Sean “Diddy” Combs deserves 11 years in prison, federal prosecutors say, citing “decades of abuse” by the “unrepentant” rap mogul – and a letter from Cassie Ventura calling him a “cruel, power-hungry, manipulative man.”

In court filings late Monday, prosecutors urged Judge Arun Subramanian to impose a prison term of “no less than 135 months” following the June verdict, where Combs was acquitted of more serious sex trafficking charges but convicted on lesser prostitution charges.

Diddy’s lawyers have asked the judge to reject such “draconian” punishment and release him almost immediately, citing the partial acquittal. But the feds say he still deserves a lengthy sentence after the trial revealed years of “unchecked violence” by the rapper.

“The defendant tries to recast decades of abuse as simply the function of mutually toxic relationships,” prosecutors wrote. “But there is nothing mutual about a relationship where one person holds all the power and the other ends up bloodied and bruised.”

Notably, the filing included a sworn statement by Ventura, the star’s ex-girlfriend and primary alleged victim. In it, she urged the judge to disregard claims by defense attorneys that Diddy is a “changed man” who deserves a second chance.

“I know that who he was to me — the manipulator, the aggressor, the abuser, the trafficker — is who he is as a human,” Ventura wrote. “He has no interest in changing or becoming better. He will always be the same cruel, power-hungry, manipulative man that he is.”

Combs was arrested and charged in September 2024 with racketeering (RICO) and sex trafficking violations over accusations that he ran a sprawling criminal operation aimed at facilitating “freak-offs” — elaborate events which he allegedly forced Ventura and other women to have sex with male escorts while he watched and masturbated.

Following a blockbuster trial this spring, jurors cleared Combs on the RICO and sex trafficking charges that could have seen him sentenced to prison for life. But he was still convicted on two other counts for transporting Ventura and others across state lines for the purposes of prostitution.

With sentencing set for Friday, Diddy’s lawyers asked last week for a 14-month sentence, which would see him released almost immediately thanks to time-served. They argued the judge must take into account that the star was cleared of the ugliest charges.

“The government accused Sean Combs of heinous crimes. It branded him an evil trafficker and racketeer who coerced and defrauded his girlfriends into having sex against their will. But none of that was true,” his lawyers write. “Put simply, the jury has spoken.”

But in Monday’s response, prosecutors said the judge can still take into account Diddy’s overall history of violence and the way he committed his prostitution offenses.

“The defendant will not be punished for any crimes of which he was acquitted, of course, but punishment for his crimes of conviction must take into account the manner in which he committed them,” the feds wrote. “Defendants who perpetrate violations of the Mann Act involving such violence and fear regularly face significant penalties.”

Gunna is taking his speed from the track to the gridiron as the Atlanta rapper will serve as a team captain in the NFL’s Flag Football Game on YouTube: London Edition.

The 32-year-old and a roster of former NFL players, celebrities and content creators are headed across the pond to suit up in the 7-on-7 flag football game in London on Oct. 11.

The match-up will take place at the Copper Box Arena, a day before the New York Jets and Denver Broncos battle at Tottenham Hotspur Stadium on Oct. 12, and kick off at 7 p.m. BST (2 p.m. ET) exclusively streaming on YouTube.

“I’m ready to bring my energy to the field and lead my team,” Gunna said in a statement. “It’s great to team up with the NFL and YouTube on something that brings people together.”

Gunna will have the chance to catch passes from Mexican flag football star Diana Flores, who will play quarterback, and he’ll line up opposite an NFL legend with Chad Ochocinco lacing up his cleats.

The rest of the roster is rounded out by YouTube creator Deestroying, Khaby Lame, Complex‘s Speedy Morman, Jamie Laing, Sam Thompson and Nella Rose.

On the other side, British rapper Aitch will be wearing the captain’s patch. NFL journeyman Ryan Fitzpatrick will sling the pigskin as quarterback, while others participating include comic Adam W, Phoebe Schecter, Ashlea Klam, Tommy Fury, SV2, Mabel and Jay Cinco.

“When the NFL asked me to be a captain, I was gassed,” Aitch added. “Seeing how American football has blown up in the U.K. has been crazy, and now I get to play on the field with some of the best athletes,
creators and entertainers around the world.”

For fans looking to attend, tickets for the game are currently available for less than (€)15 on the U.K.’s Ticketmaster site.


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Cat Stevens has postponed the North American leg of his book tour in support of his memoir Cat On the Road to Find Out due to what he said were visa issues. According to an Instagram post from the singer who now goes by Yusuf, the tour slated to kick off on Thursday (Oct. 2) at the Met in Philadelphia, “Sadly, my Cat on the Road to Findout Book Tour in the U.S. and Canada looks like it won’t go ahead as scheduled in October.”

Without getting into the details of why or how his paperwork was impacted Stevens added, “Waiting months for visa approvals, we held out as long as we could. However, at this point, the production logistics necessary for my show cannot be arranged in time. I am really upset! Not least for my fans who have bought tickets and made travel plans to see me perform.”

The Rock and Roll Hall of Fame star tried to keep a positive attitude about it, saying that the tour delays “should not affect the book, which you’ll still be able to enjoy… the obvious benefit of it being — books don’t need visas!”; the book will hit shelves in the U.S. on Thursday. Earlier this month, Stevens warned fans that the North American tour was in “serious jeopardy” due to “significant delays in U.S. immigration processing.”

Stevens promised that North American fans may still get a chance to see the tour if the visa approvals eventually come through, though those dates could be further in the future because of his other travel plans. “But, hopefully, fans will be able to hop on the Peace Train route at some time in the future.”

Other scotched, for now, shows include stops at the Boch Centre Wang Theatre in Boston, as well as stops in Toronto, New York City, Chicago, San Francisco and Los Angeles.

Stevens is the latest foreign artist bit by a reported slowdown in processing visa applications and the Trump administration’s slow-walking of the process, which has resulted in a number of overseas acts cancelling or postponing tours this year and the loss of millions in revenue for Latin artists due to the White House’s immigration crackdown.


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Mariah Carey doesn’t do a ton of TV interviews, so when you get her in the studio you better make the most of it. Jimmy Fallon definitely did that on Monday night’s (Sept. 29) Tonight Show when the divine MC dropped by to promote her new studio album, Here For It All, and stuck around to play a game of “Famous Face-Off,” chat about her now 14-year-old twins, perform one of the new LP’s songs with Anderson .Paak and play a snippet of a rager from her legendary, unreleased grunge album.

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The pair first did some family catch-up, with Carey saying daughter Monroe is even more into music now, naturally, lamenting, “she used to sing with me on my Christmas tour, but I don’t know if she’s doing it this year.” She also shared a hilarious video of son, Moroccan, revealing that he’s really into streaming and gaming, but gets super annoyed when she busts into his livestreams.

“How dare I pay all the bills and then interrupt!” she joked of the video in which Rocky’s online pals are shouting out the pop superstar to his embarrassed chagrin. And while he insisted she butt out, Carey noted that despite her crippling arachnaphobia, she recently decided to be the “cool mom” and let him get a pet tarantula.

Fallon then described Roots drummer Questlove coming into his office one day with an album that he asked the host to listen to. “It is Courtney Love? Is it Hole? Is it… Belly?” Fallon wondered of the gritty, grungy album. Quest then revealed that it was the legendarily unreleased MC rock album, Someone’s Ugly Daughter, credited to “Chick.”

The never-released LP, featuring a cover drawn by Carey featuring a smashed cockroach next to a tube of smeared lipstick, was recorded while MC was tracking her 1995 Daydream album and “rebelling” a bit as she laid down such R&B/pop classics as “Always Be My Baby” and “Fantasy.”

