Charli XCX, RAYE and Florence and the Machine are among the six headliners for Reading & Leeds Festival 2026.

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The dual site English festival – held concurrently in Reading’s Richfield Avenue and Leeds’ Bramham Park – will also be headlined by Fontaines D.C., Dave and dance duo Chase & Status. The event will take place across the Bank Holiday weekend on Aug. 27-30.

SOMBR, Skepta and Geese are also among the names to join the lineup’s first announcement, with Kasabian set to be Leeds’ festival’s first ever Thursday headliner with a slot on the main stage. In recent years, two headline acts per day have taken to the stage across the Friday, Saturday and Sunday.

Also appearing on the bill will be Role Model, JADE, Josh Baker, Kneecap, Kettama, Chris Stussy (Reading only), Geese, Skye Newman, Adéla and Keo. More names will be announced in due course.

A PayPal presale for the event is live now (Dec. 1) with a second presale taking place tomorrow (Dec. 2) before a general sale on Wednesday (Dec. 3). 

Florence and The Machine and Dave have both headlined the festival previously, the former in 2012 and the latter in 2022. All other headliners have appeared a number of times throughout the festival in recent years.

Its the first show announced for Fontaines D.C. following the conclusion of their Romance tour in August 2025 and is billed as their only U.K. festival appearance in 2026. Charli XCX will also return to the stage for her sole U.K. festival performance and will follow the release of her upcoming Wuthering Heights soundtrack LP in February 2026.

Speaking to Billboard U.K. earlier this summer, festival boss Melvin Benn reflected on why he was keen to give upcoming stars the opportunity to headline over legacy acts. 2025’s event was headlined by Chappell Roan, Travis Scott, Bring Me The Horizon, and Hozier.

“I think it’s a pointer to all festivals to not be afraid and to be bold with their bookings,” Benn says of Roan’s headline slot in 2025. “To say that you were there when Chappell criticised Donald Trump from the Reading Festival stage, for example, or when Hozier stood up and said, ‘Free Palestine’… only a certain number of people can be there at that moment and actually experience it.”

Kylie Minogue is finally sharing the Christmas song she has been holding onto for a decade. The pop icon has released her new single “XMAS,” a track she says dates back to the summer of 2015 and was originally inspired by the Village People’s “YMCA.”

The song arrives as part of the 10th anniversary edition of Minogue’s holiday album, Kylie Christmas, which returns on Dec. 5 as Kylie Christmas (Fully Wrapped) with four brand-new tracks.

Speaking to The Sun, Minogue explained that the idea first came to her while she was in Berlin shortly after releasing her first holiday album, Kylie Christmas, that same year.

“The song comes from 2015. I was at Soho House in Berlin, it was summer on the terrace and we’d just done the first Christmas album,” she said. “We’d had a couple of glasses of wine … and it came to us like ‘YMCA’ but ‘XMAS.’ I’ve been sitting on the chorus for 10 years.”

The single arrives with a video that sees Minogue recreating the iconic flying lift from Dirty Dancing. Despite decades of stage experience, she admitted the move was a leap of faith.

“I was a bit scared as I’ve never done it before. It was a fantasy moment. I was told not to overthink it,” she said. “We did a couple of practices before we did the main one. The thing is, you just need to trust the other person. The first one I got up, but I overshot it. The second was fine. The third one was good. The bruises were worth it the next day.”

Minogue also addressed the idea of “XMAS” becoming a holiday chart-topper — something she’s not expecting but would happily welcome. “I’m not counting on it,” she said. “It would be crazy but that’s definitely parked to one side for me. I am just happy that ten years have passed since my last Christmas album and we are all here still going.”

The release caps what has been one of the busiest stretches of Minogue’s career. Over the past two years, she has released two albums, including 2023’s Tension, and completed a 66-date world tour behind the record. After nonstop work, she says she’s ready for a pause — sort of.

“It feels like I haven’t stopped. It’s been a gigantic year but I imagine I will be making music just for the love of it and maybe banking some things,” she said. “I could happily be in the studio most of my time. I love it. I find it just gets richer and more satisfying.”

Still, Minogue admitted that trying to record a holiday album during breaks on her Tension tour “was maybe not so wise,” but the creative impulse keeps her going. “I don’t know about releasing. I think I should just do the background work… maybe.”

Minogue’s “XMAS” is out now.

Olivia Dean has secured partial refunds for fans after publicly criticizing Ticketmaster and AXS over inflated resale prices for her upcoming North American tour.

