When it comes to convincing major artists to use sustainable merch on tour, it doesn’t take much work, says Bravado president Matt Young. As he puts it, a little competitive spirit goes a long way.

“For us, it’s just about using the platform to tell the story,” Young said at the Billboard Live Music Summit on Monday (Nov. 3) in West Hollywood, California, noting that stars including Billie Eilish, Paul McCartney, Shawn Mendes and Lorde used sustainable merch options on their most recent tours. “And it gets our competition to follow suit. The artists are saying, ‘Hey, how come we can’t do that?’”

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Young was speaking during the panel “Building Touring’s Sustainable Future With Maggie Baird.” Moderated by Billboard senior music correspondent Katie Bain, the panel also featured Adam Gardner, frontman of the band Guster and co-founder of the environmental music nonprofit REVERB; and Maggie Baird, founder of nonprofit Support+Feed and mother of Eilish — arguably the most outspoken major artist on the subject of sustainability.

Below are four major highlights from the panel.

The price point for sustainable merch is trending down as more artists adopt it.

While noting that sustainable merch tends to be “a few dollars more” than non-sustainable, Young said that once artists and their teams realize it’s an option, they tend to be open to it.

“The ultimate sell is, ‘This is the right thing to do,’” said Young. “A few months ago, we did a summit in Nashville, where we were sitting down with partners in town and just talking about the options. And half the time, they go, ‘I didn’t realize that.’ And the other part about this is, because we’ve done so much over the last three or four years, we’re starting to see the price gap close a bit.”

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Added Gardner, “Once enough artists are asking for the same things, they make permanent change.”

Offering plant-based meals at concerts is actually cheaper.

You know which sustainable option is actually less expensive than the status quo, according to Baird? Plant-based food. That’s helpful when it comes to her organization, Support + Feed, selling organizations on offering more non-meat options.

“One of the whys [to offer plant-based options] is you can save money,” said Baird. “That’s really an important part of the storytelling, is getting arenas to understand it’s actually cheaper to serve whole, plant-based foods. And then we offer tools — tools about menu guidance, creating dishes, how to sell more of them. You don’t just put the vegan option at the bottom [of the menu]…you want it to be No. 2.”

Some sustainable options take a little more convincing than others.

In attempting to sell artists and their teams on battery-powered vs. traditional diesel-powered generators, Gardner says it took proof of concept to get more artists on board. That proof of concept came courtesy of Eilsh, who partially powered her headlining seat at Lollapalooza 2023 using zero-emissions battery systems, charged using solar power, without a hiccup.

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“The first step was just convincing folks that it was feasible and that it was okay,” said Gardner. “Because obviously, when you’re talking about powering the stage, nobody wants the power to go out during a concert. So it is scary, and yet it’s also necessary.”

Once Eilish’s 2023 Lollapalooza set proved it could work, the festival “has continued to use battery[-powered generators] since that year.” In 2025, Lollapalooza announced its main stage would be entirely powered by a hybrid battery system — a joint effort by REVERB, C3 Presents and Live Nation’s Green Nation sustainability initiative.

This is just the beginning.

While some strides have been made on the sustainability front in the touring business, there’s still a lot more work to be done. As Young optimistically put it, “The beauty of this is, every day, there’s a new, innovative, entrepreneurial company trying something new in this space.”

He added, “We’re just getting started.”

Global superstar USHER takes center stage as this year’s Legend of Live honoree. Moderated by: Gail Mitchell. 

Americana singer/songwriter Todd Snider has been forced to cancel his High, Lonesome and Then Some 2025 tour dates, after he was the victim of an assault prior to a show in Salt Lake City, Utah.

According to a post from Aimless Inc. on Snider’s Instagram, prior to his concert at The Commonwealth Room in Salt Lake City, Utah, which had been slated for Saturday night, Snider “sustained severe injuries as the victim of a violent assault outside of his hotel.”

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The statement added, “Todd will be unable to perform for an undetermined amount of time. We deeply apologize for the cancellation and any inconvenience it causes. We appreciate your understanding as Todd receives needed medical treatment.” The statement added that his team hopes to have additional information on new tour dates soon.

