Beéle has been hit with a lawsuit from his ex-girlfriend, Venezuelan influencer Isabella Ladera, claiming the Colombian pop star is responsible for leaking their sex tape and that this illegal conduct caused her serious emotional harm.

The lawsuit, filed by Ladera on Monday (Sept. 15) and obtained by Billboard, is the latest in a messy feud between the influencer and Beéle (Brandon de Jesús López Orozco) since a video of the now-exes having sex went viral on Sept. 7. Ladera publicly accused Beéle of leaking the tape, while Beéle’s reps denied that he was the source of the leak and said the singer is “also a victim” in this situation.

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Ladera is now doubling down on blaming Beéle for the leak, saying in the lawsuit that he either intentionally published the video online or shared it with someone else who did the same.

“Only two people had the videos, and Ladera had already erased them almost a year and a half before,” wrote Ladera’s lawyers from the Miami firm Hachar Law Group. “The only other person who Ladera knew had the videos, Beéle, had made his intentions clear when he refused to erase them when Ladera requested that he do so.”

Ladera is suing Beéle for invasion of privacy, sexual cyberharassment, intentional infliction of emotional distress and negligence. She’s seeking damages that “far exceed” the minimum threshold of $50,000, writing that she suffered “shame, humiliation and mental anguish as a result of the public disclosure of her private affairs and activities.”

Beéle’s reps did not immediately return a request for comment on Wednesday (Sept. 17).

The nine-page lawsuit chronicles Ladera and Beéle’s relationship, which began as an Instagram friendship in 2023 and later turned romantic. Ladera says she felt “a sense of security and comfort that she had met someone who actually could be the proverbial ‘One.’”

According to Ladera, it was Beéle who requested that they record their sexual interactions. Ladera says she “never thought that these videos would ever be shared with anyone, let alone be published to the world, as they ultimately were.”

Ladera claims that in 2024, she deleted all the videos in her possession and asked Beéle to do the same. Beéle refused, Ladera says, and “instead questioned her trust in him.”

“Little did she know that the trust she had would one day be broken,” the lawsuit reads.

The couple split this past March, the lawsuit says, “after numerous controversies and rumors” that were “mostly fueled by non-credible internet parasites.”

Ladera claims the issue of the sex tape first arose in June, when two people named Melany Fernandez and Osvaldo Villalobos approached her with screenshots from one of the couple’s videos. These individuals allegedly told Ladera that the screenshots had been shared with them and warned that the full video would be released soon.

Ladera says her management team contacted Beéle’s management about this, and she believed the problem had been resolved. But it was just beginning.  

“Shockingly, on September 7, 2025, one of the videos was leaked through a WhatsApp account,” reads the lawsuit. “The video went viral, and for Ladera the earth stood still.”

Ladera took to Instagram to address the issue on Sept. 8, writing in a lengthy post that Beéle was the source of the leak and that it was “one of the cruelest betrayals” she has ever experienced. Ladera wrote that she and Beéle were the only two people with access to the tape, and that the publication “constitutes a form of violence against women.”

On Sept. 9, Beéle shared a statement of his own on Instagram denying that he was the source and saying the leak had also harmed him. That post, which has since been deleted, said Beéle’s lawyers were taking steps to get the videos taken down.

“Beéle is also a victim of the non-consensual exposure of his private life,” read the now-deleted statement from law firms Víctor Mosquera Marín Abogados and DMR Law LLC. “We reject all forms of violence and will continue to pursue legal channels to ensure the comprehensive defense of his rights.”


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Over the past few years, as European societies have competed more intensely for affiliates, they have cut the amount of money they hold back for online royalties. GEMA, the German PRO, is the last of the big three to do so, after PRS for Music (U.K.) and SACEM (France). But on Monday (Sept. 15), it announced plans to reduce its commission on online royalties to 7% by 2027, compared to the 8% charged by PRS and SACEM. 

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The exact specifics of the royalties being cut vary, but the lower rate applies to revenue from the giant on-demand music streaming services, including Spotify and Apple Music. And while the new rates are competitive, they also reflect the lower cost of collecting and distributing this revenue, especially as compared with money coming in from radio stations or restaurants. In some cases, much of this online revenue comes through other societies.  

