Rap fans of a certain age are no strangers to the hot/cold relationship between Jim Jones and Cam’ron as the two Harlem rappers have fallen out numerous times over the years.

Most recently, though, they’ve been at odds after 50 Cent made an appearance on Cam’s interview show Talk With Flee back in December 2024 and it looks like they still haven’t buried the hatchet.

Over Memorial Day weekend, Jimmy took to Instagram to issue his fellow Diplomat a challenge. “Tell ya mans I wanna do a verse against him since he made us lose our last verses at the Apollo,” he posted on Instagram referencing the loss their group The Diplomats took to The LOX on Verzuz in 2021. “Call Swizz lol. Happy Memorial Day lol. Smoke ain’t ur thing we all know tht so let’s settle this like this lol.” He then continued to take jabs with a caption that reads, “Let’s settle this once n for all. We can do it right in Harlem we know u ain’t been here in a while but they still love u lol lol lol.”

Cam has yet to respond and only really raps when he feels like giving fans a quick freestyle before his shows It Is What It Is and the aforementioned Talk With Flee. He’s also been busy with his pivot to sports analyst as he’s been making guest appearances on ESPN’s flagship morning show First Take alongside Stephen A. Smith and co-host Shae Cornette.

We’ll have to see if he takes the bait.

Manchester clubbing institution The Warehouse Project will celebrate its 20th anniversary with a flurry of special projects and performances, along with a 2026 season starting in September.

As part of the commemoration, The Warehouse Project will release a documentary, Twenty Years In Manchester, filmed by Leigh Powis. The six-minute doc weaves archival footage and new material filmed on some of the world’s last remaining rolls of Kodak Ektachrome film and explores UK dance music via interviews with a cast of locals. The doc will get a wide release this Thursday (May 29), with Apple Music subscribers able to access the film 48 hours before then.

Additionally, starting in July The Warehouse Project will host an outdoor art exhibition on Manchester’s famed boulevard The Avenue, Spinningfields. The exhibition will come alongside a podcast about the history of the club and a print magazine that will also unpack its history and influence in the context of the historically rich Manchester music scene. There will also be a compilation album reflecting two decades of the club to be released on its namesake WHP Records.

This all precedes The Warehouse Project’s 2026 season, which begins on Sept. 18 with a performance from Dutch phenom Ki/Ki and continues into the fall and winter with shows from Interplanetary Criminal, Hannah Laing, Solomun, Duke Dumont, Overmono and Tiësto’s first Manchester show in 13 years, all happening at Depot Mayfield. Additional performances will be announced in the coming months. Various sets from the season will be released exclusively on Apple Music, with selected sets to be streamed live for free via the newly launched Apple Music Club.

“Reaching 20 years is a huge moment for us,” WHP founders Sam Kandel and Richard McGinnis say in a joint statement. “The Warehouse Project has always been about progression and pushing the boundaries wherever possible. Since that first event when Public Enemy played the opening night at Boddingtons Brewery, we’ve always tried to keep things moving and respond as the music and culture around us has evolved. That feels like only yesterday! We have some truly incredible parties and lineups in the pipeline for this 20th season, and both feel so proud to still be here in Manchester being able to do this.”

Since 2006, The Warehouse Project has distinguished itself as one of the world’s leading clubs, earning acclaim for its stripped-down warehouse atmosphere, lineups that have included Aphex Twin, Nile Rodgers and Chic, Skrillex, Four Tet and Fred again.. and Andy C b2b Sub Focus, along with international editions in cities like Rotterdam, Antwerp, Melbourne, Sydney, Mumbai and Hyderabad.

Bad Bunny is building one of the most unexpected Hollywood resumes in music today. This summer, he’s playing a new face inside Pixar’s iconic toy universe.

The animation studio announced on Tuesday (May 26) that the Puerto Rican superstar has joined the voice cast of the next installment of Toy Story in the role of “Pizza with Sunglasses,” by posting a video of the character via their Instagram account, with the caption: “¡Vamos! @badbunnypr is Pizza with Sunglasses in #ToyStory5.”