“I loved doing that, but at the end of the night when the band was still there, I’d say, ‘Can you play like [mimes heavy guitar sound],” she told Fallon. Quest confirmed that the hidden LP is good, in fact he called it her “best record.” Fallon then cued up one of the five tracks he’s heard, as Carey noted that even she isn’t sure which of her record labels owns the rights to Someone’s Ugly Daughter at this point.

The song he played, “Prom Queen,” is like nothing you’ve ever heard from Carey, with the singer taking on a snotty, British-y snarl as she sneers, “On the day he turned 16/ He washed his face and brushed his teeth/ Looked in the mirror, all lit/ Said ‘I could be the next prom queen’/ I can be anything that I want to be/ Someday I will show them all.” Carey smiled as the noisy rocker blasted out and Fallon begged to hear more of the lost tracks.

“I always regretted not putting it out, but they kind of stopped me at that point,” Carey said.

Carey also stuck around to play a game of “Famous Face-Off,” in which she and Roots rapper Tariq Trotter teamed up against Fallon and his On Brand co-host Bozoma Saint John to guess which celebrity mask they are holding up. Carey went first, holding up a mask that Trotter described as one of a famous musician with “lots of albums out,” whose every song is “about a relationship” and who is beloved by kids and is dating a football player.

It was Taylor Swift, of course.

So when it was Carey’s turn to describe the mask Trotter was holding up, she went with a “reality star” who became “one of the most famous people ever” and who has black hair, brown eyes and sisters. Trotter was quick with the answer: Kim Kardashian.

Trotter struggled at first to describe the second mask Carey held up. “Geez Louise… another singer,” he said, adding “super popular” and “royalty,” to the clue pile, leading MC to guess Barbra Streisand. Ruminating on the royal aspect, Mariah then correctly landed on Lady Gaga. The team crushed it in the final round, with Mariah easily describing Oprah Winfrey and instantly guess Beyoncé thanks to the “Jay-Z’s wife” clue before crashing out on Timothée Chalamet.

Fallon stumbled a bit too when Saint John held up a Travis Kelce mask, stuttering, “Taylor Swift’s wife… um, husband!” he stammered, wrong both times — they’re engaged — but still eventually getting the points.

The singer was game enough to play a second quiz with Fallon, cued to her album title, weighing in on things she is “here for,” or not. Labubu dolls? Here for it. Pickleball? “I haven’t heard this one yet… I like pickles,” she said about another popular thing in the world she is simply unaware of. Mariah was on the fence about whether she is “Team Conrad” — in reference to Conrad Fisher from The Summer I Turned Pretty — but ultimately decided that she is here for it.

She is definitely not into DM’ing someone to ask them out, karaoke, or people who love Halloween more that Christmas, but, as it turns out, the always dressed to impress superstar love Crocs.

Carey topped the visit off with a stroll through the quiet storm jam “Play This Song” with Anderson .Paak on piano. Dressed in a gold gown with a long train, Carey stood next to .Paak’s baby grand and drew shouts of approval from the studio audience when she pushed her vocals into her power range and again when she sweetly waved to the crowd as the song wound down.

Watch Carey on The Tonight Show below.


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Lainey Wilson, who co-hosted last year’s CMA Awards with Luke Bryan and Peyton Manning, will host this year’s show all by herself. She will become just the third woman to solo-host the show, following country queens Dolly Parton (1988) and Reba McEntire (1991).

Twice as many men have solo-hosted the show: Tennessee Ernie Ford (twice), Glen Campbell (once), Johnny Cash (four times), Kenny Rogers (three times), Vince Gill (10 times) and Luke Bryan (once).

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Country Music’s Biggest Night, the show’s trademarked slogan, is set to broadcast live from Nashville’s Bridgestone Arena on Wednesday, Nov. 19 (8-11 p.m. ET) on ABC. It will be available the following day on Hulu.

Wilson has won nine CMA Awards in the last three years, including female vocalist of the year three years running. She is tied with Ella Langley and Megan Moroney for the most nominations at this year’s awards (six each).

