Lola Indigo brought her brilliant fusion of pop with flamenco to the special Billboard Latin Women in Music 2026, broadcast live on Thursday (April 23) on Telemundo. The Spanish star — elegant in a simple black dress and her long hair loose — debuted the song “Tus iniciales” as part of a medley that included her hit “Verde,” accompanied by half a dozen dancers.
Moments later, she accepted the Evolution award from none other than her fellow countryman David Bisbal, with whom she shares the experience of starting out on the popular talent competition Operación Triunfo, which this year is making its debut in the United States through Telemundo.
While presenting her award, Bisbal praised her talent and discipline demonstrated over the years.
“I admire this man so much,” Indigo said, visibly emotional, adding that she is lucky to call him her friend after growing up watching him sing on TV.
After drawing laughter from the audience by jokingly saying she didn’t have a speech prepared, she recalled that the first woman who gave her an opportunity in music was Mala Rodriguez, to whom she dedicated the award. “This makes me think about something that has been the foundation of my singing and my career, which is to respect the legends and help those who are coming up. Respect those who have paved the way for us, and give a hand to those who are just starting out, invite them to sing, bring that new talent to light,” she said.
Since her debut single “Ya no quiero ná” went viral in 2018, Lola Indigo has shone in her native Spain and beyond, collaborating with international artists such as Mexican star Belinda, Puerto Rican singer Luis Fonsi, and Argentine artist Maria Becerra. With the latter, she has released three collaborations, including “High (Remix)” in 202, also featuring Tini, as well as “DISCOTEKA” in 2022 and “LA REINA (REMIX)” in 2025, which also included Villano Antillano.
The artist, whose real name is Miriam Doblas Muñoz, started as a professional dancer before transitioning to music and was the first contestant eliminated from Operación Triunfo when she competed on the popular Spanish talent reality show in 2017. Eight years later, she reached a historic milestone by performing at Madrid’s Santiago Bernabéu Stadium, cementing her status as a superstar.
Hosted by Chiquis, the fourth edition of Latin Women in Music also honors Rosalía as Woman of the Year, as well as Gloria Trevi (Lifetime Achievement), Ivy Queen (Pioneer), Julieta Venegas (Artistic Excellence), Becky G (Global Impact), Young Miko (Unstoppable Artist), and Joy (Agent of Change).
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Rosalía received the Woman of the Year award at the 2026 Billboard Latin Women in Music event on Thursday (April 23). The Barcelona superstar was unable to attend the ceremony to accept the award because she is currently on her LUX Tour, but expressed her gratitude in a speech delivered via video.
The singer-songwriter was recognized as one of the most influential voices of her generation, thanks to her success, leadership, and cultural influence. “Rosalía has consistently pushed the boundaries of Spanish-language music, blending tradition with bold innovation and captivating audiences worldwide,” a statement said when it was announced that she would be named Woman of the Year. “Her latest album [LUX] further cements her status as a cultural force, sparking global conversation and reinforcing her reputation as a forward-thinking creative leader.”
In previous editions of Latin Women in Music, this prestigious award has been presented to Shakira, Karol G and Selena Gomez.
During the broadcast, the artist shared a performance of her song “Focu’ranni,” recorded in Madrid earlier this month during her LUX Tour. In the presentation, she evoked a white swan, with her hair flowing in the wind and accompanied by around a dozen dancers. Her speech was also aired during the fourth annual edition of the Latin Women in Music gala, organized by Billboard and broadcast by Telemundo.
The event, hosted by Chiquis, also honored the talent and careers of other major figures in Latin music, such as Gloria Trevi (Lifetime Achievement), Julieta Venegas (Artistic Excellence), Becky G (Global Impact), Ivy Queen (Pioneer), Young Miko (Unstoppable Artist), Joy (Spirit of Change) and Lola Indigo (Artistic Evolution).
Below is Rosalía’s complete speech:
Hello Billboard! I hope the gala is going wonderfully. I’m currently on tour, which is why it’s been impossible for me to be there in person, but thank you so much for this recognition. It’s an incredible honor to receive it. I wouldn’t be who I am without all the women I’ve read about, listened to, and met. So, I’d like to remain open to the world and continue learning from the people I care about.
