A 48-year-old man named Justin Lee Fisher has been arrested for trespassing, allegedly jumping the fence of Travis Kelce‘s home in an attempt to serve Taylor Swift with deposition papers on behalf of Justin Baldoni on Sept. 15.

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According to People, the arrest took place at 2 a.m. while both the pop star and her fiancé were believed to be at home. The man was apparently charged with “jumping the fence onto a private residence in a private neighborhood.”

Rolling Stone also reports that two individuals named Drew Bossi and Laura Baker were named for the offense of “criminal trespass property” at Kelce’s home around the same time on Sept. 15.

Billboard has reached out to Swift’s rep as well as the Leawood Police Department in Kansas City for comment.

The development comes amid Baldoni’s bitter legal battle with his It Ends With Us collaborator Blake Lively, who sued the director last year for allegedly harassing her on set and orchestrating a smear campaign attacking her reputation once filming was over. The director later tried to sue the actress for defamation, but a judge dismissed the case; Lively’s original lawsuit will head to trial in 2026.

Throughout the litigation, Baldoni has tried to involve Swift — whose friendship with Lively dates back many years — multiple times. In his original countersuit filing, he alleged (without directly naming the pop star) that his legal opponent had tried to use her famous friend’s power and influence to pressure him into agreeing with Lively’s creative choices for It Ends With Us. In June, a judge granted his legal team’s request that text messages between Swift and Lively be presented in court as evidence.

Baldoni has also fought for Swift to be deposed in the case, but a judge denied that request on Sept. 12.


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Demon Slayer: Infinity Castle just dropped in American theaters on Sept. 12 and it’s already breaking major records both domestic and foreign.

In just two weeks flat, the animated film grossed over $555 million worldwide, according to an article dropped by Forbes, making it the highest-grossing anime film of all time globally. This also makes the film the highest-grossing Japanese film of all time. In the United States alone, the film grossed a whopping total of $104 million, making it the highest grossing anime film in the U.S. of all time. Pretty impressive if you ask us.

If you didn’t know, the film is animated and falls under the dark fantasy action genres. It is based on the “Infinity Castle” arc of the 2016–20 manga series Demon Slayer: Kimetsu no Yaiba by Koyoharu Gotouge. This is the first part of a two-part film. While there isn’t an official release date for the second part, fans speculate that it will be released in 2027.

If you aren’t aware by now, Demon Slayer is a franchise that started as a manga and then became an anime. Movies were later made to depict certain arcs from the books that were, more often than not, omitted from the anime. If all of this is piquing your interest and you want to get in on all the Demon Slayer goodness, why not begin by reading the manga? Multiple volumes are available to shop right now on Amazon.

How to Read 'Demon Slayer' Manga Following The 2025 Film's Success

Demon Slayer: Kimetsu no Yaiba Complete Box Set: Includes volumes 1-23

$161.93 $244.99 34% off

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Demon Slayer box set volume one through 23.


How to Read 'Demon Slayer' Manga Following The 2025 Film's Success

Demon Slayer: Kimetsu no Yaiba Vol-1-5 Books Collection set

$45.99 $49.99 8% off

Buy Now On Amazon

Demon Slayer box set of volumes one through five.


The series follows teenager Tanjiro Kamado as he navigates a world overrun by demons after his entire family is slaughtered by them, except for his younger sister Nezuko. The problem? Nezuko was transformed into a demon. Tanjiro must now find a way to turn his sister back into a human while training to become a Demon Slayer.

We’ve found box sets starting at $45.99 that contain multiple volumes of the manga, allowing readers a basic understanding of the world of Demon Slayer before diving into the new movie. Amazon features short and sweet box sets containing five volumes, or larger ones containing up to 23, if you’re a particularly voracious reader. If reading isn’t your thing, you can also stream the anime right now via a subscription to Amazon Prime Video, Crunchyroll and Apple TV+. There are currently four seasons available.

How to Read 'Demon Slayer' Manga Following The 2025 Film's Success

Demon Slayer: Kimetsu no Yaiba Anime

Demon Slayer anime.


