Things just got swaggier. In the small hours of Friday morning (Sept. 3), Justin Bieber unleashed new album Swag II with just a short warning.

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Coming just a couple of months after the release of the pop star’s first Swag album, Swag II arrived after Bieber announced its existence via a slew of electronic billboards in different cities on Thursday (Sept. 4). As opposed to Swag‘s black-and-white visuals featuring photography of the singer and his family, Swag II‘s color scheme was established as baby pink in the billboards and in posts on Bieber’s Instagram.

Disc 1 is the new release, and features 23 new cuts, led off by “Speed Demon,” “Better Man” and “Love Song.”

The surprise release of Swag II aligns with the way Bieber dropped Swag, similarly giving fans hardly any heads up before heralding its arrival a few hours prior with electronic advertisements earlier this summer. The arrival of Swag II comes after Billboard first reported that Bieber was readying a second album for release after Swag — which reached No. 2 on the Billboard 200 — dropped in July. While the first Swag was R&B-inspired, as demonstrated by Billboard Hot 100 hits such as “Daisies” and “First Place,” Billboard learned at the time that the sequel would be more pop-focused.

Before embarking on his Swag series, the Canadian star had taken a four-year break from releasing albums. His last LP before Swag was 2021’s Justice.

In total, Bieber now has eight studio albums. Seven of them have reached No. 1 on the U.S. albums chart, and the musician has reached No. 1 on the Hot 100 eight times over the course of his career.

Stream Swag II below.

Sabrina Carpenter etches her name in chart history as the first leader on the all-new ARIA Albums Chart, as Man’s Best Friend roars to No. 1.

As previously reported, ARIA, the national labels trade body and charts compiler, undertook a major overhaul to its official chart methodology, the goal of which is to increase visibility for new music and Australian releases, and to invigorate an often-stagnate albums tally.

The main change sees titles two years or older moved from the main, weekly charts to a new dedicated catalogue chart, ARIA On Replay.

Today’s the day, and the revamped albums chart, in particular, has a different look.

Carpenter’s Man’s Best Friend bolts to No. 1, ahead of the soundtrack to Netflix film Kpop Demon Hunters and Stray Kids’ KARMA, respectively.

Under the new chart system, the ARIA Albums Chart welcomes 17 new entries and 45 re-entries to the top 100, while only 38 titles from last week appear on this frame. 

The changes, ARIA CEO Annabelle Herd explained earlier this year, “will open up space in all the charts for new music and new Australian music.” She continued, “What we think we’re doing is giving more information to artists, to industry and people who are listening to new music and older music.”

The latest tally, published Friday, Sept. 5, features five Australian titles, including new releases from The Wolfe Brothers (Australian Made at No. 9) and Hayley Jensen (Country Soul at No. 14).

Over on the ARIA Singles Chart, Golden” from the KPop Demon Hunters soundtrack extends its reign to six consecutive weeks. “Golden” draws level with PSY’s 2012 smash Gangnam Style as the longest running No. 1 by a Korean artist, ARIA reports.

Meanwhile, the first No. 1 on ARIA’s Top 5 On Replay Albums tally is Sabrina Carpenter’s 2022 collection Emails I Can’t Send, and the first leader on ARIA’s Top 5 On Replay Singles survey is Goo Goo Dolls’ “Iris,” originally released in 1998.

Check out the new charts at aria.com.au.

Tones And I will get the place bouncing when she performs next month for an historic series of pre-season NBA games in Australia.

Association franchise New Orleans Pelicans will make the long haul to Melbourne, where they’ll tackle NBL finalists Melbourne United on Friday, Oct. 3, and semi-finalists South East Melbourne Phoenix, Oct. 5th, 2025, both at Rod Laver Arena.

Confirmed today, Sept. 5, the “Dance Monkey” star is the halftime entertainment for the Friday spectacle, and she’ll headline a “Fan Night” the following evening.

Tones (real name Toni Wilson) is a regular courtside guest for Melbourne United home games, and is a passionate fan of the sport. She’s the “Number 1” ticket holder for the franchise, effectively an ambassador for the team, and she performed at a half-time show and a Fan Night in October 2024.

With 2019’s “Dance Monkey,” Tones crushed chart records and landed one of the most-streamed songs in history. The track led Australia’s ARIA Chart for a record 24 weeks; held top spot on the Official UK Chart for 11 weeks, a record for a solo female artist; and went top 5 on the Billboard Hot 100. All told, the song hit the top spot on sales charts in more than 30 territories, and has danced past 3.3 billion streams on Spotify.

Tones has two ARIA No. 1 albums to her name, a slew of ARIA Awards, and she’s said play the point guard position like a pro.

The NBAxNBL games will be the first played by NBA squads in Australia, one of the Association’s most fanatical international markets. Australia is said to be the No. 2 territories outside of the United States for subscriptions to the NBA’s League Pass app.

The NBA’s long-overdue crossing to Australia follows the announcement by the NFL this year of a multi-year arrangement to play regular season games at the Melbourne Cricket Ground from next year, featuring the Los Angeles Rams. 

