Femme It Forward returned to The Beverly Hilton for its 4th Annual Give Her FlowHERS Awards Gala, where the celebration centered on women whose impact continues to shape music, community, and the future of entertainment.

Hosted by Femme It Forward President & CEO Heather Lowery and executive produced by Miatta Johnson and Massah David of MVD, Inc., the evening brought together an electric group of artists, executives, athletes, and mentors for a night anchored in gratitude, sisterhood, and the power of uplifting women.

The evening also marked a standout moment for Billboard as its Executive Director of R&B/Hip-Hop, Gail Mitchell, was honored for her decades of shaping the genre’s narrative and opening doors for the next generation of women across the media industry. Her recognition underscored the gala’s emphasis on lineage, mentorship, and the women who have spent their careers amplifying others.

Gail Mitchell and Camren Linson onstage at the Give Her FlowHERS Gala 2025 held at The Beverly Hilton on November 21, 2025 in Los Angeles, California.

Gail Mitchell and Camren Linson onstage at the Give Her FlowHERS Gala 2025 held at The Beverly Hilton on November 21, 2025 in Los Angeles, California.

JC Olivera/Variety via Getty Images

The night opened under warm lights and lush florals, and included performances from Jordan Ward, Goapele, and FLO. This year’s honorees included Ciara, Jhené Aiko, Mariah The Scientist, Kehlani, Olandria Carthen, Normani, and Ravyn Lenae as they were celebrated alongside industry architects whose work has redefined possibility for women across entertainment.

The Next Gem Femme mentorship program, Femme It Forward’s flagship initiative, was also spotlighted for its pivotal role in providing access and accelerating career trajectories for women of color entering the field. Across the ballroom, mothers presented daughters, friends honored friends, and industry peers highlighted one another’s evolution, creating a night rooted in community and mutual admiration.

Teyana Taylor opened the evening by presenting her mother, Nikki Taylor, with The Queens Raising Queens Award. With barely a dry eye in sight, she thanked her for the blueprint she set, telling her, “I am the mother I am today because you are the mother you chose to be.”

Model Salem Mitchell presented longtime friend Ravyn Lenae with The Fem Z Award, spotlighting Gen Z artists who are setting the tone for the next generation.

Billboard’s Executive Director of R&B/Hip-Hop, Gail Mitchell, received the Mentor Excellence Award, honoring her 26-year legacy of elevating artists, nurturing talent, and advocating for inclusive storytelling across music media. Reflecting on her decades of mentorship, Mitchell told the room, “The main goal I’ve sought to accomplish throughout my career is paying my fortune forward: to hold the door open for others to walk through and fulfill their own dreams.”

Mitchell also offered a heartfelt nod to her colleagues, adding, “Thank you to my R&B/hip-hop family at Billboard, who are part of the next generation carrying the torch forward.”

Mariah The Scientist was recognized with The Bloom Award, presented by her sister Morgan Buckles, celebrating her artistic endeavors, where her momentum, vision, and evolution exemplify creative growth.

Jhené Aiko, whose catalog has contributed to shaping the fabric of contemporary R&B for more than a decade, received The Glow Getter Award from her mother, daughter, and sisters in a deeply vulnerable yet gratifying speech where she thanked her family for carrying her through a challenging year. “This year, they pulled me out of some really dark places,” she said. “They sat by my side when I couldn’t get out of bed.”

Olandria Carthen, honored with The Self-Love Award, emerged as one of the night’s breakthrough voices. With a growing fan base drawn to not only her beauty but her pure honesty, she used her moment to speak directly to women still learning to trust their own worth. “I dedicate this award to any woman who has ever questioned their worth.”

Normani took the stage to accept The Femme It Forward Award from Ryan Destiny, where she spoke spirit behind her work and the role of community in sustaining women in the industry.

“The Femme It Forward award fills me with immense gratitude because it speaks to humanity and who we are as people beyond anything else,” she said. “Philanthropy is never the work of one individual—it’s a shared effort built by communities, mentors, friends, and everyone who believes compassion is a force capable of real change.”