A rep for Snider confirmed the incident to Billboard, but offered no additional details.

Snider’s High, Lonesome and Then Some Tour launched Thursday in Englewood, Colorado, and was in support of Snider’s recent album High, Lonesome and Then Some, which released last month on Aimless Records/Thirty Tigers.

Snider is known for solo albums that blend keen cultural observations and deeply detailed lyricism, particularly on albums including 2004’s East Nashville Skyline, long considered an essential alt-country LP. His projects, including the 2008 EP Peace Queer and 2012’s Agnostic Hymns and Stoner Fables, also offer political and cultural commentary.

Snider has had his songs recorded by artists including Cross Canadian Ragweed and Loretta Lynn, and teamed with fellow artists including Widespread Panic’s Dave Schools and Duane Tracks to form Hard Working Americans.

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

It’s week nine of Monday Night Football and we’re headed to Dallas.

This Monday, Nov. 3, the Dallas Cowboys and Arizona Cardinals will go head-to-head in Texas. The Cowboys are fresh off a loss against the Denver Broncos and are looking to bounce back at home. The Cardinals are in a similar position, not having won a game since September. “America’s Team” will host Arizona at AT&T Stadium in Arlington, Texas airing live on ESPN. That game will begin promptly at 8:15pm.

If you’re in the area and watch to catch the game live, there are last-minute tickets available online via StubHub and Seat Geek with prices as low as $25.

If you don’t live in the area, or just don’t have enough money to shell out on tickets, we’re showing you how you can stream tonight’s game live and on-demand (with and without cable).

How to Watch Monday Night Football on ABC, ESPN & More

The Cowboys vs Cardinals will begin at 8:15pm ET broadcasted live via ESPN. If you don’t have cable, you can stream MNF games on DirecTV, Fubo, Sling TV and Hulu + Live TV.

DirecTV

DirecTV offers a five-day free trial at sign up and over 90 cable and local channels including ESPN, ESPN2, ESPN Deportes, ABC and ACCN. Plans start at $89.99/month. With a free trial, you can save up to $40 off your first month depending on the plan you choose.

Fubo

Fubo is another great affordable option you can take advantage of to watch ESPN online. The streamer offers a seven-day free trial that’ll give you access to ESPN free and more than 240 live TV channels. The service offers a promo that’ll get you up to $30 off the first month, which can get you access to ESPN and more for as low as $54.99 (reg. $84.99 per month).

Sling

With Sling TV, there are a wide variety of streaming options to choose from, starting with the Day Pass for only $4.99. Sling TV includes ESPN with its Sling Orange and Sling Orange + Blue packages — which features dozens of channels that can be streamed on up to three devices at the same time. Sling Orange + Blue features FS1 and the NFL Network too.

Please note: Sling TV’s pricing and channel availability depends on your local TV market.

Hulu + Live TV

For the most content options, Hulu + Live TV gives you access to the entire Hulu library in addition to more than 95 live TV channels — including ESPN for just $82.99 per month.

And, unlike the rest of the options, you can also expand your content library by bundling Hulu + Live TV with Disney+ and ESPN Unlimited. You’ll not only have all of the Hulu library to watch, but also exclusive and original programming available exclusively on ESPN Unlimited.

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

After a thrilling World Series, the Los Angeles Dodgers defeated the Toronto Blue Jays in a 5-4 win to obtain the coveted Commissioner’s Trophy once again. This marks the first time the Dodgers have won back-to-back World Series titles, which hasn’t been done in the MLB since the New York Yankees in the late ’90s. As the city of Los Angeles celebrates “the Blue Crew,” show off your love and pride for Dodgers with our favorite 2025 World Series Champions gear below.

From jerseys to ball caps, we rounded up the best merchandise and apparel from online retailers, including Nike and Fanatics. If you want to be like Shohei Ohtani, shop replica jerseys on Nike that feature breathable polyester and a commemorative World Series detailing to celebrate another memorable championship run. On Fanatics, locker room tees and adjustable hats are available to help you feel like you were in the arena popping bottles of champaign and lifting up the Commissioner’s Trophy.

