Neil Young is pulling his music from Amazon, the legendary singer-songwriter revealed in a blog post published on his personal website on Wednesday (Oct. 8).

In an apparent protest against the Trump administration, Young wrote, “The time is here. FORGET AMAZON,” under a header that includes the words, “BEZOS SUPPORTS THIS GOVERNMENT,” a reference to Amazon founder Jeff Bezos.

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“Soon my music will not be there,” Young continued of Amazon. “It is easy to buy local. Support your community. Go to the local store. Don’t go back to the big corporations who have sold out America.”

The revelation came in a post that included a larger call by Young for people to discontinue shopping at Amazon and the upscale grocery chain Whole Foods, which the online retail giant acquired in 2017. He also seemed to call for a boycott of Facebook, writing “FORGET FACEBOOK” under a logo of the social media platform’s parent company, Meta. In August, Young left Facebook after a Reuters report claimed Meta had allowed AI chatbots to communicate with minors using “romantic or sensual” language.

“We all have to give up something to save America from the Corporate Control Age it is entering,” Young continued. “They need you to buy from them. Don’t.”

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The singer also referenced the current shutdown of the U.S. government, writing, “They shut down our government your income your safety your family’s health security. Take America Back together, stop buying from the big corporations support local business. Do the right thing. Show who you are.”

Young has been openly critical of President Trump over the years. Last month, he released the song “Big Crime” with his band Chrome Hearts that railed against recent actions by the president — who is never mentioned by name — with lyrics like, “No more money to the fascists/ The billionaire fascists/ Time to blackout the system/ No more great again.”

Young’s music remained available on Amazon Music at the time of publishing. Representatives for Amazon Music and Young’s label, Warner Music/Reprise, did not immediately return requests for comment.

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This isn’t the first time Young has boycotted a digital music provider. In January 2022, the star pulled his catalog from Spotify over its lucrative deal with Joe Rogan, through which it retained exclusive rights to, but not ownership of, the host’s wildly popular Joe Rogan Experience podcast. In a post on his website at the time, Young accused Rogan of spreading “misinformation” about the COVID vaccine on the podcast. “They can have Rogan or Young. Not both,” he wrote.

Young’s stance inspired several other artists to remove their catalogs from the service, including Joni Mitchell and Young’s Crosby, Stills, Nash & Young bandmates David Crosby, Graham Nash and Stephen Stills. Young restored his music to the streaming giant in March 2024 following the expiration of its exclusive deal with Rogan. The previous September, Billboard estimated that Young’s decision to remove his catalog from Spotify cost him roughly $300,000 in lost recorded music and publishing royalties up to that point.

More recently, artists including Massive Attack, King Gizzard & the Lizard Wizard, Deerhoof and Sylvan Esso have pulled their catalogs from Spotify over founder Daniel Ek‘s reported $1 billion investment into defense company Helsing, which sells AI software to inform military decisions.

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BamBam’s name comes from the character Bamm-Bamm Rubble in the animated series The Flintstones, a baby with superhuman strength. “I’m the third of four siblings,” he explains. “I’m not sure, but maybe my mom named me that hoping her third son would be strong. In Thailand, it’s actually a pretty common name. It’s used more often for girls than boys, though,” he laughs.

When BamBam left Bangkok for Seoul in 2010, he was just 14 years old. He began his trainee life at JYP Entertainment, the company that produced 2PM, home to Nichkhun — the first Thai-born K-pop idol. After years of rigorous training, BamBam debuted in 2014 as part of GOT7.

The seven-member GOT7 is a truly multinational group, featuring BamBam, Jackson Wang from Hong Kong and Mark Tuan, who is Taiwanese-American. Perhaps because of this diversity, GOT7 quickly built a global fandom, holding world tours that reached beyond Asia to North and South America, Australia and Europe — faster than most K-pop groups that debuted around the same time. Their 2018 Eyes on You Tour even earned a spot at No. 9 on Billboard’s monthly top 10 Hot Tours list. Since January 2021, all the members of GOT7 have left JYP Entertainment. Yet, even while focusing on their individual careers, they’ve never forgotten to come together for the fans who continue to support them.

BamBam, in particular, has been extremely active. He launched his solo journey with the EP riBBon in summer 2021, followed by two more EPs and a full-length album. He has completed a solo world tour spanning 14 countries, though unfortunately, a North American tour planned for six cities was canceled due to an ankle injury. But BamBam’s impact goes far beyond music.

He became the first K-pop artist to be appointed as a global ambassador for the NBA’s Golden State Warriors and also earned recognition as a House Ambassador for Louis Vuitton. In recent years, he’s made his mark on Korean variety shows. His own online variety show, Bam’s House, ran for two seasons through 2024 and consistently drew impressive viewership — episodes surpassing 2 million views are not hard to find.

