*NYSNC were in a reflective mood this week as they looked back with love at the 30th anniversary of their formation. In a nostalgic Instagram post on Wednesday (Oct. 1), the band formed by Justin Timberlake, J.C. Chasez, Joey Fatone, Chris Kirkpatrick and Lance Bass on Oct. 1, 1995 shared a compilation of videos in which the singers reflect on their deep bond with their fans, and each other.

Related

“30 years. ✨ October 1, 1995 feels like yesterday… and somehow a lifetime ago. Five guys chasing a dream turned into something bigger than we ever imagined,” the post began, alluding to the day that Bass officially joined the group that would go on to global superstardom. “The music. The shows. The memories. An unbreakable bond: with each other, and with all of you. Through every high and low, your love has carried us. Forever grateful. 💙 Here’s to three decades of *NSYNC.”

The accompanying video counts down from 2025 to 1995 with a flip-book of performance footage from throughout the years, as well as a compilation of the different fonts used to spell out the band’s name before tossing to a throwback series of shots of the five men from their earliest days together.

From there it takes fans through a short history of the band’s rapid rise to megastardom in the late 1990s and early 2000s, peaking with 2000’s No Strings Attached LP, which sold more than one million copies on day one and over 2.4 million copies in its first week. In a clip from their Hollywood Walk of Fame ceremony, Bass says, “the best days of my life were in this group,” adding that the thing he’s most thankful for is the “brotherhood” with his bandmates.

In his own post, Bass shared a roll of pics and videos from over the years, writing, “30 years of *NSYNC… Feels like just yesterday we were learning choreography in an airplane hangar in Orlando, hoping our frosted tips would help us stand out. (They didn’t, but we committed!) What an amazing 30 years it’s been. From stadiums to TRL to TikTok- it’s wild to think we’ve grown up with you right there beside us. Thank you for riding with us through every era, every outfit, every questionable video. And to my brothers- thank you for the laughs and the memories I’ll never forget.”

In the anniversary video, Timberlake refers to the group as a “family,” saying he “can’t put into words how much the four of you mean to me,” as the clip ends with a supercut of the men talking about how they could have never dreamed of the heights they reached together. “I’d like to thank you gentlemen for making my dreams come true,” Chasez is seen saying at the Walk of Fame ceremony.

From 1995 until their hiatus in 2002, *NSYNC released four albums and scored an epic run of chart hits, including the 2000 Billboard Hot 100 No. 1 “It’s Gonna Be Me,” as well as the 1999 No. 2 hit “Music of My Heart” with Gloria Estefan, the No. 4 smash “Bye Bye Bye” and a pair of No. 5 singles with “Girlfriend” and “This I Promise You.”

While Timberlake went on to a huge solo career, the other band members have stayed busy with their own solo projects in music, TV and film, with the quintet reuniting for a performance at the 2013 MTV VMAs and for their 2018 Hollywood Walk of Fame ceremony and in 2023 to release the song “Better Place” from the Trolls Band Together animated movie. They also reformed in the studio for the song “Paradise” from Timberlake’s sixth solo album, 2024’s Everything I Thought It Was.


Billboard VIP Pass

Taylor Swift was feeling grateful and energized on Friday morning (Oct. 3) as she unleashed her 12th studio album, The Life of a Showgirl. In an early morning Instagram post featuring a carousel of the dramatic images of Swift in various dancer outfits, Swift shared how she was feeling about the 12-track album finally being out in the world.

Related

“Tonight all these lives converge here. The mosaics of laughter and cocktails of tears. Where fraternal souls sing identical things. And it’s beautiful. It’s rapturous. It is frightening,” Swift wrote. “I can’t tell you how proud I am to share this with you, an album that just feels so right. A forever thank you goes out to my mentors and friends Max [Martin] and Shellback for helping me paint this self portrait,” she added of the pop producer superstar duo with whom she re-teamed on the album after previously collaborating on such hits as “We Are Never Ever Getting Back Together,” “Shake It Off” and “Blank Space” and many others.

“If you thought the big show was wild, perhaps you should come and take a look behind the curtain…,” she added.