Demon Slayer: Kimetsu no Yaiba – Infinity Castle isn’t the first movie from the Demon Slayer franchise; back in 2020, Demon Slayer: Kimetsu no Yaiba – The Movie: Mugen Train rocked the world of anime fans. The film was a major hit, amassing nearly $500 million worldwide surpassing the likes of Sonic the Hedgehog and Tenet.

Then there was 2023’s Demon Slayer: Kimetsu no Yaiba – To the Swordsmith Village, another film from the franchise based on the ‘Entertainment District’ and ‘Swordsmith Village’ arcs of the manga. This film also performed incredibly well, amassing $10.1 million in the United States and Canada, and $46.2 million in other territories, for a worldwide total of $56.3 million. In 2024 Demon Slayer: To the Hashira Training film was released and amassed a reported $17.6 million box office in the U.S.

Nicki Minaj sent the Barbz into a frenzy on Tuesday night (Sept. 23) when she revealed a possible release date for her next album on X.

“3.27.26,” she succinctly wrote alongside a CD emoji. Social media exploded as the clock struck midnight and theories began to surface surrounding a March 27 arrival for Minaj’s sixth studio album.

The cryptic tweet has well over 100,000 likes on X. There had been rumblings of another album on the way from Minaj, and she herself hinted that she was cooking up a project set for either late ’25 or early ’26. Billboard reached out to a rep for Minaj for comment.

“Yessssss REAL RAP IS BACK. YEAH QUEENS IS BACK,” one excited fan replied to Nicki.

Nicki hasn’t tweeted for all of September, but all it took was five numbers and an emoji to set the internet on fire.

On the music side, she’s been relatively quiet in 2025, while dishing out assists on Lil Wayne’s “Banned From N.O. (Remix)” and Juice WRLD’s posthumous “AGATS2 (Insecure).”

Minaj released her anticipated Pink Friday 2 sequel in December 2023, which debuted atop the Billboard 200 with 228,000 total album-equivalent units earned in the opening week. With the release, she became the first female rapper to notch three No. 1 albums.

The Queens native hit the road for the Pink Friday 2 World Tour in March 2024 and powered through 62 shows. According to Billboard Boxscore, Minaj grossed just under $100 million ($99.8 million) with an attendance of 712,000 tickets sold.

It appears Minaj may be ready to open the gates to Gag City once again in 2026. Find her tweet below.

A woman who tried to sell off Elvis Presley’s Graceland mansion for millions of dollars in a bizarre scheme has been sentenced to more than four years in prison.

Lisa Jeanine Findley, 54, was ordered Tuesday (Sept. 23) by Judge John T. Fowlkes Jr. to serve four years and nine months over the brazen scam, in which she used a fake company and forged documents to try to conduct a foreclosure sale of the legendary Memphis home.

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The outlandish scheme, which befuddled media outlets and officials alike in May 2024, centered on Findley’s false claims that Presley’s daughter Lisa Marie Presley had pledged Graceland as collateral for a loan before her sudden 2023 death.

“Fame and money are magnets for criminals who look to capitalize on another person’s celebrity status,” said Eric Shen of the United States Postal Inspection Service, which investigated the scheme. “Ms. Findley took advantage of the very public and tragic occurrences in the Presley family as an opportunity to prey on the name and financial status of the heirs to the Graceland estate.”

Findley pleaded guilty in February to a single charge of mail fraud as part of a plea deal that saw prosecutors drop a charge of aggravated identity theft. In addition to the prison sentence, Judge Fowlkes ordered Findley to serve three years of probation after her release. Her attorney did not immediately return a request for comment on Wednesday (Sept. 24).

When Elvis died in 1977, Lisa Marie inherited his estate, including Graceland — a tourist mecca that pulls in millions a year in revenue. But in early 2024, a mysterious foreclosure notice claimed the mansion would be auctioned off to the highest bidder. It said Lisa Marie, who died suddenly in January 2023, had failed to repay a 2018 loan of $3.8 million — and that she had posted the iconic building as security.

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Actress Riley Keough, Lisa Marie’s daughter, who had inherited control of Graceland, quickly filed a lawsuit to stop the sale, claiming the estate had been the victim of a fraud scheme. She argued that her mother had never borrowed the money and that the paperwork surrounding the phony loan was a forgery. Almost immediately, a judge issued an injunction blocking any auction.