Now, BamBam is about to release his first album entirely in his native language. Titled HOMETOWN, the album features five tracks, all of which he participated in writing and composing. The pre-released highlight medley video evokes Thailand’s stunning landscapes through the lens of an old-school analog TV screen. From the skyline and rooftop bar that define Bangkok’s nightscape, to tuk-tuks navigating narrow backstreets, roaming cats, the sparkling sea, vibrant flowers and foliage under the warm sun, bustling night markets, crowded streets, and the Chao Phraya River flowing past Wat Arun temple — every frame feels like a love letter to his homeland. As one fan commented, it’s “so beautiful it could easily serve as a promotional video for the Tourism Authority of Thailand.”

But when we met BamBam, it wasn’t the skyline of Bangkok that stretched outside the window, but Seoul’s night view, visible from an office in the heart of Gangnam. This is the space of ‘HALO’, the new label just founded in April of this year. “There were both good and not-so-good times during my years in Korea — as there are anywhere,” he reflects. “I could have started my solo career in Thailand or even the U.S., but I’m a K-pop artist. I have a sense of ‘Jeong’ — the warm feeling of attachment between people — and respect for this place.”

As you can see, BamBam never forgets his beginnings. Just as the starting point of his music is rooted in Seoul, the starting point of his story — Bangkok — remains in his heart. He was once a small, lean boy with a bright, innocent face, who loved to dance and boarded a plane to a foreign country without knowing what the future would hold. Never in his wildest dreams could he have imagined that one day he would become one of the most famous names representing Thailand. 

HOMETOWN is BamBam’s most honest and intimate story, shared with all of us.

BamBam

BamBam

CHIN SO YEON

Your new album, HOMETOWN is released on October 10. You’ve previously worked on the OST for the Thai film ‘The Con-Heartist’,  but this is your first time releasing a full Thai-language record in 11 years since your debut in 2014. When did you decide to do it?

That’s right. The only Thai song I’ve released before was that OST years ago — I never officially released anything else in Thai. Last year, on my way to Rajamangala Stadium for the encore show of my solo tour ‘AREA 52’, I happened to pass by the area where I was born. It’s actually the only route to the venue, but I hadn’t taken that road in years, so I never realized it. That moment felt so meaningful — it was like everything suddenly clicked. I knew what I wanted to do next. And from that moment on, I already knew the album would be called HOMETOWN.

Many global fans will probably feel closer to Thai culture through this album

I think a lot of people are already familiar with Thailand’s cities, atmosphere, and culture — it’s such a well-known travel destination. But rather than showing Thailand from an outsider’s perspective, I wanted to express the life of real Thai people, and how we see our own country. That’s something only Thais can truly convey.

The title track “WONDERING” stands out with its warm tone and dreamy synths. Compared to “LAST PARADE,” the title track from your 2024 EP BAEMSIS, it feels much more relaxed and at ease. Do you think that’s thanks to returning to your ‘hometown’?

It actually reminds me a bit of my first solo song, “riBBon”, which was released in 2021, in that it’s a track that just makes people feel good when they listen to it. Come to think of it, my solo work kept getting darker over time — even my makeup got heavier. By the time I did “LAST PARADE,” I’d practically turned into a devil. [Laughs]

Watching the “LAST PARADE” music video reminded me of Hieronymus Bosch’s paintings of hell,  actually.

HOMETOWN comes after my first solo world tour anyway, so it really feels like the beginning of a new chapter. I realized there was no need to go for something overly conceptual this time. I just wanted people to see ‘the real BamBam’. That’s why in the “WONDERING” music video, we went for scenes that feel like they could’ve been shot at an actual Thai night market.

The album includes five tracks in total. Aside from “Angel in Disguise (Prod. Pharrell Williams)” and the title track “WONDERING,” the other three songs all feature Thai artists. Tell us about the process

I personally chose every artist I worked with on this album. I wanted to collaborate with people who share a similar mindset with me. TIMETHAI, who’s featured on the pre-release single “Dancing by myself(feat. TIMETHAI), is just really good. He can sing, he can dance — he’s got it all. Jeff Satur, who joined me on “More Than Friend(Feat.Jeff Satur)”, is often called the ‘gifted’ in Thailand. He can handle so many different genres, and from what I know, he even does his own mixing and mastering — plus, he acts too. And he’s just really handsome. [Laughs] INK WARUNTORN, who’s featured on “Greenlight,” is one of the most beloved female singers in Thailand. She has that pure Thai-pop charm that I really wanted to capture on this album. Since I’ve never written lyrics in Thai before, I got a lot of help from others as well. TYTAN and SMEW worked on every track, and Jeaniich helped out with “Greenlight (Feat. INK WARUNTORN).”

For someone who left hometown at 14 to debut as a K-pop idol — now releasing a full album in your native language more than 11 years later feels like a full-circle moment. What does this milestone mean to you, both personally and for the industry?

