Usher is suing music producer Bryan-Michael Cox and other organizers of a failed Atlanta restaurant project, claiming in a new lawsuit that they still owe him $700,000 and misused money he lent to buy the property.

In a case filed last week in Georgia court and obtained by Billboard, the Atlanta superstar says he lent more than $1.7 to Cox and others to help purchase a building for “Homage ATL,” a high-end restaurant and lounge in the city’s tony Buckhead neighborhood.

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When the deal didn’t go through, Usher’s lawyers say he demanded his money back, but the Homage organizers only returned $1 million – because the rest had allegedly been used elsewhere without permission.

“Plaintiff loaned [the money] for the sole purpose of purchasing the Buckhead property,” Usher’s attorneys write. “The defendant investor group failed to purchase the Buckhead property and, instead, diverted the Raymond loan balance for [other] purposes.”

Cox is a well-known R&B producer who’s produced hits for Mary J. Blige, Mariah Carey and Usher himself. The other defendants are alleged project partners Keith Thomas and Charles Hughes, as well as attorney Alcide Honoré and several companies allegedly tied to the project.

In a statement on Instagram, Cox seemed to pin the blame for the dispute on others: “My legal team has … advised me of a lawsuit involving a company where I am only a passive minority shareholder. I was not a participant in that business transaction and have no involvement in the ongoing legal process. While I’m unable to share more details right now, I want to make one thing absolutely clear: my 27-year friendship with @usher remains fully intact.”

But Usher’s lawyers don’t seem to be in a friendly mood. They claim Cox and the rest of the Homage organizers were “unjustly enriched” by using the remaining loan funds for other reasons, “which was to plaintiff’s detriment, damage, and expense.”

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Usher’s case claims that Cox, Hughes and Thomas approached him last year about the project, which was “intended to offer the public a unique dining lounge experience.” Though he says they wanted the locally-raised superstar to sign onto the project as a full-fledged partner, Usher says he “declined to become an investor” and instead opted merely to loan the group money to buy the restaurant’s location for more than $6 million.

As the “days and months passed” in early 2025, the two sides continued to negotiate a potential investment by Usher, but no deal was ever reached and the Buckhead property was never purchased. Eventually, the star says he demanded his money back – but that Honoré effectively told him that some of the funds had been used elsewhere.

“Honoré all but admitted that the Raymond loan balance was disbursed when he stated that returning that balance was ‘not that easy’ because plaintiff’s funds had been deployed for ‘other purposes’,” Usher’s attorneys write. “Honoré stated [that Usher] would be repaid once the Buckhead property was purchased and the property was refinanced, indicating that he apparently no longer had possession, custody, or control over the funds.”

Several of the lawsuit’s claims are aimed solely at Honoré, including breach of bailment – meaning he failed to return Usher’s property – as well as various other forms of wrongdoing, including negligence and breach of fiduciary duty. He did not return a request for comment. The case accuses the rest of the investors of breach of contract, unjust enrichment and keeping money that wasn’t theirs. Thomas and Hughes could not immediately be reached for comment.


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Northern Ireland rap trio Kneecap dropped a surprise drum & bass single, “No Comment,” on Tuesday (Nov. 18), a track the Belfast group said in an Instagram post is “all about the police witch-hunt against Mo Chara.”

The latter reference is to the terrorism charge against MC Chara (born Liam Óg Ó hAnnaidh), with the song taking on the legal action launched by British authorities against Chara that was thrown out of court in September on a technicality.

The provocative group added the messages, “Free Palestine. Free the 6 counties. F–k the peelers,” references, respectively, to the group’s support of the Palestinian people and advocacy for a Palestinian homeland, the slogan used by Irish nationalists in reference to six counties in Northern Ireland as part of a push to end British rule in the territory and a slang phrase denigrating the police.

The two-minute-long collaboration with DJ/producer Sub Focus was accompanied by cover art by enigmatic British street artist Banksy in the form of one of his signature murals in which a protestor is seen in shadow lying on the ground trying to protect himself from a judge threatening to hit him with a gavel.

The song’s mostly Irish-language lyrics hit on Chara’s legal entanglements with bars including, “It’s certain that we’re in the way/ In the West Bank and in Gaza/ We’ve made an example of you now, so silence Mo Chara/ That won’t ever happen,” as well as, “I’m misbehaving in badness/ Mo Chara’s wanted/ The air bubble bandit.” The song later takes on the paranoia that comes with sudden, controversial fame. “Have you ever been plastered on the news when you’ve got the heebie-jeebies?,” it continues, “Far from ideal/ Got death threats on my screen.”

In a statement to Pitchfork, the group said: “‘No Comment’ is all about getting harassed by the British state. Simple as. Us Irish are well used to it, been happening for centuries. Was a pleasure to work with Sub Focus on this, the man is a legend.”

Chara was charged in May with a terror offense for reportedly displaying the flag of the Lebanese Islamist political party and paramilitary group Hezbollah during a Nov. 2024 concert in London’s Kentish Town Forum, a group designated with terrorist status by the U.K. government. The charge was tossed out by a British judge in September, due to a technical error in the timing of when the charges were brought by London’s Metropolitan Police; Chara had steadfastly denied any wrongdoing in the case, though video footage from the show appeared to show him displaying a flag associated with Hezbollah.

The band continued to court controversy over the past year, including during their Coachella sets in April, which ended with a message that read: “Israel is committing genocide against the Palestinian people. It is being enabled by the U.S. government who arm and fund Israel despite their war crimes. F–k Israel; free Palestine.” The statement led to a number of prominent music industry figures, including Ozzy Osbourne manager Sharon Osborne, calling for them to be removed from the bill and for their work visas to be revoked.

The group has since been banned from several countries, including Hungary and Canada, over claims, respectively, that they pose a “national security threat” and that they made statements “that are contrary to Canadian values and laws.” They were also forced to cancel a run of shows in the U.S. and U.K. in the midst of the court case.

Listen to “No Comment” below.


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It’s never too early to start planning your holiday shopping. With the holiday season quickly approaching, finding thoughtful gifts that won’t break the bank can feel like a challenge. To make your gift-giving stress-free and budget-friendly, we’ve put together a list of 10 gifts that are worth adding to your shopping list, all priced $10 or under.

From Rihanna-approved accessories to ear-safe headphones, this gift guide has something special for everyone, even music lovers. Whether you’re shopping for family, friends or colleagues, these affordable options are sure to bring a smile to someone’s face, without breaking the bank in turn. Keep in mind: Some of these gifts also make great stocking stuffers or white elephant gifts, like the Jessica Simpson Heart Ring set, the Tonymoly Head to Toe Superstars Mask Set and the E.l.f Reviver Lip Oil. From big gifts to dainty items, there is something for everyone on your list.

Scroll down and select one or more of your favorite gifts under $10. With this list, you’ll be sure to find something that’s both budget-friendly and special.

10 Of Our Favorite Gifts For $10 Or Under Including Stocking Stuffers

ZOHAN Noise Cancelling Over Ear Headphones with Velvet Bag, Blue

Bright blue over-the-ear headphones.


These noise-canceling headphones are just $10, and they’re on-par with some of the more pricey models we’ve seen. The ZOHAN wireless style comes in four total colors and sits over-the-ear. They offer effective noise-canceling to protect delicate ears from loud noises, ensuring safety. We’d recommend buying these for your little ones, but adults can partake too, obviously. 

10 Of Our Favorite Gifts For $10 Or Under Including Stocking Stuffers

Aolcev USB C Cable 66W Fast USB A to USB C Charging Cord 3.3FT

A beaded charging cord.


Who said tech had to be boring? This beaded charging cord is 3.3 feet, giving you a wide range of movement once your phone is plugged in. This is a USB-C Cable, meaning it is compatible with any device with a USB-C port. It’s also fast-charging, meaning you won’t have to spend too long plugged in. With all the colorful beaded accents, you’ll never mistake your charger for someone else’s ever again.

10 Of Our Favorite Gifts For $10 Or Under Including Stocking Stuffers

Logitech – M196 Lightweight Bluetooth Wireless Optical Mouse

A wireless pink mouse.


