On Friday night (Feb. 3), Rita Ora hosted a pre-Grammy Awards party to celebrate the release of her new single “You Only Love Me,” as well as the anniversary of her decade-long music career.

Adjacent to the Los Angeles’ iconic Chateau Marmont hotel, the “Celebrating 10 Years of Music” party took place at a private West Hollywood residence for an intimate gathering of Ora’s close friends and peers. Stars in attendance included Kate Beckinsale, Alessandra Ambrosio, Kristen Stewart, Chloé Zhao, Tia Mowry and Camila Mendes.

At 10 p.m. sharp, guests gathered inside the residence for a cozy performance from Ora, who sang three songs acoustically. She opened with “Let You Love Me” off her 2018 album, Phoenix, followed by her new single “You Only Love Me,” which released last week. Ora finished off the intimate performance with another song from Phoenix titled “Anywhere.”

“It feels good to sing it like that,” Ora told the crowd about the new single. “It’s a lot of work to continue a career after a decade. You’re thinking, ‘S—, I’m getting old.’ But it’s also a nice feeling because you kind of grow in people’s face, and you have lots and lots to talk about, so that’s the beauty of being able to do what we do.”

Just last week, Ora confirmed that she recently married Thor: Ragnarok and Love and Thunder director Taika Waititi, who was also in attendance at the party. 

This article originally appeared on The Hollywood Reporter.

“We’re back!” Universal Music Group chairman/CEO Lucian Grainge said to a round of applause, opening the first UMG Grammy week artist showcase in three years due to the pandemic. “A lot has happened in these last three years, but today is about the music.”

UMG’s pre-Grammy artist showcase at Milk Studios has always been about the emerging artists that are coming through the ranks at Universal Music Group in a given year, and the performances are a highly-anticipated event each year. But the pandemic meant that this year’s was the first since 2020, and this edition also included highlights from a series of forthcoming docu-films that the company is set to release.

Grainge spent a few moments in his opening remarks shouting out the artists who were set to perform, as well as those in attendance, which included Elton John, Jon Batiste, Sabrina Carpenter, Yo Gotti, Niall Horan, Fletcher, Ice Spice, Queen Naija and Natalie Jane. “We all know the extraordinary power of music; it touches each of us,” he said. “Music’s power increases in a socially conscious way whenever artists use their talents to promote positive change in our community. When we at UMG employ the vast reach and resources of our company to support our artists in their efforts to promote change, the power of music blossoms even more.”

He then introduced a video that focused on Billie Eilish and her mother’s efforts to address climate change and promote sustainability with her tours and the way she lives her life, as well as UMG’s own efforts to promote sustainability and limit their carbon footprint and waste. Then Grainge introduced Eilish herself, who came out and accepted UMG’s Amplifier Award for her efforts.

“I do as much as I can — I feel like I can always do more — but I feel very impressed and excited that you guys are actually making this a priority and thinking about it and doing your part to support me,” Eilish said while accepting the award. “I would just say I’m really thankful — I feel really seen right now. I spend a lot of my time feeling really anxious because I don’t feel like a lot of people, and especially people in the business, care very much, and it’s really nice to see that this is happening and that you guys do. And I just wanted to say, everyone in this room, we can all do our part. I know a lot of you got some money in your f—in’ pocket, so you can use it for good things and not stupid things,” she added, laughing. She then thanked her mother, and continued, “I’m always trying to think of how to do things in the least wasteful ways possible, and it’s shocking how little I feel that gets reciprocated, and it makes me feel like nobody’s doing anything. So it’s nice to see that you are, and I’m really thankful.”

Then the performances got underway, beginning with Kim Petras, who sang her song “brrr” before bringing out Sam Smith for their chart-topping collaboration “Unholy.” Verve Records artist — and best new artist nominee at this year’s Grammys — Samara Joy then came out to perform a beautifully jazzy “Sweet Pumpkin,” with her vocals taking things to the next level with her trio on stage, and GloRilla hit the stage with highly energetic performances of her songs “Tomorrow” and “FNF.”

Elton John then emerged from the crowd to introduce Stephen Sanchez, a young singer and guitarist signed to Republic Records. John thanked the Universal staff — the label group that he’s been with his entire career — before noting how when he was a young artist he benefited from and valued the support he got from established artists who reached out to him and encouraged him. He then turned his attention to Sanchez, who he compared to Roy Orbison and Ricky Nelson. “I am so thrilled to see this boy, at 20 years of age, taking the reins and writing this great song — he’s gonna be a big, big star,” John said. “I really think he’s the bee’s knees.”

