If you want to be as curious as Blippi, then we’ve got the music video for you.
The blue-and-orange-clad preschool favorite delivered his latest song “Curious Like Me” at the top of the month, and on Wednesday (Aug. 13) he dropped a brand-new music video for the song — the lead track from Friday’s Be Like Blippi EP — that takes him all across the United States to cross paths with country superstar Kane Brown, actor/singer Jordan Fisher and more friends who want to help Blippi on his journey of curiosity.
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The new video kicks off Be Like Blippi Week and arrives ahead of the new five-part YouTube series Blippi: The Ultimate Road Trip, which follows Blippi and his bestie Meekah as they visit iconic cities and landmarks (including Nashville’s Grand Ole Opry) and meet celebrity guests, including Brown, Fisher and Milk Bar CEO Christina Tosi.
In addition to the music video, Billboard is also going behind the scenes of the making of the song with an exclusive Behind the Orange Glasses clip that follows Blippi recording in the studio and testing out instruments like a slide whistle, trombone, maracas and even wine glasses filled with water. “I ask a lot of questions,” Blippi says in the exclusive clip. “Some might say I’m… curious.”
The lyrics of the song are a perfect match for the journey of discovery Blippi has been on since Stevin John originated the kid-friendly character in 2014. “If you wanna be curious with me/ Go ahead and grab your glasses just as fast as you can,” he sings to start the tune. “Gonna go explore I wanna find out more/ There’s so much to discover with one another/ We got so much to teach each other/ You can be anything/ We can do everything/ Anyone can be so curious, curious, curious like me.”
In the video, Blippi wears his signature blue-and-orange striped hat with his orange glasses and suspenders, and many of his co-stars (kids and grown-ups too) try out his trademark look.
Kane Brown no doubt has some Blippi fans in his house, considering he’s the dad to three kids between 1 and 5 years old with wife Katelyn: 5-year-old daughter Kingsley, 3-year-old daughter Kodi, and 1-year-old son Krewe.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-08-13 14:09:172025-08-13 14:09:17Blippi Is Joined by Kane Brown & More Friends for the Ultimate Road Trip in ‘Curious Like Me’ Music Video: Go Behind the Song
Puerto Rican singer/rapper Jhayco was taken into custody early Tuesday (Aug. 12) morning in Miami for alleged possession of cocaine and marijuana. The 32-year-old reggaeton artist born Jesús Manuel Nieves Cortés — known for his billion-stream collaborations on hits like “Dákiti” with Bad Bunny and “No Me Conoce – Remix” with Bad Bunny and J Balvin — was apprehended during a traffic stop, according to an arrest affidavit obtained by Rolling Stone.
The arrest took place around 3 a.m. after officers noticed a red two-door Corvette moving at just five miles per hour on Southwest 8th Street. The car reportedly remained stationary for over a minute before proceeding, prompting law enforcement to pull the singer over.
When deputies approached the vehicle, they reportedly noted a “strong odor” of cannabis coming from inside and observed “white powder on his [Cortés’] pants and white powder on his nose,” according to the report.
Further investigation revealed that the singer could not provide a valid driver’s license at the time of the stop. A search of Jhayco’s person and vehicle turned up “two pouches of cannabis with seven grams each, along with ‘clear baggies with suspect powder cocaine,’ that held two grams of the illegal substance, inside his pockets,” RS reports.
The singer allegedly denied it was cocaine, insisting it was “tusi,” a drug often referred to as “pink cocaine.” Tusi is a party drug that typically contains a blend of ketamine, MDMA, and other psychoactive substances, but it is often misrepresented as cocaine.
Jhayco was arrested and booked into the Turner Guilford Knight Correctional Center at 4:24 a.m., with a bond set at $3,000—$2,500 for the cocaine charge and $500 for marijuana possession under 20 grams. Court documents confirm that the bond has since been posted, and Jhayco was released shortly after.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-08-13 13:32:562025-08-13 13:32:56Reggaeton Star Jhayco Arrested in Miami for Cocaine Possession
If you missed out on getting tickets for the Backstreet Boys‘ larger than life Into the Millennium Las Vegas residency at the Sphere in Las Vegas there is some good news. On Wednesday morning (Aug. 13), the boy band announced that due to demand they are extending their run at the iconic immersive venue, adding seven new shows in December and January 2026, including a New Year’s Eve gig.
