The Prince of Darkness will have another moment in the light on Sunday (Sept. 7) when some of Ozzy Osbourne‘s musical compatriots and biggest fans will take the stage to honor the late metal legend at the 2025 MTV VMAs. According to a release announcing the special tribute, Aerosmith singer Steven Tyler and guitarist Joe Perry will join Yungblud and Extreme’s Nuno Bettencourt during this year’s awards broadcast, which will air live on CBS beginning at 8 p.m. ET.

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The rockers will take the stage to honor the Prince of Darkness with a medley of his greatest hits on the program that will be hosted by LL Cool J. In addition to being one of the most beloved figures in hard rock, Osbourne also had a storied history with MTV, from appearing on Headbanger’s Ball in the 1980s to sharing his private life with the world on the wildly popular family reality show The Osbournes, which aired on the network from 2002-2005.

Osbourne died on July 22 at age 76, just weeks after taking the stage for the final time at the all-star Back to the Beginning show in his native Birmingham, U.K. that featured sets from Metallica, Slayer, Pantera, Mastodon, Lamb of God, Anthrax, Alice in Chains and many more. Yungblud and Bettencourt teamed up with Sleep Token II at the show in Birmingham, U.K. for a moving cover of Black Sabbath’s “Changes,” with guitarist Bettencourt also sitting in with Rage Against the Machine’s Tom Morello and Quiet Riot/Osbourne bassist Rudy Sarzo for a cover of Sabbath’s “Symptom of the Universe” and a half dozen other Sabbath and Ozzy solo songs during a supergroup section of the show overseen by Morello.

In addition to the Ozzy tribute, Sunday’s VMAs will feature performances from Mariah Carey, Lady Gaga, Tate McRae, Alex Warren and Sabrina Carpenter. Busta Rhymes will receive the MTV VMA Rock the Bells Visionary Award and Ricky Martin will be honored with the inaugural Latin Icon Award.

Check out MTV’s promo for the special Ozzy tribute below.


  

Atlanta police said that Mastodon co-founder Brent Hinds, 51, was at fault in the motorcycle crash that took his life on the night of Aug. 20. According to Atlanta New First, the details are in contrast to the initial findings in the investigation that put the fault on the 22-year-old driver of the BMW SUV that Hinds crashed into for allegedly failing to yield at an intersection.

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The updated police report on the incident involving the former Mastodon guitarist said that, “After conducting time distance calculations of the Motorcycle and assessing the changes in velocity of the BMW it was deemed that Hinds was traveling between 63 and 68 mph. Video of the intersection was used for the calculations. The video clearly depicts the crash. Hinds was at fault for the crash.”

Hinds’ speed at the time of the deadly accident was reportedly twice the speed limit at the crash site, with two eyewitnesses telling the police that the guitarist was “driving fast.” The report also included what appeared to be seemingly conflicting statements from the SUV driver and one of the witnesses, which make it unclear if the driver had the green light when she made a left turn.

Police said the driver was “positive” that the light was green, though the witness countered that the light was red “when he looked at the light when everything happened.”

According to the police report, Hinds was “breathing and moving” after the accident, which left him with “visible injuries” to his arms, head and torso; the SUV driver was taken to the same hospital as Hinds with injuries to her arms and head.

Hinds co-founded Mastodon in 2000 and left the group in March after they said they’d mutually decided to part ways. The guitarist later changed his tune, though, saying he was “kicked out” of the group in a scorched earth post just before his death in which he savaged his former bandmates for what he said was their off-key singing and alleged arrogance. “F–k these guys,” Hinds wrote. “Only I know who they really are. They are the biggest fans of them self’s [sic]. I’ve never seen anyone in my life look in the mirror more than [bassist/singer] Troy Sanders. He thinks he’s God’s gift to anything. I’ve never met three people that were so full of themselves. It’s disgusting.”

Kelly Clarkson returned to Instagram on Thursday (Sept. 4) for the first time since the death of her ex-husband Brandon Blackstock last month. In a sentimental post tied to the 23rd anniversary of her life-changing American Idol win on Sept. 4, 2022 that capped the iconic music competition’s first season, Clarkson gave thanks for the moment that changed everything.

