Billboard’s Friday Music Guide serves as a handy guide to this Friday’s most essential releases — the key music that everyone will be talking about today, and that will be dominating playlists this weekend and beyond. 

This week, Jonas Brothers go back home, Gunna keeps things efficient, and MGK finds his voice. Check out all of this week’s picks below:

Jonas Brothers, Greetings From Your Hometown 

Twenty years after their debut single together, Jonas Brothers are completely different people than the precocious Disney stars that were embraced by millions of young fans — and Greetings From Your Hometown, their third album since their 2019 reunion, presents adult-leaning pop-rock workouts while reflecting on the changes, as well as the unbreakable bond between Nick, Joe and Kevin.

Gunna, The Last Wun 

Gunna’s work in popular hip-hop over the past half-decade has been tireless, but his prolific nature has never made his studio output feel overwhelming; similarly, new album The Last Wun stretches across 25 tracks and beyond the 1-hour mark, but the project flies by with machine-gun bars, complex beats that quickly evaporate and guest stars (Wizkid, Burna Boy, Offset, Asake) that never detract from Gunna’s steely focus.

MGK, Lost Americana 

Throughout his shape-shifting career, MGK has showcased a natural gift for melody that has made each of his genre explorations instantly digestible; Lost Americana, a pop-rock foray that serves as a close cousin to his pop-punk projects, contains plenty of juicy hooks as expected, but also moments of stark honesty, such as his discussion of his sobriety on the opener “Outlaw Overture.”

Laufey, “Snow White” 

“I don’t think I’m pretty, it’s not up for debate,” Laufey sings on her striking new song “Snow White,” “A woman’s best currency’s her body, not her brain.” While Laufey has subverted modern pop norms with her jazzy orchestration, she’s deploying her latest single from upcoming album A Matter of Time to upend the impossible standards of womanhood, telling a story at once both deeply personal and heartbreakingly universal.

Bailey Zimmerman, Different Night Same Rodeo 

Bailey Zimmerman has proven adept at catering to both Nashville diehards, such as on the rustic deep cuts to 2023’s Religiously. The Album., and casual country fans, with smashes like “Rock and a Hard Place” and the BigXthaPlug team-up “All the Way”; the latter song doesn’t appear on new album Different Night Same Rodeo, but there’s still plenty of country-pop appeal to Zimmerman’s twangy storytelling. Read a full review of Different Night Same Rodeo here.

Ethel Cain, Willoughy Tucker, I’ll Always Love You 

In a short time, Hayden Silas Anhedönia has turned her Ethel Cain persona into a truly original voice in modern indie music — and after her drone project Perverts detonated expectations earlier this year, Willoughy Tucker, I’ll Always Love You returns Cain to the world of her 2022 breakthrough Preacher’s Daughter as a literal prequel to that album, albeit with plenty of new ambitions (see: the 15-minute closer “Waco, Texas”). 

Bryson Tiller, The Vices

With the release of the first half of a planned double-album titled Solace & The Vices, Bryson Tiller leans into his ferocious flow and exorcises some demons while placing his R&B-heartthrob approach in the backseat for now; the stylistic separation works in his favor, and whets our appetite for the project’s more soulful second half. Read a full review of The Vices here.

Editor’s Pick: Amaarae, Black Star 

Ghanaian American singer Amaarae ostensibly makes rhythmic pop music, but classifying the songs on Black Star feels like a fool’s errand: the virtuosic new project gathers dance, hyperpop, R&B and Jersey club (among other disparate sounds) and smashes them together to create a dizzying party. Amaarae is a vocal dynamo, has impeccable taste, and is unquestionably a star in the making — get on board now, and shimmy through the end of the summer.

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

In celebration of 808 Day, New Balance has teamed up with Roland to relaunch a special edition Tiago Lemos NM808 x Roland sneaker. Releasing on Aug. 8 (8/08), this collaboration pays homage to the renowned TR-808 drum machine, which is responsible for the famous bass drum sound heard in most popular hip-hop songs today. The New Balance Tiago Lemos NM808 x Roland sneaker is available now on newbalance.com for $115.