Months later, Findley was arrested and charged with orchestrating the entire scam. Prosecutors said she used phony companies (Naussany Investments and Private Lending) and fake names (Kurt Naussany, Lisa Howell and others) and had threatened to go through with the sale unless the estate settled by paying $2.8 million.

The bizarre Graceland dispute was just one of several legal headaches faced by the Presley family in recent years. Following Lisa Marie’s sudden death, her mother, Priscilla Presley, and daughter Keough briefly sparred over her will. Priscilla is also currently locked in an ugly courtroom battle with several former business advisors.


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Ontario, Canada native Josh Ross is riding a wave of considerable career acclaim as he releases his first full-length album, Later Tonight, which dropped Sept. 19 via MCA/ Mercury Nashville/ Universal Music Canada and CORE Records.

His song “Single Again” rose to the top 5 on the Billboard Canada Country Airplay chart and triumphed at the pinnacle of the Billboard Country Airplay chart, becoming his first U.S. country chart-topper.

He also just won his second entertainer of the year trophy at the Canadian Country Music Association (CCMA) Awards, while “Single Again” was named single of the year. He also picked up awards for video of the year, top-selling Canadian single of the year (both for “Single Again”) and top-selling Canadian album of the year (for his previous EP, Complicated).

“It’s great to have the support and love from Canada, embracing me playing shows and also trying to be an international act — it’s a time for me to reflect when I’m there on the progress we’ve made in the last year and all the things that have happened,” he says. “I’m happy and just appreciative of the awards and recognizing everybody involved.”

The 15-song new album, produced by Matt Geroux, offers up an array of sounds, all of them reflecting different facets of Ross’s artistry. The set includes his latest release, “Hate How You Look,” which debuted at No. 46 on the Canada Country Airplay chart, as well as his Akon collaboration “Drunk Right Now (Na Na Na).”

“It goes from rock to rap to country to piano, singer-songwriter. I think the coolest part is that it is cohesive with who I am as a person,” Ross says. “I very much listened to so many different styles of music. For me, that translates to, when I write a song, I write the song and let the musical parts find it after. And if it calls to be more rock or country, or whatever it may be, I just allow that freedom to happen.”

Ross has been pursuing a country music career for nearly a decade. His first independent EP, Do What You Love, released in 2020 and he followed it with 2022’s Live Sessions and 2024’s Complicated EP. In 2023, he earned his first Canadian Country Airplay chart No. 1 with “Trouble,” and quickly followed with “Ain’t Doin’ Jack.” He earned his first CCMA Awards win in 2023 for breakthrough artist or group of the year.

Ross moved to Nashville seven years ago and has since toured with Bailey Zimmerman, Lee Brice, Nickelback and more. Earlier this year, he wrapped a stint of Canadian shows opening for Jelly Roll‘s The Beautifully Broken Great Northern Tour. This year, he’ll open shows for Dylan Scott, before headlining his own 17-show Later Tonight Tour next year in Canada.

Ross spoke with Billboard about the new album, touring with Jelly Roll, the importance of focusing on physical and emotional health, and more.

“Single Again,” which you wrote with Brad Rempel (known for his work with High Valley) and Joe Fox, has been a huge hit for you. What is the backstory on that song?

I had the idea for almost three years and never wrote it. I told Joe and Brad this idea. I was at Losers Bar in Midtown here in Nashville, and there was a girl I had had a crush on throughout high school. I hadn’t seen her in like eight years, and she happened to be in this Nashville bar. I brought her a drink and walked up to her, and found out she had a boyfriend. It was just casual conversation — and then I don’t know if it was me having a couple of drinks that night or whatever, but I was like, “Hey, let me know if you’re ever single again.”

I also thought it was a cool concept, and wrote it on my phone — and underneath that, I wrote, “The one that got away.” I feel like everybody’s had that situation where you both weren’t single at the right time, or you just never get that chance with a person. I forgot about the idea and had it on my phone for a long time until it popped up that day in the writing room. Joe really helped with laying out the hook, and Brad definitely had that anthem chorus idea and the melody to help it all come together.

