Ever dreamed about Christina Aguilera announcing that you had a potential new hookup? Well, thanks to her new collaboration with LGBTQ+ dating app Grindr, that dream is now a reality.

Grindr revealed in an announcement on Monday (Sept. 15) that Aguilera would be joining the app as its new “wingwoman,” and using her voice as a notification for fans. Swapping out the brand’s iconic “bloop” sound effect that lets users know they have a new match, the app will now play the first few seconds of the singer’s No. 1 hit song “Come on Over Baby (All I Want Is You),” letting users know that someone wants them to, well, come on over.

The new partnership comes just ahead of Aguilera’s upcoming headline set at Portola Music Festival, where she’s set to take to the stage on Saturday (Sept. 20). Aguilera will be joined at the festival by fellow headliners LCD Soundsystem, The Prodigy, Dom Dolla, Mau P, Arca and more.

“Portola, Grindr and me? That’s a threesome I can get behind,” Aguilera said of the new collaboration in a statement. “When that ‘Come On Over’ sound hits at the festival, or wherever you’re celebrating, I hope things get spicy!”

In a new video posted to celebrate the collaboration, Aguilera prepares for her Portola performance, while a number of assistants flit around her, confirming timelines for the show. When she starts hearing her own voice singing “come on over,” she gets flustered. “Guys, what the f–k is that?” she asks as each of her assistants responds to the Xtina-themed DMs they got on the app, leaving the dressing room with haste.

For much of her career, Aguilera has been heralded as an ally to the LGBTQ+ community, with many crediting her song “Beautiful” as a queer anthem. In a letter posted by Billboard in 2017, the pop superstar thanked her queer fans for their long-lasting support, and how that has impacted her own outlook on her career. “Please know that to me you all represent the daily driving voice that tells me to keep going, to triumph against all odds and to celebrate being unique,” she wrote at the time. “Because being unique doesn’t make us different from anyone else — it just makes us more special.”

Watch the announcement for Aguilera’s new Grindr collab below:

Maurene Comey, the lead federal prosecutor at Sean “Diddy” Combs sex-trafficking trial, is suing the Trump administration over her “unlawful and unconstitutional” firing in July.

Comey, the daughter of former FBI director James B. Comey, says she was terminated shortly after the Diddy verdict as political payback because her a father is one of President Donald Trump’s most famous foes.

“The politically motivated termination of Ms. Comey … upends bedrock principles of our democracy and justice system,” her lawyers write. “Assistant United States Attorneys like Ms. Comey must do their jobs without fearing or favoring any political party or perspective.”

Comey, who worked at the Manhattan U.S. Attorney’s Office since 2015, rose to prominence as one of the lead prosecutors in the sex trafficking case against Ghislaine Maxwell, a top accomplice of Jeffrey Epstein, eventually securing a guilty verdict and a 20-year prison sentence.

In December, she joined the team preparing to go to trial against Combs, who faced charges of racketeering, sex trafficking and prostitution over allegations that he “abused, threatened and coerced women” into partaking in drug-fueled sex parties.

At Diddy’s blockbuster trial in May, Comey often took center stage as the lead prosecutor on the case, questioning witnesses during the two-month courtroom showdown. But the results in that case were more mixed: Jurors largely acquitted Combs, convicting him only on lesser prostitution charges. He’ll face sentencing in October on those counts.

Weeks after the Diddy verdict dropped, Comey was terminated by the Department of Justice without explanation. In a leaked memo, she said she had been fired without cause and urged her former colleagues to show “righteous indignation at abuses of power.”

“If a career prosecutor can be fired without reason, fear may seep into the decisions of those who remain. Do not let that happen,” she wrote at the time, according to the Associated Press. “Fear is the tool of a tyrant, wielded to suppress independent thought.”

In her lawsuit on Monday, Comey made those vague allegations more explicit: That she had been fired illegally because of her father, who drew Trump’s ire during his first administration and has become a persistent critic since Trump fired him in 2017.

“Ms. Comey’s termination was designed to retaliate against her based on her familial relation as the daughter of James B. Comey, or because of her perceived political affiliation and beliefs, or both,” she says. “No other plausible explanation exists for her termination—and certainly none was provided.”

Comey says she “consistently received ‘Outstanding’ reviews and glowing feedback from her superiors.” She also says the move cannot be over her handling of the high-profile Epstein and Combs cases – since she was the only prosecutor fired from those teams.

Instead, her lawyers say she was fired for politics. They cited social media statements from conservative activist Laura Loomer, including one after news broke of Comey’s firing: “This comes 2 months after my pressure campaign on Pam Blondi [sic] to fire Comey’s daughter and Comey’s son in law from the DOJ,” Loomer wrote on X (formerly Twitter).

The lawsuit sheds more light on the exact lead-up to Comey’s termination, including that she was fired via email at 4:57 p.m. on July 16 – a move that left her supervisors “visibly shocked and upset by the news.” When she immediately met with Manhattan U.S. Attorney Jay Clayton, she says he offered little additional explanation.

“Ms. Comey asked the basis for the termination,” her lawyers write. “U.S. Attorney Clayton responded, in sum and substance: ‘All I can say is it came from Washington. I can’t tell you anything else’.”

In technical terms, the lawsuit accuses the government of violating Comey’s constitutional rights to free speech and due process, of breaching the constitutional separation of powers, and of violating civil service protections for federal employees.

