Wicked: For Good director Jon M. Chu has had enough of the criticism of Ariana Grande and Cynthia Erivo‘s friendship throughout the press tour for both musical films.

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At an American Cinematheque For Good screening and Q&A on Monday night (Dec. 1), Chu spoke out against the vitriol being thrown at his Wicked leading ladies for their openness in sharing their deep friendship with the world.

“For us to be at a time when you can have these two amazing women emerge from their shells to share love and friendship and the importance of that, unabashedly, no cynicism; to be able to share that vulnerability and wounds with the world, knowing people are going to come out with their knives, shame on people who put that down,” he says in a fan-filmed clip. “These girls are giving us everything; it is why people around the world are drawn to it. It’s why they love it, and they’re sharing a real friendship that happened on set that I got to be a part of, and we should honor that with everything that we have.”

Grande and Erivo, who both landed Oscar nominations for their acclaimed performances in 2024’s Wicked, frequently went viral on last year’s press tour due to their deeply emotional responses to questions and their physical comfort with one another. Notably, Billboard named the duo’s “holding space” moment, a viral interview clip in which Grande dramatically clutches Erivo’s elongated manicured nail, the No. 10 Greatest Pop Star Meme of All-Time. In addition to its dual Oscar wins, the first Wicked movie also became the highest-grossing musical film adaptation of all time, making over $750 million at the worldwide box office.

Wicked: For Good, which brings the Broadway musical’s second act to the silver screen, boasted a comparatively less aggressive press tour — but Grande and Erivo’s relationship quickly became the dominant talking point. After the press tour ended with a triple-whammy of Grande missing the Brazilian premiere, Erivo defending Grande from a red carpet rusher at the Singaporean premiere and Erivo losing her voice the night of the New York premiere (where Grande also contracted COVID-19), social media devolved into especially nasty attacks on both women’s bodies and appearances, as well as their overall intimacy. Over the holiday weekend (Nov. 29), Grande reposted a clip from a 2024 interview “as a loving reminder to all,” regarding the dangers of openly dissecting and criticizing people’s physical appearance.

Nonetheless, that online chatter didn’t stall Wicked: For Good at the box office. In its opening weekend, the film topped the worldwide box office, grossing $223 million and surpassing its predecessor to earn the highest opening weekend for a Broadway adaptation.

On the Billboard 200, the For Good soundtrack tied the No. 2 peak of its predecessor, with several songs landing on the Hot 100, including “For Good” (No. 43), “No Good Deed” (No. 56), “As Long As You’re Mine” (No. 91) and “The Girl in the Bubble” (No. 100). Furthermore, both Erivo and Grande remain formidable contenders in their respecitive categories at next March’s 98th Academy Awards.


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Mexican superstar Carín León has signed with WME’s global co-head of music, Kirk M. Sommer, in all areas, it was announced Tuesday (Dec. 2). Together with León’s manager, Jorge Juárez, the intention is to “grow León’s business and presence in territories beyond his current base.”

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“We are thrilled to join the WME team led by Kirk Sommer,” Juárez said in a statement. “Carín has tremendous potential to expand into other global territories. We are looking to WME to lead the way in all areas of their expertise.”

“Carín is a generational artist,” Sommer added. “In his incredible career, he has consistently broken barriers and transcended genres. We are determined to bring the full weight of WME to bear to expand Carín’s fanbase around the world and we are honored to work with both Carín and Jorge.”

Hailing from Hermosillo, Sonora, Mexico, León — known for his signature norteño sound fused with R&B, country and pop — is one of the most versatile voices in Latin music. His debut album, Desvelada con Banda y Mariachi (2018), propelled him to quickly dominate the regional Mexican music scene. In 2021, his album Inédito debuted atop multiple charts and was named one of Billboard’s 25 Best Latin Albums of the Year.