How did the collaboration with Akon come about?

I’ve always been a fan of Akon. I have a brother and sister that are 10, 12 years older than I, and they were listening to that music when they’d be going out and partying and stuff. I would hear some of those songs as a kid, and they stuck with me. Melodically, he’s just so incredible, and they are really catchy songs and I thought it would be cool to re-write one of his songs. One of the songs I love is [2008’s] “Right Now (Na Na Na).” I thought, “Let’s make a fun, summertime country festival song like, “Drunk Right Now.” I walked into the writing room and we finished the idea.

We live in such an interesting time of trying to figure out when to release music. I was talking to my team and was like, “Before we tease this song, is there any way to get it to his team?” We sent it over, and within like a day he hit back and was like, “I love this and would like to do something with it.” That was so exciting, and he sent me a version where he wrote his own second verse. There was an original second verse that I had written and he re-wrote that. It had been just a party song — but then once he did his part on it, it was like he’s talking to me trying to help me through a breakup situation, and that just brought such a cool new aspect to the song. I’m super thankful for it, and it feels really full-circle to me.

Are there other artists you would love to collaborate with?

Yeah, I think, a female in the pop world. Tate McRae already did the [collaboration “What I Want”] with Morgan [Wallen], but somebody in that lane. When it comes to sad songs on piano, I think Lewis Capaldi would be really cool.

Another song on the new album, “Mad at Me” has a pop/R&B vibe to it and a bit of a lyrical edge. What did you think when you first heard it?

I felt like it touched on a tone that I really had not gotten to do. We tried to record that song more rocking with real drums and stuff, and I was like, “There’s something with attitude about it, kind of being more of a pop, R&B-style track with 808s.” It just really fit the energy of it.

One of the most vulnerable songs on the project is “Scared of Getting Sober.” What inspired you to write that?

Yeah, I think in a way we’re lucky that I get to do a job where I can have drinks on a daily basis and have fun and party and that being kind of the norm. I was starting to get to a point where, if I was being honest with myself, there’s times where it’s difficult. You’re really, really tired, and you’re trying to balance fun with work. And then, also just the relationship side of it — you watch relationships sometimes kind of fizzle away. It reminded me of my song “Trouble,” that I felt really connected with people that kind of struggle with things like that. I just feel like it’s a raw, emotional song that definitely will connect with certain people.

It feels like more artists are being open with struggles around alcohol, and trying to be healthier.

I kind of relate it in a weird way to sports. You think about sports back in the ’60s to the ’80s, people would get off the football field or off the hockey rink and they would have a bunch of beers or whatever. Those were professional athletes. I think now you’re seeing artists starting to realize the benefits to being healthy. I think the second part for me that is the biggest part that plays into me being healthy is just the longevity of having a long career.

What has it been like touring with Jelly Roll?

Just great. I mean, he’s somebody that I say has turned maybe dark times for him into such a bright light for a lot of people. He’s been able to influence so many people through the lessons that he’s learned. Watching him do that every night, just the kindness. I’d just be sitting in catering having lunch or dinner and he’ll just come sit down and be like, “How are you? What’s going on?” Wanting to actually know about you. I think sometimes that’s hard to receive from a headliner, just because they’re so busy and they have to make time for what they can make time for.

And Jelly Roll is one of those people that somehow finds time to look after everyone, including himself. I mean, you look at how much weight he’s lost and he’s really looking after himself. Again, that’s inspiring me and even the younger generations to be healthy and maybe to not let things get carried away.


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The legal battle between dance music giant Insomniac Events and a trio of Miami club operators is heating up with a new countersuit that accuses Insomniac and its CEO Pasquale Rotella of “predatory tactics and greed.”

The dispute stems from a soured partnership between Insomniac, the global dance music events company partly owned by Live Nation, and Miami club and festival operators David Sinopoli, Davide L. Danese and Jose Gabriel Coloma Cano, who are best known for operating the city’s famed Club Space venue and their work on the city’s III Points festival.