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The fresh dates will take place on Dec. 26, 27, 28, 30 and 31, as well as Jan. 2 and 3.
BSB are the first pop band to take up residence at the domed venue and according to a release, at the end of the 21 previously announced, sold-out gigs they will have performed in front of 350,000 fans. Tickets for the newly added dates will go on sale first via a Backstreet Boys Fan Club pre-sale beginning on Aug. 19 at 9 a.m. PT, followed by an artist pre-sale beginning on Aug. 20 at 9 a.m. PT; sign up for the artist pre-sale here through 7 p.m. PT on Aug. 17. A general on-sale will kick off on Aug. 22 at 9 a.m. PT here.
U2 helped launch the venue in Sept. 2023, followed by Phish, Dead & Company, the Eagles, EDM artist Anyma and Kenny Chesney. BSB kicked off their 21-show run of Sphere gigs on July 11, with the current residency slated to wind down this Sunday (Aug. 17) before picking back up in December.
According to a Billboard report on opening night, the eye-popping spectacle, “transported fans to outer space as a massive screen surrounded them with visuals of a spacecraft right before the band appeared on stage. The Backstreet Boys — Nick Carter, Howie Dorough, Brian Littrell, AJ McLean and Kevin Richardson — launched into a night of hits with ‘Larger Than Life,’ which was the perfect description of the show they had created.”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-08-13 13:27:052025-08-13 13:27:05Backstreet Boys Add Seven Dates to Sphere ‘Into the Millennium’ Run
As Oasis gear up to bring their Live ’25 reunion tour to North America with a show at Rogers Stadium in Toronto on Aug. 24, the band announced the locations for the official fan stores on Wednesday morning (Aug. 13).
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Following the successful roll-out of the Oasis Live ’25 fan stores around the U.K. and Ireland for the inaugural run of shows, the locations and opening dates of shops in Los Angeles, Toronto, New York and Chicago have been revealed. Each store will feature exclusive brand collaborations and limited-edition items, including branded T-shirts, hoodies and jackets for men, women and children, accessories and more, including the recently announced Adidas Originals x Oasis collection.
The Toronto shop will open on Aug. 21 at 468 Queen St. (open daily from 11 a.m. ET), while the Chicago store will launch Aug. 26 at 1421 N. Milwaukee Ave. (open daily from 10 a.m. CT). The New York location (in support of the two shows at MetLife Stadium in East Rutherford, N.J. on Aug. 31 and Sept. 1) at 107 Grand St. will open on Aug. 23 (open daily from 10 a.m. ET) and the Los Angeles shop will launch on Aug. 20 at 6250 Hollywood Blvd. (open daily at 10 a.m. PT).
The shops will stock exclusive T-shirts featuring album and single artwork graphics honoring the band’s killer debut and sophomore albums, Definitely Maybe and (What’s the Story) Morning Glory?, as well as ones commemorating beloved singles “Wonderwall” and “Supersonic.” There will also be exclusive tour edition colored vinyl of the band’s catalog and a Live ’25 print only available in the shops.
Following the seven North American stops, Oasis will move on to Mexico City, pop back to London for two more Wembley Stadium gigs and then wrap things up with shows in Asia, Australia/New Zealand and South America.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-08-13 13:09:272025-08-13 13:09:27Oasis Announce Locations For Live ’25 Fan Stores Ahead of North American Dates
Twenty One Pilots are ready for the world to hear their upcoming eighth studio album, Breach. In fact, they’re so excited about it that they’re planning a global listening event at record stores across the world a week before the LP’s release date (Sept. 12).