This wireless mouse from Logitech is comparable to styles we’ve seen from top brands. The difference? This mouse is only $9.74. The wireless style is portable due to its compact size and pairs with your laptop or tablet in seconds via Bluetooth, eliminating the need for a dongle or port. It also comes in a cute pastel pink hue if you’re looking to make your gaming setup a little more fun.

10 Of Our Favorite Gifts For $10 Or Under Including Stocking Stuffers

Icon No Crease Hair Clip Set

Two hair clips with bows.


Flat hair clips have been utilized by the likes of Solange, Rihanna and more to add a stylish touch to their updos, or to keep their hair back while makeup is being applied. These $10 clips from Urban Outfitters are uniquely suited for both purposes thanks to the bow detailing. They also won’t put creases in your hair, leaving your updo dent-free. These make a cute stocking stuffer for the beauty and fashion-obsessed person in your life.

10 Of Our Favorite Gifts For $10 Or Under Including Stocking Stuffers

Tonymoly Head to Toe Superstars Mask Set

A mask set from TonyMoly.


Looking to treat that special someone to a spa day, but not willing to break the bank? This Tonymoly head-to-toe mask set is here to help. The mask set comes with the brand’s White Chocolate Peppermint Foot Mask, Vanilla Sugar Hand Mask, I’m Honey Sheet Mask and their I’m Plum Sheet Mask, everything you need to get you feeling relaxed and pampered for just $10.

10 Of Our Favorite Gifts For $10 Or Under Including Stocking Stuffers

The Creme Shop Bear Essential Facial Cleansing & Firming Massager

$10 $20 50% off

Buy Now at ulta beauty

A facial massager.


Cute and functional? What could be better than that? This bear-shaped facial cleansing tool doubles as a massager and retails for just $10 at Ulta Beauty. To use, you’ll want to lather your face with a cleanser and buff in with this tool. It’s much more hygienic than using your hands and it works to remove dead skin thanks to the textured face. It also helps circulate blood flow and fluids, depuffing the face.

10 Of Our Favorite Gifts For $10 Or Under Including Stocking Stuffers

Silly Goose 3 oz Scented Candle

A goose-shaped candle.


This candle from Urban Outfitters is as cute as can be and makes a great gift for the trinket lover in your life. The 3oz goose-shaped candle is scented with notes of roses, lychee, citrus, peony, red rose, iris, green, amber, and musk, creating a fresh rose garden scent with hints of fruit. It’s a conversation starter for sure and at just $10, it’ll be hard to pass up on.

10 Of Our Favorite Gifts For $10 Or Under Including Stocking Stuffers

Kintion Pocket Mirror

$8.99 $14.99 40% off

Buy Now On Amazon

A pocket-size mirror.


If you’re on the hunt for a stocking stuffer, this pocket-sized mirror is a must-add to your cart. It’s the ultimate makeup essential for on-the-go touch-ups. With its built-in lighting, it provides just the right amount of light for flawless results.

10 Of Our Favorite Gifts For $10 Or Under Including Stocking Stuffers

Jessica Simpson Heart Ring Set

A four piece of rings from Jessica Simpson.


If you’re looking for a dainty yet meaningful gift, consider adding this Jessica Simpson Heart Ring set to your cart. This versatile set allows you to layer the rings for a personalized, stylish look., featuring designs ranging from heart-shaped to star-shaped.

10 Of Our Favorite Gifts For $10 Or Under Including Stocking Stuffers

E.l.f Glow Reviver Lip Oil

A lip oil from E.l.f.


Looking for a stocking stuffer beauty gift? This e.l.f Glow Reviver Lip Oil gives you an ultra-glossy look with a non-sticky formula. This lip oil glides effortlessly with its plush cushion applicator, giving your lips a luscious and hydrated shine. Plus, it’s 100% vegan and cruelty-free, making it a feel-good choice for your beauty routine.