The album is a return to pop form for Swift, who co-produced it alongside Martin and Shellback, with the singer weighing in on her relationship with fiancé Travis Kelce on wax for the first time on songs including “Opalite,” a reference to the NFL star’s October birthstone. The album also features the George Michael-interpolating “Father Figure,” as well as the title track collab with Sabrina Carpenter and first single, “The Fate of Ophelia.”

Swift will celebrate the album’s release this weekend with a film event, the 89-minute Taylor Swift: The Official Release Party of a Showgirl, which reportedly features the music video for the album’s opener and lead single, along with lyric videos for the other tracks and Swift’s insight on the new songs. “I hereby invite you to a dazzling soirée,” Swift wrote when sharing the news on Instagram. “Dancing is optional but very much encouraged.”

The film will run during the release weekend, from Friday (Oct. 3) through Sunday (Oct. 5), with tickets available on the event’s website.


Billboard VIP Pass

While Swifties were busy digging for all the Easter Eggs on Taylor Swift‘s just-released 12th studio album, The Life of a Showgirl, on Friday morning (Oct. 3), the singer dropped by the U.K.’s Graham Norton Show to chat up the LP, and, of course, her summer engagement to Travis Kelce.

Related

In her first TV appearance since the August proposal heard ’round the world, Swift, 35, told Norton that Chiefs tight end Kelce, “really crushed it in surprising me,” in speaking of the instantly iconic special moment caught in a photo of the NFL star down on his knee asking for Taylor’s hand in the middle of a forest of flowers.

According to People, Swift — wearing a black mini dress with a bejeweled halter neckline — told Norton that while the couple were chatting on Kelce’s New Heights podcast, the baller “had a complete garden built out the back of his house to propose in.” And, not for nothing, Swift said that Kelce’s proposal was a big swing that totally landed. “He went all out — 10 out of 10” she said, subtly flashing the impressive engagement ring during the taping where she appeared alongside actors Cillian Murphy, Greta Lee, Jodie Turner-Smith and Domhnall Gleeson and fellow singer Lewis Capaldi.

Cagey as ever, Swift kept any wedding plans close to the vest, saying “you’ll know,” when she has something to say about the blessed event. “I want to do the album stuff first, and the wedding is what happens after in terms of planning. I think it will be fun to plan,” she said, with People describing her vintage-style ring as having a “massive old mine brilliant cut diamond, a rectangle-cut diamond,” which is estimated by one expert to be around 7-10 carats in a bezel setting.

As she noted on Kelce’s New Heights earlier this summer, Swift reiterated that recording Showgirl in the midst of her grueling, record-setting Eras Tour was a way to keep her inspired. “I was physically exhausted — sick and worn down — so to spark me up, I had the album as a secret passion project behind the scenes,” Swift said of her off-tour flights to work with producers Max Martin and Shellback during the European leg of her summer 2024 tour. “It stopped me hitting a wall.”

Swift also told Norton that the new album is not as introspective as her recent LPs, saying that in recent years she’s had a “different perspective and like storytelling at a little bit of a distance, so it isn’t like doing a complete autopsy of myself.” Alluding to some growth as an artist, the singer added that her “wheelhouse is bigger now… I feel I can do anything now while running in heels. I am confident to write higher choruses, jump an octave, and do falsetto stuff. I have more confidence after the tour.”

Swift will be back on TV on Monday night (Oct. 6) when she stops by The Tonight Show and then again on Wednesday night (Oct. 8), when she’ll be the only guest on Late Night with Seth Meyers.


Billboard VIP Pass

Billboard’s Friday Music Guide serves as a handy guide to this Friday’s most essential releases — the key music that everyone will be talking about today, and that will be dominating playlists this weekend and beyond. 

This week, Luke Combs is feeling wistful, Leon Thomas is feeling vindictive, and of course, the most anticipated pop release of the entire year is finally upon us. Check out all of this week’s picks below:

Taylor Swift, The Life of a Showgirl

Yes, Taylor Swift‘s finally back doing big pop, and yes she’s got Max Martin and Shellback in tow again — but 1989, Pt. 2 this ain’t. The Life of a Showgirl has some of the big drums and plenty of the big hooks of this trio’s extended collaboration a decade earlier, but the songwriting and sonic palette are both updated for the mid-2020s, with many tracks based around an organic-skewing pop-rock sound more reminiscent of Fleetwood Mac than Forever Your Girl. Plenty of its songs seem destined to impact on a similar scale though: “Actually Romantic” and “Wood” will be the headline-grabbers for their provocative subject matters, but “Ruin the Friendship” and “Eldest Daughter” may end up the fan favorites for their personal lyrics and wistful melodies.