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The band announced the roster of indie record retailers that will host the album replays on Sept. 6 and 7, which will also include exclusive giveaways. According to a map posted by the band, the events are currently scheduled to take place in nearly every state in the U.S.; at press time there were no parties planned in Iowa, Arkansas, Hawaii or New Mexico, though the band said more locations will be announced soon.
That means that fans in Arizona can pop into a local Zia Record in Tucson, or Grace Records in Gilbert, Run Out Groove Records in Burbank, Programme Skate & Sound in Fullerton or 1-2-3-4 Go! Records in Oakland (all in California), while Ohio residents can pop in to Republic of Athens Records in Athens, Magnolia Thunderpussy in Columbus or Toxic Beauty Records in Yellow Springs.
In addition to multiple locations in each state, the sessions will also be held on Sept. 10 in Vancouver, Edmonton, Toronto and Montreal in Canada, Sept. 11 in Mexico City, the Netherlands, Hungary, Switzerland, Austria, Spain and Germany, Sept. 10 in Poland, Ireland and France and Sept. 6 across the U.K. Down Under Skeleton Clique members can pop into shops in Sydney, Brisbane and Melbourne and Auckland on Sept. 10 and 11, while on Sept. 11 fans in Japan can log into a YouTube listening party and those in South Africa can pop into Surfarosa in Cape Town.
Limited edition picture discs will be available at each location beginning while supplies last.
So far, the duo has released the single “The Contract” from the album that will thematically continue the narrative arc that began with 2015’s Blurryface and continued on 2018’s Trench, 2021’s Scaled and Icy and 2024’s Clancy. 21P will kick off the Clancy Tour: Breach 2025 stadium/amphitheater run on Sept. 18 with a show at Cincinnati’s TQL Stadium.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-08-13 13:00:202025-08-13 13:00:20Twenty One Pilots Hosting ‘Breach’ Album Listening Parties at Record Stores Across the U.S. and Globe
Spotify has struck a new direct licensing agreement with Kobalt. The news follows about six months after the streaming service struck agreements with other top publishers — Universal Music Publishing Group and Warner Chappell — both of which reported at the time that their deals with Spotify improved remuneration for songwriters on the platform.
Details of the deal remain limited, but a source familiar with the matter says it positions Kobalt to earn beyond the baseline mechanical royalties set by the U.S. Copyright Royalty Board. Kobalt’s CEO, Laurent Hubert, calls the company’s direct deal with Spotify a “step in the right direction” which “reaffirms our unwavering commitment to ensuring our songwriters are paid fairly for their work, and underscores the importance of progressive licensing models that reflect the real-world use of music across digital platforms.”
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Spotify has had strained relations with music publishers and songwriters at different points throughout its history, due to royalty rate disputes, but tensions intensified in March 2024 when Spotify began paying a significantly lessened royalty rate for streams on its premium tiers to songwriters and publishers. This occurred as a result of Spotify reclassifying those tiers as “bundles,” a type of plan that qualifies for a discounted rate on U.S. mechanical royalties given that multiple products — in this case, Spotify’s music and newly added audiobooks — are both offered under one price tag.
At the time, Billboard estimated that this change will lead songwriters and publishers to earn about $150 million less in royalties for the first year bundling is in effect, compared to what was projected pre-bundling. More recently, at the National Music Publishers’ Association’s (NMPA) annual meeting in June 2025, the trade organization representing UMPG, WCM, Kobalt and the vast majority of other publishers reported that the bundle actually led to a loss of $230 million in the first year.
While the NMPA has lead a broad campaign against Spotify’s bundling practices since March 2024, by January 2025, several major players in the music publishing industry had begun exploring private deals with the streaming platform. UMG announced a recording and publishing deal with Spotify first — becoming the first direct deal between Spotify and a publisher since the passage of the Music Modernization Act in 2018. The deal impacted both UMG’s recorded music and publishing royalty rates and included language about protection for UMG talent through Spotify’s fraud detection and enforcement systems.
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A Spotify spokesperson told Billboard at the time: “Spotify maintains its bundle, but with this direct deal, it has evolved to account for broader rights, including a different economic treatment for music and non-music content.”
