Normani knows her way around the Dancing with the Stars dance floor. The former Fifth Harmony member and solo star came in third place during her run in season 24 and she was back on the boards on Tuesday night (Nov. 25) to lend a surprise hand to Olympic gymnast Jordan Chiles during last night’s season 34 finale.

Chiles made her entrance in style to the strains of Beyoncé’s “Bow Down (Homecoming Live),” seated regally on a silvery couch shaped like a pair of lips as four hunky backup dancers spun her around in the air and then brought her back to the ground, where she ripped off a series of end-over-end round-offs while rocking a black bra top and leather pants with her first name down one leg.

Joined by a group of eight backup dancers, Chiles ripped off a series of fierce body rolls, spins and an easy-as-pie standing backflip as Bey growled “bow down b–ches!” Then, halfway through the routine, Chiles sprinted to a chain link fence at the back of the floor and climbed up as the male dancers lifted the section of fence and laid it flat, revealing Normani striking a pose underneath.

With the music, and vibe, shifting to Normani’s 2019 Billboard Hot 100 No. 33 debut solo hit “Motivation,” Chiles leapt off the fence to join ‘Mani on the floor. The women touched hands and proceeded to tear it up with a freestyle routine that had them popping their hips and executing perfectly coordinated, side-by-side cartwheels.

With Normani twerking up on the fence, Chiles moved center stage with professional dancing partner Ezra Sosa for a final round of dips, sways and high leaps that helped earn the tumbler third place in this year’s competition.

Speaking to E! News afterwards, Chiles said that the double-up was Normani’s idea. “She’s the one that actually said, ‘I think I should be in your freestyle,’” Chiles said, describing how Normani pitched the idea while attending a taping as an audience member in late September. “I didn’t know she was serious until her manager called me and was like, ‘No, she’s being serious. She wants to be in it.’”

Chiles did not hesitate, detailing how she told Sosa that they were definitely going to include the pop singer in their routine. “We’re gonna make it one of the most iconic freestyles,” Chiles said she told Sosa of the dance that judge Carrie Ann Inaba dubbed the best freestyle routine she’s seen in the show’s 20-year history.

Watch Chiles and Normani dance below.

It was 20 years ago this week (Nov. 29) that 16-year-old Chris Brown vaulted onto the scene with his self-titled debut studio album and triple platinum-certified Hot 100 No. 1 “Run It!” And in celebrating that anniversary, Brown — under the guidance of manager Anthony “Ant” Wilson of Tycoon Music — has achieved various other career milestones during what’s become an even more momentous year for the singer-songwriter.

Brown kicked off 2025 with the best R&B album Grammy for his latest album 11:11 (Deluxe) — his second win in that category after 13 years. He’s now closing out the year with two more nominations for the 2026 Grammy ceremony: best R&B song and best R&B performance for “It Depends” featuring Bryson Tiller, which peaked at No. 16 on the Hot 100. Prior to that in 2024, Brown picked up his first RIAA Diamond-certified single for “No Guidance” featuring Drake.

Of witnessing Brown’s second Grammy win, Wilson — a 2025 R&B/Hip-Hop Power Players honoree — told Billboard in August, “Winning isn’t everything, but it feels good. And the consistent recognition of his artistry continues to solidify him as one of the biggest artists in the world.”

Between those Grammy bookends, Brown embarked on what’s since been logged by Billboard Boxscore as his highest-grossing live outing to date, the Breezy Bowl XX World Tour. Spanning 39 cities and 48 shows, his 20^th anniversary and first-ever stadium run (June 8-Oct. 16) earned $300 million and drew 2 million fans across North America, Europe and the U.K. Accompanied by Tiller as a special guest through the run and Grammy-nominated artists Jhené Aiko and Summer Walker on select dates, Brown also welcomed pop-up performances along the way by Usher, 50 Cent, GloRilla, Tyga, Bow Wow, Sexyy Red and Davido during his three-hour, 56-song set.

It’s Brown’s indefatigable energy and love of performing that Wilson first focused on strategically when he became the global star’s manager 10 years ago after predecessors Tina Davis and Mike G.

“We started off doing club and spot dates,” Wilson recalls. “Then we got the Heartbreak on a Full Moon tour [2018 with H.E.R., 6lac, and Rich the Kid]. I just wanted to get him back to the touring part of the business because I felt he could touch the most fans there. That was my initial goal.”

Wilson also created the annual Tycoon Music Festival. Presented this year in association with Live Nation and 313 Presents, the festival marked its sixth anniversary on April 19 at Little Caesars Arena in Detroit. Headlined by Brown, the lineup also starred Skilla Baby, Fabolous, Gucci Mane and Wiz Khalifa with surprise appearances from Sexyy Red, G-Herbo, Payroll Giovanni and Tee Grizzley.