A Grammy and Latin Grammy Award winner, León became the first Latin artist ever to play Coachella and Stagecoach in the same year in 2024, and is now set to become the first Latin artist to play Sphere in Las Vegas, with a run of seven shows set for 2026. He has also sung at Nashville’s Grand Ole Opry, opened for legendary British band The Rolling Stones, and sold out the impressive GNP Seguros Stadium in Mexico City, among other achievements. Earlier this year, he set an attendance record at RODEOHOUSTON with over 70,000 fans showing up to see him perform. 

Last month, León took home the Latin Grammy for best contemporary Mexican music album for Palabra De To’s (Seca), which is also up for a 2026 Grammy Award for best música mexicana album.


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As with just about every other industry in the world, some of music’s biggest issues in 2025 have revolved around the Trump administration. Artificial intelligence? Upon taking office, Trump revoked an order by President Biden that ensured “safe, secure and trustworthy development” of the technology. Share prices for public companies like Warner Music and Live Nation? Tariffs and a tech boom, all informed by Trump decisions, have heavily influenced the stock market all year. The things artists say on stage during concerts? Bruce Springsteen, Green Day, the Dropkick Murphys and many others suggest Trump is always on their minds.

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Some artists, following Springsteen’s example, have spent the year declaring resistance. Some, like Taylor Swift, have tried to ignore him (even though POTUS wrote, surreally, on Truth Social, “Has anyone noticed that, since I said ‘I HATE TAYLOR SWIFT,’ she’s no longer ‘HOT?’”). Others, like inauguration headliners Kid Rock and Lee Greenwood, have pledged support. Still others have expressed fear. “How politics are right now, it’s not good for punk rock,” Fat Mike, the NOFX frontman and Fat Wreck Chords co-founder, told Billboard in July. “A lot of bands are scared because of Trump and his followers. They love to hate and take revenge.” 

From immigration to healthcare to the unauthorized use of artists’ songs in disturbingly weird videos — and a few things that have little to do with Trump and his policies — here’s a roundup of some of the biggest stories of 2025 that have come to define the year in music and politics.

Miley Cyrus has something beautiful to share with fans. After four years of dating, the pop star is now engaged to musician Maxx Morando, as revealed Tuesday (Dec. 2) following the couple’s red-carpet appearance at the Avatar: Fire and Ash premiere.

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Stepping out with her fiancé at the film’s screening in Los Angeles on Monday (Dec. 1), Cyrus — who contributed a song called “Dream as One” to the Avatar sequel — debuted a shiny new gold band on her left ring finger. The next day, People confirmed that the piece of jewelry indeed represented a recent engagement.

The couple’s big news comes four years after they first started dating in 2021. “We got put on a blind date,” Cyrus recalled to British Vogue in 2023 of how she first met Morando. “Well, it was blind for me and not really for him. I thought, ‘The worst that can happen is I leave.’”

The two musicians would go on to collaborate professionally, with Morando working on songs from Cyrus’ most recent albums, Endless Summer Vacation and Something Beautiful. At her Spotify Billions Club concert in Paris this year, the Liily band member accompanied his then-girlfriend on guitar.

The Hannah Montana alum was previously married to Liam Hemsworth, whom she dated on and off starting in 2009. They wed in 2017 before separating the following year.

In a 2024 interview with Harper’s Bazaar, Cyrus explained why her relationship with Morando works, despite him being six years younger than her. “He’s very similar to me,” she said at the time. “We just don’t take life too seriously.”


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The sheer number of artist signings announced on a weekly basis makes it difficult to keep up, no matter how closely you pay attention to the industry news cycle. That’s why every other Tuesday, Billboard compiles the latest signings to labels, distributors, agencies, management companies and more, in an effort to provide a snapshot of the latest moves in the artist space, from household names to indie stars to emerging acts.

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To start this week, label and management company XOXO Entertainment signed Grammy-winning R&B group Blackstreet. Since 2014, the group’s lineup has featured original members Chauncey “Black” Hannibal and Levi Little, along with Mark Middleton and Eric Williams.