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Insomniac brought a lawsuit last month against Sinopoli, Danese and Coloma Cano (referred to as “CDD” in legal papers), claiming the group tried to “bully” its way into more control over upstart Miami club Factory Town. But in counterclaims filed Wednesday (Sept. 24), CDD says it’s actually Insomniac and Rotella who brought down their partnership with bad faith business practices. The countersuit is seeking unspecified monetary damages.

“Insomniac and Rotella’s deceit in the Factory Town partnership and their failure to abide by the settlement agreement are unfortunately only the latest instances of Insomniac and Rotella’s unscrupulous business dealings and conduct,” reads the countersuit. “Rotella and Insomniac are well-known in the electronic music industry for their greed and mistreatment of business partners, colleagues and employees alike.” 

The countersuit cites social media comments critiquing Insomniac, as well as a 2012 criminal indictment that charged Rotella with bribing an event manager at the Los Angeles Memorial Coliseum. The charges were later dismissed, with Rotella pleading no contest to a misdemeanor conflict of interest and getting probation.

“Rotella is not just a criminal and a fraud. He is also insufferable to work with,” write CDD’s lawyers. “The CDD parties have had the misfortune of witnessing and experiencing first-hand Rotella’s cruelty, self-centeredness and volatility towards his business partners and/or employees.”

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Reached for comment on these new counterclaims on Wednesday, Insomniac’s attorney Jordan Shaw says he’s confident in their legal position and that CDD’s personal attacks are irrelevant.

“Their counterclaim is exactly what we expected, and the fact that they’re relying on social media posts and dropped charges from 20 years ago tells you everything you need to know about their current claims,” says Shaw.

Insomniac’s original lawsuit against CDD claims the promoters made “outrageous demands” last year for more money and control of Factory Town. But the countersuit tells a different story, saying Insomniac “methodically and unilaterally” stripped away CDD’s financial and ownership rights with the aim of leaving the promoters “trapped and forced to accept ever-worsening conditions.”  

According to CDD, the original Factory Town agreement promised them a 49% stake in the venue. But the counterclaim says “Insomniac’s and Rotella’s actual intent was to gain full control of the Factory Town venue, obtain a lease for the Factory Town property under only Insomniac’s name, and then unilaterally rewrite the deal under which the CDD Parties had performed and under which the CDD Parties exceeded all expectations, leaving the CDD Parties with all the work, all the risk, and a drastically reduced upside.”

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The two sides went into mediation this summer and emerged with a settlement, under which Insomniac would buy out CDD for $3 million and assume control of Factory Town. The Insomniac lawsuit alleges the CDD parties have since breached this settlement agreement by interfering in its planning of Factory Town’s Hocus Pocus Halloween party and programming for Art Basel Miami in December.

The countersuit, however, claims Insomniac was actually required to collaborate with CDD on both Hocus Pocus and Art Basel under the settlement. CDD says Insomniac has breached the deal by booking talent without their approval and ignoring myriad emails from CDD, copies of which are included in the suit. 

In one example, CDD claims Insomniac made an offer to party brand CircoLoco “that represented a 44% increase from the prior year’s deal.” CDD objected to this offer, saying that it did “not reflect historical performance, venue capacity, or the reality of our shared structure.” The countersuit alleges that subsequent emails about the details of this deal were ignored by Insomniac.

CDD’s lead attorney, Bruce Weil, said in a statement on Wednesday that his clients have “established themselves as respected and valuable members of Miami’s community through years of supporting local artists and boosting the local economy.”

“It is disappointing that Pasquale Rotella and Insomniac are manipulating the facts by accusing CDD of the exact misconduct they themselves have inflicted, while retaliating against Club Space by attempting to obstruct and undermine CDD’s ability to operate and manage it during a period of unprecedented success,” Weil added.

Insomniac lawyer Shaw, meanwhile, maintains that the language of the settlement agreement and orders from the dispute’s mediator, retired judge Michael A. Hanzman, support Insomniac’s reading of the agreement.

“The facts are the facts,” said Shaw. “The Judge Hanzman order attached to the complaints says what it says, and the defendants cannot escape those realities no matter how many Twitter posts they quote in their counterclaim.” 