Start your holiday shopping off right by adding one (or a few) of these affordable finds to your cart. You can also get creative and put together your own custom gift basket with all your favorite items. This is a great opportunity to craft a one-of-a-kind gift that’s both meaningful and personal, giving it that extra special touch — whether they’re a Swiftie or a Sabrina Carpenter fan.

For more product recommendations, check out ShopBillboard’s 50 unique gifts for music lovers, these top 10 musical instruments for kids, the best portable gadgets under $50 and Rihanna’s-approved Savage x Fenty holiday must-haves for all ages.

One thing is for sure every year around the time of the Rock & Roll Hall of Fame induction ceremonies — there’s going to be talk about bands. Of course, there’s which bands are getting in this year, and who from those bands is showing up and/or performing, and which members from their earlier or later history have gone unfairly unrecognized. And then inevitably, there’s discussion to which bands have yet to get in, and which are the most overlooked and which seem destined to forever be on the outside. And then finally: Which previously ineligible bands will soon be up for voting for the first time — and do any of them have a real chance of getting in?

With this year’s Rock Hall induction finally coming up this weekend (Nov. 9), we think it’s a good time to look back on rock’s history — from the very beginning up until this century — and figure out which rock bands we at Billboard think still serve as the benchmarks for greatness. Which of the established canon of rock greats do we still think still merit their spots in the genre’s inner circle? Which newer artists do we think belong in there with them? Which artists from regrettably oft-excluded subgenres (or nationalities) do we think additional room should now be made for? And who do we think is still the absolute best of the best?

All this month, we’ve been counting down our picks for the 50 greatest rock bands of all time, ending this Wednesday (Nov. 19) with the top 10. We tried to keep the focus on true bands, so we didn’t include vocal groups (who don’t play the majority of their own instruments) — or bands who mostly fell in back of their top-billed frontperson — but we weren’t overly fussy in defining “rock” from there. Read our choices over the next few weeks, let us know your own picks, and long live rock and its many exemplary practitioners.

Prepare to feel old, even if you’re young: Movies about classic rockers are now contenders for AARP Movies for Grownups Awards.

Springsteen: Deliver Me From Nowhere, the biopic about a pivotal period in the life of Bruce Springsteen, is nominated for best period film, while its director, Scott Cooper, is up for best director. Becoming Led Zeppelin, a doc about Led Zeppelin, hard rock gods of the late ‘60s and ‘70s, is nominated for best documentary.

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The Movies for Grownups Awards honor films and television projects that celebrate the voices and stories of those who are 50-plus. This year’s contenders for the top award, best picture/best movie for grownups, are Hamnet, A House of Dynamite, One Battle After Another, Sinners and Train Dreams.

Kathryn Bigelow, director of A House of Dynamite, and Paul Thomas Anderson, director of One Battle After Another, are up for best director, along with Cooper, director of the aforementioned Springsteen biopic, Guillermo del Toro (Frankenstein) and Spike Lee (Highest 2 Lowest).

Ethan Hawke is nominated for best actor for playing lyricist Lorenz Hart in Blue Moon. The film is set on the night of the opening of the groundbreaking musical Oklahoma!, which was created by Hart’s former collaborator Richard Rodgers and his new lyricist Oscar Hammerstein II.

Other nominees include Helen Mirren, recently announced as the 2026 recipient of the Golden Globes’ Cecil B. DeMille Award; two-time Oscar winner Sean Penn; and Dwayne Johnson, aka The Rock.

Two documentaries directed by current stars that look at the lives of their parent(s) are also nominated for best documentary. They are Stiller & Meara: Nothing Is Lost, Ben Stiller’s film about his parents, the great 1960s comedy duo Jerry Stiller and Anne Meara, and My Mom Jayne, actress Mariska Hargitay’s look at her mother, 1960s sex symbol Jayne Mansfield. The remaining nominees for best documentary are Cover Up, a look at investigative journalist Seymour Hersh, and Riefenstahl, about controversial filmmaker Leni Riefenstahl.

In the best TV series or limited series category, nominations go to Adolescence, Hacks, The Pitt, The Studio, and The White Lotus

“These nominees prove that powerful storytelling transcends age,” Myechia Minter-Jordan, CEO of AARP, said in a statement. “At AARP, we believe representation matters—not just for audiences, but for the industry itself. By honoring these actors and creators, we’re shining a light on the richness, depth, and diversity of experience that deserves to be seen and celebrated.”

