Chris Robinson wasn’t having it with the crowd’s patriotic display at The Black Crowes‘ concert in Florida Sunday night (May 31).

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As captured in clips from the show in Tampa, some people in the audience at the MidFlorida Credit Union Amphitheatre started booing after the singer scolded them for chanting “U.S.A.! U.S.A!” The chant reportedly emerged after the band’s stage visuals showed their mascot dressed as Uncle Sam.

“Some of us have real faith,” Robinson responded to the angry concertgoers. “And for those of you f–king booing us, some of us are not afraid. And we most assuredly are not f–king ignorant, so thank you.”

TMZ reports that the rocker also said of the chants, “Thanks for the geography lesson … I don’t know what you have to be so proud of right now.”

The exchange resulted in numerous crowd members walking out on the show, according to a video shared by the outlet on X.

Robinson isn’t known for being the most politically outspoken musician, aside from the time he made a passing remark in 2017 griping about Donald Trump being president. But the crowd in Florida — a historically red state — learned the hard way that he’s not necessarily happy with the state of the country, either.

The Black Crowes will continue their tour Tuesday (June 2) with a performance in St. Augustine, Fla., followed by shows in Augusta, Ga., and Charlotte, N.C. The band’s new album, A Pound of Feathers, dropped in March, shortly after receiving a 2026 nomination for the Rock & Roll Hall of Fame. (The band was ultimately not chosen for induction.)


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John Summit is hitting the road this fall with a massive arena tour titled CTRL ESCAPE.

The concert series, named after Summit’s 2026 sophomore album released on April 15, begins Oct. 1 and spans 20 dates. CTRL ESCAPE will start in Champaign, Ill., the city where Summit went to college to study accounting. The opening date is fitting, considering Summit’s CTRL ESCAPE album focuses heavily on leaving the accounting world to pursue music full time.

After a brief stint in Canada lasting three days, the DJ will cross the border to perform in Philadelphia, Boston, D.C., Houston, Atlanta, Chicago and Miami before finishing the tour at the Oakland Arena in Oakland, Calif., on Dec. 4. Beyond his CTRL ESCAPE tour, Summit is also playing a residency at [UNVRS] in Ibiza this summer, and headlining Lollapalooza in late July, adding to his already busy 2026. If you can’t make those gigs, this arena tour is your best bet to see the DJ live.

If you’re looking to catch the musician in an arena near you, you’ll want to check out official sites such as Ticketmaster. For sold-out shows, you’ll want to look to resale sites includuing StubHub and SeatGeek. Below, we’ve shared the best sites to snag tickets to Summit’s shows at inexpensive pricing. Keep reading to learn more.

Where to Buy Affordable Tickets to John Summit’s 2026 CTRL ESCAPE Arena Tour

Where to buy affordable tickets to John Summit's 2026 CTRL ESCAPE arena tour online.

OFFICIAL TICKETING

Ticketmaster


As of writing, pricing for seating to the DJ’s show on Ticketmaster is pretty budget friendly at certain venues. We’ve seen tickets go for as low as $31.25 for spots in higher sections of venues like the Spectrum Center in Charlotte, N.C. If you’re looking for an up-close view, floor seats are available for $200+. The ticketing service offers a fan guarantee, which allows for cancellations, refunds or exchanges within 24 hours of booking, subject to certain exclusions.

Where to buy affordable tickets to John Summit's 2026 CTRL ESCAPE arena tour online.

EDITOR’S PICK

StubHub


StubHub is a great option when searching for reasonably priced seating. As of this writing, we have seen ticket prices for the musician’s arena shows go for as low as $52. That said, competition for seating is strong, and tickets at this price are scarce. When searching on StubHub, you’ll find certain venues labeled with a “great value” sticker that indicates pretty hefty markdowns on tickets. The site will also indicate if seats are selling fast, helping buyers strategize their purchase.

The platform makes buying tickets easy with its “FanProtect Guarantee,” which protects your purchases with authentic tickets and refund policies. Plus, if your event is canceled and not rescheduled, you will receive a credit worth 120% of the amount you paid, or the option of a cash refund.

Where to buy affordable tickets to John Summit's 2026 CTRL ESCAPE arena tour online.

