Justin Bieber has been on our screens for more than half of his life. But starting Wednesday (Oct. 22) the “Daisies” singer promised that we’re about to see even more of him. Bieber made his debut on Twitch yesterday with a stream that included footage of the singer playing basketball, shooting pool with friends and teasing his upcoming Coachella dates.

The live feed from a giant warehouse space that appeared to have a mini half-pipe, a recording studio, ping-pong table and lounge area — with what appeared to be a pack-and-play bed for son Jack Blues — included an extended bit where JB put up short jumpers while talking about focusing his health and “friendships, relationships, the ability to connect with each other,” all cued to Partynextdoor’s “Come and See Me.”

Long stretches of the stream were taken up with Bieber’s crew wandering around the space or just chilling as the singer played DJ and cued up some favorite mellow R&B, including Leon Thomas’ “Yes It Is,” as they played a lengthy game of Horse on the court. At one point, Justin hit a long shot from near the foul line while seated in a chair. The action then moved to a pool table, with Bieber yawning as he prepared to chalk up his cue.

After the game, Bieber took control of the camera and provided the first bit of actual news in the otherwise action-lacked feed with a tease about his April 2026 Coachella headlining gig, the only concerts he’s booked so far following the release of his Swag and Swag II collections and his first full live shows since 2022.

“This is our space for the next few months, so excited,” Bieber said. “I’m gonna be putting on a hell of a show for you guys at Coachella. I can’t wait. So getting ready, getting the gang together, get inspired. So Beautiful.” Speaking directly to camera, Bieber promised that the Twitch stream will be live “pretty much every day,” encouraging fans to tune in. “It’s gonna be awesome.”

In addition to the singer hopping on his skateboard and working the half-pipe, the feed also included a section with a shirtless Bieber playing ping pong. While not playing around, Bieber has been busy lately dropping music videos and topping charts, including a visual for “Bad Honey” and a No. 1 spot on the Pop Airplay Chart with “Daisies,” which tied him with Bruno Mars for most leaders among solo males in the chart’s history.

Courtney Barnett is back on our screens and behind the wheel once again with “Stay In Your Lane.”

The celebrated Australian singer and songwriter was the musical guest Wednesday (Oct. 22) on The Tonight Show Starring Jimmy Fallon, where she roused night owls with her the new single.

“Stay In Your Lane” (via Mom+Pop Music) is a blast of ‘90s-leaning indie rock, and is Barnett’s first new material since the 2023 instrument LP End Of The Day and her first new lyrical piece since the 2021 album Things Take Time, Take Time, which cracked the Billboard 200 chart, debuted in the top 40 on the Official U.K. Chart, and impacted the top 10 in her homeland.

“Gotta get this off my chest” she chants in the chorus, leading a full band. “This never would’ve happened if I stayed in my lane, stayed the same way.” 

Watch Barnett’s late night performance of “Stay In Your Lane”.

The Grammy Award-nominated Melbourne artist has been quietly revving up her full-scale return to the stage with a string of intimate shows at Levon Helm Studios and in Joshua Tree, and a date booked next month at Odeon Theatre in Hobart, Tasmania.

Barnett emerged in the 2010s as one of Australia’s finest indie exports. Her debut full-length album from 2015, Sometimes I Sit and Think, and Sometimes I Just Sit, peaked at No. 4 in Australia, and blasted into the top 20 in the United Kingdom and the United States, and won the Australian Music Prize, awarded to the best Australian album, regardless of critical success; along with a trio of ARIA Awards and a nomination for best international female at the BRIT Awards. Then, her solo follow-up from 2018, Tell Me How You Really Feel, cracked the top 10 in the United Kingdom, led several Billboard charts and peaked at No. 22 on the Billboard 200.

A collaborative project with Kurt Vile, 2017’s Lotta Sea Lice, was another success story, reaching No. 5 in Australia, No. 11 in the U.K., and No. 51 in the U.S.

There’s no word yet on when that next, fourth solo studio album will see the light of day.

Women In CTRL, a non-profit advocacy group, announced Thursday (Oct. 23) that more than a dozen British live music organizations have signed a pledge designed to strengthen inclusion targets across the industry.

The Seat at the Table Inclusion Pledge, the first of its kind in the U.K., is centered around a new sector-wide commitment to achieving gender-balanced leadership by 2030.