I want to thank my mother Pilar for giving me life. Pili for living it with me. Loli for simply existing. Alexa and Carlota, who always make me laugh and are always there. Thank you to Jodi, Sam, Jen, and Vivienne for always supporting me. Thank you to Rebeca for believing in me. And thank you to my entire team made up of women. Thank you to Caroline and Angélica for being part of LUX. To Pat (Patti Smith) and Björk for always inspiring me. And to so many others — I could go on endlessly with this speech.
Alexander McQueen once said: “I want people to be afraid of the women I dress.” And perhaps that would be one of my greatest wishes. I would love for people to be afraid the women who listen to my songs. I hope they can always feel free and unstoppable, because they are.
And thank you so much, Billboard, for continuing to celebrate women. I hope we see each other very soon, and sending lots of love to everyone at the gala. I hope you keep enjoying it to the fullest. A big kiss.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-04-24 03:20:332026-04-24 03:20:33Here Is Rosalía’s Complete ‘Woman of the Year’ Speech at 2026 Billboard Latin Women in Music
Young Miko lit up the Billboard Latin Women in Music 2026 ceremony, broadcast live on Thursday (April 23) via Telemundo. The young sensation of Puerto Rican urban music performed her new single “BIAF <3,” whose title is an acronym for “Baby I’m a Freak,” in a laid-back urban set accompanied by a small group of dancers.
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Moments later, she received the Unstoppable award from her fellow Puerto Rican artist and first collaborator Villano Antillano, who introduced her as her “little sister” and praised her as an artist who “decided to break the rules,” adding that her “success isn’t luck; her success is vision, it’s hard work, it’s not asking for permission.”
With her trademark calm demeanor, Young Miko expressed her gratitude upon accepting the award: “I feel very special to be surrounded by so many incredible women who hold so much power, who are unique, and who I admire greatly. When I think of the word unstoppable, I don’t think of someone who never gets tired, who never stops. On the contrary, I think of someone who has such a strong desire to create, to be honest, that stopping is not an option for them.”
“There will always be moments of doubt or questioning whether it’s worth it, but then I realize those are things that are part of the journey,” she added. “Creating is existing, existing is creating. Today, I share this award with the people around me who never doubted me, even when I doubted myself. I hope this serves as motivation for others to know that anything in life is possible. From Puerto Rico to the world!”
Young Miko has solidified herself as an unstoppable force since her debut in 2021 with her hit “105 Freestyle.” With clever rap verses that are both empowering and resilient — supported by her soft, sweet voice — the Puerto Rican rapper has boldly and confidently broken into a genre traditionally dominated by men, often addressing her queer identity in her lyrics.
Born María Victoria Ramírez de Arellano Cardona, Young Miko has achieved major collaborations with Bad Bunny, Arcángel, Feid, Bizarrap, and Karol G, to name a few. On the Billboard charts, she boasts seven entries on the Global 200, four on Hot Latin Songs, three on Latin Airplay, and two on Top Latin Albums. Her first entry on the all-genre Billboard Hot 100 came in 2023 with the track “Classy 101” in collaboration with Feid.
Hosted by Chiquis, the fourth edition of Latin Women in Music also honored Rosalía as Woman of the Year, as well as Gloria Trevi (Musical Legacy), Ivy Queen (Pioneer), Julieta Venegas (Artistic Excellence), Young Miko (Unstoppable Artist), Joy (Agent of Change), and Lola Indigo (Artistic Evolution).
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-04-24 03:15:292026-04-24 03:15:29Young Miko Brings Her Boricua Flow to Latin Women in Music 2026: ‘Creating Is Existing, Existing Is Creating’
Once a Belieber, always a Belieber. Billie Eilish is one.
Just days after sharing a Coachella stage with Justin Bieber, Eilish, herself a global superstar, made it crystal clear that Biebs was her childhood idol.