The annual Movies for Grownups Awards ceremony will take place on Saturday, Jan. 10 at the Beverly Wilshire in Beverly Hills, California. Alan Cumming, the Tony- and Emmy Award-winning  host of TV’s The Traitors, will return to host the show, which will be broadcast by PBS’ Great Performances on Sunday, Feb. 22 at 7/6c.

The annual awards show raises funds for AARP Foundation, which works to strengthen older adults’ financial resilience.

Here’s the complete list of 2025 nominees for the Movies for Grownups Awards:

Best Picture/Best Movie for Grownups

Hamnet

A House of Dynamite

One Battle After Another

Sinners

Train Dreams

Best Actress

Laura Dern, Is This Thing On?

Jodie Foster, A Private Life

Lucy Liu, Rosemead

Julia Roberts, After the Hunt

June Squibb, Eleanor the Great

Best Actor

George Clooney, Jay Kelly

Leonardo DiCaprio, One Battle After Another

Joel Edgerton, Train Dreams

Ethan Hawke, Blue Moon

Dwayne Johnson, The Smashing Machine

Best Supporting Actress

Regina Hall, One Battle After Another

Amy Madigan, Weapons

Helen Mirren, Goodbye June

Gwyneth Paltrow, Marty Supreme

Sigourney Weaver, Avatar: Fire and Ash

Best Supporting Actor

 Benicio Del Toro, One Battle After Another

Delroy Lindo, Sinners

Sean Penn, One Battle After Another

Michael Shannon, Nuremberg

Stellan Skarsgård, Sentimental Value

Best Director

Paul Thomas Anderson, One Battle After Another

Kathryn Bigelow, A House of Dynamite

Scott Cooper, Springsteen: Deliver Me from Nowhere

Guillermo del Toro, Frankenstein

Spike Lee, Highest 2 Lowest

Best Screenwriter

Paul Thomas Anderson, One Battle After Another

Noah Baumbach and Emily Mortimer, Jay Kelly

Bradley Cooper, Will Arnett, and Mark Chappell, Is This Thing On?

Julian Fellowes, Downton Abbey: The Grand Finale

James Vanderbilt, Nuremberg

Best Ensemble

 A House of Dynamite

Jay Kelly

Nuremberg

One Battle After Another

Wake Up Dead Man: A Knives Out Mystery

Best Intergenerational Film

Eleanor the Great

The Lost Bus

Rental Family

Rosemead

Sentimental Value

Best Period Film

Dead Man’s Wire

Marty Supreme

Nuremberg

Sinners

Springsteen: Deliver Me from Nowhere

Best Documentary

Becoming Led Zeppelin

Cover Up

My Mom Jayne

Riefenstahl

Stiller & Meara: Nothing Is Lost

Best Foreign-Language Film

It Was Just an Accident

No Other Choi

Nouvelle Vague

The Secret Agent

Sentimental Value

Best TV Series or Limited Series

Adolescence

Hacks

The Pitt

The Studio

The White Lotus

Best Actor (TV)

Walton Goggins, The White Lotus

Stephen Graham, Adolescence

Gary Oldman, Slow Horses

Pedro Pascal, The Last of Us

Noah Wyle, The Pitt

Best Actress (TV)

Kathy Bates, Matlock

Kathryn Hahn, The Studio

Catherine O’Hara, The Studio

Parker Posey, The White Lotus

Jean Smart, Hacks

Ariana Grande flew solo on The Tonight Show, appearing Tuesday (Nov. 18) without Wicked costar Cynthia Erivo — but that doesn’t mean she didn’t have a duet partner.

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The pop star made a theatrical entrance on the late-night program with a medley of iconic duets, performing opposite Jimmy Fallon and beginning with a few bars of Wicked classic “For Good.” The pair then nailed renditions of “Ain’t No Mountain High Enough” by Marvin Gaye and Tammi Terrell, and “The Boy Is Mine” by Brandy and Monica, along with modern smashes such as Lady Gaga and Bradley Cooper’s “Shallow” and ROSÉ and Bruno Mars’ “Apt.”