WCM followed shortly after, while Kobalt is the third to follow suit. A press release about Spotify’s Kobalt deal says it will “deliver greater flexibility, efficiency, value, and protections to songwriters in the US.”
Still, Spotify has yet to strike a similar deal with Sony Music Publishing, the largest publisher in the world. A source close to Spotify reveals that while they are having positive discussions with them, there is no deal to date.
“This deal reflects the collaborative efforts between Kobalt and Spotify in building a licensing framework to enable new formats, innovations, and potential to connect creators and fans alike. The deal also reflects a broader shift toward licensing structures that allow songwriters to participate more directly in the value their work creates on streaming platforms,” the press release continues.
While Spotify works to secure direct licenses with music publishers, the company is also working to roll out new features, many of which require the music publishers’ cooperation to go through. According to the Wall Street Journal, Spotify is working on a “remix” feature to speed up, mash up and otherwise edit sound recordings. It is also working on licensing music videos in countries around the world — both of which are expected to be part of Spotify’s teased ultra-premium tier. As the NMPA warned Spotify in a cease and desist letter to the streamer last year, “any such feature … without the proper licenses in place from our members… may constitute additional direct infringement,” serving as a warning shot to the streamer.
“We’ve always believed that better partnerships lead to better outcomes,” says Alex Norström, co-president & Chief Business Officer, Spotify. “This agreement with Kobalt boosts our support of songwriters through a licensing model that unlocks new growth and will expand the way music is made and shared today.”
Kobalt’s Hubert, adds: “As the largest independent music publisher dedicated to fighting for the rights of songwriters, this deal reaffirms our unwavering commitment to ensuring our songwriters are paid fairly for their work, and underscores the importance of progressive licensing models that reflect the real-world use of music across digital platforms. This partnership is a step in the right direction, and we look forward to continuing to work with Spotify to increase the value of songwriter royalties.”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-08-13 12:33:362025-08-13 12:33:36Spotify Inks Direct Licensing Deal With Kobalt, Following Similar Pacts With UMPG and WCM
Zoë Kravitz survived a potentially career-ending mushroom trip on the first season of The Studio, but she almost didn’t make it out of a stay at Taylor Swift‘s house without destroying the joint in a mad panic. The actress/director stopped by Late Night With Seth Meyers on Tuesday night (Aug. 12) to share a hilariously harrowing story about the time her mom Lisa Bonet’s adorable pet snake almost caused an A-list incident.
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Kravitz said Swift had generously invited the mother-daughter duo to stay in her home during the evacuations caused by the L.A. wildfires in January. “My mom lives in Topanga Canyon, so I said, ‘No, that’s a dangerous place to be. Come [here].’ And my mom has a pet snake, and so she has her evacuation stuff; she came over with the snake,” Kravitz said. “We ended up having to stay there for maybe about two weeks, and Taylor has this very beautiful house. I think it’s from the ’30s, like it’s a beautiful house, something you want to preserve and take care of.”
One way to take cover of such a jem is to not lose your reptile in it. But, as the pair were getting ready to leave on their last day and the Blink Twice director was packing up her things, Kravitz told her mom that she really wanted to “be a good house guest. I like to leave places better than I found them. I don’t want her [Swift] to even know we were here.’ So I was kind of going around and cleaning up, and I’m downstairs and she’s upstairs and my phone rings and it’s my mom.”
Uh oh.
It was Bonet and her voice was “super high,” which made Kravitz think something was amiss. “And she’s like, ‘I’m in a little bit of a pickle. Can you come upstairs?’” Kravitz said. That’s when she learned that Bonet’s pet snake, Orpheus, had found “this little hole in the corner” of the room to hide in.
Turns out the snake crawled into a hole next to a banquette built into the wall and while Bonet was able to get a hold of the snake’s tail, “they’re all muscle, they’re very, very strong, so she’s holding the snake’s tail. We don’t know what to do.” Kravitz said she started to panic as the snake crawled further and further into the hole.