This collaboration showcases a unique intersection of skateboarding, hip-hop and sneaker culture. The NM808 seamlessly blends the innovative style of skate legend Tiago Lemos with New Balance’s timeless aesthetic. The limited-edition sneakers takes inspiration from late ’90s with a sleek black colorway that featuring a mix of a leather and suede upper, a clear sole and a gradient of yellow and orange accents on the side and heel.

“Hip-hop has been the soundtrack for my skating, and at the heart of many classics was the 808. To have a collaboration with the legendary Roland 808 on my shoe is an honor,” Tiago Lemos said in a press release.

Celebrate 808 Day With Limited-Edition New Balance x Tiago Lemos NM808

New Balance Numeric Tiago Lemos 808 Lite


To commemorate this collaboration, a special short film featuring Tiago Lemos and renowned DJ and producer Cut Chemist will be released on New Balance’s YouTube channel on 808 Day. In the video, Cut Chemist emphasized the TR-808’s legacy by saying, “The 808 is responsible for some of the most recognizable beats in modern music history. It completely changed the game and is just as relevant today as it was at its inception. It’s truly the most important drum machine in hip-hop.”

The limited-edition Tiago Lemos NM808 sneaker can be yours now. Act quickly and cop yourself a pair now on newbalance.com before they sell out. Shop the collab below.

Jhené Aiko has joined the cast of Hey A.J.!, the upcoming Disney Jr. animated show based on a children’s books series written by retired NFL star Martellus Bennett, while Meghan Trainor will have a recurring role.

The music-filled family comedy series will follow a young girl named A.J., voiced by Amari McCoy (Marvel’s Spidey and His Amazing Friends), who “along with her stuffed bunny sidekick, uses her big imagination to make ordinary life moments extraordinary,” according to the Disney Jr. announcement.

Related

Grammy-nominated artist Aiko will voice A.J.’s mom Siggi, while Super Bowl champion-turned-children’s author Bennett will voice A.J.’s dad Marty. Also joining the cast: Juliet Donenfeld (Star Wars: Young Jedi Adventures) as A.J.’s best friend Jessie, Innocent Ekakitie (Bunk’d) as Jazz, and David Mitchell (Phineas and Ferb) as A.J.’s bunny sidekick Theo. Grammy-winning singer/songwriter Trainor will have a recurring role playing Jessie’s mom.

Meghan Trainor

Meghan Trainor at the Billboard Women in Music 2025 held at the YouTube Theater on March 29, 2025 in Los Angeles.

Gilbert Flores

The casting news was announced Friday morning (Aug. 8) at the “Disney Jr. Let’s Play!” fan celebration, taking place throughout the weekend at Disney California Adventure Park in Anaheim, California.

Other Disney Jr. news coming out of Friday’s fan event: The new series Cars: Lightning Racers, inspired by the Disney and Pixar Cars film series, will see Owen Wilson and Larry the Cable Guy reprising their roles as Lightning McQueen and Tow Mater, respectively; Marvel’s Avengers: Mightiest Friends will debt as the first preschool Avengers series, following Spidey and Iron Man-specific shows; and two new Mickey & Minnie’s Holiday Songs musical specials will arrive this year timed to Halloween and Christmas.

“Our shows are often a child’s very first connection to the world of Disney, sparking the songs they sing, the characters they adore, and the adventures they want to live again and again,” Ayo Davis, president of Disney Branded Television, said at Friday’s event. “Today’s announcements build on that leadership, expanding the worlds kids already love and introducing new multiplatform stories that will capture the hearts of the next generation.”

As fellow moms of two, Aiko and Trainor are surely no strangers to children’s television. Aiko is mom to 16-year-old Namiko (whom she shares with her R&B singer ex O’Ryan) and 2-year-old son Noah (with her rapper boyfriend Big Sean), while Trainor has 4-year-old son Riley and 2-year-old son Barry with actor husband Daryl Sabara.

Hey A.J. — produced by Surfing Giant Studios, with Bennett, Jeff “Swampy” Marsh and Michael Hodges serving as executive producers — will debut in 2026 on Disney Jr., followed by a Disney+ release.

Thomas Rhett nets his 21st No. 1 on Billboard’s Country Airplay chart as “After All the Bars Are Closed” ascends two spots to the top of the tally dated Aug. 16. The song increased by 8% to 29 million audience impressions Aug. 1-7, according to Luminate.