There was a time when I really wanted to be accepted by people in Korea, so I appeared on a lot of variety shows. I think I’ve achieved that goal to some extent now, and I even completed a world tour as a solo artist. So releasing a Thai-language album just felt like the natural next step. Thai people have always supported me simply because I’m one of them. For example, if I perform in Brazil, even people who aren’t necessarily my fans will say things like, “I’m proud that you’re Thai,” or “I hope you keep doing well.” That kind of support really means a lot to me.

It really feels like cheering for a national athlete. Kind of like how Koreans support Korean baseball players in the MLB or soccer players in overseas leagues.

Exactly. It’s not just me — Lisa, Minnie, Nichkhun, all of us are like national representatives in the music world. And naturally, that makes me want to showcase Thai culture in a way that’s worthy of that title. I wanted to create something that the people supporting me can feel proud of, and I also want to continue being someone worth supporting.

What does the passionate support from Thai fans mean to you? Have you ever felt pressured by it?

I know that any mistake I make could potentially affect Thailand’s reputation. But there’s one thing I’m absolutely certain about — I’m not a bad person. So the support I get from people back home never feels like a burden. What makes me happiest is simply living each day as I am, with my cats by my side.

Honestly, the most exciting thing I do these days is go bowling. [Laughs]

You’ve performed on countless stages throughout your career. Which one stands out to you the most?

The 2022 NBA Halftime Show was definitely one of the best moments. It was during the Golden State Warriors vs. LA Lakers game, and the energy was unreal. Another unforgettable moment was performing solo for the encore of my “AREA 52” tour at Rajamangala Stadium. It was something I had always dreamed about, but honestly, I wasn’t sure if it could really happen. And then it did.

More recently, the ‘Grace for the World’ concert at the Vatican was another truly special experience. It’s such a sacred place where performances rarely happen, so I felt deeply honored. Sharing the stage with artists like John Legend, Andrea Bocelli, and Karol G — everyone was just there to enjoy the moment, no matter how famous they were. Pharrell was there too, and it was so different from his usual cool, stylish vibe at Louis Vuitton shows — that day, he took off his sunglasses and was just having fun. I even went up during rehearsal and said, “You look kinda cute today.” [Laughs] And of course, meeting and shaking hands with Pope Leo XIV — I mean, when would I ever get to experience something like that again?

How do you personally define K-pop? Many people still question why it’s called K-pop when the artist isn’t Korean or the lyrics aren’t in Korean.

I can’t speak for every K-pop artist, but in my view, nationality doesn’t really matter when it comes to calling something K-pop. Still, the “K” stands for “Korea,” and that’s something we should always take pride in. I believe anyone who’s part of this industry should respect the Korean entertainment scene and truly understand the culture and the people behind it.

You debuted with GOT7 at 17 in 2014. While you started your solo career in 2021, releasing your first full-length album Sour & Sweet in 2023 and completing your first solo world tour ‘AREA 52’ really cemented you as a solo artist. Looking back on this journey, when did you feel your musical direction became the clearest?

I’d say it was during the ‘AREA 52’ tour. I’ve experimented with many different styles over the years, but no matter the genre, my own style was always there. Even earlier this year, before it was revealed that I wrote GOT7’s comeback title track “PYTHON,” many people who heard it said, “This sounds like a BamBam song.” It felt rewarding to realize that my style was being recognized. I think it was in that confidence that I started to find the direction I wanted to go musically.

How do you describe ‘hometown’  at this point in your life?

There was a time when I was confused — I was born in Thailand, yet sometimes Korea feels like home. I guess that’s because I’ve now spent more years in Korea than I did in Thailand since I came here at fourteen. Still, every time I go back to Thailand, there’s a certain energy and a sense of comfort that can’t be compared to anything else. Even if I return after a long time, that feeling never changes. If Thailand is my hometown, then Korea is the place that raised me.

It’s impressive and heartwarming to see how much you still value Korea as the starting point of your career. Was it a natural decision to continue building your career based in Seoul?

I think it was the obvious choice. Some Korean fans might worry that I’m slowly “returning home” now that I’m releasing a Thai-language album, but my home, my company are all in Korea. And my cats, of course! [Laughs] The word that just came to mind is that, to me, K-pop represents the ‘beginner’s mindset’ — staying true to your beginnings. The moment you lose that, you can’t really call it K-pop anymore. And my beginner’s mindset? That’s Korea and GOT7.  Staying true to your beginnings and holding your position over time is what really matters.

‘Thai K-pop idols’ are known to have a strong sense of connection and camaraderie — like BLACKPINK’s Lisa, i-dle’s Minnie, CLC’s Sorn, NCT’s Ten, and Kiss of Life’s Natty. When you meet, what do you usually talk about?

We don’t really talk about work. Honestly, we’re all working all the time anyway, so when we meet as friends, no one really wants to talk about it. If anything, it’s more like, “Hey, I just shot a music video — want to take a look?” or asking for opinions. When we hang out, it doesn’t matter who’s in BLACKPINK or i-dle — none of that really comes into play.

You can see Thailand’s growing influence in the entertainment industry just by looking at Netflix or fashion weeks. Do you feel this change yourself?

I’ve only recently started looking more closely at the industry, but yes, I can definitely feel it. Back in 2014, when I debuted, there weren’t many cases of Thai artists or the industry trying to expand internationally. Someone once told me that the spread and popularity of K-pop has given Thai artists and fans more confidence. From styling to performance approach, we’ve picked up a lot from K-pop culture. Overall, I think the industry itself has become bolder and more confident in taking on new challenges.

You’re only 28. After achieving so much at a young age, what’s next for you? 

I have many goals, but now I want to approach them differently. Rather than sacrificing myself to reach them, I want to live my life and gradually move toward those goals at my own pace. Coming to Korea as a trainee meant leaving my life in Thailand behind. Now, I’m learning to move forward gently, sharing each moment with my fans. I’ve shared so many moments already — voice break, silly mistakes — because I started my trainee life so early. But I want to give more. As I get older, I hope my relationship with fans becomes something deeper than just artist and audience, like we’re contributing parts of life together. Maybe one day I’ll even say, “Let’s go out for dinner together!” [Laughs]

Listening to HOMETOWN, what do you hope people take away?

I hope they can feel my beginning — BamBam before I achieved my current success and circumstances, when I had nothing at all. I want them to experience that pure version of me.

BamBam

BamBam

CHIN SO YEON

Music stocks fell sharply this week amidst concerns about the ongoing U.S federal government shutdown, as President Trump’s latest threat to levy “massive” tariffs on goods produced in China dragged down markets on Friday (Oct. 10). 

Only three stocks — Spotify, JYP Entertainment and HYBE — in the 19-company Billboard Global Music Index (BGMI) finished the week ended Oct. 10 with gains. Dragged down by numerous losses near or greater than 10%, the BGMI fell 1.9% to 2,899.73, its third consecutive weekly decline. 

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Music stocks fared better than major U.S. indexes, though. The Nasdaq dropped 2.5% and the S&P 500 fell 2.4%. However, foreign exchanges that are less exposed to the U.S. trade war with China were better off. The U.K.’s FTSE 100 rose 0.7% to 9,427.47. South Korea’s KOSPI composite index jumped 1.7% to 3,610.60, and China’s Shanghai Composite Index improved 0.4% to 3,897.03. 

Just as the KOSPI outperformed other indexes, K-pop companies were the best-performing music stocks of the week. JYP Entertainment’s 2.2% gain made it the week’s best performer. Fellow K-pop company HYBE was close behind with a 1.9% increase. SM Entertainment posted only a slight loss of 0.6%.

Streaming services performed relatively well as a group. Spotify eked out a 0.7% gain, raising its year-to-date increase to 46.9%. Deezer managed a modest 0.9% decline to 1.16 euros ($1.35) while Netease Cloud Music fell just 1.2% to 253.00 HKD ($32.51). Tencent Music Entertainment dropped 2.0% to $22.44. 

SiriusXM was the week’s biggest loser, falling 10.1% to $20.93. The loss turned a slight year-to-date gain into a 6.4% loss in 2025. The next-worst decline came from iHeartMedia, which fell 9.8% to $2.59 after numerous news outlets reported layoffs at iHeart radio stations around the country. 

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Live Nation dipped 2.1% to $152.96, lowering its year-to-date gain to 18.1%. Earlier in the week, Wolfe Research increased its price target to $180 from $177 and maintained its “outperform” rating on Live Nation shares. After finishing the week ended Sept. 12 at $173.73, Live Nation shares have fallen for four consecutive weeks and lost 12.0% of their value. Some of that decline could be attributed to the Federal Trade Commission lawsuit filed on Sept. 18, but other live music stocks have dropped, too.

Sphere Entertainment Co. had a rare losing week, falling 6.3% to $58.98. Earlier in the week, BTIG initiated coverage of Sphere Entertainment Co. with a “neutral” rating. Sphere shares are up 38.9% year to date and have jumped 47.9% in the last eight weeks. Sister company MSG Entertainment was the week’s third-worst performer, falling 8.4% to $41.77. 

German concert promoter and ticketing company CTS Eventim dropped 4.7% to 79.25 euros ($92.10). The company’s recent downturn has mirrored that of Live Nation. After four consecutive losing weeks, CTS Eventim’s stock price has fallen 8.8%. 

Outside of K-pop, multi-sector companies — recorded music, publishing, merchandise and more — had an unusually poor week. Universal Music Group (UMG) fell 7.2% to 23.16 euros ($26.92). Warner Music Group dropped 5.3% to $32.08. Reservoir Media was down 2.3% to $7.60. 