Sanchez then played “Evangeline” and “Until I Found You,” two songs with his retro feel, adding that he wasn’t sure if he was allowed to talk on stage instead of just performing — “It feels like I broke into a party I’m not supposed to be at,” he joked — and thanking Elton before walking off to a big ovation. Singer-songwriter Lauren Spencer-Smith got a huge ovation as well, with the crowd audibly gasping at her vocal performances of brand-new, unreleased track “Best Friend Breakup” and her breakout hit “Fingers Crossed.” And Universal Music Latino signee Feid brought a Latin presence to the afternoon, with guitar-rocking performances of “Tengo Fe” — “the song that changed my life while we were in lockdown,” he noted — and “Porfa.”

Def Jam signee Muni Long showcased her powerful vocals and impressive range with the new, unreleased song “Made for Me,” a gorgeous ballad that will be included on her upcoming debut album, which she added she’s still working on, before shimmering on her own breakout hit from last year, the sultry “Hrs and Hrs.” And TDE/Capitol artist Doechii wowed those in attendance with a breathlessly insistence dance set of “Persuasive” and “Crazy” that packed raw energy into every second of her performance.

The show didn’t just contain performances, but was also an opportunity for Universal to preview three new documentaries that it will be releasing in the coming months, including Love to Love You, a Donna Summer doc directed by her daughter, Brooklyn Sudano, as well as Roger Ross Williams, that will arrive on HBO in May, and a Paul McCartney documentary directed by Morgan Neville focusing on his post-Beatles career in the 1970s, when he had to reinvent himself with his solo work and his band Wings, that is called Man on the Run and will be released in 2024.

Batiste was also on hand to speak about an upcoming documentary that follows his life for the past year, called American Symphony, that explores the emotional highs of his big Grammy wins last year, when he took home album of the year, and the devastating lows of his wife’s cancer battle, a film that he says became about a lot more than he originally envisioned while he worked on his next musical project.

“Making things is difficult. Being an artist is vulnerable process, it’s a vulnerable existence. It takes so much to express the truth of how you feel, where you’re from, to connect to the universal humanism, humanity, that everyone has from the beginning of time until now,” Batiste said, also praising director Matthew Heineman. “It’s like you’re connected to a source that exists on a plane that you can’t see but we can all feel. It’s just as real as this table, just as real as anything. And I really believe the process of that is a messy process. You gotta scrap with it a little bit. You gotta roll around. You gotta get a handle on it. I wanted to make a film that captured the process of it all — a lot of unprecedented moments in my life over this year, highs and lows, intense highs and very intense, near tragic, lows.”

The showcase ended with a surprise set from Shania Twain, whose new album Queen of Me came out this past week. The Canadian icon performed a stripped down “You’re Still the One” and an abbreviated honky tonk “That Don’t Impress Me Much” — complete with a tweak of a lyric to “OK, so you’re Lucian Grainge” — before grabbing an acoustic guitar for “Honey I’m Home.” Twain’s appearance capped an afternoon of star-studded performances, showcasing that UMG has another new crop of young stars with bright futures ahead.

The Los Angeles Convention Center was transformed into Hitsville U.S.A. on Friday night (Feb. 3) when the 32nd annual MusiCares Persons of the Year benefit gala honored Motown Records icons Berry Gordy and Smokey Robinson. The two-and-a-half tribute elicited a raft of standing ovations thanks to dynamic performances from a lineup of Grammy winners and current/past nominees that included Stevie Wonder, Lionel Richie, John Legend, Dionne Warwick, Sheryl Crow, Chloe x Halle and Jimmie Allen, among others.

Musical director Greg Phillinganes and the house band formally kicked off the proceedings with rousing versions of the Contours’ “Do You Love Me” and “Going to a Go-Go” by Robinson’s group the Miracles. Then the evening was off and running as the Temptations took over the stage with their signature dance routines and a rousing medley of several classics: “The Way You Do the Things You Do,” “Ain’t Too Proud to Beg,” “I Can’t Get Next to You” and “My Girl.” Their performance drew the first of the evening’s multiple standing ovations — as well as boisterous singalongs — from a star-studded audience that included Elton John, Rep. Nancy Pelosi and her husband Paul, Tom Hanks, Gayle King, Nile Rodgers and Richie Sambora, among others.