The rising British singer-songwriter called out the platforms last week after fans discovered third-party listings priced at more than 14 times the original cost — in some cases surpassing $1,000.

In an open letter, Dean described the unchecked resale market as “disgusting,” “vile” and fundamentally “exploitative,” urging companies to “do better” to protect fans.

On Wednesday, Ticketmaster responded with a rare concession: a commitment to cap future resale rates for Dean’s tour and to begin refunding fans who paid above face value on its platform.

“We support artists’ ability to set the terms of how their tickets are sold and resold. @OliviaDeano, we will cap resale prices on our site at face value and hope other resale sites will follow,” Ticketmaster initially replied.

Michael Rapino, CEO of Live Nation Entertainment, later addressed the singer’s concerns, saying: “We share Olivia’s desire to keep live music accessible and ensure fans have the best access to affordable tickets. While we can’t require other marketplaces to honour artists’ resale preferences, we echo Olivia’s call to ‘do better’ and have taken steps to lead by example.”

Dean welcomed the move but made clear that her concerns extend beyond her own tour. Calling the secondary ticketing ecosystem “an exploitative and unregulated space,” she urged the wider music industry to adopt mandatory face-value resale caps for artists who request it.

“Tours steal from artists and they steal from fans,” she said. “They create inequality and hysteria. I am lucky to have had an education about the complexities and corruption of ticketing from @dicefm and will always choose to partner with them where we can. But know that you have power with other partners.

“Capping resale at face value is your right and we have a duty to encourage a fair resale market. We are often made to feel we don’t have a choice but there is always space to ask why and it is always your right to say no!”

Dean, who performed on Glastonbury’s Pyramid Stage last year and has become one of 2025’s biggest breakout stars, emphasised that live shows remain a deeply personal space for her.

“We are very serious about everything we do but live is a sacred space we have crafted over 10 years,” she wrote. “We lose money on nearly every show but feel passionately it is a worthy investment to create a moment for people to connect and lose themselves for an hour. We always do our best to make those spaces safe and accessible to everybody.

“Touts steal from artists and they steal from fans. They create inequality and hysteria. Capping resale at face value is your right and we have a duty to encourage a fair resale market,” she continued. “We are often made to feel we don’t have a choice but there is always space to ask why and it is always your right to say no!

“It’s not every day that you feel heard and understood,” she concluded, “so today is good day.”

Her comments arrive amid growing international scrutiny over ticketing practices. In the U.K., legislators recently confirmed plans to make it illegal to resell tickets for more than their original price following advocacy from major artists including Coldplay and Dua Lipa, who argued the change would “help democratise public access to the arts.”

JoJo Siwa says she was hospitalized with sudden “excruciating” stomach pain just hours before her scheduled performance at the Mall of America in Bloomington, Minn., on Friday (Nov. 28), revealing in a TikTok video that she suffered a ruptured ovarian cyst that caused internal bleeding.

In the post, Siwa explained that she had been dealing with persistent discomfort for several days, which intensified any time she danced, walked or moved. “Every time that I’ve been dancing for the last couple of days or even just walking, my stomach would just really, really hurt,” she said. At first, she assumed the pain was related to menstrual cramps, adding that she tried to ease it with a warm bath. “That set it off 100 times worse,” she said.

After calling her mother for advice, Siwa said she was urged to phone an ambulance. At the hospital, doctors told her the cause: “One of my ovaries had a cyst on it that burst and was bleeding into my stomach,” she explained. She added that the blood in her abdomen triggered the intense pain. “Anytime that the blood in your stomach moves, that’s the bleeding in the stomach. It’s like brutal pain.”

Despite the medical emergency, Siwa still performed her Mall of America set later that day. She told fans she will undergo follow-up checks next week. “We’re going to keep it pushing,” she said, noting she has been instructed to return to the hospital immediately if she experiences vomiting or a recurrence of the severe pain.

@itsjojosiwa

Thank you for all the well wishes🤍 grateful for the Doctors and Nurses for working so fast and helping me get back on time, keep it pushing🤍

♬ original sound – JoJo Siwa

The Minnesota stop followed the conclusion of her Infinity Heart U.K. and European tour, which wrapped earlier this month. Earlier in 2025, Siwa appeared on the U.K. edition of Celebrity Big Brother, where she was the subject of inappropriate comments and behavior from fellow contestant Mickey Rourke.

More recently, she released a cover of Kim Carnes’ “Bette Davis Eyes.” Carnes appeared to respond cryptically to the rendition in a TikTok, saying, “There is a difference between singing a song…and embodying it.”