All of this is relatively recent. SACEM and PRS both moved to 8% this year — down from 9% and 10%, respectively. In the case of GEMA, the plan is to lower the percentage it holds back from the current 10% to 9% in 2026, then to 7% in 2027. (Some societies also apply lower fees to certain foreign revenue, often according to the originating society.) The competition here is complicated by the role of ICE, a hub that operates as a joint venture of GEMA, PRS and the Swedish society STIM. SACEM, the biggest society in Europe, could be seen as a hub of sorts as well.  

The new rates will have a significant impact on GEMA. Right now, this revenue accounts for just under a quarter of the organization’s total revenue, so by 2027, the change will increase the royalties it pays out by 6 million euros ($7.1 million) a year. “The measure of a successful collecting society is the amount of money it pays out to its members,” Thomas Theune, the GEMA executive who oversees online licensing, said in a statement. “Thanks to our digital processes and fully automated IT systems, we’re already able to license and distribute more efficiently than ever. In turn, this means we can pass on even more money to our members.” 


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In partnership with Billboard, Ralph Lauren brought the Ralph’s Club New York fragrance and the vibes to Billboard’s Hip-Hop/R&B Live in New York City. Attendees experienced an exclusive scent sampling and captured unforgettable moments at our interactive photo activation — all before the night lit up with captivating headliners.

Cardi B‘s announcement that she and boyfriend Stefon Diggs are expecting a baby came as a big shock to fans, especially because the rapper had revealed plans to embark on a rigorous tour just one day prior.

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But in an X post on Wednesday (Sept. 17) — just hours after her pregnancy reveal on CBS Mornings — Cardi assured her fans that her pregnancy won’t affect her performance abilities when it comes time to hit the road in February. “Thank you everybody for the love and support,” the musician began.

“By the time tour comes I’ll be doing splits, somersaults backflips and handstands,” she continued. “I want this really bad and I’m on a very strict plan … trust me I’m determined to give my fans the best album AND tour experience!!”

The message comes one day after Cardi revealed the route for her trek slated for 2026, which will find the hitmaker playing 30 dates across North America. Before that, she teased the tour on The Jennifer Hudson Show, sharing, “I’m already preparing for it. I’m at the gym, and I’m taking dance classes already.”

Her comments about the physicality of her upcoming tour plans made it extra surprising when, Wednesday morning, she told Gayle King that she and a certain NFL star were starting a family together. “Yes, I am [pregnant],” she said on the ABC morning show. “I’m having a baby with my boyfriend, Stefon Diggs … I’m doing all this work while I’m creating a baby, and me and my man, we’re very supportive of each other.”

Cardi — who also shares three kids with estranged husband Offset — is also gearing up to release a new album. Titled Am I the Drama?, the follow-up to her debut LP Invasion of Privacy will arrive Friday (Sept. 19).

See Cardi’s post below.

The body found in the 2023 Tesla registered to D4vd (real name David Anthony Burke) on Sept. 8 has been identified as a 15-year-old girl named Celeste Rivas.

According to NBC News Los Angeles, Rivas’ decomposed body was identified through forensics. She was last seen in April 2024 in Riverside County, and had been reported missing. Her remains were discovered when police were alerted to a “foul odor” coming from the impounded Tesla’s trunk in the Hollywood Tow lot in Los Angeles.

Officials relayed to NBC News that her remains weren’t intact and she had been dead for an “extended period of time.” The Los Angeles County Medical Examiner’s Office described Rivas as having “wavy black hair,” and she weighed about 71 pounds with a “Shhh…” tattoo on her right index finger.

The 20-year-old singer has reportedly been “fully cooperating” with authorities throughout the investigation.

Billboard has reached out to reps for D4vd, the medical examiner’s office and LAPD for comment.

D4vd is currently trekking across North America on his Withered World Tour, and he’s slated to perform on Wednesday night (Sept. 17) in Seattle at the Showbox SoDo, but it’s unclear if the show will still take place.

The Houston singer had additional tour dates lined up in San Francisco and Los Angeles to wrap up the North American leg, before heading over to Europe in October, where he’s scheduled to hit Norway, Denmark, Sweden, Germany, the Netherlands, Belgium, Ireland, the U.K., France, Switzerland, Austria and Poland.