Luke Combs, “Days Like These”

“When the sky is blue/ And the grass is green/ How much better can it be?” Luke Combs has always had a knack for expressing simple lyrical sentiments as profound truths — particularly when he relies on the power of his voice to carry the song, rather than dulling it with radio-ready overproduction. “Days Like These” features just Combs and an acoustic guitar singing this ode to the core pleasures that make up life — and you can bet country radio will still find it absolutely undeniable.

Leon Thomas, “Just How You Are”

Despite the title’s similarity to classic pop love songs from Billy Joel and Bruno Mars, don’t expect Leon Thomas in a sentimental mood on his new single. “I wrote all these songs about you/ And you never even said a word/ Not even just to say you heard/ I guess ‘congrats’ is your least favorite word,” the R&B singer-songwriter seethes over an airtight soul-funk groove. The wedding ballads can wait; this nasty jam should still get the dancefloor packed in the meantime.

Louis Tomlinson, “Lemonade”

We haven’t heard much from Louis Tomlinson since 2022’s Fate in the Future, but in September he announced he’d be back with the full-length How Did I Get Here? in January 2026. The first taste of that record was delivered this week with lead single “Lemonade,” in which Tomlinson does his best Adam Lambert strut over a muscular disco-rock bounce. No one’s going to be bringing the chorus (“She’s so bitter/ She’s so sweet/ Lemonade”) into Language Arts class anytime soon, but there’s never been a song called “Lemonade” that wasn’t mostly irresistible, and this one is no exception.

Kali Uchis feat. Mariah the Scientist, “Pretty Promises”

After teaming up for one of the year’s most sublime collabs with “Is It a Crime?” from Mariah the Scientist‘s Hearts Sold Separately album, it’s time for Kali Uchis to play host on the deluxe edition of her 2024 LP Sincerely, entitled Sincerely: P.S. The two reconvene for the equally lovely “Pretty Promises,” as the two swear that their word is bond over an underwater groove that they swim around like mermaids. If these are gonna be the results every time this duo teams up, they should really start thinking about doing a full album together.

Fred again.. & Amyl and the Sniffers, “You’re a Star”

Of all the artists you might expect producer phenomenon Fred again.. to team up with for one of his overwhelmingly emotional dancefloor anthems, Australian indie-punk band Amyl and the Sniffers would probably be fairly low on the list, if it made the cut at all. But sure enough, the artist born Frederick John Philip Gibson enlisted Amy Taylor and company for his drum n’ bass-inflected latest single, harnessing the group’s energy and then exploding it with Gesaffelstein-like sirens and typically all-over-the-place vocal triggers. Unexpected but effective — and that’s why he’s a star.


Billboard VIP Pass

It’s showtime! Taylor Swift‘s The Life of a Showgirl has finally arrived after months of buildup, complete with 12 new songs.

Related

Released on Friday (Oct. 3) and produced entirely by the pop star, Max Martin and Shellback, the album finds Swift looking back on her past two years of life — which she largely spent on the road on her global Eras Tour. On “Father Figure,” she interpolates George Michael’s 1987 hit of the same name, and on title track “The Life of a Showgirl,” Sabrina Carpenter joins her for their first official duet since touring together last year.

“The Fate of Ophelia” serves as the LP’s lead single, with Swift premiering a music video for the track in her The Official Release Party of a Showgirl event that will run in theaters all weekend.

Arriving about 18 months after 17-week Billboard 200-topper The Tortured Poets Department, the 14-time Grammy winner’s newest full length almost feels like a complete 180 for her. Following the black-and-white aesthetics and melancholy lyricism of TTPD, the high saturation and sparkles associated with Showgirl — which is comprised of flashy pop bangers — feel even more vibrant.

Leading up to the release of Showgirl, Swift kept fans guessing about the project through a number of methods. Teaming up with Spotify, the singer dropped a handful of lyrics through a pop-up immersive experience in New York City, and with Apple Music, Swift revealed even more snippets by capitalizing “random” letters in her lyrics.