Based in Las Vegas, as is Brown, Wilson recently spoke with Billboard about what’s next on the drawing board for him and his superstar client.

What’s it like managing such a tireless artist as Brown?

We don’t sleep too much over here [laughs]. That’s because he stays up working in the studio he has in his house. He’s in that studio every day until we put out an album. And then the hard part before that is figuring out what songs are going to make the album. Chris also has a billion ideas about different things. So another hard thing is trying to get those billion ideas down to at least 10.

Talk about the rapport between the two of you, which is an important part of the artist/manager collaboration.

I met Chris when I was working with Bow Wow. that’s when Tina was involved. She’s a friend of mine as well. So I used to help out whenever she needed some assistance. Mike G was there too; we were all together then. But Chris is my brother first then it’s business, I don’t hope that he wins. He has to win because he’s my family. So that’s why there is no sleeping because I’ve got to make sure he does. I don’t know if there’s a blueprint on how to manage an artist. Every artist is different. But there is one key thing: understanding the artist and the fans of that artist.

Very few artists have made the successful transition from teen to adult star. Why has Brown been able to cross that bridge?

A lot of artists can do one thing; they can either sing or they can dance. But not a lot of artists can perform the way that he does: he’s singing, he’s dancing, he’s crying, he’s laughing, he’s flying, He’s doing everything he can to please fans. He’ll take less money just for the production to be what it is. He just wants [his performance] to stand out. Breezy XX was originally three and a half hours. I’m like, “Chris, come on. We’re going to run into overtime on every show. Like I said before, that’s the hardest thing … trying to get things down to where we’re both happy [laughs].

A new album coming before this year is out has been rumored given the 20^th anniversary. Any hints about the next project?

There’s always an album. The name of it always changes. The songs always change. Even with the last album, we were in the studio putting another song together on the day before it came out. So I can’t say the name or a date for the album. I’ll leave it open because he could wake up and say let’s put it out next week. I’m ready though. I have it [the album] at the moment, but it changes every week.

What else is next? A concert movie à la Taylor Swift and Beyoncé or a return to acting?

He loves and wants to act. There are acting classes, and he’s gearing up for that. I also think the Super Bowl would be a great place for him. I believe it will happen.

Have there been any overtures on that front?

We’ll just see.

How has it been navigating the negativity that he still encounters as you work to move his career forward?

It’s nothing that I’m not used to at this point. We just smile and keep going. I just try to show improvement with work over the words, you know? I think that’s the best way. But his kids ground him. He’s a great, involved dad. I also think Chris’ fans love him so much because they can relate. He’s a real person who’s gone through things that others have but he did it in front of the world. So I feel like that’s his legacy: going through life with everyone else.

Now that Verzuz is back, is the long-rumored Usher/Chris Brown match-up a stronger possibility?

It may. Usher and Swizz Beatz are friends of mine; Swizz recently spoke to me about it. I’m not saying no if it makes sense.

Beyond your ownership of the Tycoon Festival, what other projects are you shepherding?

I also work with 50 Cent in a company called the Green Light Gang. We have 40 TV shows [in the works] at the moment and a few movies. We’re also going to build a production company in Shreveport, Louisiana. So that’s my new baby, television.

Benny Blanco‘s mom, Sandra Levin, was the victim of a scary robbery attempt at her Studio City, Calif. home earlier this week. According to ABC7, police said Levin was unharmed after burglars smashed their way into her home while she was there alone. Authorities did not identify Levin by name, but neighbors and property records confirmed it was her home.

Per procedure, a spokesperson for the LAPD confirmed the address of the incident and the details about the break-in, but did not identify Levin as the homeowner when contacted by Billboard on Wednesday morning (Nov. 26).

Officials reported that Levin, who was home alone, barricaded herself in the bathroom and called 911 after she heard the suspects enter through a shattered sliding glass door. NBC 4 reported that Levin heard the intruders walk upstairs and open the bedroom door and when she peeked out of the bathroom they saw her and ran off. By the time police responded around 9:15 p.m., the LAPD said the suspects had already fled the scene after Levin said they kicked the bathroom door off its hinges during the break-in.

Before making their escape, though, they reportedly ransacked several rooms and got away with some undisclosed property, though it was not known at press time what they stole. It’s unclear if the men, who have not yet been identified, were armed and there is no description of them, though the LAPD said the suspects were two men wearing dark clothing and masks. The LAPD spokesperson told Billboard that the investigation is now in the hands of detectives and that at press time no arrests had been made.

At press time it also did not appear that Benny Blanco had responded to the incident on his socials.