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Cardi B has been bringing the drama throughout the rollout of her Am I the Drama? sophomore album. The Grammy-winning rapper stopped by Call Her Daddy for her first-ever sit-down with host Alex Cooper on Wednesday (Sept. 24).

Throughout the hour-plus interview, they covered a ton of ground, going from Cardi’s upbringing, stripper days, cosmetic surgery, new relationship, music and her new album. Cardi was repping her new man, NFL star Stef Diggs, as she rocked the wide receiver’s New England Patriots No. 8 jersey on set.

“I wanted to do a jersey, but I wanted to do like my style and stuff like that,” she said. “I was calling my man so I could show him, but he’s asleep by this time. He goes to sleep mad early.”

The Bronx bombshell recruited a star-studded cast of collaborators for the 23-track album, which includes Summer Walker, Selena Gomez, Lizzo, Janet Jackson, Cash Cobain, Lourdiz, Tyla and Megan Thee Stallion.

“It is a little bit of pressure,” she admitted when it comes to delivering with her album. “People gonna wanna be mean because they feel like, ‘Oh well, we waited seven years for this… You guys want these poppy ‘WAP’ records and I can’t always give you that. You can’t always go with that little trap sound and stuff.”

Cardi delivered another explosive interview in what has been as impressive a rollout as hip-hop has seen this year. Here are our favorite eight moments from Cardi’s Call Her Daddy debut.


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Welcome to Billboard Pro’s Trending Up newsletter, where we take a closer look at the songs, artists, curiosities and trends that have caught the music industry’s attention.

This week: Gruesome headlines lead to rising streams for alt-pop hitmaker D4vd, while performers at the Charlie Kirk memorial service and songs featured in a much-anticipated Amazon Prime series finale see gains.

D4vd Streams More Than Double After Dead Body in Car Identified

Following a quick rise and a handful of viral hits, D4vd has been featured in disturbing headlines in recent weeks following the discovery of a dead body in a car reportedly registered to the singer-songwriter. The human remains were uncovered inside an impounded Tesla on Sept. 8, and last Wednesday (Sept. 17), the body was identified as Celeste Rivas Hernandez, a 15-year-old girl who had previously been reported missing and, as Internet sleuths pointed out, had multiple connections to D4vd prior to her disappearance. Although no charges have been brought against the 20-year-old singer, D4vd canceled multiple tour dates without explanation in the following days.

Following the reports, D4vd’s overall streams have experienced significant gains — including the viral hit that helped deliver him to the mainstream. From Sept. 18-22, D4vd’s catalog earned 30.3 million official on-demand U.S. streams, more than double the total from the previous five-day tracking period (13.8 million streams from Sept. 12-16), according to Luminate. Within that total, “Romantic Homicide,” which reached No. 33 on the Hot 100 after going viral in 2022, was among the greatest gainers. From Sept. 12-15, the track earned 2.9 million streams; one week later, that total was 9.4 million (up 224%). “Romantic Homicide” and other D4vd tracks have popped up on the Spotify daily top 50 chart as this tragic story has developed. – JASON LIPSHUTZ


Contemporary Worship Performers at Charlie Kirk Memorial Service See Catalog Gains

On Sunday (Sept. 21), a memorial service for the assassinated conservative media figure and Turning Point USA founder Charlie Kirk was held at State Farm Stadium in Glendale, Az. — with over 90,000 in attendance, and speakers who included both President Donald Trump and Vice President JD Vance, as well as Kirk’s widow Erika. As Kirk had been outspoken in his Christian faith, contemporary Christian music featured prominently in the proceedings — including performances from some of the biggest names in contemporary worship music, paying tribute to Kirk.

Several of those performers experienced notable catalog gains following their performances. Brandon Lake, perhaps currently the biggest name in contemporary Christian music following his crossover breakthrough this year with the Hot 100 top 40 hit “Hard Fought Hallelujah,” collected over 4.3 million official on-demand U.S. streams on Monday (Sept. 22), the day after the service, according to Luminate. That was up 29% from the 3.4 million he drew the Monday before, and included a 76% gain for “Gratitude,” the 2020 song he performed at the ceremony, to 909,000 streams.

Similar catalog gains were posted by service performers Cody Carnes (up 7% to 717,000), Kari Jobe (up 27% to 296,000) and Chris Tomlin (up 30% to just over 2 million) on that Monday — while Lee Greenwood’s perennial “God Bless the U.S.A.” was up nearly 13% to 59,000 streams. – ANDREW UNTERBERGER


Yes, Cardi B Is the ‘Drama’! New Album Spurs Streaming Gains for Rapper’s Debut LP & Sampled Tracks 

After seven years, Cardi B’s long-awaited sophomore album Am I the Drama?,is finally here — and it’s already having quite the impact on streaming. Released on Sept. 19, Drama has earned 78.3 million official on-demand U.S. streams in its first three days of release, according to Luminate. Of that three-day total, the album pulled 35.8 million streams on Sept. 19, 25.4 million on Sept. 20 and another 17 million streams on Sept. 21. The new album also spurred notable gains for the Bronx MC’s Grammy-winning debut album, Invasion of Privacy. That set earned 4.15 million official on-demand U.S. streams during Drama’s release weekend (Sept. 19-21), marking a 31% increase from the 3.17 million streams it collected the previous weekend (Sept. 12-14). 

Drama is filled with nifty samples, but two particular flips have boosted their original tracks: On the Lizzo-assisted “What’s Going On,” Cardi sources 4 Non Blonde’s “What’s Up,” helped the 1993 track pull over 981,00 official on-demand U.S. streams during Drama’s release weekend (Sept. 19-21). That marks a 7% lift from the 914,000 streams the track earned the previous weekend (Sept. 12-14). Placed near the end of the album, “Principal” calls upon Janet Jackson’s “The Pleasure Principle,” which reaped 52,000 official on-demand U.S. streams during Drama’s release weekend (Sept. 19-21), marking a 30% leap from the 40,2000 streams it pulled the previous weekend (Sept. 12-14). — KYLE DENIS 


Fans Turn to DSPs to Say Goodbye to ‘The Summer I Turned Pretty’

Over three seasons, Amazon Prime’s romantic coming-of-age drama series The Summer I Turned Pretty proved itself not only one of the biggest shows of the decade, but one of the most prominent users of music synchs in recent TV history — with synch-tracking website Tunefind listing 104 songs used in its third season alone. That third and final season came to an end last Wednesday (Sept. 17) with 11 synchs used the season finale — all of which of course saw major bumps on streaming following their usage.

With much of the finale taking place in Paris, multiple French songs were used in the episode, with the biggest gains going to Belgian artist Angele’s “Ta Reine” — which was up a whopping 1,130% in official on-demand U.S. streams (to 130,000) over the five days following the episode premiere (Sept. 18-22) compared to the five-day period before (Sept. 12-16), according to Luminate. More in the show’s typical musical wheelhouse were synchs from Noah Kahan (“Everwhere, Everything,” also featuring Gracie Abrams) and Phoebe Bridgers (“Scott Street”), with the songs rising 45% and 79% to 1.9 million and 1.5 million streams over the same period, respectively.

But of course, the biggest bumps overall were reserved for the artist who’s served as the show’s musical north star for essentially its entire run: Taylor Swift. The Taylor’s Version of 1989 fan favorite “Out of the Woods” was used during a climactic Paris scene in the episode, and saw a 184% gain to 961,000 streams over that five-day period after. And even more impressively, Swift’s Reputation highlight “Dress” saw gains of 666% after being used in a dramatic finale makeout scene, rising to 436,000 to 3.4 total million streams over the same period.

And in case your hearts and/or Spotify playlists are hurting following the show’s series finale, fret not: it was announced during the finale’s red carpet celebration that The Summer I Turned Pretty would be returning for a franchise-concluding feature-length film, at a date to be determined. – AU


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After mourning the death of the Duolingo Owl, Dua Lipa set off on part two of her Radical Optimism Tour, which kicked off on March 17. First, the U.K. singer headed down under to Australian with five nights scheduled for the Rod Laver Arena in Melbourne, and a further three at Sydney’s Qudos Bank Arena. Then, she flew over to Europe playing in many major cities include Amsterdan, Madrid, Liverpool and Dublin. Finally, to end her tour run, Dua is back in the States for her remaining shows concluding on October 16 in Seattle.