PROMO CODES

SeatGeek


SeatGeek is a ticketing site with inexpensive options for CTRL ESCAPE. Summit’s United Center show in Chicago features seating for as low as $39. Seats on the floor are around $300+. Right now, you can use promo code BILLBOARD10 at checkout to receive $10 off for new members. The ticketing service features a Buyer Guarantee that ensures smooth ticket purchases every time.

Where to buy affordable tickets to John Summit's 2026 CTRL ESCAPE arena tour online.

LOWEST PRICING

Vivid Seats


A great option for price-conscious ticket shoppers is Vivid Seats. The site has a slew of affordable options on prime venues like the United Center in Chicago for $36 or the Kaseya Center in Miami for $40. To sweeten the deal, you can use our promo code BB30 to snag $30 off your purchase for new members only. The ticketing service offers a “100% Buyer Guarantee” policy that vows your transaction will be secure, that your tickets will be delivered before your event, and that your tickets will be valid and authentic. 

More savings can never be bad. You can grab stubs to Summit’s set through TicketNetwork with the code BILLBOARD150 to save $150 off orders of $500. TicketNetwork has $48 seats for the DJ’s Miami show at the Kaseya Center. If you don’t have the funds to buy your tickets just yet, you can also buy the tickets on the website now and pay later with help from Affirm. Plus, the website includes all-in pricing that lets you see exactly what you’ll be paying upfront (fees included).

Where to buy affordable tickets to John Summit's 2026 CTRL ESCAPE arena tour online.

BEST SEATING

Gametime


We’ve also found that Gametime has great pricing and tons of seating for the musician’s arena tour. Tickets are going for as low as $37 at some venues. Gametime’s in-depth maps show that there are still ample seats available for spots on the floor or higher up. The site will also notify you when certain venues/dates feature deals, allowing you to find the best pricing every time.

Given how in demand Summit’s sets are, seating can be sparse. Gametime guarantees the lowest prices, event cancellation protection and on-time ticket delivery for a smooth ticket-buying experience every time, no matter the occasion.

John Summit 2026 Arena Tour Dates

Oct. 1 – Champaign, IL @ State Farm Center
Oct. 29 – Boston, MA @ TD Garden
Oct. 30 – State College, PA @ Bryce Jordan Center
Oct. 31 – Washington, D.C. @ Capital One Arena
Nov. 5 – Houston, TX @ Toyota Center
Nov. 6 – Austin, TX @ Moody Center
Nov. 7 – Fort Worth, TX @ Dickies Arena
Nov. 13 – Columbus, OH @ Schottenstein Center
Nov. 14 – Charlotte, NC @ Spectrum Center
Nov. 15 – Atlanta, GA @ State Farm Arena
Nov. 20 – Miami, FL @ Kaseya Center
Nov. 21 – Miami, FL @ Kaseya Center
Nov. 24 – Chicago, IL @ United Center
Nov. 25 – Chicago, IL @ United Center
Nov. 27 – Philadelphia, PA @ Liacouras Center
Nov. 28 – Brooklyn, NY @ Barclays Center
Dec. 4 – Oakland, CA @ Oakland Arena

Grammy voters are likely to be “choosin’” Ella Langley in several categories in the upcoming 69th Grammy nominations, but there’s one category in which her name won’t appear: best new artist.

Langley was entered in that category in each of the last three years. Grammy rules stipulate that an artist can be entered no more than three times in the category.

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Another red-hot country artist, Megan Moroney, will be ineligible for the same reason.

Rapper Ken Carson and R&B singer Ravyn Lenae will also be ineligible. They were entered in each of the last two years as well as at the 2023 ceremony.

Here’s the rule, from the current Grammy Awards Rules & Guidelines handbook: “An artist may not enter into this Category more than three times, including as a performing member of an established group.”

Three of these artists have landed No. 1 albums on the Billboard 200. Carson hit No. 1 in April 2025 with his fourth studio album, More Chaos. Moroney hit No. 1 in March 2026 with her third studio album, Cloud 9. Langley hit No. 1 in April 2026 with her second  studio album, Dandelion.

Carson has released four studio albums, two mixtapes, five EPs, 15 singles (including four as a featured artist) and 20 music videos. But the Recording Academy no longer has a maximum number of releases an artist can have before they are thrown out.

Here’s the rule: “While there will be no specified maximum number of releases, the Screening Committees will be charged with determining whether the artist had attained a breakthrough or prominence prior to the eligibility year. Such a determination would result in disqualification.”