Even Funko Pop is getting in on the celebration with an adorable L.A. Dodgers 2025 MLB World Series Champions pack. Bring home Shohei Ohtani, Mookie Betts, Freddie Freeman, Teoscar Hernández and Blake Snell as miniature Pop! figures. Wearing their Alternate Road uniform, this collection is a home run for an Dodgers fan. The limited edition release goes live on Nov. 6, but fans are able to pre-order online now.

World Series '25 Championship L.A. Dodgers Merch: Where To Buy Online

L.A. Dodgers 2025 MLB World Series Champions Collection


There also tons of other apparel, accessories and memorabilia available to shop online. Act fast, because many items will sell out fast. Keep scrolling to shop our favorite 2025 World Series merchandise worthy of a champion.

World Series '25 Championship L.A. Dodgers Merch: Where To Buy Online

Shohei Ohtani Los Angeles Dodgers 2025 World Series Champions


World Series '25 Championship L.A. Dodgers Merch: Where To Buy Online

Los Angeles Dodgers New Era 2025 World Series Champions Locker Room A-Frame 9FORTY Adjustable Hat


World Series '25 Championship L.A. Dodgers Merch: Where To Buy Online

Los Angeles Dodgers 2025 World Series Champions Team Logo


World Series '25 Championship L.A. Dodgers Merch: Where To Buy Online

Shohei Ohtani Los Angeles Dodgers Fanatics 2025 World Series Champions T-Shirt


World Series '25 Championship L.A. Dodgers Merch: Where To Buy Online

Los Angeles Dodgers 2025 World Series Champions Neutral


World Series '25 Championship L.A. Dodgers Merch: Where To Buy Online

Los Angeles Dodgers New Era 2025 World Series Champions Side Patch 59FIFTY Fitted Hat


World Series '25 Championship L.A. Dodgers Merch: Where To Buy Online

Los Angeles Dodgers Fanatics 2025 World Series Champions Locker Room Parade Hoodie


Want more? For more product recommendations, check out our roundups of the best Xbox deals, studio headphones and Nintendo Switch accessories.

For the back-to-back Billboard Hot 100 charts this year dated Oct. 25 and Nov. 1, no rap songs appeared in the top 40 — marking the first times since the Feb. 3, 1990 chart that the genre was totally absent from that region. That two-week drought comes to an end this week, thanks to Megan Thee Stallion. 

Megan’s new love song “Lover Girl” debuts at No. 38 on the Nov. 8 Hot 100, marking the first rap song (defined by Billboard as a song deemed eligible for ranking on our Hot Rap Songs listing) to reach the chart’s top 40 since Kendrick and SZA’s “Luther” spent its 44th (and to date, final) week on the listing dated Oct. 18. Following that chart, the song fell into recurrent status in the chart, as a result of recently introduced rules updating and speeding up the Hot 100’s recurrent policy. 

“Lover Girl” bows with 8.5 million official U.S. streams, 1.5 million in radio airplay audience and 5,000 sold in the week ending Oct. 30, according to Luminate. 

Billboard’s reporting last week about the top 40 being rap song-less for the first time in over 35 years set off major waves of discussion within the hip-hop and pop communities about rap’s current place in the popular music ecosystem. Such public figures as rapper-podcaster Joe Budden and producer The Alchemist weighed in with their feelings about the circumstances and meaning behind the temporary absence. 

“Lover Girl” marks Megan Thee Stallion’s 21st song to reach the Hot 100’s top 40. Most recently, she visited the region on the chart dated Sept. 21, 2024 with two tracks: her RM team-up “Neva Play,” which debuted at No. 36, and “Wanna Be,” with GloRilla, at No. 40 after reaching No. 11. Three of Megan’s songs have topped the chart: the Beyoncé-featuring “Savage” and the Cardi B-led “WAP” in 2020, and her unaccompanied “Hiss” in 2024. 