Eilish shared a super-cute post, collecting images of her in the not-too-distant past wearing “Justin Bieber”-branded singlets, defending the Canadian pop star with all her strength, giving birthday shoutouts to the guy, and dancing to his tunes. In case there was ever any doubt, yes, her bedroom wall was plastered with Bieber posters. Eilish just gave us the receipts.
“Don’t talk to me.” she captioned the social post.
Eilish enjoyed a dream come true moment in the California desert, when, during his headline set on weekend two, Bieber welcomed the “Bad Guy” singer up for a performance of his 2009 song “One Less Lonely Girl.”
During the moment, the two artists laughed and embraced as Bieber sat Eilish on a stool during a segment of the set that revisited his early YouTube-era videos.
Elish’s mom, Maggie Baird, understood the magnitude of the situation.
“One of the most touching moments ever,” she wrote on Instagram, following the Coachella spot. “It sounds crazy, but we watch our children develop these deep deep connections to artists who move them and usually there’s nothing in our power to do,” wrote Baird in the post, which featured a picture of Billie hugging Justin with a giant smile on her face, as well as the footage of Eilish losing it as she stumbled and fell to her knees while making her way to the stage for the once-in-a-lifetime moment.
“But we buy them records and maybe buy them a ticket to a concert (or a movie of a concert in our case because we couldn’t afford to see an actual concert),” she continued of her daughter, who has been a Belieber for half her life. “Watching this crazy unimaginable dream come true over many years is so incredible. I’m so grateful to Justin Bieber for the kindness he has shown Billie and to our whole family and to Hailey who makes so many things wonderful and possible.”
Of course, Billie and Biebs have been besties for some time. “He’s a good friend of mine,” the 24-year-old artist told SiriusXM Hits 1’s Morning Mash Up in 2020. “He, you know, has been so helpful for me, in terms of just, like, dealing with fame. And he’ll call me sometimes and just say stuff that makes me just feel heard, and like there’s somebody else that goes through the same stuff. So it’s really nice to have him.”
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A lot of equivocating and elaborating followed Godsmack‘s declaration in 2023 that it’s ninth album, Lighting Up the Sky, would be its last.
And now, as the Boston-formed heavy rock troupe prepares for the release of its new Live at the Mohegan Sun album, next Friday, May 1, and this summer’s Rise of Rock World Tour, frontman Sully Erna tells Billboard that there is indeed more to come.
“Definitely there’s gonna be a new record — I just don’t know when it’s coming,” Erna says. “We’ll probably get some new music out by early ’27, I suppose. I’m starting to noodle (on new songs), but it’s a little too soon to say.”
Some significant things have happened since Lighting Up the Sky’s release to bring about Godsmack’s change in tone, none more crucial than guitarist Tony Rombola and drummer Shannon Larkin’s decision to retire from the band following the tour supporting Lighting Up the Sky — “on good terms, but for no other reason than to fulfill their desire to live a more simple and quiet life away from touring,” according to a statement by Erna during April of 2025. Erna said he and bassist Robbie Merrill were “excited to explore new directions.” They filled out the band with Evanescence drummer Will Hunt and Dorothy guitarist Sam Koltun and toured in Europe during 2025.
“Me and Robbie sat down and had a long talk,” Erna recalls now. “We contemplated kind of retiring the band…but we were just like, ‘We don’t really want to stop yet. We feel like we have some gas in the tank. We love what we do.’ (Hunt and Koltun) are strong, great players that really did an amazing job at honoring the music. Their attention to detail is perfect, (and) because the vocals don’t change I really think people will enjoy the music and the brand the same as they have in the past, because that’s really what it’s about. It’s about celebrating the music, celebrating the catalog.
“So we’re like, ‘Let’s run this thing and see how it feels.’ Me and Robbie started this thing together a long time ago; it was just me and him to begin with, now it’s back to me and him. We made a promise to each other in the early days –‘we don’t know what this thing’s gonna be. Let’s just write some music, get in the studio, have fun with it, and no pressure.’ And the thing ended up turning into a multi-platinum brand.