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All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

We heard you’re in the market for products that’ll help your vinyl records run like a dream.

Vinyl records are a delcate piece of media that, much like any physical media, needs to be handled with care in order to work properly. Fingerprints, dust and scratches can damage the surface of the record, which, in turn diminish the sound, creating unwanted noise. Natural oils from your hands can also erode the surface of your vinyl records.

If you’re looking to clean up and preserve your latest vinyl aqcusitions, there are plenty of cleaning kits available out there on Amazon that’ll make cleaning your records at home a breeze. Our top pick? The Vinyl Buddy record cleaning kit for $19.99. The kit comes equipped with five pieces including a velvet brush, microfiber brush, stylus brush, cleaning solution and a storage pouch. The Groove Washer Walnut Record Cleaning Kit ($44.95) is another favorite of ours that comes with similar equipment like a G2 Fluid Mist Spray and a fancy cleaning-wipe with a wood handle & microfiber pad that can be replaced for endless use.

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How to Clean Your Vinyl Records Safely

GrooveWasher Vinyl Record Cleaning Kit

A vinyl record cleaning kit.


For something easier and possibly cheaper, depending on what you already have around the house, you can always go for Simple Green All-Purpose Cleaner and water. Not familiar with Simple Green? The product is an natural, all-purpose cleaning solution that works on just about every surface. It remove direct grease and stains from countertops, floors, fabric, equipment, tech, vehicles and so much more. It’s also gentle enough that you can use it on your precious vinyl records. Simple Green retails for about $2-$5 for a 32-ounce spray bottle and around $10 for a gallon. You can get it at Amazon, Walmart, Home Depot, Lowe’s and other retailers. A three pack from Amazon currently retails for $15.39.

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To clean your vinyl records, you’ll want to grab a microfiber cleaning cloth to remove the dust and static from the record. Next, you should wet a clean microfiber cloth (preferably with distilled water) and lightly wipe the record surface in a circular motion, making sure to avoid the middle of the record. Next, add a splash of Simple Green (the company recommends a 1:30 ratio) to a bowl of water and clean the record following the same circular motion as the earlier steps. Lastly, grab a dry microfiber cloth to dry the vinyl record (you can also use compressed air to blow away any residual dust).

After your record is clean, all that’s left to do is enjoy the music! Just make sure to check the needle on your record player so that there’s no leftover dust particles that could distort the sound. For additional shopping recommendations check out our list of best record players and turntables, best speakers for music lovers and storage options for your music collection.

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From acting together on Barney & Friends to settling down with their respective partners, Selena Gomez and Demi Lovato have come a long way.

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On the Tuesday night (Sept. 16) episode of Watch What Happens Live With Andy Cohen, the Camp Rock alum had only kind things to say about her childhood friend and former costar. When asked whether they had listened to the Rare Beauty founder’s joint LP with fiancé Benny Blanco, I Said I Love You First, Lovato replied, “I have listened to the album — really, really great job.”

“I loved the songs on it,” she continued. “‘Bluest Flame’ was my song.”

Lovato also brought up Gomez’s upcoming nuptials to the producer. “I couldn’t be happier for her — she’s engaged,” the vocalist told Cohen. “I just wish her the best.”

The well wishes come after the two former child stars have been in each other’s lives for more than two decades. Originally meeting as kids on Barney and becoming best friends, the pair would go on to costar in Disney Channel movie Princess Protection Program.

Their relationship hasn’t been without its bumps in the road, though. In 2010, Lovato revealed to Girl’s Life that they weren’t besties with Gomez anymore, saying, “True friends don’t let their friends or family be mean to you. If you can’t trust somebody, you can’t be friends with them.”

The pair reconciled for a period after Lovato’s rehab stay in 2011, but in 2015, the Sonny With a Chance star curtly told Complex that they were no longer on speaking terms. In the past few years, however, they’ve supported each other’s projects and performances, indicating that their past conflicts are now water under the bridge.