Also not eligible, per the rulebook: “Any artist with a previous Grammy nomination as a performer, including a nomination as an established member of a nominated group.”

First-round voting for the 69th Grammy Awards will be held from Oct. 12 to Oct. 22. Nominations will be announced on Nov. 16. Final-round voting will be held from Dec. 10 to Jan. 7, 2027. The awards will be presented on Feb. 7, 2027 at Crypto.com Arena in Los Angeles.

Olivia Dean is the reigning best new artist winner. The other seven nominees at this year’s ceremony were KATSEYE, The Marías, Addison Rae, sombr, Leon Thomas, Alex Warren and Lola Young.

Keznamdi’s Blxxd & Fyah era isn’t over yet!

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The 2026 recipient of the best reggae album Grammy officially announced the full slate of U.S. dates for his upcoming tour, billed Blxxd & Fyah Live, on Monday (June 1). The five-date trek will begin in San Francisco’s Café du Nord on Oct. 4, playing several shows across California and Pennsylvania before concluding with a Brooklyn Bowl show on Oct. 14 in New York.

“The production is going to be bigger; we’re going to raise the bar in reggae and dancehall,” Keznamdi promises Billboard the morning after his jam-packed S.O.B.’s show. “Reggae music can’t exist without the live aspect because it’s music that speaks about life. And that direct human connection, especially with [the rise of] AI, is something that cannot be replicated.”

Keznamdi celebrated his inaugural Grammy win with a pair of U.S. shows. He played the Hotel Café in Los Angeles on May 13, followed by a stop at New York City’s S.O.B.’s on May 20. Those two towering performances came just a month after storied hip-hop trio The LOX remixed “Bun Di Ganja,” a standout cut from Blxxd & Fyah, underscoring the impressive momentum Keznamdi has maintained since his show-stealing acceptance speech at the Grammy Premiere Ceremony (Feb. 1). Before his tour kickoff, Keznamdi will also headline a free concert at Eisenhower Park in New York’s Long Island on July 17.

“From the first song, people were in tune and locked in,” he reflects. “They sang the songs word for word, and that’s every artist’s dream: being able to share music you wrote by yourself and have people relate to it. My voice is still a little fatigued from the New York show, which had such a strong Caribbean community present. … The S.O.B.’s show was also the first time the industry came out to see me; they knew about me, but I don’t think they understood that I actually had a fan base. The word of mouth is going to be crazy after this show.”

According to the Kingston-born star, Live Nation wanted to handle his first post-Grammy win shows, but he really wanted to “do something special with S.O.B.’s.” As an independent artist, Keznamdi found that freedom of choice meant everything — and it also makes his upcoming Brooklyn Bowl show that much more special. Mounted in partnership with Live Nation, that concert will mark the reggae sensation’s largest New York headlining show to date.

Outside of music, Keznamdi has kept busy in the film world. Beach Inna Bondage: The Fight for Jamaica’s Coastline, a documentary short Keznamdi crafted in collaboration with Jamaican activist group JaBBEM, premiered at Kingston’s Café Rosa on May 2. The film traces the debilitating effects of beach privatization on Jamaica’s coastline, and the grassroots resistance efforts local communities are waging against large-scale tourism developments. Though he’s setting up some stateside screenings for the short, Keznamdi is already hard at work on his next album.

“There have been a lot of big features that have reached out since the [Grammy] win; a lot of big international and U.S. acts, and also some from across the Caribbean diaspora,” he teases. “I’ve been doing a lot of features, which should be coming out on other people’s albums within the next couple of weeks. I’m about 50% done with the new album; we did a live session recording before we left L.A., and it’s finally sounding like an album now. Hopefully, we can keep the momentum going and drop another album this year.”

Check out the U.S. dates for Keznamdi’s Blxxd & Fyah Live and watch the official tour announcement below.

  • Oct. 4 – San Francisco, Calif. @ Café du Nord
  • Oct. 8 – San Diego, Calif. @ Winstons Beach Club
  • Oct. 9 – Los Angeles @ The Peppermint Club
  • Oct. 14 – Philadelphia, Penn. @ MilkBoy
  • Oct. 15 – Brooklyn, N.Y. @ Brooklyn Bowl


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After welcoming baby RZA in May 2022, children two and three, Riot and Rocki, were a breeze in the delivery room for Rihanna and A$AP Rocky.