“I grew up watching the CMA Awards like it was the Super Bowl, so to be hosting for a second year is a true honor,” Wilson said in a statement. “I’m humbled that CMA has trusted me with this role, and I can’t wait to love on this genre that has given me so much.”

First held in 1967, the CMA Awards is the longest-running annual music awards program on network television. CMA Awards nominees and winners are determined by more than 7,000 professional voting members of the Country Music Association.

The 59th annual CMA Awards is a production of the Country Music Association. Robert Deaton serves as executive producer, Alan Carter is director, and Jon Macks is head writer.

Tickets are on sale now the CMA Awards site.


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Spotify has announced a major leadership shift set to take effect on Jan. 1, 2026, with founder and CEO Daniel Ek transitioning to the role of executive chairman, while current co-presidents Gustav Söderström and Alex Norström set to become co-CEOs.

Both will report to Ek and are expected to join Spotify’s board of directors, pending shareholder approval.

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This move formalizes a leadership structure that has been in practice since 2023, Spotify said in its announcement Tuesday (Sept. 30), with Söderström and Norström already leading strategic and operational efforts. As executive chairman, Ek will focus on long-term strategy, capital allocation, and regulatory matters, adopting a European-style chairman role that remains actively involved in company direction.

Ek emphasized his confidence in the new leadership, noting in the announcement that both Söderström and Norström have been instrumental in Spotify’s growth since its early days. “This change simply matches titles to how we already operate,” Ek said. “I’ll remain deeply involved in shaping Spotify’s future.”

Woody Marshall, lead independent director of Spotify’s board, expressed strong support for the transition, citing the duo’s 15+ years of experience and their role in driving Spotify’s success. He also praised Ek’s continued involvement, which ensures founder-led strategic guidance.

In a joint statement, the incoming co-CEOs said they are excited to lead Spotify into its next chapter. “We bring different experiences and perspectives to the CEO role, but share a strong bias to action,” they said. “With Daniel’s ongoing support, we’re ready to build the most valuable experience in audio streaming.”

Spotify will host a live Q&A session today to discuss the transition. The company earlier this morning announced a new multi-year licensing deal with Merlin.

Ek also shared a personal message with employees, acquired by Billboard, reflecting on Spotify’s journey from a small startup in Stockholm to a global platform with nearly 700 million users. He described his new role as his “next mission,” allowing him to focus on broader strategic initiatives while remaining closely connected to the company.

Read Ek’s Letter to Employees:

Team,

In the Spotify of today, all eyes (and ears) are on us. There’s not much we do that goes unnoticed. But that wasn’t always the case. In a small makeshift office on Riddargatan in Stockholm, a few of us set out to solve what felt like an impossible idea: to make every song available instantly, legally, in a product people love.

Fast forward almost 20 years, and that “impossible idea” has become a platform used by nearly three-quarters of a billion people around the globe. We’ve helped reshape an industry that is not only growing again but reaching new heights.

I don’t often pause to reflect—looking ahead has always been my instinct. But I’m incredibly proud of what we’ve created together: a beloved user experience, a thriving business, and a team that continues to raise the bar. A huge amount of credit goes to Alex and Gustav, who have led with skill, vision, and conviction. They’ve proven themselves again and again, and I believe they’re ready for what’s next.

So, with full confidence in Gustav and Alex, on January 1, 2026, I will move to Executive Chairman, and they will become our co-CEOs. They will also join our Board of Directors, pending shareholder approval.

I’ve always thought about roles as missions. At Spotify, I’ve had about nine missions while keeping the same title. In the early days, I assembled furniture and negotiated our first deals. I ran finance, led product, then sales, then marketing. I’ve held roles across most teams here. This is simply my next mission. My title changes—but my commitment and belief in what we’re building does not.

For most of you, very little will change. Spotify has a strong leadership team and a solid plan we’re executing against. What changes is my time and focus. As Executive Chairman, I’ll spend more time on the long arc: strategy, capital allocation, regulatory efforts, and the calls that will shape the next decade. Gustav and Alex will continue to report to me, and we’ll work closely with our Board. This reflects a European Chairman setup—more hands-on than the traditional U.S. model.