And while Gomez is now on her way to becoming a bride, Lovato is already a wife, marrying husband Jordan “Jutes” Lutes in May. Also on Watch What Happens Live, the performer opened up about collaborating with her partner, who is also a musician, on 2022’s Holy Fvck and October-slated LP It’s Not That Deep.

“It’s so great,” Lovato gushed. “We wrote a lot of songs on my last album. With this project, he actually wrote a song of mine called ‘In My Head.’ He’s just so talented, and I’m really proud of him.”

The vocalist also shared which of their own songs are the best and worst to perform. “I love performing ‘Stone Cold,’ because I get to sing my a– off,” she said. “The song … I don’t love performing would be ‘Solo,’ because it’s not really a vocal performance.”

See clips of Lovato on Watch What Happens Live below.

Willie Nelson’s Farm Aid is unlike any other festival. It has always been about more than the music.

Launched by Nelson and fellow musicians in 1985 to respond to the economic crisis that was devastating family farmers and their communities, Farm Aid this year marks its 40th anniversary as music’s longest running concert for a cause.

This year’s Farm Aid takes place Saturday (Sept. 20) at Huntington Bank Stadium in Minneapolis with a bill headlined by Farm Aid’s guiding board members—Nelson, John Mellencamp, Neil Young, Dave Matthews and Margo Price—along with Kenny Chesney, Billy Strings, Nathaniel Rateliff & the Night Sweats, Lukas Nelson, Trampled by Turtles, Wynonna Judd, Steve Earle, Waxahatchee, Eric Burton of Black Pumas, Jesse Wells, Madeline Edwards and the Wisdom Indian Dancers.

Like all the artists who have appeared at Farm Aid before them, these performers will donate their time, expenses and fees to help the family farmers who feed the nation.

Farm Aid fans know that, once a year, Nelson and friends have taken to stages across the country for a high-profile show to benefit America’s independent family farmers.

What they may not realize, even after 40 years, is that Farm Aid has helped influence a profound shift in the cultural landscape of the country. The organization deserves credit for promoting many of the most important changes in food culture in the United States: the growth of farmers’ markets, the spread of farm-to-table restaurants, and the rise of sustainable farming methods that are helping to address climate change. Through the years, with days of sessions preceding the concert itself, Farm Aid has evolved as an impassioned annual gathering for activists involved in environmental, racial and social justice issues, as well as farming.

“It’s the combination of the music and the message that is so important,” Farm Aid’s former executive director Carolyn Mugar once said. “What happens at a Farm Aid concert opens up people’s hearts.” 

Farm Aid, of course, is part of a great chain of musicians leveraging their songs for society — from the singers who joined Martin Luther King Jr. for the March on Washington in 1963, to Pete Seeger’s pass-the-basket concerts in the late 1960s to launch the Hudson River Sloop Clearwater, to George Harrison’s Concerts for Bangladesh at Madison Square Garden in 1971, to Bob Geldof’s Live Aid mega benefit for Africa famine relief in1985, to the poverty-fighting Global Citizen Festival launched in 2012, to the FireAid benefits earlier this year, and countless other initiatives through the decades.

Musicians have often offered their talents to meet the needs of the moment— and then moved on. The focus and longevity of Farm Aid is unique.

What also sets Farm Aid apart is the inclusive, charitable and tough spirit of founder Willie Nelson. “Farming was my first job,” he once told Billboard. “I picked ­cotton. I pulled corn. I knew firsthand what it meant to farm. I knew damn well how tough it was. My farm roots are deep-seated in the soil of my personal story.”

And in his small hometown of Abbott, Texas, where he attended the United Methodist Church, Nelson recalled, “we had a ­collection box, and even though we were ­struggling financially, I knew there were folks with far greater struggles. As part of a ­loving community, I was taught the moral responsibility of ­helping those in need.”

Farm Aid’s guiding board members “are just like farmers, they never give up,” Mugar has said. “They’re stubborn, they’re clever, they’re strategic and it’s because of them that this organization has been effective.”

So this look back at 40 great moments from 40 years of Farm Aid is about more than just the music. Drawn from Farm Aid’s own timeline and Billboard’s many years of coverage of the festival, this list highlights not just great onstage moments, but also the activism, the artist voices — and the joy of late summer tomatoes from an urban farm. Find it all below.