While “Lover Girl” ends the top 40’s rap songs relative dry spell for the week, it might not yet be the start of another years-long streak for rap in the region. As is typical of much-anticipated songs following their second week of release, “Lover Girl” is likely to fall on the next Hot 100 — and there are no rap songs currently behind it on the chart that are zooming in to take its place. 

Indeed, the next two highest-charting rap songs on the Hot 100 both fall from their previous week’s position: YoungBoy Never Broke Again’s “Shot Callin” (43-48) and BigXthaPlug’s Ella Langley-featuring “Hell at Night” (50-52). However, below that, Gunna’s Burna Boy-featuring “wgft” does have some forward momentum, rising 59-55, as does Cardi B’s “Safe,” featuring Kehlani, up 57-56 and gaining in airplay after debuting at its No. 26 peak last month.

Brandon Holman and Zack Borer, two experts at the intersection of music and wellness, discuss maintaining mental health and wellness and tour, before Holman leads attendees in a meditation session.

Diplo got the short end of the stick in his “love triangle” with Katy Perry and Justin Trudeau — something he joked about in a hilarious recent Instagram post.

On Monday (Nov. 3), the DJ shared a selfie he once snapped at a crowded event with the former Canadian prime minister on Instagram. In the picture, Diplo makes a silly face while Trudeau stares straight into the camera.

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“the one that got away,” the musician wrote in his caption, playfully referencing Perry’s 2011 hit of the same name.

The humorous post comes a few weeks after Diplo addressed his past fling with the pop star — who is now linked to Trudeau — on Nayeema Raza’s Smart Girls Dumb Questions podcast. At the time, the host had started to say that she knew “so many people” who’d dated the politician, but before she could finish, Diplo had interjected, “… who’ve dated Katy Perry? Like me?”

Indeed, the producer and Perry were briefly romantically involved circa 2014. Three years later, the singer would rank Diplo last on her list of best and worst ex-partners in the bedroom, after which he would write on X that he’d “won the bronze in sex Olympics.”

“Now, Katy Perry’s dating Justin Trudeau,” Diplo continued on Raza’s show. “Pretty fire.”

He went on to joke that he’d “dated Trudeau, too,” but ultimately determined, “That was a weird one, though. I’m just not into politicians. He is kinda hot.”

Diplo’s remarks come shortly after Perry and Trudeau made their debut with their first public outing as a couple, stepping out together in Paris. Before that, the Ottawa native had attended one of the musician’s concerts in Montreal before packing on the PDA with Perry on a boat.

See Diplo’s selfie with Trudeau below, and check out his appearance on Smart Girls Dumb Questions above.


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Usher took the stage at the 2025 Billboard Live Music Summit Monday afternoon (Nov. 3) to reflect on all of the stages he’s taken over during his 28-year touring career.

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The R&B superstar and Gail Mitchell, Billboard executive director of R&B and hip-hop, walked out to his 2001 Billboard Hot 100 No. 1 “U Got It Bad” at the 1 Hotel in West Hollywood, Calif., which Mitchell reminded he previously said in his 2024 Billboard cover story that it was his favorite song to perform live. “I think because of the connection between me and the audience,” he said at the time. Today, he added: “I want to impress them. I would like to be as theatrical and use my imagination as much as I possibly can to lift the song higher than what it was when I delivered it as a piece of intellectual property.”

Following his two Las Vegas residences from 2021 to 2023 and his Super Bowl LVIII halftime show performance (also in Vegas) last year, Usher embarked on his most recent Past Present and Future Tour. The 83-date international jaunt became his highest-grossing and best-selling tour yet, according to Billboard Boxscore, by grossing $183.9 million and selling 1.1 million tickets over 80 shows. He has a reported career gross if $422.6 million from 3.3 million tickets over 334 shows.