Only a few companies have announced the dates for their third-quarter earnings releases. SiriusXM and UMG will be first out of the gate on Oct. 30, followed by Spotify on Nov. 4.  

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Sia’s estranged husband says he’s owed more than $260,000 per month in spousal support amid his divorce from the pop singer-songwriter.

Dan Bernad married Sia in 2022, and they share one 17-month-old child named Somersault. Sia filed for divorce in March due to “irreconcilable differences” — and Bernad now wants her to pay up.

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A Friday (Oct. 10) spousal support petition says Sia has a hefty net worth, though the exact numbers are redacted from public view. Bernad claims he and the singer lived a “luxurious and upper-class lifestyle,” and that they spent more $400,000 a month on extravagances like private jet travel, fine dining and full-time staffers.

“I request that the court order Sia to pay me temporary spousal support in the sum of $250,856 per month,” writes Bernad. “Orders are necessary at this time because I am financially dependent on Sia, the breadwinner in our marriage… Sia has the ability to pay me spousal support to maintain our financial status quo.”

Bernad, for his part, says he has almost nothing in his bank account and no income coming in. The 47-year-old was a radiation oncologist when he met Sia, but he claims she convinced him to stop working because she disliked his long hours at the hospital.

According to the court filing, Bernad officially gave up his oncology career when he and Sia opened up a ketamine clinic together in Los Angeles in 2021. He says Sia has now cut off funding for the clinic, and he’s unable to go back to work at the hospital because his license has expired.

“I will need to complete several years of training and pass several rigorous exams before I can renew my certification and practice radiation oncology again,” explains Bernad in the court filing.

In addition to requesting nearly $251,000 in monthly spousal support, Bernad also asks in the filing that Sia contribute at least $500,000 for his legal fees during the divorce proceedings. Such funds would “level the playing field,” he says.

Sia’s reps did not immediately return a request for comment on Friday (Oct. 10).

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The second season of The Vince Staples Show finally has a premiere date and a new trailer, heading to Netflix on Nov. 6.

The series started on the Long Beach rapper’s YouTube page back in 2019 and was quickly picked up by Netflix, but the first season of the repackaged show didn’t premiere on the streaming service until 2024 due to the COVID pandemic. Often drawing comparisons to Donald Glover‘s Atlanta (Staples told Complex that he consulted Glover and his team), the show is loosely based on Vince Staples‘ life and has a surreal vibe to it. While the first season was centered on the random adventures and situations that he finds himself in as a somewhat famous person, the second season focuses on a death in the family and the trauma that comes with it, but in a way that can only come from the creative mind of Vince Staples.

Earlier this year, Staples explained how he helped Netflix executives grasp the concept of the show. “The way the show was written — and this was always the intention — The Vince Stapes Show is not about Vince Staples as a character,” the rapper and actor told the After Hours podcast. “It’s about a perspective. It’s The Vince Staples Show because I made it not because it’s about me. I think that was a hard thing for a lot of people to grasp. Going from writing for me and then writing for the characters it became kind of a disconnect because they’re expecting me to come in and write a show about myself, but I’m writing a show about other people and how they view me in the world.”

If you haven’t checked out the show yet, the first season’s logline reads as follows: “Who’s Vince Staples? Well, that’s a tricky question. He’s kind of famous, but he’s not. He’s kind of rich, but he’s not. He’s also kind of a criminal. But he’s…not? Follow him on his daily adventures, where anything that can go wrong usually does.”

Season 2 kicks off Thursday, Nov. 6.

Check out the trailer below.

Social media was flooded Friday (Oct. 10) with messages of joy and congratulations for Venezuelan opposition leader María Corina Machado, who was announced in the morning as the winner of the 2025 Nobel Peace Prize — including posts by several Venezuelan singers in exile.

“What a source of pride, my GOD. Waking up to this news today is something historic,” wrote singer-songwriter Danny Ocean, who has spoken openly (and even sung) about Venezuela’s political crisis, in a lengthy post on X (formerly Twitter). “Today, peace has the face of a woman, and nothing is more inspiring than waking up to news like this,” expressed singer-songwriter Elena Rose on her Instagram Stories, calling the honoree a “warrior of the light.”

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María Corina Machado received the Nobel Peace Prize “for her tireless work promoting democratic rights for the people of Venezuela and for her struggle to achieve a just and peaceful transition from dictatorship to democracy,” according to the announcement on the official social media accounts of the prestigious award. “As the leader of the democracy movement in Venezuela, Maria Corina Machado is one of the most extraordinary examples of civilian courage in Latin America in recent times.”