Rhett co-authored the track with Julian Bunetta, John Byron, Jaxson Free and Jacob Kasher. It was co-produced by Bunetta and Dann Huff. It’s the second single from Rhett’s LP About a Woman, which became his eighth top 10 on Top Country Albums when it arrived at its No. 10 best last September. Lead track “Beautiful as You” hit No. 2 in November.

The Valdosta, Ga., native last led with “Mamaw’s House,” featuring Morgan Wallen, for a week in March 2024. Rhett first reigned with “It Goes Like This” in October 2013.

Rhett ties Keith Urban for the eighth-most No. 1s since Country Airplay launched in January 1990. Kenny Chesney leads with 32 chart-toppers.

Currently touring, Rhett makes his next stop Aug. 8 in Detroit.

Roll-ing ‘Stone’

Jelly Roll adds his eighth Country Airplay top 10 in as many appearances – with the first seven having hit No. 1 – as “Heart of Stone” rises 12-10 (16.1 million, up 11%).

The song, which was co-penned by the Nashville native, follows “Liar,” which dominated for six weeks beginning in February. He kicked off his run with “Son of a Sinner” in January 2023. It’s the longest active streak of No. 1s; Morgan Wallen is next, having snapped off his sixth in succession when “Just in Case” started a four-frame command last month. He could make it seven in a row soon: His newest single, “I Got Better,” hops 19-15 (10.4 million, up 24%).

All charts dated Aug. 16 will update Tuesday, Aug. 12, on Billboard.com.

MGK and Megan Fox may no longer be engaged, but former “twin flame” couple are still making beautiful music together. Just check the songwriting credits for rapper-turned-pop-punk-rocker Kelly, whose new album, Lost Americana, features a track titled “Orpheus” credited to co-writers Kelly and Fox.

Related

The gentle piano and strings ballad opens with MGK sighing, “We grew a tree back in the garden/ With a celestial seed that fell down to us from the stars/ The sun rose high and killed our shadows/ There’s more to see under the light than in the dark.” The lyrics allude to the tragic Greek myth of Orpheus and Eurydice via lines about an undying love that cannot be.

“Somewhere in a different realm, we’re still together/ Somehow, I’ll find my way to you again/ Shipwrecked, but I hold hopes of buried treasure,” MGK sings on the song in which he vows, “I won’t let you love me, but I can’t let you leave me/ It’s a tragedy, and we’ve all seen that scene.”

In the Greek myth, musician Orpheus loses wife Eurydice to a snake bite and travels to the underworld to plead with Hades for her return. The god of the depths offers to let Eurydice return to life if Orpheus agrees not to look back at her until they’re both above ground again. When his anxiety about their return overwhelms him, Orpheus looks back and loses Eurydice forever.

Similarly, the song that appears to chronicle the on-and-off couple’s tumultuous, drama-filled love affair, which seemingly ended for good when they split just before Fox gave birth to their daughter, Saga Blade, in March of this year. It also seems to be a call back to the poem “Prove it, Orpheus” from Fox’s 2023 book of poems Pretty Boys Are Poisonous, which fans at the time suspected was about the singer.

In it, she wrote, “And when they ask you what is your biggest regret/ Don’t writ it in a song/ Cut yourself open and write it in blood.”

The “celestial seed” reference in the song also seems like a call-back to a mini-controversy that erupted around the time of the baby’s birth when MGK announced the good news by writing, “She’s finally here!! our little celestial seed.” Kelly later clarified that of course they didn’t name their daughter Celestial Seed, but it’s unclear at this point if the song writing preceded the tweet or if Kelly leaned into the misunderstanding on the track as a wink.

At press time it was also unclear if the former couple worked on the song together, or if Fox’s songwriting credit is tied to her earlier poem; a spokesperson for Kelly had not returned a request for clarification on the credit at press time.

The majority of the songs on the album were written solely by Kelly or Kelly with Emma Rosen, or the pair with LP co-producer Nick Long. However, Third Eye Blind’s Stephan Jenkins gets a co-writing credit on “Starman,” which interpolates the entire chorus to 3EB’s breakout 1997 single, “Semi-Charmed Life.”