Siwa has continued to tease new music and maintain a high profile across social media throughout the year. In her TikTok about the medical scare, she reassured fans that she expects to recover without further intervention, adding that doctors anticipate the situation will resolve on its own.

The NFL has unveiled the lineup for the pregame entertainment at Super Bowl LX.

Ahead of Bad Bunny’s performance for the 2026 Apple Music Super Bowl LX Halftime Show on Feb. 8, 2026, at Levi’s Stadium in Santa Clara, Calif., Charlie Puth will perform the national anthem, Brandi Carlile will sing “America the Beautiful” and Coco Jones will perform “Lift Every Voice and Sing.”

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“Super Bowl Sunday is the world’s biggest entertainment stage, and we’re proud to spotlight artists who embody the very best of music and culture,” Jon Barker, NFL senior VP of global event production, said in a statement.

Roc Nation CEO Desiree Perez added, “Charlie, Brandi, and Coco are generational talents, and we are honored to have them — alongside our extraordinary deaf performers — on Super Bowl LX’s world stage. This moment embodies the very best of culture, live performance, and our country, perfectly kicking off game day.”

The NFL announced the news on Sunday (Nov. 30).

Both the pregame and halftime shows will include American Sign Language (ASL) performances, with Fred Beam performing the national anthem and “Lift Every Voice and Sing,” and Julian Ortiz delivering “America the Beautiful.” For the first time, the signed rendition of Bad Bunny’s halftime show will feature a multilingual signing program incorporating Puerto Rican Sign Language, led by Celimar Rivera Cosme.

All of the 2026 Super Bowl’s signed performances are collaborations with Alexis Kashar of LOVE SIGN and Howard Rosenblum of Deaf Equality.

Super Bowl LX will be broadcast live on NBC, Telemundo and Peacock on Feb. 8. This will mark the seventh year that the halftime show will be programmed by Roc Nation — who are executive producing the show alongside Jesse Collins — produced by DPS and directed by Hamish Hamilton. Roc Nation also serves as the strategic entertainment advisor for the show. Additionally, it will be the fourth year Apple Music serves as the presenting sponsor.


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Iggy Azalea is officially closing the door on her rap career.

The Australian-born artist, who has shifted her focus to entrepreneurial and digital ventures in recent years, reaffirmed that she does not plan to return to the music industry. The update came via Instagram on Friday (Nov. 28), when the “Fancy” rapper shared a selfie that prompted a fan to ask whether she had recently signed a new record deal.

“F*** no,” Azalea replied in the comments. “But I did consider signing, for weeks. I’m very sure I don’t want to come back to the music industry.”

Her comment follows years of gradual distance from major releases. Azalea’s last studio album, The End of an Era, arrived in 2021 and marked a personal milestone, intended as a closing chapter before a pivot to new creative paths. Her 2014 debut, The New Classic, made a global impact with the Billboard No. 1 single “Fancy” and established her as one of the most commercially successful Australian rappers of the decade.

Earlier this year, Azalea publicly alleged on X (formerly Twitter) that Universal Music Group owed her what she described as “millions of dollars in back pay” from international royalties. She claimed the amount in question was in the “eight-figure range” and said the corporation “technically stole” earnings during her early career. UMG did not comment at the time, and Azalea has continued to discuss the issue while advocating for artist rights and royalty transparency online.

In August, she appeared on ABC News and spoke candidly about the pressures she experienced at the height of her fame. She recalled being labeled an “industry plant” early on and described the rap industry as a “battlefield.” “I was stepping on landmines left and right, and I just couldn’t survive it. It’s not survivable,” she said. She added that while she made mistakes along the way, the emotional toll of navigating the spotlight ultimately reshaped her relationship with music.

“There are some things I walked into and deserve, or things I could have done better,” she said. “But I can’t sit here all day long feeling sorry about that. It’s just part of life.”

Azalea has since focused on business ventures — including cryptocurrency projects and online creative work — and has not hinted at reconsidering her decision. Her latest comments suggest her retirement from music is firm, with no plans for a comeback on the horizon.

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Brandy has been winning over sold out crowds on her “The Boy Is Mine Tour” with Monica, but the multitalented star is hoping to win over television viewers tonight with the premiere of her brand new holiday film, Christmas Everyday.

The new film stars Brandy alongside her daughter Sy’rai, who makes her acting debut playing Brandy’s younger sister in the movie. Airing tonight, Saturday, Nov. 29 at 8 p.m. ET/PT, Christmas Everyday is Lifetime’s first original holiday movie of 2025 and sure to be a fan favorite.

Want to watch Christmas Everyday on TV? You can tune in to Brandy’s new Christmas movie by using any cable package that includes the Lifetime network. Don’t have cable? There are also a few ways to watch Christmas Everyday online.

How to Watch Christmas Everyday Online Free

If you want to livestream Christmas Everyday as it airs on Lifetime tonight, sign-up for a free trial to DirecTV, which lets you watch 90+ live TV channels over the internet with no commitment. DirecTV’s current channel lineup includes Lifetime, so you can use it to watch Christmas Everyday online without cable.

Test out DirecTV with a five-day free trial here and continue with one of their streaming packages from just $49.99/month. Or you can cancel at any time.

You can also watch Lifetime channel online free through Frndly TV, which offers a seven-day free trial here. Frndly TV is one of the most affordable streaming services online, with more than 50 live TV channels that you can watch from just $6.99/month. A bonus: this Black Friday offer gets you a monthly subscription for just $0.99 for a limited time.

Sign up for the Frndly TV deal here or use their free trial to watch Christmas Everyday on Lifetime online for free. Or you can try Philo, which offers a live Lifetime channel feed in addition to 70 other channels, plus HBO Max included for just $38/month.

All of the above services let you livestream Christmas Everyday live online as it airs on Lifetime. If you want to watch it on demand, Brandy’s new holiday film is expected to be available on Lifetime Movie Club, the network’s exclusive streaming home. You can get a free trial to Lifetime Movie Club here and use it to watch Christmas Everyday on-demand from home.

What Is Christmas Everyday About?

Christmas Everyday follows Fancy (Brandy) who is left to organize Christmas after her father’s untimely death and her mother’s health begins to deteriorate. As if that wasn’t enough, Fancy has to deal with her bridezilla sister (Sy’rai), whose wedding is coming up at the same time. Of course as with every Lifetime romance movie, there’s some fairy tale magic involved as well. As a movie description teases, “Fancy finds herself unexpectedly drawn to the rugged, yet charming, contractor Jaylen (Robert C Riley) who is tasked with the repairs and renovation of the family home,” after a water pipe bursts and threatens to derail everyone’s holiday plans. “Through all the chaos, Fancy learns valuable lessons about faith, family, and the true meaning of Christmas,” a press release says.

Christmas Everyday is executive produced by Brandy and marks the first time she appears on screen with real-life daughter Sy’rai. In a statement, Brandy says, “The holidays are always about family as part of the festivities,” adding that she’s “thrilled” to have “my own daughter star with me – even though we are playing sisters! Lifetime movies have become such a beloved tradition, and I’m honored to star and executive produce.”

Christmas Everyday airs tonight, Nov. 29 at 8 p.m. on Lifetime. The two-hour film will be followed by the premiere of The Christmas Campaign, starring Vivica A. Fox and Jackée Harry. Watch everything live online with a free trial to DirecTV here.

Vanessa Hudgens and husband Cole Tucker have welcomed their second child together.

The High School Musical alum — and singer behind pop songs including 2008’s “Sneakernight” and 2006’s “Come Back to Me” — announced her newborn’s birth on Saturday (Nov. 29) with a photo of herself hooked up to monitors in a hospital bed. In the snapshot, Hudgens appears to be holding hands with Tucker, a former professional baseball player who most recently played for the Los Angeles Angels before retiring in May.

“Well…. I did it,” Hudgens captioned her Instagram post. “Had another baby!!! What a wild ride labor is. Big shout out to all the moms. It’s truly incredible what our bodies can do.”

The singer/actress publicly shared the news of her pregnancy in July, when she debuted her baby bump on social media through a maternity photo shoot with Tucker. Since then, she’s shared other fun glimpses at life while expecting, including pictures of herself dressed up as Mother Earth — painting her belly as Earth — for Halloween, and vacation photos from attending a September wedding in Italy.

The couple welcomed their first child together last year, in July 2024, and have since kept personal details private.

Last year Hudgens, aka “Goldfish,” was also crowned the winner of season 11 of The Masked Singer.

Hudgens leads the upcoming ’60s thriller Quiet Storm, the directorial debut of Anthony Thorne, who also co-stars (as does Mira Sorvino). As of July, production had wrapped. No post-production news has been released; Deadline last reported the film was being presented and executive produced by Nick Cassavetes. Hudgens portrays romance novelist Abby Lynche, who “finds herself confined during 1969’s Hurricane Camille, confronting personal revelations amid social upheaval and women’s liberation while the storm rages outside.”