A press release indicates that announcements regarding new music and performances from the group are forthcoming.

“We are beyond excited to partner with Blackstreet,” said XOXO president Adam H. Hurstfield in a statement. “As some of the greatest architects of that legendary 90’s RnB sound, their music shaped the soundtrack of our lives, defined an era, and left an unmistakable imprint on global culture. Around the world, fans have been yearning for that authentic feeling again, and at XOXO Entertainment, we are devoted to bringing it back, side by side with the very legends who created it. We are honored to help amplify Blackstreet’s iconic legacy into this exciting new chapter.”

In its own statement, Blackstreet added that the group “has always stood for timeless music, true artistry, excellence, and evolution. Partnering with XOXO Entertainment feels like the perfect alignment; where vision, passion, and creativity meet. As a group, we’re excited and honored to join forces with a team that shares our energy and commitment to taking BLACKSTREET into a new era. This partnership is powerful, and together we’re ready to create moments the world will remember. This next chapter will be iconic.”

Blackstreet scored a Billboard Hot 100 No. 1 hit in 1996 with “No Diggity” featuring Dr. Dre, which spent four weeks at the chart’s summit. It also enjoyed success with tracks including “Before I Let You Go” and “Take Me There.”

Check out more of the latest artist signings below.

Tyler Childers will hit the road next year, when his 2026 Snipe Hunt Tour launches April 23 in Dallas, Texas. The trek will visit 14 cities along the way, including stops in St. Louis, Chicago and Seattle, before wrapping Oct. 3 in Portland, Oregon. His Snipe Hunt tour is presented by LN and FPC Live.

Opening for Childers on various dates on the tour will be Jon Batiste, Evan Honer, Wednesday, and Scott T. Smith.

The tour’s namesake album, Snipe Hunter, recently picked up a round of Grammy nominations for Childers. Snipe Hunter is nominated for best contemporary country album, while the album’s “Bitin’ List” is up for best country song, and “Nose on the Grindstone” is up for best country solo performance. Childers also earned a best country duo/group performance Grammy nomination for his Margo Price collab “Love Me Like You Used to Do,” featured on Price’s album Hard Headed Woman.

Fans can take part in Childers’ artist pre-sale for the new shows by signing up beginning Dec. 7 at 11:59 p.m. ET. Artist pre-sales for the tour are hosted by multiple ticketing sites but those who sign up can join the sale beginning Dec. 10 at 11 a.m. local time. The general on-sale will begin Dec. 12 at 11 a.m. local time.

See the full list of tour dates below:

  • April 23 — Dallas — Dos Equis Pavilion
  • June 4 — Birmingham, Ala. — The Coca-Cola Amphitheater
  • June 7 — Lexington, Ky. — Railbird Festival
  • June 10 — Darien Center, N.Y. — Darien Lake Amphitheater
  • June 11 — Hershey, Penn. — Hersheypark Stadium
  • June 13 — Columbus, Ohio — Buckeye Country Superfest
  • July 9 — St. Louis — Hollywood Casino Amphitheater
  • July 12 — Chicago— Wrigley Field
  • July 14 — Kansas City, Mo. — Morton Amphitheater
  • July 15 — Des Moines, Iowa — Casey’s Center
  • July 18 — Boulder, Colo. — Folsom Field
  • Sept. 30 — Sacramento, Calif. — Golden 1 Center
  • Oct. 2 — Seattle — Climate Pledge Arena
  • Oct. 3 — Portland, Ore. — Moda Center


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Chappell Roan, Mariah Carey, Post Malone, Leon Thomas, Charlie Puth and HUNTR/X, who gave us the global smash “Golden” from KPop Demon Hunters, are among 33 artists set to perform on Dick Clark’s New Year’s Rockin’ Eve with Ryan Seacrest 2026 (NYRE). The roster is a mix of current hit artists and a few veteran acts, such as Rick Springfield, New Kids on the Block, 4 Non Blondes and Goo Goo Dolls.