“It’s like that scene in Jurassic Park when they’re in the car and the branches breaking every time they move,” Kravitz said. “I was panicking so much that my mom likes to say, ‘If I had both hands, I would have slapped you.’” They were saved by the house manager, who showed up with a crowbar to tear apart the banquette so they could reach the snake, adding that they were “ripping up the tile, we’re scratching the walls.”
In the end, she said, “we completely destroyed Taylor’s bathroom, and there was just this moment where I was like, ‘either we destroy her bathroom or I have to tell her that there’s a snake somewhere in her house,’” explained Kravitz, with Meyers saying they were “both bad options.” They did end up destroying the bathroom, with Meyers holding up a pic of the aftermath, with cabinets torn apart and Bonet and Kravitz laying on the floor, head-to-head, holding on to the snake with all their might.
Kravitz said she assured the house manager that she would pay for the damages, asking him to not say anything until was all fixed. “And I remember calling her [Swift] and saying, ‘Hey — also very high voice — I wanted to talk to you about something,’ and she was like, ‘Is it the fact that you almost lost a stake in our house and destroyed my bathroom?,’” Kravitz said.
The story — which came on the same day that Swift announced her upcoming 12th album, The Life of a Showgirl — prompted Meyers to joke that Orpheus is definitely “gonna get like three songs on the next album.”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-08-13 11:57:292025-08-13 11:57:29Zoë Kravitz and Mom Lisa Bonet ‘Destroyed’ Taylor Swift’s Bathroom Looking For Pet Snake During L.A. Wildfires: ‘I Was Panicking’
Australia’s Good Things festival has announced the lineup for its 2025 edition, with the likes of Tool and Weezer topping the bill.
The touring rock, metal and punk festival will return to Australian capital cities later this year, with performances scheduled for Melbourne, Sydney and Brisbane from Dec. 5-7.
Leading the charge this year are a pair of Los Angeles veterans, including prog-metal icons Tool, who return to the country for the first time since a headline tour in 2020; and alt-rock icons Weezer who last year celebrated the 30th anniversary of their self-titled debut, colloquially known as The Blue Album.
The festival is largely populated by U.S. acts this year, including the likes of Garbage, All Time Low, Machine Head, Knocked Loose, and the All-American Rejects, who make their return to Australia for the first time in 16 years.
Swedish hardcore outfit will return for their final dates in the country, while Make Them Suffer and a reunited Tonight Alive help shore up the local representation. James Reyne may be considered a slightly odd inclusion by the traditional crowd, with the former frontman of ARIA Hall of Famers Australian Crawl occupying the now-annual role of veteran Aussie act.
International outfits such as Bad Nerves, Dead Poet Society and Wargasm join the lineup for their debut shows in the country, while local acts such as Civic, Inertia, Windwaker and Yours Truly also make up the lower end of the bill.
The Good Things festival launched in Australia in 2018, arriving onto a scene which had been largely devoid of touring festivals catering to fans of heavier music since the demise of the Soundwave festival a few years earlier.
Since its debut edition, the festival has hosted local and international headliners such as The Offspring, Parkway Drive, Bring Me The Horizon, Korn, and more. In 2024, the festival was to host the final Australian shows of Canadian punk outfit Sum 41, though were forced to cancel following singer Deryck Whibley’s diagnosis of pneumonia.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-08-13 07:07:142025-08-13 07:07:14Tool and Weezer to Headline Australia’s Good Things Festival
More than a year on from their last live performances, Canadian musician Cindy Lee has announced a short run of North American tour dates.
Lee (the musical moniker of Patrick Flegel) had initially announced an extensive run of tour dates throughout April and May 2024 in support of their breakthrough album, Diamond Jubilee.
Described as the “last American tour” for the enigmatic artist, the latter half of the planned run was called off for undisclosed personal reasons within the touring party.
Now after more than a year of silence, new dates have been added to the artist’s schedule with shows in Chicago, Toronto, Montreal and New York City planned for early November.
