%) and Stray KidsDO IT falls 1-4 in its second week (64,000, down 78%).

The Wicked: For Good soundtrack drops 2-5 in its second frame, earning 63,000 (down 49%).

Michael Bublé’s former No. 1 Christmas returns to the top 10, climbing 12-6 with 58,000 equivalent album units earned (up 70%), largely driven by streaming activity (48,000 SEA units, equaling 64.86 million on-demand official streams of the project’s songs; it zooms 11-3 on the Top Streaming Albums chart). Christmas was released in 2011, spent five weeks at No. 1 in December 2011 and early January 2012 and has returned to the top 10 in every following holiday season. The set boasts Holiday 100-charting favorites like “Have Yourself a Merry Little Christmas,” “Holly Jolly Christmas,” “I’ll Be Home for Christmas” and “It’s Beginning to Look a Lot Like Christmas.”

The Billboard 200’s latest tracking week captured the first seven days following the Thanksgiving Day holiday (Nov. 28 through Dec. 4). There are three more tracking weeks during the Christmas season, as the Christmas holiday (Dec. 25) falls on a Thursday this year.

Bing Crosby’s Ultimate Christmas rises 16-7 on the Billboard 200 with 52,000 equivalent album units earned (up 78%). Nearly all of that sum is powered by streaming activity, as SEA units comprise 48,000 (equaling 63.55 million on-demand official streams of the set’s tracks). The album also rockets 14-4 on the Top Streaming Albums chart.

The Ultimate Christmas best-of set was released in 2024 and peaked at No. 3 on the Jan. 4, 2025-dated chart. It marked the late Crosby’s highest-charting album in 66 years, dating to when his former No. 1 Merry Christmas ranked at No. 2 on the Jan. 5, 1959 chart. (Merry Christmas previously spent a week at No. 1 on Jan. 6, 1958-dated chart.)

Ultimate Christmas contains such classic Holiday 100-charting tunes from Crosby as “White Christmas” (featuring The Ken Darby Singers and John Scott Trotter and His Orchestra), “It’s Beginning to Look a Lot Like Christmas,” “Do You Hear What I Hear?” and “Mele Kalikimaka” (with The Andrews Sisters).

Olivia Dean’s The Art of Loving falls 7-8 on the latest Billboard 200 (48,000 equivalent album units earned, down 1%).

Vince Guaraldi Trio’s soundtrack to the A Charlie Brown Christmas animated TV special is back in the top 10 for the first time in nearly three years, as it surges 18-9 with 46,000 equivalent album units earned (up 68%). It was last in the top 10 on the Jan. 7, 2023-dated chart, when it ranked at No. 10. Of the 46,000 units the album earned for the week, SEA units comprise 26,000 (up 72%, equaling 33.81 million on-demand official streams of its songs; it rises 43-13 on Top Streaming Albums), album sales comprise 20,000 (up 64% and largely owed to vinyl purchases; it jumps 10-4 on Top Album Sales) and TEA units comprise a negligible sum (up 42%). The album earns its biggest sales week in three years, since it sold 23,000 copies on the Dec. 31, 2022 chart.

The A Charlie Brown Christmas soundtrack was released in 1965, the same year that the Emmy Award-winning special premiered on CBS, but it did not reach any Billboard ranking until 1987. That year, it debuted on the Top Holiday Albums chart, where it later peaked at No. 2 (Jan. 27, 2007). On the Billboard 200 chart, the set visited the top 10 for the first time on the Jan. 2, 2021-dated list, later peaking at No. 6 on the Jan. 1, 2022-dated chart.

The A Charlie Brown Christmas TV special aired annually on CBS during the holiday season from 1965 through 2000. ABC picked up the rights to the show from 2001 to 2019. In 2020, Apple TV acquired the rights to the special, along with other classic animated Peanuts programs. Each year, Apple TV also makes A Charlie Brown Christmas available free for a limited time; this year, the free window will take place Dec. 13-14.

Closing out the top 10 on the latest Billboard 200 is Tate McRae’s former leader, So Close To What, which falls 6-10 with 44,000 equivalent album units earned (down 31%).

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.