MGK has been on a full-court press blitz for Lost Americana, with his hometown of Cleveland preparing to celebrate its favorite son with the annual MGK Day celebration this weekend. Events from Friday through Sunday (Aug. 8-10) include the XXCon gathering at Jacobs Pavilion featuring an acoustic performance, DJ set from Emo Night Brooklyn and a celebration of the album tonight. The party will continue on Saturday with a Now That’s What I Call Brunch party with music by Bobby Booshay, a street league skateboard takeover and a bar crawl. Sunday will kick off with a Harley-Davidson city ride ending at the MGK Day Community and Arts Festival and celebrity basketball game; click here for the full roster of events.

A woman suing Aerosmith singer Steven Tyler over accusations that she was almost his “child bride” in the 1970s is urging a judge to deny the star’s efforts to dismiss her sexual assault lawsuit.

In court papers filed Wednesday in Los Angeles court, attorneys for Julia Misley argue that Tyler — whom they claim “groomed” and “manipulated” her as a teenager — cannot rely on the laws of Massachusetts to escape a case she filed in California.

Related

“Defendant, as plaintiff’s guardian, used his wealth and celebrity status to sexually assault plaintiff as a child for multiple years in multiple states, including California,” Misley’s lawyers said. “Thus, it was defendant who chose California law to apply, not plaintiff.”

Misley (formerly Holcomb) sued Tyler in 2022, claiming she was the unnamed person he referred to in his memoir as a “teen bride” he almost married. They claim he abused his fame to win control over her — including signing an agreement with her parents to take legal guardianship — and sexually assault her for three years starting in 1973, when she was just 16 years old.

With a trial looming in October, Tyler has argued that the case must be dismissed. His lawyers say the pair lived together in Boston, where the legal age of consent is 16; he also says the statute of limitations in Massachusetts has long since expired.

But in this week’s response, Misley’s lawyers say that argument is clearly flawed — claiming he cannot hide behind laws in other states when he lives in California and some of the alleged misconduct took place in that jurisdiction.

“Now, as a California resident, defendant believes that he should not be liable despite never raising the defenses he relies upon,” her lawyers write in Wednesday’s filing. “This failure is fatal to his attempts to escape liability [and] plaintiff respectfully requests the court deny defendant’s motion in its entirety and allow this case to be decided by a jury.”

An attorney for Tyler did not immediately return a request for comment on Friday.

Misley’s allegations against Tyler were not new. She made similar accusations in a 2011 article published by the anti-abortion website LifesiteNews, and she made the same claims in 2020 during an appearance on Fox News.

But in 2022, she took her allegations to court — accusing Tyler of using his “power as a well-known musician and rock star” in order to “gain access to, groom, manipulate, exploit” her.

The lawsuit repeatedly cited Tyler’s own memoir (Does the Noise in My Head Bother You?), in which he explicitly referenced a relationship with an underage girl. “She was 16, she knew how to nasty, and there wasn’t a hair on it,” Tyler wrote in the book passage that’s quoted in the lawsuit. “I was so in love I almost took a teen bride.”

Related

The lawsuit alleged that Tyler convinced Misley’s parents to grant him guardianship over her — an accusation that also came with quotes from his memoir: “I went and slept at her parents’ house for a couple of nights and her parents fell in love with me, signed paper over for me to have custody, so I wouldn’t get arrested if I took her out of state.”

In Tyler’s motion to dismiss the case, filed in June, he didn’t deny the basic facts. But his lawyers characterized the pairing as a consensual “romantic relationship” between a man “in his mid-twenties at the time” and a woman “between the ages of 16 and 19.”

“Plaintiff and Tyler lived together in Boston, Massachusetts, where the legal age of consent was (and remains) 16. Plaintiff has never lived in California,” Tyler’s lawyers wrote. “However, five decades after the fact, plaintiff sued in California claiming that her relationship with Tyler, part of which occurred prior to her turning 18, constitutes ‘childhood sexual assault.’”

“Under Massachusetts law at the time, the age of consent was 16, and as such, plaintiff and Tyler’s relationship was legal,” they wrote.

If Tyler’s motion is denied, the case is currently scheduled to go to trial on Oct. 1.

Ice Cube is standing with the immigrant families who have been targeted by the recent United States Immigration and Customs Enforcement raids in his home city of Los Angeles.