On Friday night, Swift will appear on The Graham Norton Show to promote the album. In the coming days, she’ll do the same on The Tonight Show Starring Jimmy Fallon and Late Night With Seth Meyers.

Listen to Swift’s new album The Life of a Showgirl below.


Billboard VIP Pass

The wait is over. Back on Aug. 13, Taylor Swift went on her then-boyfriend Travis Kelce’s podcast New Heights to first reveal that her much-anticipated 12th album — to be titled The Life of a Showgirl, and to consist of 12 pop “bangers” co-written and co-produced with her old 1989 collaborators Max Martin and Shellback — would be arriving on Oct. 3. Now, roughly seven weeks and exactly one engagement announcement later, your English teacher is here to make her Showgirl debut.

As the dozen-track set arrives this Friday — with just one featured guest, in fellow superstar and Eras Tour opener Sabrina Carpenter on the title track, though pop icon George Michael is also invoked via interpolation on “Father Figure” — Swift will also premiering her new film event, titled Taylor Swift: The Official Release Party of a Showgirl. The film reportedly features the music video for the album’s opener and lead single, “The Fate of Ophelia,” along with lyric videos for the other tracks and Swift’s own insight on the songs.

The twin releases should kick off a massive October for the megastar, with pop fans and chartwatchers around the world on high alert to see what kind of further Billboard history she can add to her already-staggering list of achievements. But before all of that, we present our rankings of Showgirl‘s 12 new — which Swift said during her New Heights appearance that she would not be adding any additional bonus cuts to — below. (You can also read our full review of the new album here.)


Billboard VIP Pass

“Bangers.” That’s the word Taylor Swift used to describe all 12 songs on her twelfth studio album, The Life of a Showgirl, and the world knew what that meant. Swift’s last album, 2024’s The Tortured Poets Department, may have scored the superstar’s biggest opening-week debut and ruled the charts for months on end, but the sprawling, relatively mournful project was a departure from the immaculately constructed pop anthems that had defined her career (give or take a Folk-more) for a decade.

When Swift announced that its follow-up was created in Sweden during the Eras Tour with pop geniuses Max Martin and Shellback — who helped create some of Swift’s most enduring pop smashes from the mid-2010s, and who hadn’t worked with her in eight years — the expectation of wall-to-wall bangers that Swift set seemed attainable, given their skills and shared history. The timing for a return to anthemic pop felt right, too: with Swift recently engaged to NFL star Travis Kelce and the Eras tour conquering the world, a full-length celebration seemed to be in order.

And while The Life of a Showgirl is composed of classically designed pop tracks, with standard verse-chorus arrangements and rarely exceeding four minutes in run time, Swift’s eagerly anticipated Return to Bangers is not, say, 1989 Pt. II. Instead of coming back with party tracks, Swift has synthesized the commitment to pristine hooks that she shares with Martin and Shellback, an increasingly idiosyncratic lyrical slant, and the mid-thirties perspective of her past few albums. The result is a collection of songs that are immediately engrossing and among the most affecting of Swift’s career, while also focusing on topics like Hamlet and suburban bliss. Call it Bangers for Adults.

For the countless fans who have grown up alongside Swift, The Life of a Showgirl offers a settled, grown-up phase of the love stories that she’s been telling for decades — although the album doesn’t rely on clichés, or go heavy on the cheese. Swift makes no bones about the fact that her happy ending has come after a lot of regrets, missed opportunities and heartache, and that, while she’s achieved previously unknown heights as a global pop superstar, her time in the spotlight has not been perfect. Yet she uses The Life of a Showgirl to showcase the different sides of her personality, perhaps more wholly than any previous album.

Pissed-off songs like “Actually Romantic” and “Father Figure” detonate like Internet grenades, “Wood” and “Wi$h Li$t” find Swift at her most playful, and “Honey” and “Ruin the Friendship” slice through the noise with the emotional songwriting of an expert. Not surprisingly, Martin and Shellback once again serve as welcome foils, packing a ton of instrumentation into each production and streamlining the final product into a finely crafted mix. And she does indeed have a proper top 40 banger at the top: “The Fate of Ophelia” is a stick of dynamite opening the album, and sounds like it will join her collection of smashes in no time.