See Hudgens’ baby announcement selfie below.

The Wiggles have issued a statement after a TikTok video featuring the children’s entertainment group and Keli Holiday — the solo project of Peking Duk’s Adam Hyde — was removed from social media following complaints from parents.

The since-deleted clip, first reported by News.com.au, showed Blue Wiggle Anthony Field and his nephew Dominic Field (who portrays The Tree of Wisdom) dancing behind Holiday as he promoted his new single “Ecstasy.” The chorus of the track includes the lyric: “Hey girl, come on, dance with me / You and your pocket full of ecstasy,” prompting criticism from viewers who felt the pairing blurred the line between children’s entertainment and adult-coded content.

The video was posted shortly after Holiday appeared onstage with the pair at the 2025 TikTok Awards on Nov. 26, where The Wiggles joined him for a performance of his single “Dancing2.” Anthony played the bagpipes during the set while Dominic performed his signature dance alongside Holiday’s partner, broadcaster Abbie Chatfield.

After the TikTok clip began circulating, a spokesperson for The Wiggles told The West Australian that the group “does not support or condone the use of drugs in any form,” emphasizing that the video was created without their approval.

“We understand that a video circulating on social media has caused concern for many parents and professionals, and we want to address that directly,” the spokesperson said. “The Wiggles do not support or condone the use of drugs in any form. The content being shared was not created or approved by us, and we have asked for it to be removed.”

The statement clarified that while Holiday is a longtime friend of the group, the music added to the clip was edited in after their TikTok Awards appearance. “While Keli Holiday (Adam Hyde) is a friend of The Wiggles, the video and the music added to it were created independently and without our knowledge,” the spokesperson continued. “Our performance at the TikTok Awards was family-friendly and fun, and this video was edited together separately and without our awareness.”

The group ended by reaffirming their commitment to families: “We deeply value the confidence families place in us and we remain committed to creating safe, positive, and educational experiences for children and families in Australia and around the world.”

Holiday released “Ecstasy” earlier this month, describing the track as a spontaneous idea that took shape during sessions with Golden Features and Belgian singer Romanie, before finalising the song with producer Konstantin Kersting.

Bob “Bongo” Starkie, guitarist for the trailblazing Australian rock band Skyhooks, has died at 73 after a year-long battle with acute myeloid leukemia. His death was confirmed Tuesday on the group’s official Facebook page.

Skyhooks archivist Peter Green announced the news, writing that Starkie “passed away early this morning” after spending the past year undergoing treatment while still hoping to return to the stage. Green remembered him as the youngest member of the band who “embraced the theatrics” that became a signature part of Skyhooks’ identity — from bold makeup and elaborate stage outfits to the irreverent swagger that helped define the group’s rise. “The music always came first,” Green wrote, adding that performing live “was his absolute joy” and that “music was in his blood till the very end.”

Starkie joined Skyhooks in August 1973, replacing his older brother Peter Starkie, who died in 2020 at age 72 following complications from a fall. Peter was one of the musicians who helped establish the early lineup that would go on to dominate Australian rock in the mid-1970s.

In a tribute shared through the band’s page, Starkie’s daughter Indiana said her father “peacefully departed, listening to Chuck Berry, snuggling with his fur baby Bonnie, surrounded by friends and family.” She noted that he was deeply loved by daughters Indiana and Arabella, grandchildren Phoenix and Lucia, partner Chrissy, close friend Ian, and son-in-laws Simon and Chris, adding: “He felt the love till the very end.”

Formed in Melbourne in 1973, Skyhooks quickly became one of Australia’s most influential rock acts. Known for their glam-leaning visual style, provocative lyrics and theatrical shows, the band gave Michael Gudinski’s Mushroom Records its first major commercial breakthrough. Their debut album, Living in the 70’s, spent 16 weeks at No. 1 in 1975 and reshaped Australia’s pop and rock landscape. Skyhooks also made broadcasting history when their track “You Just Like Me ’Cos I’m Good in Bed” became the first song ever played on 2JJ (later triple j) in January 1975.

The group endured tragedy before: frontman Graeme “Shirley” Strachan died on August 29, 2001, at age 49 in a solo helicopter crash near Mount Archer in Queensland. He was piloting a Bell 47 when turbulence caused the rotor to strike the tail boom, leading to the fatal accident.

Skyhooks disbanded in 1980 but reunited periodically, with Starkie remaining one of the band’s most active ambassadors. In 1992, Skyhooks were inducted into the ARIA Hall of Fame, further defining their status as one of Australia’s defining rock acts.