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This year’s show is set to run for eight hours – from Wednesday, Dec. 31 at 8:00 p.m. until the next morning at 4:00 a.m. ET on ABC, and the next day on Hulu. This is the 54th edition of the show, which launched in December 1972. It marks the longest telecast in the show’s history, including an additional 90 minutes of programming compared to last year, with more than 85 songs set to be performed.

This year’s broadcast will be led by Ryan Seacrest and co-host Rita Ora from New York’s Times Square. Chicago native Chance the Rapper will lead the show’s first-ever Central time zone countdown from Chicago. NFL legend Rob Gronkowski returns alongside performer Julianne Hough, who makes her NYRE co-hosting debut as they take over Las Vegas.

The Times Square headliner and special guests will be announced soon, as will details for the Puerto Rico celebration.

This marks the third consecutive year that Dick Clark Productions and iHeartMedia will broadcast Dick Clark’s New Year’s Rockin’ Eve with Ryan Seacrest live across 150 iHeartRadio stations nationwide, including Z100 New York, KIIS-FM Los Angeles, KISS FM Chicago, Q102 Philly and THE NEW MIX 102.9 Dallas. The show will also be available to stream live on the iHeartRadio app.

ABC’s Dick Clark’s New Year’s Rockin’ Eve with Ryan Seacrest has been the No. 1 New Year’s Eve special since 1977, when it surpassed Guy Lombardo’s long-running New Year’s Eve specials on CBS.

The Clark show, which was conceived as a younger, hipper alternative to the Lombardo program, debuted on NBC on New Year’s Eve 1972 as Three Dog Night’s New Year’s Rockin’ Eve. That year’s special featured pre-recorded musical performances by Helen Reddy, Billy Preston and Three Dog Night (all of whom had No. 1 or No. 2 singles on the Billboard Hot 100 that year). Clark served as a reporter from Times Square for live coverage of the ball drop and the arrival of 1973.

The second special, New Year’s Rockin’ Eve ’74, also on NBC, was hosted by comedian George Carlin and featured pre-recorded musical performances by Preston, The Pointer Sisters, Linda Ronstadt and Tower of Power.

Beginning with the December 1974 edition, the program moved to ABC and Clark assumed hosting duties; billed as Chicago’s New Year’s Rockin’ Eve 1975, the first ABC edition was headlined by Chicago, with guests The Beach Boys, The Doobie Brothers, Herbie Hancock and Olivia Newton-John.

Clark died in 2012 at age 82, but his name is still in the title of the show he created.

Last year, Carrie Underwood capped the night with a Times Square performance as the broadcast drew more than 29 million total viewers at midnight.

ABC’s Dick Clark’s New Year’s Rockin’ Eve with Ryan Seacrest 2026 is produced by Dick Clark Productions, with Ryan Seacrest, Michael Dempsey and Barry Adelman serving as executive producers.

Here’s a full list of performers who have been announced so far for Dick Clark’s New Year’s Rockin’ Eve with Ryan Seacrest 2026:

  •    The All-American Rejects
  •     AJR
  •     BigXthaPlug
  •     Chance the Rapper
  •     Charlie Puth
  •     Chappell Roan
  •     Ciara
  •     Demi Lovato
  •     DJ Cassidy’s Pass the Mic Live! Starring Busta Rhymes, T.I. & Wyclef Jean
  •     50 Cent
  •     Filmore
  •     4 Non Blondes
  •     Goo Goo Dolls
  •     Jess Glynne
  •     Jessie Murph
  •     Jordan Davis
  •     KPop Demon Hunters: The Singing Voices of HUNTR/X – EJAE, Audrey Nuna and REI AMI
  •     Leon Thomas
  •     LE SSERAFIM
  •     Lil Jon
  •     Little Big Town
  •     Madison Beer
  •     Maren Morris, sponsored by Carnival Cruise Line
  •     Mariah Carey
  •     New Kids on the Block
  •     OneRepublic
  •     Pitbull
  •     Post Malone
  •     Rick Springfield
  •     Russell Dickerson
  •     6lack
  •     Tucker Wetmore
  •     Zara Larsson