“And now we’re kind of using the same concept. We don’t know if it’s gonna feel good, not feel good, if it’s gonna have longevity or if it’s gonna die next week. But we’ve got some gas in the tank now, so let’s go out there and run it and see how it feels, see how people respond. Who knows; we might get surprised again and have Godsmack 2.0 for the next 10 years running, the second chapter in my life.”
Godsmack will give fans a hint of that next era with a new song before theRise of Rock tour starts May 7 at the Welcome to Rockville festival in Florida, with Stone Temple Pilots and Dorothy also on board. Erna and company have teamed with Dorothy for a track called “Set Me Free,” which he describes as “an incredibly powerful and really straight-up, bad-ass, boot-kicking rock song. (Dorothy Martin) has a hell of a voice; she’s so cool and smokey and bluesy. We were really up to do a song with her, so we jumped in the studio with Scott Stevens and me producing, and it’s really cool. The voices work really well together. I’m really excited to release that song and have that get out on the Internet and the airwaves and see how people respond.”
Rise of Rock currently has dates booked through Sept. 26, mostly at amphitheaters and with a few other festivals in the mix.
Before that, however, Godsmack will drop Live at the Mohegan Sun via Primary Wave, an album and film documenting the Oct. 26, 2024 concert in Uncasville, Conn., that wrapped the group’s Best of Times World Tour and was its last show with Rombola and Larkin. “It was very emotional,” Erna recalls. “You can see it on our faces, on the audience faces, ‘oh my God, this is it.’ I remember coming to the last song, ‘I Stand Alone,’ and we’re getting to the final chords and my body started to lose it. It was so surreal; ‘the song’s going to be over in the next seven seconds, and I can’t handle it!’ I just remember hugging Tony on stage. It was just wild.”
In addition to the performance, the video — directed by Daniel Catullo — captures Godsmack offstage, including a post-show “retirement party” for Rombola and Larkin. “It’s something I’m incredibly proud of, because it came out so damn good,” Erna says. “It looks amazing, it sounds amazing but more importantly they captured everything, all the emotion. If everyone’s ever been a fan of the band and doesn’t get this, you won’t ever be able to have the proper closure that we’ve had by releasing it.”
During its tenure so far, Godsmack has released six top 10 albums on the Billboard 200, including three that hit No. 1. It’s also logged 13 No. 1 Mainstream Rock chart singles and was the rock artist of the year at the 2001 Billboard Music Awards, along with 16 Boston Music Awards and four Grammy Award nominations. And while he’s keeping the band’s recording future somewhat open-ended, Erna promises that anything fans hear will not stray too far from what they know and love about Godsmack.
“We’ll always be a hard rock band,” he says, “whether we’re gonna go back to the roots and put out a Pantera-style, heavy as f*** record or if we’re gonna continue into this rock ‘n’ roll sunset that we’ve kind of gotten into as we grew and aged and become better songwriters and better entertainers. I personally loved going back to the nostalgia of rock and bringing a little bit more of this traditional rock ‘n’ roll vibe to it, whether it’s high-energy or more ’70s-style rock.
“Either way, Godsmack has established ourselves to be the beast that it is, like AC/DC (doesn’t) waver too far from what they do. A lot of what we honor is always trying to be a good, tough, edgy hard rock band — not metal, not blues, just a straight-up hard rock band that represents big energy. It’ll be interesting to see, with some new players, where the direction goes. Obviously there’s gonna be a new flame, new inspiration, what their backgrounds are about and what they naturally play and how we incorporate that into the writing. It’s exciting.”
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Somehow, it’s been four years since Noah Kahan’s career-shifting album Stick Season was released in 2022. It was the album that kept on giving: The deluxe edition, Stick Season (We’ll All Be Here Forever), arrived in 2023, and in 2024 Kahan dropped Stick Season (Forever) that spotlighted eight tracks with special features including Post Malone on “Dial Drunk,” Hozier on “Northern Attitude” and Gracie Abrams on “Everywhere, Everything.” That same year, he was up for best new artist at the 2024 Grammys, thanks in large part to the enduring success of the project overall.