“Ms. Machado has been a key and unifying figure in a previously deeply divided political opposition, an opposition that found common ground in the demand for free elections and representative government,” continued the statement about the former presidential candidate, who has been forced to live in hiding in the past year. “This is precisely what lies at the heart of democracy: our shared willingness to defend the principles of popular rule, even though we disagree. At a time when democracy is under threat, it is more important than ever to defend this common ground.”

Machado was set to challenge President Nicolás Maduro in the July 28, 2024, presidential elections, but the government disqualified her, and opposition candidate Edmundo González took her place. Venezuela’s electoral authority declared Maduro the winner with 51.2% of the vote (without presenting supporting evidence), while the opposition denounced irregularities in the vote count and asserted that their candidate had received nearly 70% of the votes. The protests that followed turned violent due to the repression of the Armed Forces and police. An arrest warrant for González forced him to seek asylum in Spain, while Machado was compelled to go into hiding.

The issue was addressed last year in a historic Billboard Español cover story with multiple Venezuelan artists speaking out from exile for democracy in their country.

Below, read some reactions from Venezuelan musicians to the news of María Corina Machado’s 2025 Nobel Peace Prize (listed alphabetically by name).

Carlos Baute, on X: “Today, the world recognizes what Venezuela already knows: María Corina Machado is a symbol of freedom, democracy, and hope.”

Danny Ocean, on X: “What a source of pride, my GOD. You know… as a child, I had the great opportunity to live in a country very close to South Africa. I lived there during Mandela’s presidency. Seeing how my friends and classmates adored Madiba had a huge impact on my life. Waking up to this news today is historic — not just the fact that María Corina is ours, not just the fact that she is a Venezuelan woman, not just because of her bravery and her struggle… but because of the impact this will have on the future. I know that, like me, many children will have María Corina as their role model, and some of them will sing about the pain and longing of many, while others will continue to defend, fight, and push the horizons of freedom. What an immense joy. Congratulations on such an admirable recognition, Mother.”

Elena Rose, on her Instagram Stories: “Today, peace has the face of a woman, and nothing is more inspiring than waking up to news like this. María Corina Machado, woman, Venezuelan, mother, warrior; I honor your courage and resilience, which you defend with love and which is echoing around the world and in the hearts of many. The true beauty of Venezuelan women lies in her two well-placed ovaries. I embrace your soul, warrior of the light; this news embraces all of us. A Nobel Peace Prize for Venezuela and all Venezuelans. What a powerful signal.”

Ella Bric, in a video shared on her Instagram Stories: “This is a moment of celebration. Venezuela has a Nobel Prize. This has been a beautiful day for the country, and we must all celebrate it together, above any differences or disagreements. Bravo. Bravo, bravo, bravo.”

Franco De Vita, on Instagram: “What a great example you have set for the entire world. Venezuelans could not feel prouder of you, María Corina Machado. You are the greatest thing this country has ever produced.”

Jerry Di, on his Instagram Stories: “Wow, aunt Cori, what an incredible piece of news to start the day. You deserve it so much.”

José Luis Rodríguez “El Puma”, on his Instagram Stories: “María Corina Machado: Our warrior who has what some men lack. Those of us inside and outside Venezuela pray for you so that you never give up and so we can reclaim our country in freedom and recover it spiritually, economically, and with the patriotic values that should never have been lost. Long live a free Venezuela.”

Ricardo Montaner, on X: “María Corina, you’ve just given me a hopeful awakening. Congratulations, you represent the feelings of millions… May God bless you to the very end.”

Migo Fest, positioned as a trailblazing event celebrating the new wave of música Mexicana, has been canceled, organizers announced Friday (Oct. 10). The decision comes just one day before the festival was scheduled to take place on Saturday.

In a statement shared with Billboard Español, organizers said they were forced to cancel after “receiving a call [on Wednesday night] that made it impossible for the festival to move forward without all of our performers.” According to the festival’s representatives, the cancellation was due to the current “political climate, artist visas that were denied and because one major artist had to drop out.”

The cancelation coincides with ongoing Immigration and Customs Enforcement (ICE) raids across the nation, which have heightened fears within Latin communities, as well as visa issues for international artists and concerns about potential threats to audiences from ICE enforcement.

Billed as the first music festival of its kind in the New York Tri-State area, Migo Fest aimed to spotlight the rise of Mexican music while celebrating the cultural contributions of New York’s Mexican and Puebla York — the population of Puebla origin, which has a strong presence in the city — communities. However, a series of challenges in recent weeks culminated in the abrupt cancellation.

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Yet the festival had already faced setbacks, including changing the venue from Jones Beach Theater to the Coney Island Amphitheater on Oct. 2, with organizers citing accessibility concerns. Additionally, headliners Netón Vega and Alemán were removed from the lineup, which was subsequently reduced from 17 acts to 10.