Related

In a clip from his radio interview on REAL 92.3 LA’s The Cruz Show posted Thursday (Aug. 7), the rapper expressed his frustration with the federal government’s “heavy-handed” crackdown on immigrant communities in the area and shared his sympathies with those in the wider Latino population who are living in fear as a result. “It hurts, because it’s all kind of different situations been going around, as far as immigration,” he began.

“To see people disrespected like that, and federal government just being too heavy-handed and disrespectful, going to churches and weddings and grabbing people out of those schools,” he continued. “It’s like, ‘Come on man, y’all just overdoing it.’”

Cube went on to theorize that the intention behind the raids isn’t just to deport people, but also to instill lasting terror in every Latinx person in the United States, regardless of their citizenship status. “Nobody’s safe, man,” the hip-hop star said. “They don’t care who they grab. It’s sad. They come in and disrespect everybody. They want to traumatize people, too.”

“It’s just sad, man,” he added. “I can’t wait ’til this period is over. I don’t know how we’re going to get to the end, but it’s crazy to see people dragged out of their spots of refuge.”

Billboard has reached out to the White House for comment.

The interview comes amid growing tensions in the L.A. area, which first erupted with protests against President Donald Trump’s mass deportation efforts in June. They included deploying the National Guard to assist in ICE’s raids throughout the city. Cube is just the latest star to speak out about the issue, with Tyler, The Creator, Olivia Rodrigo, Billie Joe Armstrong, Kehlani and countless other artists also slamming the government’s sweeps in recent months.

But despite a federal appeals court recently upholding a federal judge’s order that blocked the Trump administration from continuing the indiscriminate immigration arrests in the city, U.S. Border Patrol agents have still been proceeding with raids. Just one day before Cube’s interview, for instance, a group of them jumped out of the back of a rented truck and made arrests at a Home Depot in L.A., a mission one official called “Operation Trojan Horse,” according to the Associated Press.

Watch Ice Cube speak on the recent ICE raids on The Cruz Show below.

English singer, songwriter and producer Cavetown has signed with Futures Music Group, the joint venture between Neon Gold and Avenue A Records that formed last year. His new single, “Baby Spoon,” marks the first release on the group’s frontline label, Futures.

The signing comes after considerable career success for Cavetown (born Robin Skinner), whose recent festival appearances include Reading & Leeds, Glastonbury and Lollapalooza; he has also toured with AJR, Pierce the Veil and Mother Mother, among others. To date, six of the singer’s singles have been certified platinum by the RIAA.

Related

“Baby Spoon,” described in a press release as “a heartfelt meditation on vulnerability and self-acceptance,” was inspired by the singer’s relationship with his partner. The track and its accompanying music video are available to stream now.

“‘Baby Spoon’ is the perfect song to start this new era,” said Cavetown in a statement. “It encapsulates where I am now, specifically in my relationship with my partner. Without that relationship this song and what comes next would not exist.”

Outside of music, Cavetown, who is trans, has raised more than $650,000 for LGBTQ+ organizations through his “This Is Home” initiative.

“Cavetown is a singular, generational talent and exactly the kind of visionary artist we founded Futures to champion,” said Davies and Wallace, who serve as Futures’ co-CEOs, in a joint statement. “It’s a true privilege to partner with Robin on what we very much believe to be his boldest and most transformative record yet.”

Related

“I’m so excited to be working with the team at Futures!” Cavetown added of the signing. “I love their excitement for my new music and I look forward to that translating into a celebration of where I am in my career. All my previous music has felt like chapters — this feels like a new book. Excited for what the future holds at Futures (pun intended).”

Launched in October 2024 and distributed through Virgin, Futures Music Group was founded by Neon Gold’s Derek Davies and Avenue A’s Dave Wallace, with artists including Mt. Joy, Good Neighbors, Phantogram, The Knocks, Barns Courtney and Palace on its roster. The label group signs artists to license-based deals, allowing them to retain ownership of their masters, with a royalty split of 50/50 between the label and artist. The company has also pledged to give points on every master, from the label’s share, to any non-producing and non-performing songwriter. Davies, Wallace and chief marketing officer/GM Sarah Kesselman were included on Billboard‘s 2025 Indie Power Players list.