The limit does not exist to how high Swift can keep soaring — anytime her downfall (or even a notable downturn) has been predicted, she climbs higher and winks at her naysayers. By pivoting back to pop anthems with humor, empathy, a little fury and a lot of wisdom, Swift ensures that ascent will continue. The Life of a Showgirl is one of the most grounded, well-rounded projects of Swift’s career — a surprise, in the context of the hype preceding it. That doesn’t make it any less successful.


Billboard VIP Pass

Bad Bunny and Doja Cat purposely don’t vibe with Chloe Fineman’s humor in the silly promo spot for this weekend’s Saturday Night Live episode.

The clip, shared by NBC on Thursday (Oct. 2), features three takes from the trio previewing what’s to come on SNL‘s season premiere on Oct. 4, when Bad Bunny will host and Doja Cat will appear as musical guest. Fineman is among the regulars on the show, though several castmates departed ahead of Season 51.

Related

“Hi, I’m Bad Bunny, and I’ll be hosting the season premiere of SNL this week with Doja Cat,” Benito says in the first take. Fineman cuts in to quip, “Bad Bunny. Doja Cat. And I’m Chloe Salamander.”

In take two, Bad Bunny hypes up the Super Bowl — on which he’ll headline the halftime show — and shrugs off the excitement of being on SNL.

And in take three, Doja Cat puts her trust in Bad Bunny (instead of cast member Fineman) when it comes to expertise on being in front of the SNL camera. “Chloe, he’s done this before,” she says.

Following the Oct. 4 season premiere, this season’s lineup so far includes SNL veteran Amy Poehler as host with first-time musical guest Role Model on Oct. 11, and Sabrina Carpenter as host and musical guest on Oct. 18. Though it’ll mark Carpenter’s debut as host, she performed on Saturday Night Live in 2024 and was featured on SNL50: The Anniversary Special earlier this year.

Watch the promo video for this weekend’s episode of SNL below.

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Thursday Night Football continues its biggest season yet with a matchup between a high powered Los Angeles Rams offense and a motivated San Francisco 49ers. Matthew Stafford and the Rams will host Brock Purdy and the 49ers for the latest TNF game of the 2025-2026 season, streaming exclusively on Prime Video on Thursday (Oct. 2).

With both teams tied at 3-1, this NFC West divisional match up is a can’t miss game, because whoever wins will take first place for now. Like other TNF games, pregame coverage will launch at 7 p.m. ET, one hour before the Rams vs. 49ers kickoff. This season, a total of 16 games will stream on Prime Video, including the Black Friday game and the NFL Wild Card Game.

Not familiar with Prime? Read on for the 2025 Thursday Night Football schedule and a guide on how to join Amazon Prime for free.

How to Watch Thursday Night Football Games on Prime Video

To watch Thursday Night Football, you’ll need a Prime Membership. Signing up will grant you access to Prime Video to watch the Rams vs. 49ers game as well as a whole suite of benefits, including fast same-, next-, or two-day free shipping; discounts at Whole Foods Market, access to exclusive shopping events — like Prime Day and Black Friday — and more.

Amazon is offering a 30-day free trial for new users who want to test out the service. When the trial is up, you can either cancel the streaming service altogether, or you can keep watching for $8.99/month for the base Prime Video plan. But, if you want all the perks that come with Amazon Prime, it goes for $14.99/month (or $139/year) — a nearly 25% savings.

Prime Video is Amazon’s streaming platform where you can watch Thursday Night Football and other sports, including NBA, MLB, WNBA, One Championship and soccer.

How to Watch Thursday Night Football Games on Prime Video

Prime Video is the exclusive streaming destination for Thursday Night Football. All games will begin streaming live at 8 p.m. ET/5 p.m. PT. Pre-game coverage starts at 7 p.m. ET/4 p.m. PT. Here’s the full lineup of NFL games airing on Prime video this season.