Also lighting up the stage and audience memories were performances by former Motown acts the Four Tops (“Baby I Need Your Loving,” “It’s the Same Old Song,” “Reach Out [I’ll Be There],” “I Can’t Help Myself [Sugar Pie, Honey Bunch]”), the Isley Brothers (“This Old Heart of Mine”), Richie and Wonder. Before segueing into fan fave “Easy,” Richie noted, “I don’t know which means more … To be part of the Motown family or having Berry Gordy and Smokey Robinson as my very dear friends.”

Wonder soloed on an early Miracles song co-produced by Robinson and Gordy, “I’ll Try Something New.” Then he teamed with the band for a reggae-vibed take on a song he co-wrote with Robinson, “The Tears of a Clown.” Recalling his early years at Motown, Wonder said, “All of my appreciation, respect and love go to you, Berry Gordy — who thought I couldn’t sing. Let’s keep it real … he said, you can play but you really can’t sing.” As the audience laughed, Wonder added that he once told Robinson, “I can sing better than you.” Ending on a serious note, he told both Gordy and Robinson, “Thank you, I love you. Thank you, I love you.”

Upping the tribute’s magic quotient even further was the diverse group of artists chosen to put their own spins on the sound of Motown. Crow mesmerized the audience with her vocals on the Jackson 5 hit “I Want You Back,” while Legend and a trio of female singers sweetly harmonized their way through another Jackson 5 gem “I’ll Be There.” Legend talked about being the son of Motown-loving parents. “When my dad wanted to flirt with my mother, he’d start singing.” At this point, Legend mimicked his dad singing ‘I’ve got sunshine on a cloudy day” — the first line to “My Girl.”

Songwriter/producer Valerie Simpson partnered with Allen on “Ain’t No Mountain High Enough,” one of the many hits that she and late husband Nickolas Ashford crafted at Motown. Mumford & Sons turned in another crowd-pleaser with their slowed down, bluesy interpretation of the Barrett Strong gem and Motown’s first hit “Money (That’s What I Want).” Warwick wowed with “My Guy.” Additional performances included Trombone Shorty (“Shotgun”), Michael McDonald (“Lonely Teardrops”), Rita Wilson and Sebastian Yatra (“It Takes Two”), Brandi Carlile and the Hanseroth Twins (a riveting “The Tracks of My Tears”), PJ Morton and Lalah Hathaway (“Ain’t Nothing Like the Real Thing”) and Chloe x Halle (“Baby Love”).

A trio of performances by three current best new artist nominees rounded out the performance slate: DOMi & JD Beck (“All I Do Is Think of You”), Molly Tuttle (“The One Who Really Loves You” and Samara Joy (“Ain’t That Peculiar”). Joy’s jazzy, smoky version of the Marvin Gaye classic, coupled with her velvety vocals, sparked another rollicking ovation led by John who was the first to stand up. Also co-signing the performances throughout the evening were Gordy and Robinson themselves as the camera caught them singing along, smiling broadly and raising their arms at various intervals.

The most emotional moment arrived when Robinson walked onstage to pay tribute to his longtime mentor and best friend Gordy. “In my life I’ve been blessed enough to get a few awards,” he began. “But this one is really the most special to me because I’m getting this award with my very best friend in the world. I’m standing here tonight because when I first met this man, it was the beginning of my dream come true. I wanted to be a singer, to be in show business, write songs and make music. I never thought it would be possible for me from where I grew up. But he took me under his wing … I love you man; you are so precious.”

After Robinson performed “Did You Know,” a ballad he wrote about Gordy and their friendship, Recording Academy CEO Harvey Mason jr. presented the Persons of the Year award to the pair — the first duo to be so honored. The spry, 93-old Gordy — who could be seen dancing to “Get Ready” as all the performers returned for the finale, said simply, “I’m happy to be here with my best friend.”

As the charity arm of The Recording Academy, MusiCares’ annual benefit gala salutes musicians for their artistic achievements in music and dedication to philanthropy. Proceeds from the gala, which included a silent auction of various music memorabilia and other items, will provide essential support as MusiCares continues to provide music professionals with health and human services across a spectrum of needs.