Though New York’s Mexican community has often been overlooked in the larger Latin music scene dominated by Caribbean-rooted styles, Migo Fest aimed to give Mexicans visibility and celebrate their contributions to the city. It did so by including emerging NYC-rooted, Mexican-American talent, like The Bronx’s Selines, Brooklyn’s SpliffHappy, and Queens’ Santy y Su Estilo Único.

The statement also added that “this is not the end of Migo Fest, it is just a pause.”

Furthermore, organizers promise to return “stronger” in the future “for our people, our artists, and our community,” as per the statement. Refunds will begin processing next week, they confirmed.

Read the festival’s full note about the cancellation below:

With every inch of our hearts broken, we have to announce the cancellation of Migo Fest.

On Wednesday night, we received a call that made it impossible for the festival to move forward without all of our performers. From that moment, we did everything we could—down to the very last inch of our being. But as Mexicans do, we never gave up trying.

Migo Fest wasn’t just one person’s dream—it was the dream of many. We had artists ready to share the stage with their idols, photographers hoping for their first big break, local clothing vendors preparing their booths, and creators from New York’s Latino community pouring their hearts into this. Migo Fest was built to give our people a platform, and canceling it feels like letting them down.

We put every part of ourselves into this—our hearts, our time, our money, our investors, our business partners—everything. We believed in this with all our souls. That’s why this hurts so deeply.

To the thousands who bought tickets and believed in us—thank you from the bottom of our hearts. Refunds will begin processing next week.

Thank you to Live Nation for working so hard to bring this show to life, even though it couldn’t move forward in the end.

This isn’t the end of Migo Fest—it’s just a pause. We’ll be back stronger, for our people, our artists, and our community. Migos never stop. -MIGO Fest

Billboard Canada is celebrating the next generation of music industry leaders.

Billboard’s prestigious 40 Under 40 has long recognized the young executives and innovators shaping the global music business. Now, for the first time, Billboard Canada is bringing this recognition north of the border — highlighting the next wave of leaders driving the country’s evolving music industry.

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Billboard’s 40 Under 40 list is coming to Canada. The inaugural edition will be unveiled in a special editorial package and exclusive launch event on November 20, 2025 at Soho House Toronto.

This evening will gather honourees, artists and key figures from across the industry for an evening dedicated to honouring achievements and fostering connection throughout Canada’s music ecosystem.

40 Under 40 will spotlight a cross-section of young executives, visionaries and leaders making an impact across the Canadian music industry — across labels, management, live music, streaming, radio and other sectors.

Nominations are open now. The deadline to submit is Friday, October 24, 2025. 

Read more and submit a nomination here. – Billboard Canada

Vancouver Eras Tour Audience Featured on Taylor Swift’s ‘The Life of a Showgirl’ 

Vancouver makes an unexpected cameo on Taylor Swift‘s new album.

Last December, the mega pop star wrapped up The Eras Tour, after performing 149 shows over the course of 20 months — including Canadian stops in Toronto and Vancouver, where the tour concluded.

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Now, those fans can hear themselves on her new album, The Life of a Showgirl.

The title track of Swift’s latest blockbuster project ends with her final address to the cheering crowd at the sold-out B.C. Place show.

In an introduction to the track on streaming services, Swift says she gets emotional hearing the crowd roar back, because being on the Eras Tour stage for the last time is a core memory for her.

“That always chokes me up because it transports me right back to that actual memory of standing on that stage for the last time on that tour that was so important to me and the tour that really inspired the album,” she shares.

The Sabrina Carpenter-featuring song tells the story of a fictional showgirl named Kitty, portrayed by Carpenter, who offers Swift’s inspired character the harsh truth of being a woman in the entertainment industry.

Swift performed three sold-out shows at the downtown Vancouver stadium after selling out Toronto’s Rogers Centre for six nights in November.

“Tonight, we get to play one last show … and we’re gonna make it count,” Swift told the Vancouver audience, marking the city as the last to witness Swift’s global Eras Tour.

Read more here. – Heather Taylor-Singh

Daniel Caesar Re-Enters the Billboard Canadian Albums Chart Following Surprise Pop-Up Concerts

Daniel Caesar is building momentum ahead of his next album.

The Oshawa-raised R&B star is back on the Billboard Canadian Albums chart this week with two re-entries after a series of viral, short-notice pop-up concerts over the past two weeks.

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On the chart dated Oct. 11, 2025, his most recent release, 2023’s Never Enough re-enters at No. 80, while his fan-favourite debut Freudian (2017) lands at No. 99. Both albums initially peaked in the top 20, with Never Enough notching a top 10 position at No. 8.

Caesar has been making waves online with a handful of spontaneous outdoor concerts in promotion of his next album Son of Spergy, which releases Oct. 24.

The first concert was held at a packed Trinity Bellwoods park in his hometown of Toronto on Sept. 27, where Caesar played new songs like “Baby Blue,” “Root of All Evil,” “Who Knows,” and “Moon.” The singer played in other Canadian cities throughout the following week, with sets at Parc des Hirondelles in Montreal (Sept. 28) and John Hendry Park in Vancouver (Oct. 2), before heading south of the border to Montana and California.