And just like that, Tiller SZN is in full swing.

Just over a year after sharing his heart-baring self-titled album, which featured the Billboard Hot 100 top 20 hit “Whatever She Wants,” Bryson Tiller is already back with the first half of his sprawling new double album. Titled Solace & The Vices, Tiller’s fifth studio album gives equal consideration to the two sounds that dominate his catalog: sharp bars sourced from his rap roots, and introspective, trap-infused R&B.

On Friday (Aug. 8), Tiller shared The Vices, the rap-rooted side of his double LP, featuring production contributions from Hitmaka, Charlie Heat, Teddy Walton and Gravez, as well as guest appearances by Bossman Dlow, Rick Ross, Plies, T-Pain, Bun B, Luh Tyler and Babydrill. Across the record, which balances notes of sexy drill and different pockets of Southern hip-hop, Tiller weighs the impact of his vices, temptation’s constant allure, and the journey to repairing and solidifying his one true romance.

The new record arrives at a particularly busy time for Tiller. In June, the Grammy-nominated star began his run as an opener for Chris Brown’s globe-trotting Breezy Bowl XX Tour. The two R&B leading men brought the show to the U.S. on July 30, tapping R&B heavyweights Summer Walker and Jhené Aiko, who will also serve as openers for select dates.

A few days earlier, Tiller and Brown released their sixth collaboration, a RIOTUSA-produced and Usher-nodding midtempo titled “It Depends,” which has debuted at No. 43 on the Hot 100 (dated Aug. 9). And later this year, Tiller will celebrate the 10-year anniversary of Trapsoul, his landmark debut album, which changed the trajectory of 2010s R&B and spent over 400 weeks on the Billboard 200.

Here is Billboard‘s ranking of every song on Bryson Tiller’s The Vices.

Lo Ting-Fai (known as “Lofai”) was named president of Warner Music APAC, effective Aug. 11. All of the company’s recorded music territory heads will report to the Hong Kong-based executive, while Lofai will report to Warner Music Group CEO Robert Kyncl. Lofai joins Warner from telecoms company PCCW, where he was most recently CEO of its subsidiary, MaKerVille — centered around content creation, artist management and live events — and COO of its regional OTT streaming platform Viu. He is also a songwriter who pens music under the pseudonym “Yu Ri.” – Chris Eggertsen

Related

Learning platform Duolingo “acquired” the team behind London-based music gaming startup NextBeat in an effort to ramp up the Duolingo app’s music course. The deal brings to the company 23 of NextBeat’s experts in areas including game design, music licensing and user retention and monetization. “Their expertise will power the next chapter of Duolingo’s gamified learning experiences, with a focus on building upon Duolingo’s Music course,” the company said a press release. NextBeat is known best for the hit mobile rhythm games Beatstar and Country Star. – Chris Eggertsen

Range Music Publishing promoted Sam Drake to senior vp of A&R. According to a press release, Drake has helped lead the division in charting seven songs in multiple genres and formats, including country, pop, rhythmic and dance radio, by Range clients including Sean Cook (Shaboozey’s “A Bar Song (Tipsy)”), Geoff Warburton (Tyler Hubbard’s “Back Then Right Now”), Tyler Dopps (Loud Luxury’s “Young & Foolish” feat. charlieonnafriday) and James Maddocks (Morgan Wallen’s “Cowgirls”). – Chris Eggertsen

Related

MCA added two to its digital marketing team. Sarah D’Hilly has joined as senior vp of digital marketing and strategy, while Brad Krause has been named senior director of digital strategy. D’Hilly previously worked at Apple Music, Monument Records and Borman Entertainment. D’Hilly is a 2025 Billboard Country Power Players honoree and a 2026 Leadership Music class member. Krause previously worked at Warner Records, Interscope and The Trenches. – Jessica Nicholson

Big Machine Label Group (BMLG) promoted Nicole Flammia to senior vp of creative photo-video production. In the new role, Flammia will continue leading the label’s creative process for visual assets for more than 35 artists across BMLG imprints. Flammia has spent over a decade at BMLG, and has played a key role in videos including Thomas Rhett’s “Remember You Young,” Midland and Jon Pardi’s “Longneck Way to Go” and Riley Green’s “Worst Way.” – Jessica Nicholson