For the big finish, the late-night host and Grande belted out “(I’ve Had) The Time Of My Life” and teased the audience as if they were about to recreate the iconic Dirty Dancing lift, but swapped out the R.E.M. Beauty founder mid-running start with a crude dummy wearing the same dress as her for Fallon to catch instead.

The appearance marked Grande’s 10th time on The Tonight Show. In addition to singing with Fallon, she and the comedian chatted on the couches about the process of filming the Wicked movies, the second of which premieres Friday (Nov. 21) after a yearlong wait.

Plus, Grande rose to the challenge of showing off her baton-spinning skills when Fallon presented her with a model of Glinda’s sparkly pink wand from Wicked.

The vocalist’s latest stop by 30 Rock comes about a month ahead of when she’s scheduled to return to the iconic comedy hub to host Saturday Night Live for a third time on Dec. 20. “I’m so excited,” she told Fallon of finding out that she’d be splitting the bill with Cher, who will serve as the musical guest on her episode. “I almost passed out. I had no idea what to do. What an honor.”

She also added that it was bound to be “one of the gayest SNL episodes that has ever happened.”

Watch Grande and Fallon perform duets by Lady Gaga, ROSÉ and more above.


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Suno, the leading AI tool for making music, said on Wednesday it raised $250 million from a group of investors led by Menlo Ventures that values the company at $2.45 billion.

Other investors in the series C round included NVIDIA’s venture capital arm NVentures, Hallwood Media, Lightspeed and Matrix.

Founded in 2023, Suno’s music creation app has been used by Billboard charting artists like Xania Monet, who signed to Suno investor Hallwood Media earlier this year. Suno’s popular AI tools have also generated controversy, as music companies including Universal Music Group sued the company for alleged copyright infringement.

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Suno CEO and co-founder Mikey Shulman said the company is “seeing the future of music take shape in real time.”

“In just two years, we’ve seen millions of people make their ideas a reality through Suno, from first-time creators to top songwriters and producers integrating the tool into their daily workflows,” Shulman said in a statement. “This funding allows us to keep expanding what’s possible, empowering more artists to experiment, collaborate, and build on their creativity. We’re proud to be at the forefront of this historic moment for music.”

Amy Martin, partner at Menlo Ventures, said Suno has “built something people genuinely love using and millions of fans are on the platform every day.”

In September, Suno rolled out a generative audio workstation called Suno Studio that users can use to edit with AI stem generation, and v5 music model offering improved vocals and prompts to create tracks, according to a press release.

The company said in a statement that it aims to use the money to build out its “full-stack music ecosystem” to draw and keep users to foster a creative and social community, “rather than a one-off generation.”

Post Malone has earned his first CMA Awards win. The singer-songwriter was among the artists named in an early round of CMA Awards wins announcements in two categories on Wednesday, Nov. 19.

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Post Malone and Blake Shelton won for CMA musical event of the year for their collaboration “Pour Me a Drink,” a Billboard Country Airplay chart-topping song that was featured on Post Malone’s F-1 Trillion. “Pour Me a Drink” was produced by Louis Bell and Charlie Handsome.

Post Malone is also up for album of the year at the CMA Awards ceremony held later in the day for his F-1 Trillion project. Last year, the album debuted at No. 1 on the all-genre Billboard 200 and became his first leader on the Top Country Albums chart.

Other early winners were Riley Green and Ella Langley, whose Western movie-themed music video for “You Look Like You Love Me” was named CMA music video of the year. The clip was directed by Langley, John Park and Wales Toney.

Langley ties with Megan Moroney and Lainey Wilson as the most nominated artists heading into this year’s awards show, with six nominations each. Langley is also up for honors including new artist of the year, female vocalist of the year as well as single and song of the year, both for “You Look Like You Love Me” with Green.