The Toy Story 5 collab seems to be a full-circle moment for El Conejo Malo.

The singer’s connection to the Toy Story universe actually dates back several years. Long before he was known worldwide, the artist born Benito Antonio Martínez Ocasio had already shown his social media followers how much affection he had for Woody, Buzz and some of the other iconic toys of the film.

During the COVID-19 lockdown in 2020, while much of the entertainment industry came to a halt, the “Baile Inolvidable” artist entertained followers from home. He created homemade Toy Story-inspired videos using his own collection of action figures. The clips, shared across social media, quickly gained attention for his sense of humor and creativity.

At the center of the improvised minimovies, which he titled “Toy Story in the Times of Coronavirus,” were familiar characters like Woody, Buzz Lightyear, Rex and Forky—all voiced by Bunny, who exaggerated the voices in a comedic fashion.

The film is only the latest step in Bunny’s growing Hollywood career. Over the past few years, the Grammy-winning artist has steadily expanded into acting, appearing alongside Adam Sandler in Happy Gilmore 2 and starring opposite Austin Butler in Caught Stealing, directed by Darren Aronofsky. The artist is also set to take on a leading role in Porto Rico, the upcoming movie from René Pérez Joglar (artistically known as Residente). 

The upcoming Toy Story installment once again reunites longtime franchise favorites, including Tom Hanks as Woody, Tim Allen as Buzz Lightyear and Joan Cusack as Jessie. This chapter of the saga centers on the toys confronting modern technology and competing for Bonnie’s attention against a high-tech device named Lilypad.

Watch Pixar’s official trailer for Toy Story 5, out June 19, below.

J. Cole and Cam’ron have reached a settlement to end their bitter lawsuit over the creation of the duo’s “Ready ’24” collab.

Cam’ron (Cameron Giles) sued Cole (Jermaine Cole) last fall, claiming he’d been denied payment for contributing a featured verse to the song — and that Cole had reneged on a promise to appear on one of Cam’ron’s singles or his podcast.

Cole’s lawyers later forcefully denied that any such promise had been made, arguing Cam had been happy to appear on the song and only later filed his case to “publicly disparage” the star in an effort to win “excessive” fees.

But in court filings Tuesday (May 26), attorneys said the two sides had “reached an agreement in principle” to resolve the case and were “finalizing the settlement papers.” Terms of the deal — including any payments or changes in credits — were not publicly disclosed. Attorneys for both sides did not return requests for comment.

“Ready ’24,” recorded in 2022 and appearing on Cole’s 2024 mixtape Might Delete Later, featured a verse written and performed by Cam’ron. The mixtape debuted at No. 2 on the Billboard 200 and ultimately spent eight weeks on the chart.

In his October lawsuit, Cam’ron claimed he only agreed to appear on the song based on specific terms, including final approval of the song before release; credit as both a co-writer and a performer; and Cole either contributing a verse on a future song or appearing on Cam’ron’s It Is What It Is podcast.

“Two years later, with Cole having refused to honor his agreement to collaborate with plaintiff on either a single or on the podcast, defendants nevertheless released the sound recording,” his lawyers wrote at the time.

Months later, Cole’s attorneys denied the accusations, saying they had “discussed the possibility of Cole appearing on plaintiff’s podcast” but that no agreement was reached. They said he appeared on the track “voluntarily and without condition” and had been happy to be featured on the song.

“Plaintiff encouraged and blessed defendants’ use of his performance, as it was to his career benefit,” Cole’s attorneys wrote. “It was only after the release of ‘Ready ‘24’ that he began to demand unreasonable conditions never agreed to by Cole, or an excessive fee inconsistent with industry standards for a featured performance, followed by the filing of this lawsuit without notice to publicly disparage Cole as leverage.”