Freak Heat Waves, who had previously performed on Lee’s 2024 tour, will open all dates except for Toronto, where Blue Light will start proceedings.
Flegel’s Cindy Lee project first rose to prominence in 2020 following the release of What’s Tonight to Eternity?, and later gained widespread acclaim thanks to 2024’s mysterious Diamond Jubilee album.
Promoted with little fanfare, the album was purposely absent from streaming services (save for a YouTube upload of the record), with a typically-awkward Geocities site serving as the main point of digital distribution for the two-hour long triple LP. Regardless, reviews were extremely positive and the album was ultimately shortlisted for the Polaris Music Prize.
“The buzz around Diamond Jubilee indicates both the beauty of the album itself and a broader excitement at the possibility that branding and endless self-promotion aren’t everything,” wrote Rosie Long Decter for Billboard Canada.
“In a period where artists and labels are struggling to figure out how to break through the online noise, it’s refreshing to see an artist so whole-heartedly reject the imperatives of the streaming economy, and to see that artist lauded, instead of chided.”
Cindy Lee – 2025 Tour Dates
Nov. 5 – Empty Bottle, Chicago, IL Nov. 6 – Massey Hall, Toronto, ON Nov. 10 – Rialto Theatre, Montreal, QC Nov. 15 – Brooklyn Paramount, New York City, NY
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-08-13 05:53:432025-08-13 05:53:43Cindy Lee Announces North American Tour Dates
Close to six months on from his exit from the band, co-founding Mastodon guitarist Brent Hinds has addressed the topic, confirming he was “kicked out” of the group.
Hinds co-founded the Atlanta heavy metal outfit in 2000 alongside bassist/singer Troy Sanders, guitarist Bill Kelliher and drummer/singer Brann Dailor, with their lineup remaining largely unchanged since 2001.
In March, however, the band revealed that Mastodon and Hinds had “mutually decided to part ways” after “25 monumental years together.”
“We’re deeply proud of and beyond grateful for the music and history we’ve shared and we wish him nothing but success and happiness in his future endeavors,” a message from the group read. “We are still very inspired and excited to show up for fans in this next chapter of Mastodon.”
In June, there were hints that Hinds’ departure was a rocky one, with the guitarist noting on social media that he wouldn’t “miss being in a s–t band with horrible humans.”
Now, Hinds has again taken to the comments section, confirming that his exit from the band was not a voluntary one. His latest remarks were made on Instagram in reply to a video which shared a clip of Mastodon performing “Crack the Skye” in Silver Spring, Maryland in 2012.
“My guitar sounds great, but Troy and prawn [Dailor] sound absolutely horrible,” he wrote. “They are way out of key. Embarrassing and they kicked me out of the band for embarrassing them for being who I am. But what about who they are? They are two people that can’t sing..together live or anywhere else in the world. Rverything they try to sing in the studio is manipulated by autotune because they’re incapable of singing in key.
“F–k these guys,” Hinds continued. “Only I know who they really are. They are the biggest fans of them self’s [sic]. I’ve never seen anyone in my life look in the mirror more than Troy Sanders. He thinks he’s God’s gift to anything. I’ve never met three people that were so full of themselves. It’s disgusting.”
Hinds also added a slight caveat to his comments, writing a separate message accompanied by a laugh-crying emoji to note he was “Not saying I can sing tho.”
While no members of Mastodon have responded directly to Hinds’ comments, Metal Injection reports that Dailor recently reshared a fans’ clip of a recent live performance, captioning it with the message, “Sounds in key to me.”
Among nine Billboard 200-charting albums, Mastodon has landed three in the top 10 of the all-genre chart: 2011’s The Hunter, 2014’s One More ‘Round the Sun and 2017’s Emperor of Sand, with the latter two both hitting No. 1 on Top Rock Albums. From six Grammy nominations, the band has taken home one win: best metal performance for “Sultan’s Curse” in 2018.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-08-13 05:00:022025-08-13 05:00:02Brent Hinds Reveals Mastodon Departure Was Not Mutual: ‘They Kicked Me Out’