Most tickets may be sold out already, but Dua stans, don’t fret. There are plenty of last-minute tickets for the North American legs of her Radical Optimism Tour still available through Ticketmaster and other resell sites.

How to Buy Tickets to Dua Lipa’s Radical Optimism Tour, At a Glance:

Her North America leg of the tour will hit major cities including Chicago, Boston, New York City, Miami, Dallas, San Francisco and more before concluding in Seattle. To help make sure you secure last-minutes tickets before they sell out, we created a guide to shop affordable tickets to Dua Lipa’s Radical Optimism Tour online now.

How to Get Tickets to Dua Lipa’s Radical Optimism Tour

Dua Lipa’s Radical Optimism Tour kicked off on Sept. 1 in Miami and will conclude on Oct. 16 at Climate Pledge Arena in Seattle. While tickets are selling fast, fans can still secure them through Ticketmaster and other resale sites, including StubHub, Vivid Seats, Seat Geek and Gametime. Act fast before tickets sell out.

StubHub is offering tickets for as low as $108. Each purchase comes with the FanProtect Guarantee, which will keep your purchases protected. You can also use the interactive venue map to choose tickets based on price and seating section.

Another option is Vivid Seats, which has tickets for this tour for as low as $106. You can also save $20 off orders of $200+ when you use the code BB2024 at checkout. Each ticket purchase will be protected through the site’s Buyer Guarantee, which you can learn more about here.

SeatGeek currently has tickets starting at $52, and you can utilize the site’s deal-rating scale to determine how good of a deal you’re getting. SeatGeek uses a 1-10 rating system, with 1 being the worst deal and 10 being the best deal you can get. You can also save $10 off your ticket purchases of $250+ (offer valid on first purchases only) when you use the code BILLBOARD10.

For more affordable tickets, Gametime is offering ticket options for as low as $79. Purchasers will receive the Gametime Guarantee, which includes event cancellation protection, a low-price guarantee and one-time ticket delivery. Bonus offer: Get $20 off orders of $150+ when you use the code SAVE20 at checkout.

Dua Lipa Radical Optimism Tour Dates

North American leg:

  • Sept. 26 – 27: Kaseya Center, Miami, Florida
  • Sept. 30 – October 1: American Airlines Center, Dallas, Texas
  • Oct. 4 – 8: Kia Forum, Inglewood, California
  • Oct. 11 – 12: Chase Center, San Francisco, California
  • Oct. 15 – 16: Climate Pledge Arena, Seattle, Washington

The ladies of aespa made their debut on The Jennifer Hudson Show Wednesday (Sept. 24), and blew J. Hud and her audience away with a performance of single “Rich Man” before explaining how Cher inspired the empowering track.

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Looking polished and powerful on stage, members Ningning, Winter, Karina and Giselle were joined by a fleet of backup dancers on Hudson’s stage. As the foursome sang and danced, the camera repeatedly cut to the audience, where everyone was up out of their seats and dancing — including the EGOT winner, who also sang along while looking amazed by the group’s talent.

“Now, that performance was amazing!” Hudson said as the ladies took their seats for their interview after the performance, lovingly telling the overexcited audience, “Calm down!”

The Dreamgirls star went on to ask aespa about what inspired the track, leading Giselle to reveal that a certain pop icon was the muse. “‘Rich Man’ actually has a quote from Cher herself, which says, ‘My mom said to me, “Marry a rich man.” I said, “I am a rich man.”‘ The song was inspired by her quote.”

The ladies then played a game of Most Likely To, which ended up revealing that Giselle and Ningning are most likely to forget lyrics and choreography on stage, while Winter would be the first in the group to go bungee jumping, and Karina and Ningning are the biggest pranksters.

The Jennifer Hudson Show appearance comes just a few weeks after aespa released its Rich Man mini album, which debuted at No. 14 on the Billboard 200. Earlier this year, Billboard named the band group of the year for Women in Music 2025.

Watch aespa’s performance of “Rich Man” above, and check out their conversation with Hudson below.


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