Kehlani’s acceptance of The Alchemist Award, presented by fellow Bay Area artist Goapele, unfolded as one of the night’s most vulnerable speeches. Coming off recent Grammy recognition and a years-long journey of evolution, she reflected on the often unseen parts of transformation.

“I firstly must thank God, the ultimate alchemist, the transformer of all things,” she said. “Alchemy isn’t always shiny; sometimes it happens in the dark when no one is watching, when you’re trying to remember who you are and what you’re here to do.” She thanked her community for allowing her to grow openly, saying, “Thank you for giving me the space to grow, to shift, to unlearn, to heal, and to come back to myself again and again.”

In her first major appearance after stepping down as Chairwoman of Epic Records, Sylvia Rhone accepted the inaugural Sylvia Rhone Legacy Award—a distinction honoring her groundbreaking, decades-long impact in the music industry.

She addressed the women in the room with clarity and conviction: “Now I am passing the baton to you all. Like the Olympic relay races, passing the baton transfers momentum. Successful exchanges make up time you thought you might have lost. Success relies on teamwork, timing, and communication. It’s your time, so go forth and prosper even more.”

The evening closed with a powerful message from Heather Lowery, who told the room: “To every woman watching, listening, or quietly dreaming, remember your story is sacred; your roots are strong; and your flower will bloom in its own divine timing.”

Billie Eilish has announced the global release date for her upcoming concert film, revealing the news onstage during the final night of her sold-out Hit Me Hard and Soft: The Tour in San Francisco on Sunday.

The film, arriving March 20, 2026, will be distributed worldwide by Paramount Pictures in partnership with Darkroom Records, Interscope Films and Lightstorm Earth. It is presented in 3D and directed by two Academy Award winners: James Cameron — most recently recognized for Avatar: Fire and Ash — and Eilish herself.

Captured during the singer’s extensive 2024–25 world tour, the film documents performances behind her third studio album Hit Me Hard and Soft, which debuted at No. 2 on the Billboard 200 earlier this year and produced the top-10 Hot 100 hit “Lunch.” The tour, which spanned North America, Europe, South America, Asia and Oceania, sold out multiple arena and stadium dates, including several two-night runs in major cities.

Eilish shared the announcement in a video posted to Instagram following the San Francisco show, paired with a new image featuring her and Cameron, shot by photographer Henry Hwu. Additional official stills were distributed on Sunday night.

The project continues a long run of visual releases from Eilish, who previously helmed her 2021 Disney+ concert special Happier Than Ever: A Love Letter to Los Angeles and starred in the 2021 documentary Billie Eilish: The World’s a Little Blurry. Her shift into co-directing a 3D theatrical release marks her most ambitious visual project to date.

Eilish, a two-time Oscar winner, nine-time Grammy winner and one of streaming’s most dominant global artists, remains a fixture across Billboard charts. As of this week, she places multiple tracks from Hit Me Hard and Soft on the Billboard Hot 100 and continues her multiyear streak on the Billboard Artist 100.

Paramount will announce international rollout details, premium formats and theater lists closer to release. Promotional materials — including trailer and key art — are expected to follow in early 2026.

 Ball Park Music are getting another boost from their career-defining support slot on Oasis’ blockbuster Australian reunion tour, with the Brisbane five-piece featured in the latest instalment of Live Nation’s Soundcheck series.

The behind-the-scenes episode documents the band stepping onto the biggest stages of their career, performing to arena-sized crowds across the country as Oasis returned to Australian venues for the first time in more than a decade.

The new video follows Ball Park Music from soundcheck through to showtime, capturing the emotional and technical build-up before the house lights drop. The band — who have long cited Oasis as formative influences — are shown tuning up backstage, taking in the scale of the arena, and reflecting on the surreal nature of opening for one of the most culturally dominant bands of the ’90s and 2000s.

“It’s hard to even describe what it feels like to open for Oasis,” the band say in the episode. “We’ve all grown up with their music and to suddenly be standing there, playing before them, it’s surreal. You can feel the crowd buzzing from the moment you walk out. It’s a mix of nerves and pure joy. Nights like that remind you why you started playing music in the first place.”

The Oasis tour itself has been one of the major Australian live music stories of 2025, prompting rapid sellouts across multiple cities and adding extra dates to meet demand. For Ball Park Music, the run marks a significant step up following a strong year that already included major touring and chart success.

Earlier in 2025, the group scored their first ARIA No. 1 album with Weirder & Weirder, extending their streak of consecutive top-10 entries on the ARIA Albums Chart. Until then, three of the band’s releases had stalled at No. 2: Puddinghead (2014), Ball Park Music (2020), and Weirder & Weirder (2022).

The Soundcheck episode portrays this shift in real time. Cameras capture the band navigating the fast pace of arena production, walking onstage to tens of thousands of fans, and later watching Oasis’ performance from the side of the stage. There are quieter moments too: the group describing their pre-show nerves, laughing about technical mishaps, and taking in the “full-circle” nature of the moment.

Live Nation’s Soundcheck series has previously highlighted artists across the Australian touring landscape, including Anna Lunoe, Teen Jesus and the Jean Teasers, Coterie and Dallas Frasca. The Ball Park Music instalment continues the focus on documenting live performance culture from the inside — showing the realities and emotions artists experience at key turning points in their touring career.

Watch the extended episode of Live Nation’s Soundcheck with Ball Park Music and Daphne Berry here.

Donald Glover told fans at Tyler, the Creator’s Camp Flog Gnaw festival on Saturday night (Nov. 22) that he suffered a stroke last year while touring under his Childish Gambino moniker — an episode that ultimately led to the cancellation of his world tour.

During his set at Dodger Stadium in Los Angeles, Glover recounted the medical emergency that struck mid-tour in 2024. He explained that the symptoms began after a show in New Orleans, where he experienced a sudden, intense head pain and blurred vision. Despite performing through the discomfort, he later sought medical attention in Houston, where doctors informed him he had experienced a stroke.

“I had a really bad pain in my head in Louisiana and I did the show anyway,” he told the crowd. “I couldn’t really see well, so when we went to Houston, I went to the hospital and the doctor was like, ‘You had a stroke.’”

He added that his first reaction was thinking he had “let everybody down,” before joking that he felt like he was “copying Jamie Foxx” — whose own stroke in 2023 made global headlines.

Glover said the stroke was only part of what he faced medically. He also revealed he had broken his foot around the same time, and that doctors discovered a hole in his heart that required two surgeries.

“They say everybody has two lives, and the second life starts when you realize you have one,” he told fans. “You’ve got one life, and the life I’ve lived with you guys has been such a blessing.”

The medical complications forced Glover to cancel the remainder of his planned dates, including U.S., U.K., European and Australian shows. At the time, he publicly referred to the incident only as an “ailment,” noting that his recovery was taking longer than expected.

Glover released Bando Stone & the New World in 2024 — which he billed as the final Childish Gambino album — and had planned the now-canceled tour as a farewell era for the stage name. The five-time Grammy winner has since shifted focus back to film and television projects under his own name.

Ten days and more than 200 comedy acts later, the New York Comedy Festival — the largest and longest running annual event of its kind in the United States — has drawn to a close, and boy, is our diaphragm tired. (Ba-dum-bump!) 

With A-list stand-up comics, improv groups and podcasters performing every night from Nov. 7 through Nov. 16, it was 10 days of often wheezing laughter. It was also a welcome break from the daily news and the doomscrolling that follows — especially since the performances we saw were largely free of political humor.  

Headliners at the 21-year-old festival founded by Caroline Hirsch included Margaret Cho, Louis C.K., Morgan Jay and Alex Edelman, as well as panels on the Peacock hospital sitcom St. Denis Medical, and the unrepentantly absurd 1999-2000 Comedy Central series Strangers with Candy with the creators and stars Amy Sedaris, Paul Dinello and Stephen Colbert. 

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And if there is any doubt that live comedy is hot these days, many of the performances took place at some of the city’s most prestigious venues, including Madison Square Garden, Carnegie Hall, the Beacon Theatre and Town Hall, as well New York comedy clubs and performance spaces.  

With multiple shows taking place every night across all five boroughs of the city, it was impossible to see everything. So, here are the top performances, and two panels — in ascending order — that Billboard witnessed.  

DO IT, the latest mixtape from Stray Kids, tops this week’s fan-voted music poll.

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Music fans voted in a poll published Friday (Nov. 21) on Billboard, choosing Stray Kids’ new five-track EP (via JYP Entertainment) as their favorite new release.

DO IT arrived in a week that also brought new music releases from the Wicked: For Good movie cast (it’s the film’s opening weekend), Tate McRae, The Kid LaROI, Tainy with Karol G and more. While Wicked: For Good is ruling the boxoffice, Stray Kids’ tunes topped this particular Billboard readers’ poll by a landslide, with DO IT bringing in an overwhelming 86% of the vote.

Stray Kids’ new song collection, which they’re branding as a mixtape and a “special album,” is the follow-up to Karma — their fourth Korean-language studio album, which fans just saw become a Billboard 200 albums chart No. 1 in September. The group has described DO IT as a part of their SKZ IT TAPE series, with it being a musical command to “act boldly with confidence right now” while exploring the story of the group as they seize the day and create their own “IT.”

Its tracklist is as follows: “Do It,” “DIVINE,” “Holiday,” “Photobook” and “Do It (Festival Version)” — with the first track/title track getting a dance-focused, cinematic music video release this week.

Among the new releases trailing behind DO IT are Tate McRae’s “So Close to What???” with nearly 6% of the vote, as well as the Cynthia Erivo and Ariana Grande-led cast’s Wicked: For Good official movie soundtrack with just over 5% of the vote.

See the final results of this week’s poll below.

Wicked: For Good has grossed $226 million worldwide in its opening weekend at the boxoffice, which allows it to join Billboard’s list of the top-grossing films that are adapted from Broadway musicals. Our list is drawn from boxofficemojo.com’s running tally of the 1,000 top-grossing films of all time in terms of worldwide grosses.

Both Wicked: for Good and its predecessor, 2024’s Wicked, were adapted from the 2003 Broadway musical Wicked. The first Wicked film opened on Nov. 22, 2024. In just five weeks, it pulled ahead of Mamma Mia! to become the top-grossing film adapted from a Broadway musical. Wicked received 10 Oscar nominations on Jan. 23, 2025, including nods for both of its stars, Cynthia Erivo and Ariana Grande. It won two awards at the Oscars ceremony on March 2, 2025 — best costume design and best production design.

Both Wicked and Wicked: For Good were directed by Jon M. Chu, whose hit-studded résumé includes a previous film adaptation of a Broadway musical, the 2021 movie version of Lin-Manuel Miranda’s breakout hit In the Heights.

Eight film adaptations of Broadway musicals appear on Box Office Mojo’s list of the top 1,000 films in terms of their lifetime worldwide grosses. One disclaimer about this list right at the top: The biggest blockbusters of earlier eras simply can’t match the grosses of today’s hits. (It’s not just your imagination that ticket prices are much higher than they used to be.) The Sound of Music has grossed $161.4 million worldwide, according to Box Office Mojo — not enough to make their list of 1,000 top-grossing films. But that 1965 adaptation of the 1959 Broadway musical is one of the biggest hits in film history. (Of course, back then a movie ticket cost less than a box of Raisinets does today.)