Dick Clark’s New Year’s Rockin’ Eve

Dick Clark’s New Year’s Rockin’ Eve

ABC

Dick Clark’s New Year’s Rockin’ Eve with Ryan Seacrest 2026 is produced by Dick Clark Productions, which is owned by Penske Media Eldridge, a joint venture between Eldridge Industries and Billboard parent company Penske Media.


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‘Tis the season again: to make a list, check it twice (and a couple more times for good measure) and then reveal who are the hottest artists of the year. In this case, we’re talking Billboard’s staff picks of the R&B artists who left the most indelible footprints in 2025.

Before moving forward, let’s underscore that these picks were not decided strictly by chart data. As we previously mentioned on our initial list in February, while chart success was a factor in the staff discussion, other criteria was also taken into account: vocal performance, musical and lyrical resonance, cultural buzz, touring success and business endeavors and partnerships.

There’s no doubt that some R&B fans will disagree with these staff picks and decry that other artists are more deserving of a slot on the list. However, there’s also no doubt that both sides can agree on one thing: that 2025 was a strong year for R&B.

As noted in Billboard’s October story predicting which R&B artists would score nominations for the 68th annual Grammy Awards, this year witnessed anticipated returns (Justin Bieber, GIVĒON, Teyana Taylor, Kehlani, Bryson Tiller) and breakthroughs by a mix of established and rising stars (Ravyn Lenae, Mariah the Scientist, PARTYNEXTDOOR, Leon Thomas).

This year also uncorked a refreshing blend of contemporary, alternative and traditional R&B as fermented by the aforementioned in addition to genre torch bearers such as Lalah Hathaway and Bilal plus promising movers and shakers such as Durand Bernarr, Kwn and Destin Conrad. Also notching notable buzz this year: Odeal and Summer Walker, the latter sliding under the wire with the final chapter in her Over It trilogy. Additional honorable mentions making in-roads in 2025 include Elmiene, Khamari and Alex Isley.

Then put another check in the win column labeled tours: R&B turned up and showed out this year, thanks to supremely successful runs by Chris Brown on his first-ever stadium world tour with special guests Tiller, Jhené Aiko and Walker; Brandy and Monica’s BPC Presents: The Boy Is Mine Tour; and The Queens! 4 Legends. 1 Stage. Tour starring Chaka Khan, Gladys Knight, Patti LaBelle and Stephanie Mills.

R&B also will be taking center stage once again at the upcoming Super Bowl LX pre-game festivities, when Coco Jones will perform “Lift Every Voice and Sing.” Jones follows in the footsteps of Ledisi — the former’s fellow Grammy-winning colleague and also 2026 Grammy nominee — who memorably performed “Lift” at last year’s Super Bowl pre-game celebration.

All of which underscores another truth that can be agreed upon: R&B is doing the damn thing! With that said, let’s now unveil the hottest R&B artists of 2025.

Boza shares the story behind his hit song “París” with Sech, the creation of his “orióN” remix with Sistek and gives advice to people pursuing women who are already in relationships.

Boza: How was the collaboration with Sistek born? Well, on my team there’s someone very, very, very important, his name is Pedrito Alegría and he always kind of has… you could say, I don’t know, ideas, or he always contributes a lot to what I do. So, he was like, “Look, I have a buddy named Sistek, why don’t we do the ‘orióN’ remix, he wants to do it and everything.” And obviously we’re very, very open with all that. I’m a fan of electronic music too, so well, why not? It was born through Pedrito Alegría, that’s where we met, the collaboration happened and when I heard the song it was like, wow, something else, another vibe.