Fellow Toronto artist and Son of Spergy’s executive producer Mustafa has been joining Caesar for the unconventional tour. Caesar spoke about playing pop-up shows with Mustafa in a recent Billboard cover story.

“It’s really not even for the fans. It’s for us on the stage,” Caesar revealed. “But this way we get to talk and figure out our ideas in public. It contributes to figuring out who we are and what we want to write about.”

In the same interview, he credits Mustafa as being one of the people who pushed him to collaborate with other artists, leading to a diverse and impressive list of collaborators on Son of Spergy that includes Sampha, Clairo, Dev Hynes (Blood Orange), Justin Vernon of Bon Iver, Rex Orange County, Yebba and more.

Read more on the chart achievement here. – Stefano Rebuli

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The No Music for Genocide cause is continuing to grow, with Clairo, Lucy Dacus and numerous other artists announcing their commitment to removing their catalogs from Israel amid the violence in Gaza.

The campaign announced the new additions on Friday (Oct. 10), revealing that Nao, Wolf Alice, Of Monsters and Men, Aurora and Mallrat have also added their names to the boycott. The news comes shortly after Lorde, Hayley Williams, Paramore, Björk, MUNA and Paloma Faith joined the 1,000-plus others who are part of the growing movement.

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Originally launching in September with more than 400 signees, No Music for Genocide aims to support Palestinian people by pulling music from streaming services in Israel through geo-blocking. Kneecap, Faye Webster, Japanese Breakfast, Aminé, Massive Attack, Soccer Mommy, Rina Sawayama, MIKE, Primal Scream and Fontaines D.C. were among the first artists to join when it launched.

“Culture can’t stop bombs on its own, but it can help reject political repression, shift public opinion toward justice and refuse the art-washing and normalization of any company or nation that commits crimes against humanity,” reads a statement from No Music for Genocide in a release. “This initiative is one part of a worldwide movement to erode the support Israel needs to continue its ongoing systems of oppression.”

News of the campaign’s expansion comes just a few days after Israel’s war against Hamas — which began on Oct. 7, 2023, after the terrorist group attacked and killed 1,200 Israelis while taking 251 more hostage — reached the two-year mark. Israel has killed more than 67,000 Palestinians in that time, leading the United Nations to declare in September that the country is committing genocide.

As of Friday, however, Israel declared that a ceasefire has taken effect, pulling troops out of urban areas in exchange for Hamas’ release of 20 hostages. Israel will then free 250 imprisoned Palestinians and 1,700 war detainees, according to Reuters.

With Israeli military now pulling out of parts of Gaza, thousands of Palestinians are currently traveling back on foot to whatever is left of their abandoned homes. To say the least, it’s a bittersweet moment that follows more than 700 straight days of violence, hunger and homelessness experienced by the Palestinian people, as well as two years of people all over the world — including many A-list artists — protesting Israel’s actions.

“People are screaming with joy in the streets,” a 20-year-old Palestinian woman named Raghad Izzat Hamouda told CNN on Friday. “Imagine that you survived the genocide that lasted for two whole years under the bombing, hunger, destruction, fear.”


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YoungBoy Never Broke Again threatened to beat a fan after he kept getting pelted with objects during a tour stop in Columbus, South Carolina.

During YoungBoy’s latest performance on Thursday, the rapper paused his rowdy setlist to address a rambunctious fan in the crowd who kept throwing items onstage.

“I had to calm myself down,” YoungBoy said in part. “Throw one more thing up here, I’mma whoop your a–, boy. Throw one more.”

He went on to reiterate he would beat him down if he threw one more item. “You can play with me tonight if you want to,” YoungBoy continued. “This a YoungBoy show. I know you ain’t spend your money to come through this muthaf—in’ door to let no n—a do no p—y a– sh– here tonight.”

This isn’t the first time something contentious happened during YoungBoy’s MASA Tour. Without explanation, Chicago’s United Center canceled YoungBoy’s show slated for Sept. 23. The venue was criticized by YoungBoy’s manager over the act.

“@UnitedCenter bi—ed out. Shoutout to Joe Myhra @UnitedCenter. He didn’t want us to have fun. Scary,” Alex Junnier wrote, attacking Myhra, who appears to be the SVP of operations at Chicago’s United Center. “It’s ok, everyone; Joe just sits behind a desk and got nervous.”

Footage also recently emerged of a fan involved in a fight with an elderly security guard at YoungBoy’s Kansas City show. Per KCTV 5, a 14-year-old was detained for allegedly assaulting the T-Mobile Center employee.

Regardless, the Baton Rouge rapper heads to Florida to continue his lengthy trek this weekend.

Check out the video below.