This year’s CMA Awards will feature performances from artists including Kelsea Ballerini, BigXthaPlug, Brandi Carlile, Kenny Chesney, Luke Combs, Green, Miranda Lambert, Langley, Little Big Town, Patty Loveless, Moroney, Old Dominion, The Red Clay Strays and Shaboozey. Wilson will not only perform during the show, but will also be solo hosting the awards this year, after previously cohosting with Luke Bryan and Peyton Manning.

This year’s CMA Awards will air live from Nashville’s Bridgestone Arena, at 8 p.m. ET on ABC and the following day on Hulu.


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Avex Music Group is launching a new division that will offer artists the type of comprehensive career direction that’s typically associated with managers, the company tells Billboard.

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Dubbed Artist Advisor Services, the division — led by Avex Music Group CEO Brandon Silverstein — will offer artists strategic support via an à la carte model that can operate under a traditional commission-based structure, a retainer or a hybrid of the two. Artists who utilize the division’s services will lead the decision-making process while enjoying strategic counsel and support in executing their vision from a team whose expertise encompasses creative direction, release strategy, brand building and venture development. The division will provide territory-specific expertise in global markets, including Asia, where Avex Music Group’s Japan-based parent company, Avex, is based. It will additionally back artist-led businesses by offering them access to capital and investment advisory support.

“Our industry is constantly evolving, and the needs of the world’s top artists are changing right along with it,” said Silverstein in a statement. “These superstar artists are the CEOs of their brands — true entrepreneurs who require financial backing for new ventures as well as support and infrastructure for their core business. Artist Advisor Services is an advisory model designed for the artists who are shaping global culture, who are experts in every area of their business, who feel they have outgrown the traditional artist-manager relationship, and need a silent partner behind them who can support their vision.”

Artist Advisor Services is expected to launch with its first clients in early 2026.


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Attorneys for Live Nation and Ticketmaster are hoping to end the Department of Justice’s sweeping antitrust case before it goes to trial, filing a 51-page summary-judgment motion that argues the claims of the DOJ and the 41 state AGs who joined the suit have failed to prove that the concert giant operates like a monopoly.

The filing, submitted to Federal Judge Arun Subramanian in the Southern District of New York, casts the government’s lawsuit as an overreach that collapses due to a lack of evidence.

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Live Nation’s attorneys at Latham Watkins and Cravath, Swaine & Moore allege that the DOJ began the litigation with harsh accusations against Live Nation, saying the DOJ accused the global promoter of operating “multiple, self-reinforcing monopolies” replete with “‘systematic’ and ‘intentional’ corruption of competition across ‘virtually every aspect of the live music ecosystem.’”

“Strong words,” Live Nation lawyers write. “If there was a lick of truth to them, one would expect Plaintiffs to now have mountains of evidence… And yet… Plaintiffs have barely a molehill.”

Live Nation’s attorneys go on to argue that the government has not proven the most fundamental element of a monopolization claim: monopoly power. Citing long-standing Supreme Court precedent, the company notes that “monopoly power is the foundational element of every monopoly maintenance case,” and insists the DOJ has failed to meet that threshold.

Instead of using traditional evidence of monopoly power to make its case – like high prices or significant barriers to entry — Live Nation says the DOJ case is built on inferences and derivative legal arguments, relying on “gerrymandered” market definitions to make its case. According to the motion, the government relies on a convoluted formula to define a “major concert venue,” singling out venues with capacities above 8,000 that host 10 or more concerts during at least one year in the 2017–2024 period. Stadiums, large theaters, smaller amphitheaters and many other common concert venues are excluded.

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Live Nation argues this structure ignores how competition in the concert business actually works, noting that “made-for-litigation markets plainly do not encompass ‘the area of effective competition’ that the law requires,” pointing out that rival ticketing companies such as SeatGeek, AXS, Eventim and Paciolan compete broadly and do not restrict their efforts to the DOJ’s handpicked venues.

Company attorneys argue that the DOJ’s narrowed market definition is the only way the government can claim Ticketmaster has a monopoly. According to Live Nation, the DOJ’s own expert calculated that Ticketmaster’s market share would fall from 86% to 49% if stadiums — venues the DOJ included when it challenged the Live Nation–Ticketmaster merger in 2010 — were defined as “major concert venues.”