Related

Symphonic Distribution hired Ed Poston as head of A&R. Based in New York, Poston has more than 15 years of A&R experience in the U.S., U.K. and Europe. He’ll report to chief creative officer Randall Foster, with whom he’ll work, alongside senior vp of sales operations Tim Bruno, to expand Symphonic’s artist relationships and propel the firm’s global growth. Poston has held leadership roles at Concord Music Publishing, Glassnote Records, BMI and, most recently, Creative Titans, where he served as head of A&R. At BMI, he worked with songwriter Caroline Ailin, who has written for Dua Lipa, Selena Gomez and Katy Perry; and at Glassnote, he led A&R for Aurora’s breakthrough album All My Demons Greeting Me as a Friend. – Chris Eggertsen

Music industry veterans Jeremy Gifford and Hannah Gifford have launched Open Hand Management, with a roster that includes Dwan Hill, Franni Cash, Hopeful., Relient K and The Choir Room. Jeremy Gifford previously worked with artists including The Head and the Heart and Black Pumas, and toured/performed with We The Kingdom, before taking on a full-time management role. Hannah Gifford first worked in touring with artists including Kacey Musgraves, Tenth Avenue North and Plumb, before serving in roles at Street Talk Media and Round Table Management. – Jessica Nicholson

Related

The Country Music Hall of Fame and Museum has revealed a round of promotions and hirings. Marie Bradshaw has been promoted to director of institutional giving, while Crystal Mann has been promoted to associate director of revenue marketing. Bradshaw joined the museum in 2021 and most recently served as senior manager of corporate partnerships. Mann joined the museum in 2024 as marketing manager. Among the hires were Erin Osmon as a writer-editor in the museum services department and Heather Reed as director of facilities. Osmon has authored books on John Prine and Jason Molina, while her writing has appeared in the Los Angeles Times, New York Times, No Depression, Rolling Stone and Spin, among other publications. She was previously faculty at the University of Southern California’s Annenberg School of Journalism. Reed most recently served as director of manufacturing at Aero Build and spent two decades in Chicago at McMaster-Carr. – Jessica Nicholson

The Neal Agency promoted Kelly Littlefield to president of operations for TNA and Sticks Management. Littlefield has been with TNA since 2022 and previously served in roles at WME and ONErpm. Three additional staffers were promoted, with Clark Wilson rising from agent assistant to agent, fairs & festivals; Simone Chretien rising from booking coordinator to agent, Southeast territory; and Juliette Edwards rising from booking coordinator to agent, West Coast territory. – Jessica Nicholson

Related

Entertainment merchandising company Futureshirts promoted Matt Pih to partner/president. Pih joined Futureshirts in 2019 and previously served in roles at Live Nation Entertainment, Bravado International Group, Manhead and more. The Nashville-based Futureshirts offers a wide range of services, including product development, touring, on-site support, ecommerce and fulfillment, brand licensing, and retail strategy. The company recently teamed with entertainers including country singer Cody Johnson, comedian Nikki Glaser and singer Josh Groban; it has also worked with Riley Green, Carly Pearce, TobyMac, Laufey and more. – Jessica Nicholson

Full-service entertainment agency Dynamic Talent International appointed Eileen Mercolino as senior vp of brand partnerships. In the role, Meroloino will lead brand strategy and partnership development across the Dynamic roster, focusing on collaborations that align artists with brands. She has held senior leadership roles at Danny Wimmer Presents, Gibson Brands, SPIN, Disney, Good Things Agency, Live Nation, 20th Century Fox Films and the Vans Warped Tour. – Chris Eggertsen

New Music USA, a national nonprofit “dedicated to advancing new music in all its forms,” appointed Vanessa Rose as president/CEO. Rose, who starts in the role on Oct. 15, succeeds Vanessa Reed, who was president/CEO from 2019 to 2025. She joins New Music USA from the American Composers Forum, which she led since 2019. She has also held leadership roles at the International Contemporary Ensemble, The Knights orchestral collective, the Lark Play Development Center and American Composers Orchestra; she additionally served as board chair of the Performing Arts Alliance. New Music USA provides more than $1 million in annual grant funding and partners with community-based organizations across the U.S. – Chris Eggertsen