Why now? Because Alex and Gustav have clearly demonstrated they’re ready to lead. And because you all have stepped up, I can confidently step back from the day-to-day. Together, we’ve shown the world that Spotify is not only a great product but also a great business—delivering our first full year of profitability in company history.

To be clear, I’m not leaving. I’ll remain deeply involved in the big, defining decisions about our future, partnering with Gustav and Alex as they lead the way forward.

A personal note: I’m often asked, “How do we build more Spotifys out of Europe?” That’s why I announced my intention to help create more supercompanies—those tackling the biggest challenges of our time. I’ll share more about that soon. But today is about Spotify.

Thank you for two extraordinary decades. Thank you for believing in impossible ideas—and for allowing me the greatest privilege of a lifetime.

Let’s keep going—harder, better, faster, stronger.

Daniel

Merlin, the digital licensing partner representing the independent music sector, announced that it has renewed its licensing agreement with Spotify, ensuring that music from its member labels — including Domino, Ninja Tune, Secretly Group, Merge, Warp, Epitaph, !K7, Hopeless Records and others — remains available to Spotify’s nearly 700 million global users.

Since Spotify’s launch in 2008, Merlin has been a key partner, providing a single global license that gives the streaming platform access to a vast catalog of independent music. Their collaboration has spanned 17 years, with a previous multi-year agreement signed in 2017.

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Merlin and Spotify have worked together to help independent artists and labels flourish across both emerging and established markets. The renewed deal highlights their shared role in fueling the global rise of genres like Afrobeats and Amapiano, driving a rock revival and supporting the ongoing growth of alternative, electronic, Latin, rap and other genres nurtured by indie labels.

The renewal comes at a time when streaming dominates the music industry. According to the Recording Industry Association of America, streaming now accounts for 84% of total U.S. recorded music revenue, a significant jump from 51% in 2017. Paid subscriptions continue to lead, with 105 million accounts contributing $3.2 billion in revenue.

As Spotify evolves, the agreement ensures that Merlin’s members — who represent 15% of the global market — remain central to shaping the future of streaming. The deal aims to foster a sustainable, artist-first ecosystem that supports the next generation of independent creators, labels, and distributors.

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The announcement also marks a milestone for Merlin CEO Jeremy Sirota, who will step down at the end of the year. Under his leadership, Merlin expanded its reach by securing deals with platforms like Apple, Audiomack, Meta, Canva, Peloton, Soundcloud, Snap and Twitch, among others. The organization added over 100 new members during his tenure and launched initiatives like Merlin Engage, a mentorship program for aspiring women executives, and Merlin Insights, a data analytics tool for members navigating the streaming landscape.

“Merlin’s mission is to empower our members to own their future,” said Sirota. “Spotify remains a key and forward-looking partner in advancing that mission. This isn’t just about securing fair terms — it’s about building frameworks that unleash creativity and ensure our global membership can thrive and lead.”

Spotify’s co-president and chief business officer, Alex Norström, echoed the sentiment: “Independent music has always been at the heart of discovery on Spotify. Our partnership with Merlin enables that at a global scale. This renewal reflects our commitment to helping independent labels and artists flourish while growing the value of music for creators everywhere.”


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That was the neon salutation greeting Paul McCartney in Palm Desert, Calif., where he kicked off the North America leg of his Got Back Tour on Monday night (Sept. 29). And between the excitement of watching the Beatles, Wings and solo legend perform — and for the first time ever in the Palm Springs-adjacent town — the temperature inside the Acrisure Arena matched the 80-degree evening heatwave outside.

“Good evening, Palm Springs,” a smiling McCartney said to resounding cheers, applause and a standing ovation inside the packed arena. “I’ve got a feeling I’m going to have fun here tonight.” 