Rocky graces the cover of VIBE‘s return to print media in the issue published on Tuesday (June 2), which found him touching on a plethora of topics, including fatherhood.

“Being emotionally present, emotionally available, receptive, still endearing, but not only that, loving,” he said while describing what how he pictures fatherhood. “That’s easy. That’s me all day. That’s just me.”

The second and third times in the delivery room mimicked the first, so Rocky and Ri were laughing and joking around with each other throughout the births of Riot and Rocki, he shared.

“It was just so exciting because you just don’t know what to prepare for,” he explained of welcoming firstborn RZA. “You don’t know what’s to come, so the second and third time was really similar to the first experience. We were laughing while she was in labor, literally laughing and cracking jokes and s–t,” he said.

A little over a year after baby RZA, Rihanna gave birth to their second son, Riot, in August 2023. The couple welcomed a daughter, Rocki Irish Mayers, in September 2025.

Elsewhere in the interview, A$AP Rocky also addressed the dangerous situation surrounding the woman who fired more than 10 shots from an AR-15-like rifle into their Los Angeles home in March, while the couple was at home with their three children.

“It was f–ked up,” Rocky admitted. “Somebody attempted at [harming] me and my family. It took away a lot of peace and happiness of being able to just be free. I don’t want to be robbed of my peace and joy.”

Ivanna Ortiz initially attempted to flee the scene before being apprehended by police nearby the Beverly Hills home. Ortiz pleaded not guilty to 10 charges of assault with a semiautomatic firearm and three charges of shooting at an occupied dwelling.

She faces up to life in prison if convicted. The 35-year-old was ordered to undergo a mental health evaluation by Judge Shannon K. Cooley in May as Deputy Public Defender Derek Dillman expressed doubts that Ortiz is mentally capable of standing trial.

See Rocky on the cover of VIBE below:


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Olivia Rodrigo has worked her magic in the BBC Radio 1 Live Lounge once again, delivering an exquisite cover of CMAT’s “When a Good Man Cries” on Tuesday (June 2).

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The pop star, who will release her third LP, You Seem Pretty Sad for a Girl So in Love, on June 12, surprised listeners by including the CMAT track in her session, alongside a performance of new single “The Cure.”

The moment didn’t go unnoticed by CMAT (born Ciara Mary-Alice Thompson), who reacted via a playful Instagram post, writing: “She sang it better than me, so now I’m toast.”

Fans are reacting to the cover as clips began circulating online. On Reddit, listeners described the cover as “so random and wonderful,” while others celebrated seeing “two worlds coming together,” suggesting it could introduce CMAT’s music to a larger audience.

“When a Good Man Cries” features on CMAT’s breakout record Euro-Country, which was released in summer 2025 to critical acclaim. The album, which marked the 30-year-old’s third studio album, landed a Mercury Prize nomination and earned the Ivor Novello award for best album at May’s ceremony.

Her profile has continued to rise through major festival appearances, including a Pyramid Stage slot at Glastonbury in 2025, and the viral success of Euro-Country single “Take a Sexy Picture of Me.” The latter inspired a TikTok dance trend dubbed the “Woke Macarena” and earned CMAT her first placement on the Official U.K. Singles Chart (No. 42 peak). 

Rodrigo’s performance comes at a particularly meaningful moment for CMAT. In recent days, the Irish singer publicly addressed body-shaming comments she received following a set at BBC Radio 1’s Big Weekend on May 23, sharing her frustration and “deep sadness” over the scrutiny directed at her appearance. The post prompted an outpouring of support from fans and artists alike, while Rodrigo has also recently spoken out against online commentary against a series of babydoll dresses worn during her current album campaign. 

Rodrigo is no stranger to the Live Lounge format. During her last BBC Radio 1 appearance in 2023, the singer put her own spin on Noah Kahan’s smash hit “Stick Season,” which quickly became one of the most viewed covers from that year’s Live Lounge Month.

The 23-year-old kicked off the You Seem Pretty Sad … era in April with the release of the album’s lead single, “Drop Dead.” The track, which was accompanied by a video filmed at the Palace of Versailles in Paris, debuted atop both the Billboard Hot 100 and the Official U.K. Singles Chart.

Watch Rodrigo cover “When a Good Man Cries” above, and perform “The Cure” for Live Lounge below:


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Cara Delevingne signed with Warner Records and released the songs “I Forgot” and “Out of My Head.” She’ll release her debut album this summer.

“Music was always that dream I had, but never believed I would get the opportunity to create,” said Delevingne of her new music. “Writing ‘I Forgot’ felt like a rebirth for me and ‘Out of my Head’ was like going to therapy. Everything has felt like it’s led up to this point and I can’t wait for everyone to experience it.”

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Aaron Bay-Schuck, CEO and co-chairman of Warner Records Group, added, “I didn’t know what to expect hearing this music for the first time, but it surprised me in the best possible way. It’s an incredibly exciting and ambitious offering. It takes a lot of courage to be as vulnerable as Cara is on these songs, and she masterfully intertwines so many different sonic influences in a way that is both unexpected and risky, yet digestible. We truly couldn’t be happier to have Cara join the Warner Records family.”

Over the years, Delevingne has made intermittent excursions into music, including writing a song for Valerian, a 2017 sci-fi film directed by Luc Besson in which she starred. She was also featured in the Cabaret revival on the West End and has appeared on albums including Fiona Apple’s Fetch the Bolt Cutters, St. Vincent’s Masseduction and Dijon’s Baby.

Delevingne is set to play shows in Europe, the U.K. and the U.S. this summer, including the festivals All Things Go NYC and Primavera Sound editions in Barcelona, Buenos Aires and São Paulo.

Read about more recent artist signings below.

One kiss (at the altar) is all it takes. Dua Lipa and Callum Turner are now a married couple, tying the knot in an intimate town-hall ceremony — photos of which the pop star just shared with fans.

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In the snaps posted to Instagram Tuesday (June 2), Lipa looks gorgeous in her stylish white Schiaparelli suit jacket and skirt, topped with a swooping white hat. In one, she sits on Turner’s lap on what appears to be a bench inside the courthouse, kissing him as both of their faces are concealed by her hat.

In another photo, the pair hold hands while walking down a set of stairs inside the building, while another picture shows them smiling as people shower them with rice while making their exit.

“31.05.2026,” Lipa simply wrote in the caption, marking the date of her big day with Turner.

“Congratulations,” JT commented, while Maggie Rogers left a string of white heart emojis and Donatella Versace wrote, “So proud of you! Congratulations my gorgeous girl.”

The hitmaker and Fantastic Beasts actor wed at London’s Old Marylebone Town Hall on Sunday (May 31). It came about a year after Lipa confirmed that she and Turner were engaged in an interview with British Vogue. “This decision to grow old together, to see a life and just, I don’t know, be best friends forever — it’s a really special feeling,” she told the publication in June 2025.

The couple first sparked dating rumors in early 2024 before going Instagram official that July, just a couple of months after Lipa dropped her most recent album, Radical Optimism, which reached No. 2 on the Billboard 200.


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Concept-driven artists are no longer rare in K-pop. Elaborate lore, alternate selves and multiverse mythologies have become close to a genre requirement. What remains rare is a group whose identity registers not only as a sound or a look, but as a flavor: the metallic tang listeners have come to call aespa‘s “Soe-mat (쇠맛),” literally the taste of metal. Rarer still is the act that can carry a signature that specific from a domestic core fandom to the global mainstream without sanding off its edges.

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aespa has spent seven years building exactly that. On its second studio album, LEMONADE, the quartet makes the metaphor literal.

The new chapter moves beyond KWANGYA and the virtual selves known as ae. Across these 10 tracks, KARINA, GISELLE, WINTER and NINGNING no longer sound like human counterparts navigating a digital mythology — they sound like artists who have absorbed that mythology whole. Each member carries the worldview, the avatar and the conflict inside her own voice. Asked at the album’s May 28 press conference what self-determination means to the group now, WINTER framed it as a matter of existence itself: Loving what she loves without minding how others see it, she said, is “the reason, and the definition, of existing as myself.”

That reframing sharpens the story aespa has been telling since 2020. The antagonist of the group’s 2026 chapter is not Black Mamba, nor the barren expanse of KWANGYA. This time, the challenge feels internal: how to live with multiple worlds, multiple selves and still call the result your own. LEMONADE answers the way aespa always has, by refusing to taste anything on anyone else’s terms.