But before becoming a marquee act, Usher served as an opener for Diddy‘s 1997 No Way Out Tour, Mary J. Blige‘s 1997-98 Share My World Tour and Janet Jackson‘s 1998-99 The Velvet Rope Tour. “I had another notch on my belt in terms of what I was capable of being able to handle, so that when I went to try to headline my own tours, we knew that we had the ability to hold a crowd,” he explained.

He told industry audience members a story about his time opening for Diddy: As his 1997 hit “You Make Me Wanna…” was steadily climbing the Hot 100 (where it eventually peaked at No. 2), the crowd coming to see Usher gradually grew from 10 people to a packed house. Diddy told Usher he wanted him to come out during his headlining set, but Usher recalled saying, “Nah, I’m cool. I’m gonna stay right where I’m at because I wanna earn my keep. I’m here for a reason. I want to someday be where you are.”

By the time Usher embarked on his debut headlining tour, the 8701 Evolution Tour in 2002, he remembered “the importance of paying tribute” during those shows. “I’m an artist who was inspired by the legends. If I study the legends, then hopefully one day, I will be one,” he said, adding that he performed covers of Bobby Brown, Babyface and Jimmy Jam and Terry Lewis because he didn’t have enough of his own hit records at the time and wanted to still captivate his audiences.

The Coming Home artist also teased “something coming. I’m in the midst of working on something that may shine a light on a very specific period of my life and around performance. Just stay tuned. There is true value in live,” he said. He later argued that there’s also true value in R&B. “I want people to continue to celebrate the music and legacy that is the foundation that I am. It comes from soul music, it comes from the South. It comes from a very wide collective of being exposed to many different artists from many different genres, but most importantly, R&B.

“In the same way that I think all other industries have managed to monetize what they are — whether it’s hip-hop, rock & roll, country — I want the same thing for R&B,” he continued. “That is the thing that I haven’t done yet. I want us to celebrate the legacy of what it is that we created, not just look at these nostalgic things that have come and gone, but be able to savor them and savor their legacy.”

Mitchell later presented Usher the Legend of Live Award following the panel. He isn’t the only superstar panelist during the Live Music Summit. Billboard cover star Rauw Alejandro and Hans Schafer, senior vp of global touring at Live Nation, will sit down with Billboard Español/Latin chief content officer Leila Cobo later this afternoon to discuss the reggaeton artist’s emergence as one of the live sector’s most sought-after stars.

Offset has been hit with new lawsuit claiming he attacked a security guard at a cannabis dispensary in Los Angeles after being asked to show his I.D.

The rapper (Kiari Cephus) faces civil assault and battery claims in a complaint filed last Wednesday (Oct. 29) by Jim Leobardo Sanchez, a security guard at the MedMen licensed recreational dispensary near Los Angeles International Airport.

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Offset and a group of associates visited the dispensary on March 14 of this year, according to the lawsuit. Sanchez alleges that the rapper grew violent when he was asked to provide I.D. before entering the store.

“Without legal justification or provocation, defendant Cephus became hostile, verbally confrontational and physically attacked plaintiff by striking him in the face,” writes Sanchez’s attorney Michael Karikomi. “Several unidentified individuals who were accompanying defendant Cephus then proceeded to grab, push and further assault and batter plaintiff.”

Sanchez says he was in “immediate and severe pain” after the alleged attack, and was treated by paramedics at the scene before being transported by ambulance to the emergency room.

According to the lawsuit, Sanchez has continued to suffer due to Offset’s behavior — and he now wants financial compensation from the rapper.

“Plaintiff suffered physical injuries, emotional distress, incurred medical expenses, suffered lost income and continues to experience pain and discomfort,” reads the lawsuit, which asks for unspecified monetary damages.

Offset’s reps did not immediately return a request for comment on Monday (Nov. 3).

This isn’t the first time Offset has been accused of attacking a security guard. In 2023, he was sued for allegedly assaulting a guard at a convention put on by Complex Networks two years earlier. That lawsuit claimed Offset and fellow rapper YRN Murk got physical after being told the event was restricted.

The security guard in that case, Daveon Clark, has not yet managed to serve Offset with legal papers. The claim remains pending.