Remaining Prime Video Thursday Night Football Schedule:

  • Week 5: San Francisco 49ers at Los Angeles Rams — Oct. 2
  • Week 6: Philadelphia Eagles at New York Giants — Oct. 9
  • Week 7: Pittsburgh Steelers at Cincinnati Bengals — Oct. 16
  • Week 8: Minnesota Vikings at Los Angeles Chargers — Oct. 23
  • Week 9: Baltimore Ravens at Miami Dolphins — Oct. 30
  • Week 10: Las Vegas Raiders at Denver Broncos — Nov. 6
  • Week 11: New York Jets at New England Patriots — Nov. 13
  • Week 12: Buffalo Bills at Houston Texans — Nov. 20
  • Week 13: Chicago Bears at Philadelphia Eagles — Nov. 28 (Black Friday Game)
  • Week 14: Dallas Cowboys at Detroit Lions — Dec. 4
  • Week 15: Atlanta Falcons at Tampa Bay Buccaneers — Dec. 11
  • Week 16: Los Angeles Rams at Seattle Seahawks — Dec. 18
  • Week 17: Denver Broncos at Kansas City Chiefs — Dec. 25

On the eve of his sentencing, Sean “Diddy” Combs told a federal judge Thursday (Oct. 2) that he is a new man after realizing that he was “broken to my core” and wondering at times if he was better off dead.

Combs, 55, wrote in a letter to Judge Arun Subramanian that with his mind clear of drugs and alcohol after a year in jail, he can see how rotten he had become before his September 2024 arrest in a case that led to his conviction on two prostitution-related counts. His sentencing hearing is set to begin Friday morning.

Related

“Over the past year there have been so many times that I wanted to give up. There have been some days I thought I would be better off dead. The old me died in jail and a new version of me was reborn. Prison will change you or kill you — I choose to live,” he said.

A jury in July acquitted Combs on sex trafficking and racketeering conspiracy charges, meaning he won’t face a life sentence. The prostitution-related counts each carry a maximum punishment of 10 years in prison.

Combs’ lawyers say he should go free this month, arguing his year behind bars has been enough of a penalty, while prosecutors want at least 11 years in prison.

Combs wrote that the last two years have been the hardest of his life, “and I have no one to blame for my current reality and situation but myself.”

“In my life, I have made many mistakes, but I am no longer running from them,” he wrote. “I am so sorry for the hurt that I caused, but I understand that the mere words ‘I’m sorry’ will never be good enough as these words alone cannot erase the pain from the past.”

Combs apologized for hitting, kicking and dragging then-girlfriend Casandra “Cassie” Ventura at a Los Angeles hotel in 2016 — an attack captured on security camera footage shown to jurors repeatedly during his two-month trial.

“The scene and images of me assaulting Cassie play over and over in my head daily,” Combs wrote. “I literally lost my mind. I was dead wrong for putting my hands on the woman that I loved. I’m sorry for that and always will be.”

Combs also apologized to a woman who testified under the pseudonym “Jane,” saying that “after hearing her testimony, I realized that I hurt her. For this I am deeply sorry.”

Combs wrote that “the remorse, the sorrow, the regret, the disappointment, the shame” from his behavior has made it “so hard for me to forgive myself.”

“It is like a deep wound that leaves an ugly scar,” he said. “I lost my way. I got lost in my journey. Lost in the drugs and the excess. My downfall was rooted in my selfishness.”

In jail, Combs said, he has been reading, writing, working out and teaching a six-week course to other inmates, “Free Game with Diddy,” imparting his business wisdom, as well as lessons learned from his mistakes and failures.

He is also involved in therapy, he said, to deal with his past drug abuse and anger issues. He is sober for the first time in 25 years and is committed to working “to ensure that I never make the same mistakes again,” he wrote.

Combs told Subramanian that he was asking for mercy, not only for himself but for his seven children and his 84-year-old mother, for whom he had been the primary caregiver. While locked up, he said, he missed proms and graduations and critical parts of his 2-year-old daughter’s development.

“As I write you this letter, I am scared to death. Scared to spend another second away from my mother and my children,” Combs wrote. “I no longer care about the money or the fame. There is nothing more important to me than my family.”

He said the conditions of his detention at a Brooklyn federal jail are “inhumane,” writing that he is locked in a room with 25 other inmates, with no windows, no clean air, a broken washing machine and water that they boil before drinking.

Combs vowed to never commit a crime again, telling the judge that since he has been in jail he’s gone through a “spiritual reset.”

Rather than make an example out of him with a lengthy sentence, Combs implored Subramanian to “make me an example of what a person can do if afforded a second chance.”

“If you allow me to go home to my family, I promise I will not let you down and I will make you proud,” he wrote.