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“To everyone that took time 23 years ago to call in and vote for me, thank you 🙏 Winning American Idol changed my life and I will be forever grateful for all of you that have supported me for so many years,” Clarkson wrote alongside a photo of her being embraced by her cast mates in the midst of a confetti tsunami. “It is a gift to find your purpose and passion, and to be able to make a living doing it is the cherry on top. Thank you, always.”

After coming out on top over Idol runner-up Justin Guarini, Clarkson signed to RCA Records and released her debut album, Thankful, in 2003, which featured the hit “Miss Independent,” which hit No. 9 on the Billboard Hot 100 in the spring of that year.

Clarkson has kept a low public profile since Blackstock’s death on Aug. 7 at age 48 from cancer. Following Blackstock’s passing, Clarkson postponed her Studio Sessions residency at the Colosseum at Caesars Palace in Las Vegas and pulled out of her planned appearance at Miranda Lambert and Parker McCollum’s Band Together Texas flood relief benefit.

While she has kept her a low profile on socials, Clarkson has been out there thanks to the launch last month of her Songs & Stories with Kelly Clarkson series on NBC, which has found her sitting down with the Jonas Brothers, Gloria Estefan and Teddy Swims so far to discuss the stories behind some of their biggest songs; Lizzo will be the guest on Tuesday’s (Sept. 9) episode. Clarkson will also be back in daytime on Sept. 29 when she returns for the seventh season of The Kelly Clarkson Show.


  

As we’ve learned from watching the New Heights podcast, Travis Kelce‘s got jokes. Which is why it was no surprise when the Kansas City Chiefs’ three-time Super Bowl champ had a pithy quip when asked by reporters on Thursday (Sept. 4) to describe the biggest change in his life since recently getting engaged to longtime love Taylor Swift.

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“I got one more ring for it, two if we’re counting the first Super Bowl, ” Kelce said at a news conference in São Paulo, Brazil in advance of the Chiefs’ season kick-off game against the Los Angeles Chargers, according to the Associated Press. “I would say ever since I’ve been dating Taylor, life has been fun.” And though he did not bite on a question about whether Swift was going to be in the house at Corinthians Arena for Friday night’s (Sept. 5) game, Kelce said, “I love it when the lights are bright” in response to the query about being one of the most famous football players on earth.

During the presser, Kelce’s QB, Patrick Mahomes, politely corrected a reporter when they asked Kelce if “there’s a difficulty to focus on everything on the field” since he started “dating Taylor Swift.” Mahomes interrupted before Kelce could answer to remind the reporter that the couple are “engaged.”

Kelce was more than happy to admit that, “Ever since I’ve been dating Taylor, life has been fun. It’s been exciting. Obviously, there’s a lot more eyes [on me] and I accept that, but I’m living life and living on a high, I guess.”

“It’s a dream, dude,” Mahomes said.

And while his youthful energy is palpable, Kelce, at 35, may be nearing the end of his football career, maybe. When a reporter wondered if this season might be Kelce’s “last dance,” the tight end gleefully said, “It’s the last one on the contract right now, but I’ll tell you what, I’m feeling young and I’m feeling ready to rock, baby!”

The Chiefs-Chargers game will kick off at 8 p.m. ET and stream on YouTube.

Swag, swag, swag… on II. The suddenly very prolific pop superstar Justin Bieber announced over social media on Thursday (Sept. 4) that midnight would bring with it the surprise sequel to his equally unexpected Swag album from July. Midnight came and went without the suddenly highly anticipated release, but just around 3:30 a.m. ET, the set appeared on YouTube, trickling to other DSPs shortly after. Swag II was now officially with us.

The 23-track set follows in the organic-sounding, warm-feeling alt-R&B mode of the first Swag, with many of the same sonic architects (Dijon, Carter Lang, Mk.gee), and even a couple overlapping feature guests in Lil B and Eddie Benjamin. New to the Swag is Afrobeats star Tems, British singer-songwriter Bakar and ’00s Louisiana rapper Hurricane Chris. But no skits this time — Druski makes nary an appearance across the set, although “I’m not the one” and “It’s not clocking to you” references are both made in the album’s lyrics. And the blockbuster sequel closes with the longest Bieber album cut to date: “Story of God,” a nearly eight-minute spoken-word retelling of the Adam and Eve story, with Justin narrating as Adam.