“Far from having the ‘power to exclude competition,’ Ticketmaster has lost over 30 points of market share since the merger,” in 2011 between Live Nation and Ticketmaster, the company’s attorneys claim.

Beyond market definition, the company spends considerable space pushing back on one of the DOJ’s central theories: that Ticketmaster’s long-term exclusive ticketing contracts with venues hamper competition. Live Nation argues that exclusivity has been the industry standard in North America for decades and remains preferred by venues because it leads to higher up-front payments, smoother operations, integrated technology, and reduced consumer confusion about where to buy tickets.

“Every venue witness has testified that they seek and prefer exclusive ticketing contracts,” the memo reads, arguing that no venue manager interviewed in the lawsuit claimed to be coerced into an exclusive contract or pushed for a multi-ticketer system and was prevented from pursuing one.

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The DOJ has also accused Live Nation of tying concert promotion to its Ticketmaster’s offering, alleging that the company threatens or retaliates against venues by steering Live Nation-promoted tours away from buildings that choose rival ticketing services. Live Nation’s lawyers said evidence behind these allegations was paper thin, writing, “At most three venue witnesses support this claim—one in the last five years. … Three out of thousands could not possibly prove the market-wide anticompetitive effects required for a monopolization claim.”

According to the filing, the rest of the government’s evidence comes from rival ticketing companies — statements Live Nation calls inadmissible hearsay that cannot survive summary judgment. The company further notes that similar allegations were investigated by the DOJ in 2019, leading to a modification of the consent decree but not a finding of systemic misconduct. Since then, Live Nation says, “the outside antitrust monitor… has not reported a single violation.”

The company also disputes the government’s claims tied to Live Nation’s amphitheaters. Prosecutors allege that Live Nation illegally ties access to amphitheaters to its own promotion services, discouraging artists from working with independent promoters. Live Nation responds that this theory is contradicted by how touring actually works: artists, it says, control routing decisions, approve venues, set ticket prices, and choose their promoters based on guarantees and deal terms. The filing points out that the DOJ deposed only one artist throughout the entire case and that his testimony did not support the government’s claim. According to the motion, the artist “answered, without ambiguity or qualification,” that he had not been coerced to hire Live Nation as a condition of playing an amphitheater. “That is no basis for a trial,” the filing states.

Live Nation insists its amphitheaters are a competitive asset and not a leverage point to suppress competition. The company analogizes amphitheaters to tools of the trade: promoters, not artists, rent the venues, and the ability to offer those venues is part of how promoters compete for tours. The motion argues that amphitheaters typically are not rented to competing promoters for structural business reasons, not because of an anticompetitive scheme.

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Throughout the filing, Live Nation repeatedly invokes the DOJ’s own prior statements from 2010 in which the agency acknowledged the benefits of the company’s vertical integration with Ticketmaster. In approving the Live Nation–Ticketmaster merger, the DOJ wrote that “vertical integration can produce procompetitive benefits” and that “most instances of vertical integration… are economically beneficial.”

Live Nation attorneys also argue regularly in their memo that the DOJ cannot show harm to consumers—not through higher prices, a drop in shows or a decline in concert quality. Citing Microsoft and other precedent, Live Nation argues that such evidence is indispensable in a monopolization case. The filing states, “There must be evidence of actual harm to consumers; ‘harm to one or more competitors will not suffice.’ Plaintiffs never show that anything Defendants have done harmed artists or venues.”

The motion concludes by arguing that after extensive discovery, there are no triable issues remaining to be adjudicated. “The faithful application of law to the evidence adduced should yield summary judgment for Live Nation and Ticketmaster,” the filing states.

Attorneys for the government will have their chance to file a response in the coming weeks before Judge Subramanian determines whether the case proceeds to trial. If the summary-judgment motion is granted, much or all of the government’s case could be dismissed outright or the government could be forced to refile parts of its lawsuit.

Live Nation is also facing a lawsuit by the Federal Trade Commission over how the company operates its secondary ticket business.