Sabrina Carpenter is proving she’s short, sweet and civically minded, as the pop star is partnering with HeadCount to encourage civic action among fans.

HeadCount on Wednesday (Sept. 17) announced that it will be on site for 15 of Carpenter’s upcoming Short n’ Sweet Tour tour stops in Pittsburgh, New York City, Nashville and Los Angeles, bringing voter engagement activations and immersive experiences that encourage fans to register to vote and participate in the democratic process.

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These activations will include pre-show video screen content and informational booths at each concert that will be staffed by fans and longtime volunteers. These booths will offer fan-to-fan conversations about voting along with resources to help fans register to vote and sign up to for customized election information regarding what’s on their ballots. HeadCount volunteers can get free tickets to these shows by signing up to volunteer to register voters.

In tandem, Carpenter and HeadCount have also launched Good to Vote, a sweepstakes that’s offering one winner VIP and their guest with concerts tickets, flights and hotel accommodations to Carpenter’s Nov. 23 show in Los Angeles, in exchange for getting involved with HeadCount and with democracy at large.

Since being announced Tuesday (Sept. 16), the sweepstakes has resulted in more than 30,000 people taking action within the sweepstake’s first 12 hours. HeadCount defines actions as things such as checking voter registration status, signing up for election alerts, or signing up to volunteer with the organization.

This partnership extends the relationship between Carpenter and HeadCount, the longstanding non-partisan organization that uses music to help drive voter registration and civic participation. Last year, Carpenter was the organization’s top artist partner, with her work helping generate more than 35,000 voter registrations and roughly 263,000 voter engagements, more than any other artist.

To celebrate National Voter Registration Day, which was Sept. 16, HeadCount is also announcing new partnerships with Chappell Roan, John Legend and Tate McRae. Starting this week, the organization will bring registration activations to Roan’s concerts in New York, Kansas City, and Los Angeles. HeadCount will also be joining McRae and Legend on their fall tours.

“National Voter Registration Day is a celebration of our democracy and a reminder that every election matters, including the ones happening in our own backyards,” HeadCount executive director Lucille Wenegieme said in a statement. “This civic holiday reminds us that participation can be a unifying force. At HeadCount, we know the power music and culture has to bring people together. Today we are channeling that energy into making sure everyone has the chance to use their voice and be part of shaping the future.”

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

If you’re having a hard time coping with the finale of The Summer I Turned Pretty, you’re not alone. The season three finale just aired today, Sept. 17, via Amazon Prime Video, putting an end to Belly’s complicated love triangle with the Fisher brothers.

If you didn’t know, the third season is based on The Summer I Turned Pretty trilogy by Jenny Han, specifically the third book, We’ll Always Have Summer. If you haven’t read through the first book, along with the two others in the trilogy, you’re truly only getting half the story. If you’d like to relive the drama, you’ll want to pick up the novel that started it all, and it’s sequels, currently available on Amazon.

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A box set of the three books in the trilogy.


The book trilogy has an overall 4.2 stars — and for good reason. Join the fanbase and snag your own copy, which is available in paperback, hardcover, Kindle-edition and spiral-bound. If you want the entire series for your bookshelf, you can also get a boxed collection of the trilogy right now for just $21.03. Consider it your summer beach read or commute book (but definitely not a coffee table book). The TV series may not have covered everything that the book details, which is why snagging a copy will be important to know absolutely every thought Belly has over the love triangle between her, Conrad and Jeremiah.

The Summer I Turned Pretty” is the first of three books written by Han — a.k.a. the same author behind the hit series “To All the Boys I’ve Loved Before,” which also received a Netflix movie of the same name. “Pretty” follows the story of Belly, a girl about to turn 16-years-old who “measures her life in summers,” according to the description. It’s at Cousins Beach where her mom, brother and her share a summer beach house with Susannah (her mom’s best friend) and her two boys: Conrad and Jeremiah. It’s this summer in particular that everything changes. As the boys take notice in her, a love triangle begins to form and secrets end up being revealed.

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For more product recommendations, check out our roundups of the best jazz books, cocktail books and music books.

Check out the trailer for season three below.