Kevin Parker is taking the Deadbeat route.

The celebrated psychedelic pop artist and production wizard is lining up his fifth Tame Impala album, Deadbeat, for an Oct. 17th global release — his first through the Sony Music machine.

Deadbeat is inspired by the “bush doof” culture of his native, Western Australia rave scene, and recasts his ongoing art project as “a kind of future primitive rave act in the process,” reads a statement.

The second taste from Deadbeat is “Loser,” a track that’s accompanied with a music video directed by Kristofski and starring Stranger Things‘ Joe Keery (aka Djo). It’s the followup to lengthy electronic banger “End of Summer,” which arrived, fully formed, in July of this year.

“Loser” is a departure from those parties in paddock, instead taking us on a magic carpet ride to a funky ‘70s houseparty. And no, it’s not a cover of Beck’s self-deprecating classic from 1994.

Parker “largely galvanized” the new album between his hometown of Fremantle and his studio, Wave House in Injidup, Western Australia in the first half of this year.

Essentially a one-man band (though Parker takes a full unit on the road), Tame Impala has collected ARIA Awards, APRA Awards, a Brit Award, and earlier this year, a Grammy, by way of a collaboration with Justice.

Deadbeat arrives more than half a decade after The Slow Rush, from February 2020, an album that went to No. 1 on Australia’s ARIA Chart, and earned career peaked positions on the Billboard 200 and Official U.K. Albums Chart UK, both at No. 3. Its predecessor, 2015’s Currents, topped the Australian chart and crashed the top 5 in the U.S. (at No. 4) and in the U.K. (No. 3), where Parker collected the Brit Award for best international group.

The forthcoming album “sounds like the work of an artist with a leveled-up mastery, crafted with a newfound embrace of spontaneity for the renowned perfectionist,” reads a statement. “How that manifests is a distinct minimalism and crunch, with timbres and textures that add an ineffably new dimension to the sound, as well as a richer, more playful vocal range than ever.”

The new collection is the first through Columbia Records, following a years-long relationship with Modular Recordings and Universal Music.

Although Tame Impala is not currently on tour, Parker will enjoy the southern summer when he takes the stage as a a special guest DJ for Justice’s Australian arena tour in December 2025.

Deadbeat is available for pre-order here, and exclusive vinyl color-variants can be ordered here

Wu-Tang Clan’s RZA, Raekwon & Cappadonna accept the Hip Hop Hall of Fame Award at Billboard’s R&B Hip-Hop Power Players 2025.

Cardi B accepts the Impact Of The Year Award at Billboard’s R&B Hip-Hop Power Players 2025.

The forthcoming Netflix series Black Rabbit stars Jude Law and Jason Bateman as the brothers behind a white-hot restaurant and VIP lounge in New York City. If that premise isn’t enticing enough, the show will also get a heavy dose of glamour via RAYE, who will appear in an episode of the show playing herself while performing the show’s titular establishment. Billboard is premiering exclusive images from her appearance on the show.

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In tandem with the news, RAYE has released a cover of “What a Difference a Day Makes,” a beloved standard whose 1959 recording by Dinah Washington won a Grammy for best rhythm & blues performance. RAYE’s take on the song is out now.

Premiering on the streamer Sept. 18, Black Rabbit is a limited series with a premise that follows “the owner of the hottest restaurant in New York” (Law) who allows his troubled brother (Bateman) to return to the family business, a move that “opens the door to old traumas and new dangers that threaten to bring down everything they’ve built.”

Directors of the eight-episode series include Bateman, Laura Linney, Ben Semanoff and Justin Kurzel.

Raye as Self in Black Rabbit.

Raye as Self in Black Rabbit.

Krista Schlueter/Netflix

“I am very grateful to Netflix and the Black Rabbit team for inviting me to be a little part of this series,” says RAYE. “To Miss Laura Linney for having me, it was such a privilege to play a teeny tiny part under your vision. Reading my very first ever ‘on screen’ lines, whilst staring into Jason Bateman’s eyes is a life experience I will never forget, hahahah!

“Regarding the music,” she continues, “I’m absolutely head over heels in love with Dinah Washington, who sang the version of this song I am most in love with. It’s always tough to cover a song sung by the irreplaceable inimitable voices of the jazz age but I hope my love of the song shines through.”

(L to R) Raye as Self, Sope Dirisu as Wes in Black Rabbit.

(L to R) Raye as Self, Sope Dirisu as Wes in Black Rabbit.

Krista Schlueter/Netflix

Ravyn Lenae accepts the R&B Rookie of the Year, GELO accepts the Hip-Hop Rookie of the Year and Odeal accepts African Rookie of the Year.

Top Dawg accepts the Executive of the Year Award at R&B Hip-Hop Power Players 2025.

Leon Thomas accepts the Breakthrough of the Year Award at Billboard’s R&B/Hip-Hop Power Players 2025.