Spokespersons for both the Justice Department and Clayton did not immediately return requests for comment.

Bad Bunny‘s No Me Quiero Ir de Aquí residency isn’t wrapping up just yet. The Puerto Rican superstar announced on Monday (Sept. 15) a surprise show that is set to livestream on Amazon Music.

Amazon Music’s “multilayered” collaboration with Bad Bunny “will showcase Puerto Rico on a global stage while delivering lasting community impact,” according to a press release. Bad Bunny will extend his No Me Quiero Ir de Aquí residency — which kicked off July 11 — with No Me Quiero Ir de Aquí: Una Más (I Don’t Want to Leave Here: One More), a special performance at José Miguel Agrelot Coliseum of Puerto Rico on Saturday, Sept. 20.

The show will be broadcast worldwide via livestream beginning at 8:30 p.m. ET on the Amazon Music app, the Amazon Music channel on Twitch (@AmazonMusic) and available to all Amazon customers on Prime Video.

The final performance will observe the eighth anniversary of Hurricane Maria, and will launch a multiyear initiative between Bad Bunny and Amazon Music that spans education, disaster relief and cultural empowerment. The partnership, according to the press release, will implement programs that uplift Puerto Rico’s economy and create meaningful change across the island.

“Benito embodies the spirit of Puerto Rico, and together we’re creating a celebration that transforms his passion for the island into real impact for its people,” Rocío Guerrero, director of music, Latin-Iberia, Amazon Music, said in a statement. “By combining music, Amazon technologies, commerce and community programs at scale, we’re engaging global audiences to this historic moment while strengthening Puerto Rican communities. We are incredibly proud of this multiyear collaboration, which turns the power of music into meaningful and lasting progress for the island.”

“Puerto Rico is our home, and everything we do is shaped by the island and its people,” added Noah Assad, CEO, RIMAS Entertainment. “This collaboration is about more than music; it’s about honoring our culture and making sure the world not only sees Puerto Rico but also supports and invests in it. Together with Amazon, we’re creating something that will last long after the show ends.”

Registration for the Sept. 20 show is now open to residents with a valid Puerto Rico phone number at nomequieroirdeaqui.com. Fans who receive a code can access pre-sale starting Wednesday, Sept. 17, at 10 a.m. local time.

Bad Bunny’s historic 30-day No Me Quiero Ir De Aquí residency saw an influx of more 250,000 visitors during the run, positioning the island as an entertainment destination while benefiting the local economy and uplifting small businesses. Some of his guests throughout the residency included Belinda, Residente, Feid, Rauw Alejandro and Ozuna.

He’s worked in radio, written stories for a broadcasting trade magazine and conducted data analysis for the U.S. Air Force and the National Security Agency (NSA).

His life experience to date has prepared Russ Penuell to become Billboard’s country, Christian and gospel charts and data analyst on Sept. 16, replacing senior chart manager Jim Asker, who concluded 10 years of full-time work in the role in August.

“I don’t know that there’s been anything else that I’ve done that seems so fitting,” Penuell says. “It just kind of all came together.”

A native of Logansport, La., Penuell’s grandfather published a chain of newspapers in the state, and young Russ emulated his elder by hawking fact sheets and short stories at the side of the road much as other kids would sell lemonade. By his teens, Penuell was obsessed with another form of media, listening regularly to weekend countdown shows and taking them an extra step.

“I had a notepad and wrote down the songs, trying to predict where they would land on the countdown, not knowing what was going on behind it,” he recalls. “I was always fascinated with that.”

As a teen, Penuell badgered a local radio station for a job until management finally let him haul trash, and it grew into on-air work. When he landed a gig at KXKS Shreveport, La., the cluster included Country Radio Hall of Fame member Frank Page, whose 58-year tenure at KWKH included introducing Elvis Presley when The King debuted on the historic Louisiana Hayride in 1954. Penuell learned from Page’s work habits and stories on a weekend gospel show, developing a passion in the process for multiple formats of Christian music.

He moved on to jobs with WCKT Fort Myers, Fla.; WFUS Tampa, Fla.; KPLX Dallas-Fort Worth; and WSM-FM Nashville, where he served as PD. That led to a five-year stint as radio editor for trade publication Country Aircheck and subsequent work with CMT.

Penuell transitioned into public service from there, becoming an intelligence analyst with the U.S. Air Force and the NSA. It was, perhaps, an unusual career move, but it heightened his fascination with data.

“They put you through intense training in pattern recognition, trying to be objective and thinking outside of the box,” Penuell recalls. “If it taught me anything, it’s the importance of trying to look at a data set from all angles. Very often, it was stuff that you just didn’t even think was related, and then you start putting the puzzle pieces together and you realize you found important information through a more holistic approach.”

His extensive background will benefit Penuell — and Billboard — as he takes on the new position.

“We’re excited to welcome Russ to the Billboard family,” says Billboard executive vp of charts and data partnerships Silvio Pietroluongo. “His wide range of experiences with country and religious music genres, along with his data analytics skills, will bring a unique perspective to the role. Russ is only the fourth person to hold this position in the past 35 years, following Lynn Shults, Wade Jessen and Jim Asker, and I’m certain he’ll prove to be a worthy successor to that legendary trio.”

Asker, who will teach college courses after leaving Billboard, will continue with the company on a part-time basis to assist in the transition.