Our list does not include Mamma Mia: Here We Go Again, the Cher-featuring sequel to Mamma Mia!, on the grounds that it was really just a sequel to a hit movie. (The sequel did astonishingly well, with a worldwide gross of $395.6 million.) By contrast, Wicked: For Good had the same source material as Wicked — the 2003 Broadway show.

Here are the eight top-grossing film adaptations of Broadway musicals in terms of lifetime worldwide grosses.

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Sports fans love a good rivalry game, and there’s no bigger NFL clash up than the Philadelphia Eagles vs the Dallas Cowboys. For ShopBillboard’s Game of the Week, Jalen Hurts and the Birds are headed into Dallas to take on their NFC East rivals, the Cowboys, at AT&T Stadium. Kicking off on Sunday (Nov. 23) at 4:25 P.M. ET, we’ve compiled a guide on how to watch this must-see game online for free and without cable.

Eagles vs Cowboys game, at a Glance:

  • Date: Sunday, Nov. 23, 2025
  • Time: 4:25 p.m. ET
  • TV channels: Fox
  • Streaming: DirecTV, Fubo, Sling TV, Hulu + Live TV

The defending Super Bowl champs are still showing their dominance this season with an 8-2 record, but with inconsistent offensive performances, the Eagles have shown cracks in their armor. On the flipside, “America’s team”, the Cowboys, have had to heavily rely on their high power offense this season led by Dak Prescott, CeeDee Lamb and George Pickens. If Dallas aims to pull off a victory this Sunday, those three players will have to bring their A game.

Want to watch the NFL rivalry game live? Below is a quick guide on the best ways to watch Philadelphia vs. Dallas online.

How to Watch the Eagles vs Cowboys Game Online for Free

The Eagles vs. Cowboys game will broadcast live on Fox. Don’t have cable? We’ve compiled all the best ways to NFL games with DirecTV and other streaming services that carry Fox. Keep scrolling to learn more.

DirecTV

DirecTV is offering a five-day free trial, which will let you watch Fox and more for free. The Entertainment and Sports Programming Network is included in all of the streaming packages. In addition to unlimited DVR storage, you’ll get access to local channels and the ability to stream on as many devices as you want.

Sling TV

With prices starting at just $1 for a day pass during Black Friday, Sling TV includes Fox with its Blue package — which features dozens of channels that can be streamed on up to three devices at the same time. If you want even more sports content, get Sling Orange + Blue, which features FS1 and the NFL Network too.

Please note: Sling TV’s pricing and channel availability depends on your local TV market.

Fubo

Fubo is another great option you can take advantage of to watch Fox online. The streamer offers a seven-day free trial that’ll give you access to ESPN free and more than 240 live TV channels. The service offers a promo that’ll get you up to $30 off the first month, which can get you access to ESPN and more for as low as $54.99 (reg. $84.99 per month).

Hulu + Live TV

For the most content options, Hulu + Live TV gives you access to the entire Hulu library in addition to more than 95 live TV channels — including Fox for just $82.99 per month.

And, unlike the rest of the options, you can also expand your content library by bundling Hulu + Live TV with Disney+ and ESPN Unlimited. You’ll not only have all of the Hulu library to watch, but also exclusive and original programming available exclusively on ESPN Unlimited.

Sabrina Carpenter hit an appropriately cheeky milestone on Saturday during her fifth of six nights at Los Angeles’ Crypto.com Arena: Her 69th concert of the Short n’ Sweet Tour.

“My friends wanted me to inform you: This is our 69th show,” Carpenter announced while sitting on her heart-shaped stage, sending the crowd into wild cheers over the spicy stat.

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It’s a fitting marker for the trek: Since its September 2024 kick-off, the Short n’ Sweet Tour has been known for its little suggestive moments, like Carpenter’s nightly “Juno” sex positions (“have you tried this one before?”), the voyeuristic “Bed Chem” video camera (“I bet the thermostat’s set at six-nine”), and the elevator that ticks up the floors until “SC” comes just after the 68th.

“We knew we’d get there eventually, and tonight’s the night,” Carpenter said of the 69th show. “And it’s Saturday, and we’re just like, we’re living!”