Musically, the album gathers the strongest pieces of its catalog and liquefies them into something new: the steely self-determination of “Girls,” the kitsch charge of “Spicy” and “Supernova,” and the coiled tension of “Whiplash,” which became aespa’s first top-10 entry on the Billboard Global 200 when it peaked at No. 8 in 2024. On LEMONADE, techno-inspired synth riffs sharpen the edges, defiant self-possession holds the center and a streak of pop absurdity keeps the record from collapsing under its own mythology. The result is sour, metallic and strangely addictive.

The palette is deliberately scattered, because the scatter is the point. The record runs from the industrial hip-hop of pre-release title “WDA (Whole Different Animal),” featuring G-DRAGON, through the hyperpop haze of “Camouflage” and the smooth R&B of “My Plan” to the crisp pop-rock of “‘Til We Die,” with Ty Dolla $ign appearing on “Switchblade” and Becky G joining a version of the title track. Built on one of K-pop’s most tightly constructed mythologies, LEMONADE arrives as aespa’s most cohesive album precisely because it refuses to stay in one shape.


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Below, Billboard Korea ranks every song on LEMONADE.

After the original singers of Milli Vanilli asserted that they had no intentions of performing at the polarizing Great American State Fair this summer — writing that anyone on the lineup performing under the band’s name had “no association” with them — Fab Morvan has announced that he’s pulling out of the festival.

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Speaking to CNN on Monday (June 1) — a few days after Milli Vanilli vocalists Jodie Rocco, Linda Rocco, Brad Howell, John Davis and Charles Shaw posted their statement — Morvan shared that he’d decided to remove himself from the lineup. He joins an exodus of artists previously announced as part of the Freedom 250 event’s billing who have since dropped out, including Young MC, Martina McBride and The Commodores.

“This is not what I signed up for,” the performer told the outlet.

Morvan explained that he’d originally agreed to the opportunity to represent Milli Vanilli at the United States 250th anniversary event in Washington, D.C., because it had been pitched to him as a “special moment” for the country. “When I saw Young MC pull out, I was like, ‘Oh, that’s weird. Why is he pulling out? Does he know anything that I don’t know?’” the German performer recalled.

“Then, one after the next, people started to leave, but I was told by my team, who was told by another team, ‘There’s nothing, no political entanglement … it’s just a free show for the people,’” he continued.

Ultimately, regardless of the intentions behind the festival, Morvan decided to withdraw because “throughout the week, it turned into a circus.”

“I’m here to bring people together,” he added. “I’m stepping out in peace.”

Milli Vanilli was originally just a duo comprised of Morvan and the late Rob Pilatus — at least as far as the public knew until 1990, when it came out that the two men had been lip-synching to vocals actually recorded by the Rocco sisters, Howell, Davis and Shaw. The following year, those five vocalists released an album titled The Real Milli Vanilli.

Morvan, on the other hand, has since obtained the rights to perform under the Milli Vanilli name. “For a long while I wasn’t allowed to use it,” he told The Guardian in February. “Now I’m playing concerts to thousands of people with a band and me singing, no backing tapes.” 

But there appears to be tensions between the surviving face of Milli Vanilli and its “real” singers, as Jodie Rocco wrote May 28 on her Facebook page after Freedom 250 unveiled its initial lineup: “So, let me get this straight … ‘Milli Vanilli’ will be represented by Fab Morvan, who never sang a note on any of the 46 tracks we recorded.”

“I guess Freedom 250 feels they exemplify the best of American music, even though [Morvan and Pilatus are] German and they’re fakes,” she’d continued. “If this is true, it is shamefully awful. And selfish. And denigrating to my sister Linda, me, Brad Howell, John Davis and Charles Shaw. Dragging our name through the muck and mire yet again.”

Though billed as a nonpartisan event intended to celebrate the 250th birthday of the U.S., the Great American State Fair has proven controversial given some people’s issues with the state of the country’s politics in 2026 and with Donald Trump’s involvement in the event. “I understand Artists are getting ‘the yips’ having to do with their performance on Wednesday,” the president wrote on Truth Social after many artists dropped out of the festival.

“So I am thinking about bringing the Number One Attraction anywhere in the World,” he continued, “the man who gets much larger audiences than Elvis in his prime, and he does so without a guitar, the man who loves our Country more than anyone else, and the man who some say is the Greatest President in History (THE GOAT!), DONALD J. TRUMP, to take the place of these highly paid, Third Rate ‘Artists,’ and give a major speech, rallying the Country forward like I have done ever since being President!”


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