Ultimately, the set will unquestionably be worth the wait for Beliebers, who now have a whopping 44 tracks’ worth of Swag to keep them cuddly in the cold-weather months that lie ahead. And with Bieber’s sneaky productivity of late, who knows if there might even be a third Swagstallment still waiting in the wings. Until then, though, here’s our early ranking of the 23 tracks new to Swag II.

Things just got swaggier. In the small hours of Friday morning (Sept. 3), Justin Bieber unleashed new album Swag II with just a short warning.

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Coming just a couple of months after the release of the pop star’s first Swag album, Swag II arrived after Bieber announced its existence via a slew of electronic billboards in different cities on Thursday (Sept. 4). As opposed to Swag‘s black-and-white visuals featuring photography of the singer and his family, Swag II‘s color scheme was established as baby pink in the billboards and in posts on Bieber’s Instagram.

Disc 1 is the new release, and features 23 new cuts, led off by “Speed Demon,” “Better Man” and “Love Song.”

The surprise release of Swag II aligns with the way Bieber dropped Swag, similarly giving fans hardly any heads up before heralding its arrival a few hours prior with electronic advertisements earlier this summer. The arrival of Swag II comes after Billboard first reported that Bieber was readying a second album for release after Swag — which reached No. 2 on the Billboard 200 — dropped in July. While the first Swag was R&B-inspired, as demonstrated by Billboard Hot 100 hits such as “Daisies” and “First Place,” Billboard learned at the time that the sequel would be more pop-focused.

Before embarking on his Swag series, the Canadian star had taken a four-year break from releasing albums. His last LP before Swag was 2021’s Justice.

In total, Bieber now has eight studio albums. Seven of them have reached No. 1 on the U.S. albums chart, and the musician has reached No. 1 on the Hot 100 eight times over the course of his career.

Stream Swag II below.

Sabrina Carpenter etches her name in chart history as the first leader on the all-new ARIA Albums Chart, as Man’s Best Friend roars to No. 1.

As previously reported, ARIA, the national labels trade body and charts compiler, undertook a major overhaul to its official chart methodology, the goal of which is to increase visibility for new music and Australian releases, and to invigorate an often-stagnate albums tally.

The main change sees titles two years or older moved from the main, weekly charts to a new dedicated catalogue chart, ARIA On Replay.

Today’s the day, and the revamped albums chart, in particular, has a different look.

Carpenter’s Man’s Best Friend bolts to No. 1, ahead of the soundtrack to Netflix film Kpop Demon Hunters and Stray Kids’ KARMA, respectively.

Under the new chart system, the ARIA Albums Chart welcomes 17 new entries and 45 re-entries to the top 100, while only 38 titles from last week appear on this frame. 

The changes, ARIA CEO Annabelle Herd explained earlier this year, “will open up space in all the charts for new music and new Australian music.” She continued, “What we think we’re doing is giving more information to artists, to industry and people who are listening to new music and older music.”

The latest tally, published Friday, Sept. 5, features five Australian titles, including new releases from The Wolfe Brothers (Australian Made at No. 9) and Hayley Jensen (Country Soul at No. 14).

Over on the ARIA Singles Chart, Golden” from the KPop Demon Hunters soundtrack extends its reign to six consecutive weeks. “Golden” draws level with PSY’s 2012 smash Gangnam Style as the longest running No. 1 by a Korean artist, ARIA reports.

Meanwhile, the first No. 1 on ARIA’s Top 5 On Replay Albums tally is Sabrina Carpenter’s 2022 collection Emails I Can’t Send, and the first leader on ARIA’s Top 5 On Replay Singles survey is Goo Goo Dolls’ “Iris,” originally released in 1998.

Check out the new charts at aria.com.au.

Tones And I will get the place bouncing when she performs next month for an historic series of pre-season NBA games in Australia.