Signees of the pledge include ATC Live and Ginger Owl, and companies including AEG and The O2. All 15 LIVE (Live Music Industry Venues & Entertainment) organisations have also signed up, including the Association of Independent Festivals, Featured Artists Coalition and Music Managers Forum.

As supporters of the pledge, industry allies will contribute to case studies, share learning across the sector, and participate in future roundtables and peer learning sessions. Women In CTRL says this collaboration will be key to strengthening accountability across the live music ecosystem.

Signatories will also be required to commit to submitting an annual check-in to show progression across key focus areas, such as strengthening governance and board diversity through reviews or term limits.

In April, Women In CTRL and LIVE released a landmark report titled Seat at the Table: LIVE Edition. Its findings highlighted progress in some areas — including the finding that 61% of the Music Venue Trust board identifies as women or non-binary — while also revealing disparities in wider leadership representation.

Forty-one percent of board members across LIVE and its 15 member organisations are women or non-binary people, the report stated. LIVE has since released its 2030 inclusion targets, which include 50% women and non-binary representation and 16% women from global majority backgrounds in senior leadership roles. 

Elsewhere, the report revealed that women’s representation on U.K. music trade association boards rose from 32% in 2020 to 52% in 2024.

Gaby Cartwright, head of partnerships at LIVE, said in a press release at the time the report was released, “As an industry, it’s clear that we must do more to improve gender representation at the highest levels… Reaching this goal will require collective effort, accountability, and meaningful action — but momentum is building. This report provides crucial insight into the challenges we face, and the concrete steps needed to drive lasting change.”

Nadia Khan, founder of Women In CTRL, added at the time, “We know from experience that what gets measured, gets done. This report is an essential first step; by setting a clear benchmark, we are providing the industry with a roadmap for action, not simply reflection.”

To read the full Seat at the Table: LIVE Edition report, visit the Women In CTRL website here.

Swapmeet and 水中スピカ Suichu Spica are winners of the third annual Justin Cosby Music Prize, presented following their respective appearances at South by Southwest Sydney 2025.

Hailing from Adelaide, Swapmeet scoops the Justin Cosby best emerging artist honor, awarded to the local or international artist showing the most potential, a nod to their artistic merit and “export readiness.”

“Since we announced Swapmeet on the lineup, the band attracted a significant amount of industry interest thanks to their quality songwriting and cohesive production,” explains SXSW Sydney head of music Claire Collins. “Throughout the week, they backed up the buzz with a compelling show, producing gorgeous indie anthems punctuated by a punk spirit. We can’t wait to see what they do next.”

Meanwhile, Kyoto, Japan math rock act 水中スピカ Suichu Spica collect the Justin Cosby best performance prize, recognition of an outstanding live effort at an official SXSW Sydney event.

Their “flawless live sets throughout the week were one of the true highlights of SXSW Sydney this year,” says SXSW Sydney music program manager Reg Harris. “Each show featuring a tight setlist filled with intricate guitar tapping, sparkling vocals, ever changing time signatures and cinematic crescendos.”

Also, Jamaica Moana is named as recipient of the Walk to Austin Award, presented for the first time in partnership with Johnnie Walker Black Ruby. As part of their victory spoils, the trailblazing Māori/Samoan rapper and songwriter will perform at SXSW 2026 in Austin, Texas.

A music industry panel selected Moana on the basis of exceptional creativity, originality and potential to connect with a global audience.

The Justin Cosby Music Prize is named in the memory of Inertia Music co-founder Justin Cosby, who died in June 2021.

The much-loved independent music executive was a regular attendee at SXSW and his meticulously-prepared spreadsheet planner was shared widely among the Australian industry professionals making the journey to Austin each year, notes SXSW Sydney organizers in a statement.

The judging panel comprises industry leaders from independent record labels, community radio, venues, festivals and local and international media.

The inaugural Justin Cosby Music Prize was awarded in 2023 to Otoboke Beaver (best performance) and Miss Kaninna (best emerging artist), and was last year presented to Voice of Baceprot and DEVAURA.

TEG produced the third-annual SXSW Sydney, which was presented Oct. 13 – 19 and featured a program heaving with 1,600 events and networking sessions, plus a music festival lineup with more than 300 performances.