And while 2025 was relatively quiet for Kahan, by the top of 2026, he was ready to return. At the end of January, he announced his fourth studio album, The Great Divide, and released its aching title track. “The Great Divide” became his highest-charting hit on the Billboard Hot 100, peaking at No. 6 (so far) and scoring Kahan his first chart-topper on the Hot Rock & Alternative Songs chart.
Kahan co-produced the new album, also teaming back up with longtime collaborator Gabe Simon and welcoming in acclaimed songwriter/producer Aaron Dessner. The set was recorded across Dessner’s Long Pond studio in upstate New York as well Nashville’s Gold Pacific Studios and a secluded farm outside the city.
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In some ways, The Great Divide is a natural successor to Stick Season. Kahan’s knack for honest storytelling about exactly where he’s at in life is a well-developed strength that shines through here as he chronicles what it’s actually like to have an album change your life — for better and for worse. Across The Great Divide‘s 17 tracks, Kahan reflects on how success has impacted his relationships with himself, his family and friends, and even his home state of Vermont — and explores in gripping detail the discomfort of that disconnect. (These themes are even further explored in his Netflix documentary Noah Kahan: Out of Body, which examines his rise to fame and how he manages his mental health amidst so many changes).
While such an honest reflection is expected from Kahan, there’s a sonic grandeur to The Great Divide that sets it apart from any previous project. With its lush layers of instrumentation, full-bodied production and refined vocal tricks (like dipping into an emotive falsetto on second single “Porch Light”), the way in which this album spotlights musicianship — from Kahan and his collaborators — helps his storytelling hit even harder. As does the fact that the storytelling is multidimensional, with nearly every song taking on various perspectives, resulting in an album that is in conversation with itself — and leaving the listener with a multitude of entry points.
Still, true to form, Kahan was managing expectations ahead of the album’s release, taking to X in March to write: “What if the album just sucks so bad lol would be sad for me but lowkey funny considering the build up.”
But by April 22, just two days before its arrival, he veered from comedic self-deprecation to gratitude, sharing on the platform: “I’m in the exact same hotel room I was in when I played my show at MSG in 2024. Hard not to remember how insurmountable my loneliness and insecurity seemed to be in that moment of my life. I’m sitting here now smiling not because my album comes out tomorrow night or because I have ‘succeeded’ in any way since, but because I can live with being exactly who I am and I owe that all to you guys.”
Below, find our ranking of all 17 tracks on The Great Divide.
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A wave of stars strutted the 2026 Billboard Latin Women in Music pink carpet on Thursday night (April 23) at the Telemundo Center in Miami.
Returning for its fourth annual gala, the intimate awards ceremony celebrates the women artists who are redefining the music industry, breaking barriers, and making an impact with their craft. It’s a night that honors the achievements and excellence of Latinas in the music realm.
The Class of 2026 includes Becky G (Global Impact Award), Gloria Trevi (Lifetime Achievement Award), Ivy Queen (Pioneer Award), Joy (Spirit of Change Award), Julieta Venegas (Artistic Excellence Award), Lola Indigo (Evolution Award) and Young Miko (Unstoppable Award).
Rosalía — whose LUX album debuted at No. 1 across five Billboard charts last year — is the 2026 Woman of the Year.
“I think her cultural impact has been massive,” Juanes said of the Spanish singer/songwriter in a heartfelt as-told-to essay for Billboard. “It’s not just about her music, but everything surrounding it — the fashion, the music videos, the lyrics. Everything matters. … If Rosalía ever doubts anything, it will only be about where her limits are, because I don’t think she has any. She approaches art as a whole, and I find that amazing and so difficult to achieve.”
In addition to the honorees, Natalia Lafourcade, Natti Natasha, Feid, David Bisbal and Villano Antillano are among the famed presenters at the event.
Hosted by Chiquis, the two-hour special dedicated to women Latin artists shaping the future of music is broadcasting live at 9 p.m. ET via Telemundo and streaming live on Peacock and the Telemundo app.
Below, check out the best photos from the 2026 Billboard Latin Women in Music.
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https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-04-24 01:50:272026-04-24 01:50:27Natalia Lafourcade On Being Inspired By Julieta Venegas & Talks Being On Tour | Billboard Latin Women in Music 2026