Which is the secret sauce behind this and other tours that McCartney has embarked on throughout his career. After some 60+ years, the indefatigable 83-year-old is still having fun onstage — and doesn’t seem ready to quite anytime soon. In fact, after nearly three hours of nonstop singing, playing guitar and the piano plus delivering a rousing four-song encore, McCartney signed off with “We’ll see you next time.”

Ahead of his previously announced tour kickoff in Palm Desert, McCartney added a performance in Santa Barbara, Calif. (Sept. 28). Got Back will also bring him to Albuquerque for the first time (Oct. 7). Among the tour’s remaining stops on its 2025 run of 19 dates are Las Vegas (Oct. 4), New Orleans (Oct. 29), Atlanta (Nov. 2-3) and Montreal (Nov. 17-18) before it wraps in Chicago (Nov. 24-25). This current outing marks McCartney’s first extensive series of concerts in the U.S. and Canada since 2022.

For taste of what happened in Palm Desert — and what’s in store for lucky fans down the line — here are six best moments from McCartney’s show:

Amsterdam Dance Event has announced a stacked line-up for its Pro Conference program this fall.

The festival, which takes place in the Dutch capital next month (Oct. 22-26), will host an industry conference alongside its extensive electronic music programming. Speakers for the ADE Pro event include British rapper Skepta, DJs Hannah Laing, Joris Voorn, Chris Stussy and Armin van Buuren, and Kneecap manager Daniel Lambert.

The new names join a bill that includes artists such as Oliver Heldens, HAAi, Billboard cover star John Summit and Kettama, bringing the total to more than 1,200 artists over 450 events.

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In addition, the event will host the first-ever indoor No Art festival — a pop-up led by an interplay of contrasting sound and visuals — plus a 40-hour ambient meditation marathon from ZERØBPM at Thomaskerk, and much more.

There will also be appearances from Daft Punk creative director Cédric Hervet and TikTok phenomenon DJ AG, as well as representatives from Sony Music, Warner Records, Tomorrowland Brazil, Armada Music, Helix Records and many more. View the full line-up here.

Panel topics range from discussions surrounding AI and the future of music law, touring and live events, through to everything from geopolitical matters to insider strategies on how to beat the algorithm and achieve success across online platforms. 

ADE 2025 is split between PRO programming for industry professionals, Lab programming for those starting out in their careers, and festival programming for music fans.

The five-day event is run by the Amsterdam Dance Event Foundation, a not-for-profit organization dedicated to nurturing electronic music and its industry worldwide. ADE is billed as the world’s biggest dance festival, representing dozens of electronic subgenres and cultures.

The full program is accessible via an ADE Pro Pass, which is available from €670 ($787). Individual event tickets start at €21.50 ($25.26) and can be purchased via the official ADE website.


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Money can’t buy happiness unless that money is spent going to see Paul McCartney on the 2025 version of the Got Back tour. On the official kick- off Sept. 29 in Palm Desert, California (McCartney did a shorter underplay at the Santa Barbara Bowl on Sept. 26), McCartney showed it can also buy love, nostalgia, community and just all-around good vibes.  

For 2 hours and 40 minutes, McCartney did nothing but bring joy to 11,000 lucky souls in a world where it is in increasingly short supply. He and his ace band played hit after hit with no sign at all from McCartney of fatigue for songs some of which he’s sung for more than 60 years. He still exudes a school-boy charm.

Not to be too hyperbolic—well, ok, to be hyperbolic—watching the greatest musician of the 20th century sing the Beatles’ first hit, 1963’s “Love Me Do,” 62 years later with the same innocent abandon as the original was nothing short of exhilarating and it felt like a miracle that he is still here delivering at such a high quality. There may be the temptation to put some qualifier on it, like “for an 83-year old man,” but he needs none. It’s remarkable to see anyone at any age playing songs with that energy surrounded by one of the best bands in the world, not to mention performing songs that spanned from 1958 to 2018.

Below are all the songs that McCartney performed on the first official night of the 2025 Got Back tour, which, for now, runs through Nov. 25 at Chicago’s United Center. Isolated tickets remain for all shows.