Association franchise New Orleans Pelicans will make the long haul to Melbourne, where they’ll tackle NBL finalists Melbourne United on Friday, Oct. 3, and semi-finalists South East Melbourne Phoenix, Oct. 5th, 2025, both at Rod Laver Arena.

Confirmed today, Sept. 5, the “Dance Monkey” star is the halftime entertainment for the Friday spectacle, and she’ll headline a “Fan Night” the following evening.

Tones (real name Toni Wilson) is a regular courtside guest for Melbourne United home games, and is a passionate fan of the sport. She’s the “Number 1” ticket holder for the franchise, effectively an ambassador for the team, and she performed at a half-time show and a Fan Night in October 2024.

With 2019’s “Dance Monkey,” Tones crushed chart records and landed one of the most-streamed songs in history. The track led Australia’s ARIA Chart for a record 24 weeks; held top spot on the Official UK Chart for 11 weeks, a record for a solo female artist; and went top 5 on the Billboard Hot 100. All told, the song hit the top spot on sales charts in more than 30 territories, and has danced past 3.3 billion streams on Spotify.

Tones has two ARIA No. 1 albums to her name, a slew of ARIA Awards, and she’s said play the point guard position like a pro.

The NBAxNBL games will be the first played by NBA squads in Australia, one of the Association’s most fanatical international markets. Australia is said to be the No. 2 territories outside of the United States for subscriptions to the NBA’s League Pass app.

The NBA’s long-overdue crossing to Australia follows the announcement by the NFL this year of a multi-year arrangement to play regular season games at the Melbourne Cricket Ground from next year, featuring the Los Angeles Rams. 

Kevin Parker is taking the Deadbeat route.

The celebrated psychedelic pop artist and production wizard is lining up his fifth Tame Impala album, Deadbeat, for an Oct. 17th global release — his first through the Sony Music machine.

Deadbeat is inspired by the “bush doof” culture of his native, Western Australia rave scene, and recasts his ongoing art project as “a kind of future primitive rave act in the process,” reads a statement.

The second taste from Deadbeat is “Loser,” a track that’s accompanied with a music video directed by Kristofski and starring Stranger Things‘ Joe Keery (aka Djo). It’s the followup to lengthy electronic banger “End of Summer,” which arrived, fully formed, in July of this year.

“Loser” is a departure from those parties in paddock, instead taking us on a magic carpet ride to a funky ‘70s houseparty. And no, it’s not a cover of Beck’s self-deprecating classic from 1994.

Parker “largely galvanized” the new album between his hometown of Fremantle and his studio, Wave House in Injidup, Western Australia in the first half of this year.

Essentially a one-man band (though Parker takes a full unit on the road), Tame Impala has collected ARIA Awards, APRA Awards, a Brit Award, and earlier this year, a Grammy, by way of a collaboration with Justice.

Deadbeat arrives more than half a decade after The Slow Rush, from February 2020, an album that went to No. 1 on Australia’s ARIA Chart, and earned career peaked positions on the Billboard 200 and Official U.K. Albums Chart UK, both at No. 3. Its predecessor, 2015’s Currents, topped the Australian chart and crashed the top 5 in the U.S. (at No. 4) and in the U.K. (No. 3), where Parker collected the Brit Award for best international group.

The forthcoming album “sounds like the work of an artist with a leveled-up mastery, crafted with a newfound embrace of spontaneity for the renowned perfectionist,” reads a statement. “How that manifests is a distinct minimalism and crunch, with timbres and textures that add an ineffably new dimension to the sound, as well as a richer, more playful vocal range than ever.”

The new collection is the first through Columbia Records, following a years-long relationship with Modular Recordings and Universal Music.

Although Tame Impala is not currently on tour, Parker will enjoy the southern summer when he takes the stage as a a special guest DJ for Justice’s Australian arena tour in December 2025.

Deadbeat is available for pre-order here, and exclusive vinyl color-variants can be ordered here

Wu-Tang Clan’s RZA, Raekwon & Cappadonna accept the Hip Hop Hall of Fame Award at Billboard’s R&B Hip-Hop Power Players 2025.