In one more nod to Night 69, Carpenter emerged for the final song, last year’s top five Billboard Hot 100 smash “Espresso,” in sparkly blue go-go boots and an oversize Los Angeles Dodgers jersey, with her last name emblazoned on the back and the jersey number of — you guessed it! — 69.

Another tongue-in-cheek nightly tradition is Carpenter arresting someone in the crowd for the crime of being “too hot,” and Saturday night’s offender was actress and Saturday Night Live legend Maya Rudolph, who Carpenter asked: “Whoa, whoa, whoa — what’s your name, gorgeous?” After Rudolph mouthed back “Maya,” Carpenter responded, “Maya, you’re stunning. Where are you from?” She mouthed “Los Angeles” and made her best attempt at throwing up an “L.A.” hand sign, but Carpenter didn’t think the crowd had a big enough reaction. “Scream louder — that’s here!”

Then she got down to business: “Maya, I don’t know the situation you’re in currently romantically, but I was sort of hoping that I could lock you down tonight, if possible.” (Let’s hope Rudolph’s partner of almost 25 years and the dad of her four children, acclaimed filmmaker Paul Thomas Anderson, isn’t feeling threatened.) She then tossed some fuzzy pink handcuffs out into the crowd to officially lock Rudolph down.

Previous L.A. arrestees included SZA on Thursday night and actress sisters Dakota and Elle Fanning on Monday.

Carpenter returns to Crypto.com Arena on Sunday (Nov. 23) to play her sixth night in L.A. and the final night of her 70-date Short n’ Sweet Tour. Find the full setlist for Los Angeles Night 5, including the special “spin-the-bottle” surprise song and the newly added Man’s Best Friend additions, below.

Carlos Vives brought all his energy and the joyful vallenato to the 2025 Coca-Cola Flow Fest in Mexico City on Saturday (Nov. 22), surprising his fans with a tribute to the legendary ranchera singer-songwriter José Alfredo Jiménez.

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“It’s a joy to see you, and I want to tell you something that goes like this,” said the Colombian icon from the Sessions Stage before performing an a cappella version of “Para Morir Iguales” by Jiménez, prompting an ovation at the festival — which on its first day gathered 79,000 people at the Autódromo Hermanos Rodríguez, according to figures from promoter Ocesa. (Watch Vives’ a capella performance in a video captured from the show that was shared on X here.)

“Long live José Alfredo Jiménez! Thank you, Mexico!” he added, after making the crowd dance to a handful of songs that included “La Bicicleta,” his 2016 hit with Shakira that topped Billboard’s Latin Airplay chart for six weeks.

The 64-year-old artist had not been included in the festival’s original lineup, but on Thursday (Nov. 20), organizers announced that the alternative Sessions Stage would feature surprise musical acts, including Vives and Colombian band Bacilos.

“This is a cumbia, Mexico. What unites Colombians and Mexicans, what we have in our blood, is a race,” Vives added before performing “Para Robarte Un Beso.”

Later that evening, the Santa Marta native reappeared during Wisin’s set on the main stage to join his voice with the Puerto Rican star’s on “Nota de Amor,” a celebrated fusion of vallenato and reggaeton included on Wisin’s album Los Vaqueros: La Trilogía (2015), which originally also featured Daddy Yankee.

Considered the largest Latin urban music festival, the Coca-Cola Flow Fest brought some of the biggest stars of the genre to its five stages at the Autódromo Hermanos Rodríguez on its first day. Don Omar, Myke Towers, Nicky Jam, Álvaro Díaz, Santa Fe Klan, De La Rose, El Alfa and Jowell & Randy were among the acts that shone in a celebration that extended into the wee hours.

The festival continues Sunday with performances by J Balvin, Young Miko, De La Ghetto, Farruko, Bellakath and Mau y Ricky, as well as a special performance by corridos tumbados superstar Natanael Cano, among others.