How do I see “orióN” ten years from now? “orióN” is my baby with Elena [Rose], you know? And “orióN” is a song that talks about emotional responsibility. I think it’s a song that’s going, going to endure quite a bit, you know? Since it’s not an empty song, it’s a song that has a very positive message, a message which a man can identify with, a woman can identify with. So, I think it’s not going to be one of those songs that are trendy, I think it’s a song that came to stay.

I think that the idea, I mean, no, not the idea, the experience of “París”, everyone at some point has had, as they say, that experience, it could be in “París,” it could be in other places in the world, whatever. But that song was born, I remember, in Andrés’ studio. They sent us a reference, like an intro, a chorus, obviously we loved it, and from there I added, so to speak, my point of view, my experience in “París”, in theory.

We had wanted for a while to record a song with Sech. We had already recorded some, but it hadn’t materialized, so to speak, right? Until now, we took advantage that there were other awards in Panama, and we were, so to speak, the host and all that, so, the attention was full, full on Panama. And it was like the best moment to do it together, you know? I’ve always said that God’s timing is perfect. We sent that song to Sech and he loved it and, so to speak, added his, his vibe, his flow there, and well, from there on, you know? What has happened has been very telling itself. The public had been waiting for it for a while and loved the song.

Keep watching for more!

Lizzo knows a thing or two about being “canceled” in the court of public opinion, and now she’s sharing what she’s learned with the rest of the class.

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In a Substack essay published Monday (Dec. 1), the hitmaker shared her thoughts on why “everyone should get cancelled at least once,” reflecting on the moments in her career where she faced overwhelming backlash that forced her to grow a thicker skin.

“I was raised in the Pentecostal COGIC church in Detroit, Michigan where the idea of hell was very real,” she began. “If you disobeyed God, or were considered a ‘bad person’ you were on a first class flight to eternal damnation in a lake of fire.”

With her strict religious upbringing as her moral compass, Lizzo explained that she spent most of her life trying to be as good as possible — just for the public to decide that she was anything but in 2019, when she attended a Lakers game wearing pants made to look like her buttocks were exposed. According to the Grammy winner, this was the first of many times she was canceled, with people falsely accusing her of running onto the court unauthorized and bombarding her with offensive memes and death threats.

“All those years of being a good person doesn’t matter to the internet,” she wrote. “The internet doesn’t care about what really happened to someone. It only cares about believing the hype.”

Lizzo went on to make a list of all the reasons she’s been canceled in the years since, including “doing a smoothie detox,” “crying/complaining,” “saying I make music for black women” and “unknowingly using the s*az slur in a song [Grrrls].”

But what has she learned from those experiences? “F–k it,” she wrote.

“You aren’t getting out of this thing without unintentionally hurting someone’s feelings,” she continued. “Sensitivity is at an all time high and because of personalized algorithms, any content you see that doesn’t cater to you personally feels like an attack on your identity.”

“Its left us in a state of paralysis, unable to make mistakes because the court of public opinion is always ready to be judge, jury and executioner,” she continued. “As the qualifications of being deemed a ‘good person’ narrow while the sudden increase in conservative morals skyrocket, who has lived a real life and is still considered ‘good’?”

The essay marks Lizzo’s second post on her Substack account, which she kicked off with a piece on weight loss written through the lens of someone whose own health journey has been very publicly scrutinized. The singer-songwriter has been open in the past about how her tumultuous relationship with fame and haters has affected her mental health over the years, though she’s now doing better than ever following the release of mixtape My Face Hurts From Smiling.

“I’m so confident, and I think the thing that I’m most confident in now is me, my vision and my creativity,” she told Billboard in June. “I kind of lost trust in myself for awhile, because when you get in the industry, there’s a lot of people that come in and think they’re the experts … I think when you’re seeing that glow, it’s that confidence that’s truly being proud of who I am and not hiding who I am in all the aspects of it.”


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