A federal jury on Friday (Oct. 21) said Cardi B was not legally liable in a lawsuit filed by a California man whose back tattoos were unwittingly photoshopped onto an album cover, making it look like — he claimed — he was the one performing oral sex on her, according to Law360. The verdict allows the superstar to avoid millions of dollars in requested damages.

Following a four-day trial, the jurors said that Cardi (real name Belcalis Almánzar) did not violate Kevin Brophy’s rights with the bawdy cover of her 2016 mixtape Gangsta Bitch Music Vol. 1, which accidentally featured a large image of Brophy’s back tattoo.

The actual man in the image was a model who had consented to the shoot, but a giant tattoo on the man’s back belonged to Brophy. Unbeknownst to Cardi, a freelance graphic designer had typed “back tattoos” into Google Image, found one that fit (Brophy’s), and Photoshopped it onto the model’s body. It apparently didn’t occur to him that he would need anyone’s approval to do so.

Brophy testified that the “raunchy” cover had been a “complete slap in the face” that had caused him “hurt and shame,” but jurors were clearly swayed by Cardi’s defenses — like the idea that nobody could even recognize him from the image of his back.

Brophy sued in 2017 for millions in damages, claiming he was “devastated, humiliated and embarrassed” by the cover. He claimed Cardi and others violated his so-called right of publicity by using his likeness without his consent, and also violated his right to privacy by casting him in a “false light” that was “highly offensive.”

Ahead of the trial, Cardi’s legal team argued those accusations were “sheer fantasy” and “vastly overblown” — and that Brophy was just suing her in an effort to “cash in the legal equivalent of a lotto ticket.” Her team says nobody would have recognized a relatively unknown man based merely on his back, and that he has little proof anyone did.

Friday’s verdict came after four heated days of trial. Cardi took the witness stand on Wednesday, repeatedly sparring with an opposing attorney, demanding “receipts” to support Brophy’s claims, and accusing him and his lawyers of “harassing” her in hopes of scoring a settlement.

Brophy has options to appeal the verdict, if he so chooses: First by asking the judge to overturn the verdict, and then by taking the case to a federal appeals court.

For over a decade, Taylor Swift has been offering fans a multitude of options when it comes to purchasing her albums across physical formats with exclusive editions available through a longstanding partnership with Target. But with her new album, Midnights, out Friday (Oct. 20), she’s truly outdone herself.

There are over 20 different versions of the album available on CD, LP and cassette in various colors, with different cover artwork, censored and uncensored, with and without autographs. That plethora of options is great for fans who may want a different version than their friends, or who — as many seem to — feel driven to collect them all. It’s also great for Swift, who’s earning more money from increased sales that will impact her performance on the Billboard charts and likely add up to one of the year’s best album debut weeks.

Few artists, if any, attract as much attention as Swift does for her promotion and sales strategy, thanks largely to her close relationship with her fans. In turn, she is brilliant at developing physical goods they want to buy, in addition to just streaming her music. Last year, following the release of her re-recordings of Fearless and Red, she accounted for one out of every 50 albums sold in the U.S., according to Luminate. She knows Swifties are collectors, and is now providing not only the multiple Midnights versions but elaborate containers to put them in, like a $39 CD clock or vinyl clock for $49, which display the four albums in a timely format, or $79 faux-leather vinyl collector’s case.

In today’s streaming-centric music industry, physical albums have become collectible tokens of fandom, and artists have been responding to growing demand. BTS and other K-pop megastars regularly rack up huge numbers by selling CDs and LPs with different colors and exclusive postcards and photos sold as collectible items, with the music as a secondary benefit. When South Korean boy band Stray Kids’ MAXIDENT topped the most recent Billboard 200 chart for the week of Oct. 22, it did so with 10 CD versions, including autographed CDs and exclusive Barnes & Noble and Target releases. Increasingly, it’s becoming a mainstream strategy for acts in the U.S., too. Such disparate acts as Denzel Curry and Slipknot have recently released various physical versions of their new albums as well. It just so happens that these sales all count towards an album’s Billboard chart performances. So by offering four different versions of Midnights per format, Swift is at least quadrupling her revenue from some super fans, as well as their impact on the charts.

Based on Billboard‘s research, here is a full rundown of the different Midnights versions fans can buy:

CDs:
Moonstone Blue
Blood Moon
Mahogany
Jade Green

Signed CDs:
Moonstone Blue (Webstore Exclusive)
Blood Moon (Webstore Exclusive)
Mahogany (Webstore Exclusive)
Jade Green (Webstore Exclusive)

Clean-version CDs:
Moonstone Blue
Blood Moon
Mahogany
Jade Green

Vinyl LPs:
Moonstone Blue
Blood Moon
Mahogany
Jade Green

Signed Vinyl LPs:
Moonstone Blue (Webstore Exclusive)
Blood Moon (Webstore Exclusive)
Mahogany (Webstore Exclusive)
Jade Green (Webstore Exclusive)

Cassettes:
Moonstone Blue

Target Exclusives:
Lavender Deluxe CD (With Three Bonus Tracks)
Lavender Vinyl LP

Digital:
Moonstone Blue (Webstore Exclusive)
Moonstone Blue (Clean) (Webstore Exclusive)
Standard – 13 Tracks
Standard – 13 Tracks (Clean)
Standard – 14 Tracks
Standard – 14 Tracks (Clean)

Just days after announcing their collaboration, The Rudeboyz, Maluma and Adam Levine have released “Ojalá,” a sultry reggaeon track, on which the Maroon 5 frontman sings in Spanish for the first time.

The new song — produced by Maluma’s longtime collaborators The Rudeboyz — finds the Colombian star and Levine trading verses about losing a girl and getting over the heartbreak. They both declare: It won’t be easy getting over them. “Ojalá” is the debut single from The Rudeboyz’s upcoming debut album.

The track arrived alongside a music video directed by Diane Martel via NEON16 & Sony Music Latin. The three-minute clip stars off with Chan El Genio and Kevin ADG (The Rudeboyz) listening to an “incredible” beat they just produced and say, “What if we can get Maluma and Adam Levine on this song, we’d kill it. Can you imagine? That would be a dream.”

The artists first announced the collaboration Oct. 14 on social media. Levine teased a 20-second clip of the upbeat track on his TikTok page, captioning the post, “#Ojala @RUDEBOYZ @Juan Luis.” Maluma shared the snippet to his Instagram Stories and as a post, writing on one Story, “What do you think about this?” Meanwhile, The Rudeboyz wrote, “A very important release for us with people we admire a lot!!  Keep your eyes on this !! @maluma @adamlevine.”

Back in June, Levine had already hinted at a possible collaboration with Maluma. He posted a photo of them on Instagram of the two hanging out in a studio and wrote, “World ain’t ready.”

The Rudeboyz, who were recently signed by Tainy‘s NEON16, have produced hits for artists such as Shakira, Sech, Jennifer Lopez, Prince Royce and Sebastián Yatra, among others.

Check out “Ojalá’s” music video below: