A veritable treasure trove of unreleased and unheard Billy Joel material has arrived alongside the conclusion of the music legend’s And So It Goes documentary.

Celebrating the life and over 60-year career of the Grammy Award-winning recording artist, Billy Joel: And So It Goes made its debut on HBO on July 18, with its second and final part premiering a week later on Friday, July 25.

Just hours after the conclusion of the film, an extensive 155-track “musical companion” was uploaded to streaming services, compiling six-and-a-half hours of unheard material and live performances from Joel’s storied career.

Alongside early tracks from his time as a member of groups such as The Hassles and The Lost Souls, the 115 songs are also accompanied by audio clips of Joel and others providing introductions to the following selections.

A number of live cuts from notable performances such as Joel’s appearance on The Old Grey Whistle Test and some recorded the day he signed with Columbia Records, are also present, as is the debut rendition of “Scenes From an Italian Restaurant” – recorded on May 6, 1977 at C.W. Post College in Long Island.

“I always wanted to write a cinematic type of song about the lives of people I knew in high school,” Joel explains of the song. “People who peaked too early.”

Though never released as a single, the near-eight-minute song was later released on The Stranger that same year and would become one of Joel’s most revered songs, along with his most-played.

Produced by Steve Cohen, Bradshaw Leigh and John Jackson, the new collection is likely to be accompanied further releases of similarly unheard material in the future. “There’s a ton of stuff that’s in his personal vault and there’s a ton of stuff that’s in Sony’s vault, with not a ton of overlap,” Jackson told Ultimate Classic Rock. “We are determined to go through both things in the coming years.

The premiere of the new documentary comes just months after the Rock & Roll Hall of Famer canceled all of his upcoming shows due to his diagnosis of normal pressure hydrocephalus, writing in a statement at the time, “I’m sincerely sorry to disappoint our audience, and thank you for understanding.” 

His team also shared at the time that he would be undergoing “specific physical therapy” to combat the disorder, which has affected his hearing, vision, balance and performance capabilities.

Joel provided an update as to his current health status during an appearance on Bill Maher’s Club Random Podcast just last week on July 21. “I feel good,” he explained. “They keep referring to what I have as a brain disorder, so it sounds a lot worse than what I’m feeling.”

The dust has settled on Australian youth broadcaster triple j’s latest countdown, with INXS topping their Hottest 100 of Australian Songs poll.

Unveiled on Saturday (July 26), the event was a variation from the station’s normal countdowns, which have been held annually since 1993 as a way to determine the listener base’s favorite track of the previous calendar year.

Other one-off events have taken place over the years, with their most recent occurring in 2023 when the station counted down the listener-voted poll of the best performances from their regular Like a Version series.

However, while January’s 2024 countdown revealed that listeners loved Chappell Roan’s “Good Luck, Babe!” the most, it also resulted in the lowest showing for local artists in 29 years. With triple j also celebrating their 50th anniversary that same month, it was announced in June that a new poll would take place focusing solely on Australian artists.

Topping the list of homegrown favorites was INXS’ 1987 track “Never Tear Us Apart,” taken from their Kick album, which gave the Sydney group a career-best when it peaked at No. 3 on the Billboard 200 upon its release.

While the record spawned four charting singles – including “Need You Tonight,” “Devil Inside,” and “New Sensation” which hit the top three spots on Billboard’s Hot 100, respectively – “Never Tear Us Apart” was the record’s least-successful, hitting a still-impressive No. 7.

The band’s appearance in the poll was the first time they appeared in a Hottest 100 countdown, ultimately placing twice alongside the aforementioned “Need You Tonight” at No. 59.

The remainder of the top ten featured South Australian hip-hop pioneers the Hilltop Hoods at No. 2 with “The Nosebleed Section,” and sibling duo The Veronicas at No. 3 with “Untouched,” which had previously peaked at No. 17 on the Hot 100 in 2009.

Missy Higgins’ “Scar” and Crowded House’s “Don’t Dream It’s Over” (No. 2 on the Hot 100 in 1987) rounded out the top five. Meanwhile Powderfinger’s “My Happiness” (which had previously topped the station’s annual poll in 2000) followed at #6, before back-to-back placings by pub-rock stalwarts Cold Chisel were joined by Paul Kelly’s perennial seasonal anthem “How to Make Gravy.”

The top ten was capped off by Gotye’s 2011 chart-topper “Somebody That I Used to Know,” while the only other track in the countdown to have previously topped the Hot 100 was Men at Work’s 1981 single “Down Under,” which reached No. 21.

The final tally was the result of 2.6 million votes, with the average year of songs featured being 1999. 

triple j’s sister station, Double J, are presently in the process of counting down the songs that placed in the 200 – 101 positions throughout the coming week, before an additional airing of those songs takes place on Saturday (Aug. 2).

The full list of triple j’s Hottest 100 of Australian Songs can be found via the station’s website.

Jennifer Lopez faced a wardrobe malfunction that left her on stage in her underwear at a concert in Warsaw, Poland, on Friday night (July 25) — by shrugging it off with a smile.

Emerging from backstage following a wardrobe change, she found herself surprised with a “Happy Birthday” sing-along by her backup singers, dancers and the crowd at PGE Narodowy. But everyone in the room seemed surprised when the star’s gold skirt fell to the floor.

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“Oh!” she said. “I’m out here in my underwear. That’s gonna be everywhere.”

When the garment couldn’t easily be reattached, Lopez — who turned 56 earlier in the week, on July 24 — simply threw it into the crowd.

“I’m glad that they reinforced that costume,” she joked. “And I’m glad I had underwear on. I don’t usually wear underwear.”

Whichever fan caught the skirt got to go home with a one-of-a-kind souvenir from J. Lo’s Up All Night Tour: “You can keep it,” Lopez called out. “You can have it. I don’t want it back.”

“You can have it, forever and ever,” she added with a laugh.

A good sport, Lopez uploaded a video of the whole ordeal on her official YouTube channel.

In the clip, she also told her fans and tour crew how appreciative she was of the everyone’s support.

“I am so thankful to be here in beautiful Warsaw on my birthday,” the singer announced. “I gotta tell you, surrounded by my incredible dancers, my band, my crew, everybody — I am so blessed. I don’t usually give any advice to anybody because I feel like we’re all on our own specific journey. … If I had one little piece of advice for you, it would be to do what you love, find what you love, do it, and do it with people that you love, and then you will have the most amazing life. I can say that firsthand.”

She said, “And I also want to say that I believe that the amount of happiness that you have in your heart is, is tied directly to how free you feel, and I wish you guys all the same happiness and freedom and the way you made me feel tonight. … I want you to be feel free to love, free to be who you are, free to just follow your dreams and do all the things that you want to do. I just want you to feel free.”

See J. Lo’s birthday surprise below.

An “unseen ferry schedule” has gotten in the way of Monday night’s Drake concert in Manchester, England. The July 28 gig at Co-op Live, which was meant to be the third of a trio of concerts the rapper had scheduled at the arena, was called off on Sunday in an announcement posted on the venue’s website.

“Due to unforeseen ferry schedule and travel logistics, tomorrow’s performance in Manchester on July 28th has been rescheduled,” said the statement. “The good news is that Drake will now perform in Manchester on Tuesday, August 5th, and it’s set to be an unforgettable night. All tickets remain valid for the new date—we can’t wait to see you there!”

Drake was already set to perform again at Co-op Live on Aug. 4, so his return to Manchester will now be a two-night run. In between his July and August Manchester concert dates he’ll perform in Amsterdam.

The shows are a part of his summer tour with PARTYNEXTDOOR., dubbed $ome $pecial $hows 4 UK.

Earlier this year Drake and PARTYNEXTDOOR released $ome $exy $ongs 4 U, their collaborative album that reached No. 1 on the Billboard 200 and No. 3 on the U.K. Official Albums Chart. It marked Drake’s 14th No. 1 on the Billboard 200 and PARTYNEXTDOOR’s first.

This week in Drake news brought new track “Which One” with Central Cee, which made its official premiere during the second episode of Drake’s Iceman stream — following Drake’s recent three-night headlining run at Wireless Festival, where Central Cee made a guest appearance.

Tom Lehrer, the popular and erudite song satirist who lampooned marriage, politics, racism and the Cold War, then largely abandoned his music career to return to teaching math at Harvard and other universities, has died. He was 97.

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Longtime friend David Herder said Lehrer died Saturday at his home in Cambridge, Massachusetts. He did not specify a cause of death.

Lehrer had remained on the math faculty of the University of California at Santa Cruz well into his late 70s. In 2020, he even turned away from his own copyright, granting the public permission to use his lyrics in any format without any fee in return.

A Harvard prodigy (he had earned a math degree from the institution at age 18), Lehrer soon turned his very sharp mind to old traditions and current events. His songs included “Poisoning Pigeons in the Park,” “The Old Dope Peddler” (set to a tune reminiscent of “The Old Lamplighter”), “Be Prepared” (in which he mocked the Boy Scouts) and “The Vatican Rag,” in which Lehrer, an atheist, poked at the rites and ceremonies of the Roman Catholic Church. (Sample lyrics: “Get down on your knees, fiddle with your rosaries. Bow your head with great respect, and genuflect, genuflect, genuflect.”)

Accompanying himself on piano, he performed the songs in a colorful style reminiscent of such musical heroes as Gilbert and Sullivan and Stephen Sondheim, the latter a lifelong friend. Lehrer was often likened to such contemporaries as Allen Sherman and Stan Freberg for his comic riffs on culture and politics and he was cited by Randy Newman and “Weird Al” Yankovic among others as an influence.

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He mocked the forms of music he didn’t like (modern folk songs, rock ‘n’ roll and modern jazz), laughed at the threat of nuclear annihilation and denounced discrimination.

But he attacked in such an erudite, even polite, manner that almost no one objected.

“Tom Lehrer is the most brilliant song satirist ever recorded,” musicologist Barry Hansen once said. Hansen co-produced the 2000 boxed set of Lehrer’s songs The Remains of Tom Lehrer and had featured Lehrer’s music for decades on his syndicated “Dr. Demento” radio show.

Lehrer’s body of work was actually quite small, amounting to about three dozen songs.

“When I got a funny idea for a song, I wrote it. And if I didn’t, I didn’t,” Lehrer told The Associated Press in 2000 during a rare interview. “I wasn’t like a real writer who would sit down and put a piece of paper in the typewriter. And when I quit writing, I just quit. … It wasn’t like I had writer’s block.”

He’d gotten into performing accidentally when he began to compose songs in the early 1950s to amuse his friends. Soon he was performing them at coffeehouses around Cambridge, Mass., while he remained at Harvard to teach and obtain a master’s degree in math.

He cut his first record in 1953, Songs by Tom Lehrer, which included “I Wanna Go Back to Dixie,” lampooning the attitudes of the Old South, and “Fight Fiercely, Harvard,” suggesting how a prissy Harvard blueblood might sing a football fight song.

After a two-year stint in the Army, Lehrer began to perform concerts of his material in venues around the world. In 1959, he released another LP called More of Tom Lehrer and a live recording called An Evening Wasted with Tom Lehrer, nominated for a Grammy for best comedy performance (musical) in 1960.

But around the same time, he largely quit touring and returned to teaching math, though he did some writing and performing on the side.

Lehrer said he was never comfortable appearing in public.

“I enjoyed it up to a point,” he told The AP in 2000. “But to me, going out and performing the concert every night when it was all available on record would be like a novelist going out and reading his novel every night.”

He did produce a political satire song each week for the 1964 television show That Was the Week That Was, a groundbreaking topical comedy show that anticipated Saturday Night Live a decade later.

He released the songs the following year in an album titled That Was the Year That Was. The material included the song “Who’s Next?” that ponders which government will be the next to get the nuclear bomb … perhaps Alabama? (He didn’t need to tell his listeners that it was a bastion of segregation at the time.) “Pollution” takes a look at the then-new concept that perhaps rivers and lakes should be cleaned up.

He also wrote songs for the 1970s educational children’s show The Electric Company. He told The AP in 2000 that hearing from people who had benefited from them gave him far more satisfaction than praise for any of his satirical works.

His songs were revived in the 1980 musical revue Tomfoolery and he made a rare public appearance in London in 1998 at a celebration honoring that musical’s producer, Cameron Mackintosh.

Lehrer was born in 1928, in New York City, the son of a successful necktie designer. He recalled an idyllic childhood on Manhattan’s Upper West Side that included attending Broadway shows with his family and walking through Central Park day or night.

After skipping two grades in school, he entered Harvard at 15 and, after receiving his master’s degree, he spent several years unsuccessfully pursuing a doctorate.

“I spent many, many years satisfying all the requirements, as many years as possible, and I started on the thesis,” he once said. “But I just wanted to be a grad student, it’s a wonderful life. That’s what I wanted to be, and unfortunately, you can’t be a Ph.D. and a grad student at the same time.”

He began to teach part-time at Santa Cruz in the 1970s, mainly to escape the harsh New England winters.

From time to time, he acknowledged, a student would enroll in one of his classes based on knowledge of his songs.

“But it’s a real math class,” he said at the time. “I don’t do any funny theorems. So those people go away pretty quickly.”

FireAid, the all-star benefit concert event put on in January, raised $100 million for Los Angeles wildfire relief efforts. On Saturday (July 26), the team behind the dual shows at L.A.’s Intuit Dome and Kia Forum released a statement in response to “misinformation being shared online” regarding funds distribution.

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The long list of performers at FireAid — which was livestreamed, and drew in more than 50 million viewers — included Green Day with Billie Eilish, Jelly Roll, Katy Perry, Lady Gaga, Olivia Rodrigo, Peso Pluma, Stevie Wonder, Lil Baby, Tate McRae, Sting, Alanis Morissette, Anderson .Paak with Dr. Dre and Sheila E, Dawes, John Mayer, a Nirvana reunion, Joni Mitchell, a reunited No Doubt, P!nk and the Red Hot Chili Peppers, and many others. Funds were raised from ticket and merchandise sales, sponsorships, donations from the public and private gifts.

In February FireAid reported its first disbursement of funds in the amount of approximately $50 million, and in June the distribution of a second round of grants in the amount of $25 million. It’s expected that the remaining $25 million will be distributed by the end of 2025.

In a statement shared Saturday morning, organizers said, “There has been an increasing amount of misinformation being shared online about the distribution of FireAid funds. We want to address concerns and be certain that Angelenos and the thousands of donors who generously contributed have a transparent view into how FireAid is putting their dollars to work.”

FireAid said the Los Angeles Times has reached out to more than 100 organizations that received funds to review the grants received and how the money was used, noting the publication “determined ‘FireAid was an urgent lifeline in the worst of the disaster and beyond.’”

The $100 million raised helped survivors of the L.A. wildfires recover and rebuild, said FireAid, who reported partnering with area nonprofits that have the ability to directly reach people who found themselves in need of food stability, housing and more.

“Each recipient is required to report on fund usage to ensure full transparency and impact,” said Saturday’s statement. “The year-end results, which are due in December 2025, will be audited by FireAid’s auditor, KPMG.”

The FireAid website has a list of partners who’ve received grants — which is available at fireaidla.org/grants — and will continue to publish documentation of how funds are reaching people affected by L.A.’s wildfires.

“While there is much more work to do, the money raised through FireAid is delivering much needed assistance to as many people as possible,” said the note released on Saturday.

See the full statement below.

The 2025 Soundside Music Festival in Bridgeport, Conn., has been canceled due to “circumstances beyond our control,” organizers announced Friday (July 25).

This year’s event was scheduled for Sept. 27–28 at Seaside Park, with headliners The Killers, Weezer, Hozier and Vampire Weekend.

“Due to circumstances beyond our control, Soundside Music Festival has been cancelled,” organizers wrote in a statement on the festival’s website. “Tickets will be refunded to the original method of payment in as little as 30 days depending on your bank’s processing time.”

Soundside’s social media accounts had also been deleted as of press time.

In a statement to Billboard, organizers added, “We are deeply grateful to the City of Bridgeport, Mayor Ganim, our local partners, and all the fans for their support of the festival over the years. While we’re disappointed to have canceled this year’s show, we remain proud of the incredible musical moments we shared together in Seaside Park and the opportunity to call Bridgeport home.”

The two-day festival was also set to feature acts such as Djo, Japanese Breakfast, The Backseat Lovers, Remi Wolf, Alex Warren and The Last Dinner Party.

Soundside Music Festival originally launched in 2022 as Sound on Sound before rebranding under its current name in 2024.

Last year’s Soundside was set to be headlined by Foo Fighters, who dropped off the bill just two days before the event. The band’s withdrawal came two weeks after frontman Dave Grohl revealed on Instagram that he had fathered a child outside his marriage. The Foos were later replaced by Jack White and Greta Van Fleet.

Cleo Laine, whose husky contralto was one of the most distinctive voices in jazz and who was regarded by many as Britain’s greatest contribution to the quintessentially American music, has died. She was 97.

The Stables, a charity and venue Laine founded with her late jazz musician husband John Dankworth, said Friday (July 25) it was “greatly saddened” by the news that “one of its founders and Life President, Dame Cleo Laine has passed away.”

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Monica Ferguson, artistic director of The Stables, said Laine “will be greatly missed, but her unique talent will always be remembered.”

Laine’s career spanned the Atlantic and crossed genres: She sang the songs of Kurt Weill, Arnold Schoenberg and Robert Schumann; she acted on stage and on film, and even played God in a production of Benjamin Britten’s Noye’s Fludde.

Laine’s life and art were intimately bound up with band leader Dankworth, who gave her a job and her stage name in 1951, and married her seven years later. Both were still performing after their 80th birthdays. Dankworth died in 2010 at 82.

In 1997, Laine became the first British jazz artist to be made a dame, the female equivalent of a knight.

“It is British jazz that should have received the accolade for its service to me,” she said when the honor was announced. “It has given me a wonderful life, a successful career and an opportunity to travel the globe doing what I love to do.”

Laine was born Clementina Dinah Campbell in 1927. Her father, Alexander Campbell, was a Jamaican who loved opera and earned money during the Depression as a street singer. Despite hard times, her British mother, Minnie, made sure that her daughter had piano, voice and dance lessons.

She began performing at local events at age 3, and at age 12 she got a role as a movie extra in The Thief of Bagdad. Leaving school at 14, Laine went to work as a hairdresser and faced repeated rejection in her efforts to get a job as a singer.

A decade later, in 1951, she tried out for the Johnny Dankworth Seven, and succeeded. “Clementina Campbell” was judged too long for a marquee, so she became Cleo Laine.

“John said that when he heard me, I didn’t sound like anyone else who was singing at the time,” Laine once said. “I guess the reason I didn’t get the other jobs is that they were looking for a singer who did sound like somebody else.”

Laine had a remarkable range, from tenor to contralto, and a sound often described as “smoky.”

Dankworth, in an interview with the Irish Independent, recalled Laine’s audition.

“They were all sitting there with stony faces, so I asked the Scottish trumpet player Jimmy Deuchar, who was looking very glum and was the hardest nut of all, whether he thought she had something. ‘Something?’ he said, ‘She’s got everything!’”

Offered 6 pounds a week, Laine demanded — and got — 7 pounds.

“They used to call me ‘Scruff’, although I don’t think I was scruffy. It was just that having come from the sticks, I didn’t know how to put things together as well as the other singers of the day,” she told the Irish Independent. “And anyway, I didn’t have the money, because they weren’t paying me enough.”

Recognition came swiftly. Laine was runner-up in Melody Maker’s “girl singer” category in 1952, and topped the list in 1956 and 1957.

She married Dankworth — and quit his band — in 1958, a year after her divorce from her first husband, George Langridge. As Dankworth’s band prospered, Laine began to feel underused.

“I thought, no, I’m not going to just sit on the band and be a singer of songs every now and again when he fancied it. So it was then that I decided I wasn’t going to stay with the band and I was going to go off and try to do something solo-wise,” she said in a BBC documentary.

“When I said I was leaving, he said, ‘Will you marry me?’ That was a good ploy, wasn’t it, huh?”

They were married on March 18, 1958. A son, Alec, was born in 1960, and daughter Jacqueline followed in 1963.

Despite her happy marriage, Laine forged a career independent of Dankworth.

“Whenever anybody starts putting a label on me, I say, ‘Oh, no you don’t,’ and I go and do something different,” Laine told The Associated Press in 1985 when she was appearing on stage in New York in The Mystery of Edwin Drood.

Her stage career began in 1958 when she was invited to join the cast of a West Indian play, Flesh to a Tiger, at the Royal Court Theatre, and was surprised to find herself in the lead role. She won a Moscow Arts Theatre Award for her performance.

Valmouth followed in 1959, The Seven Deadly Sins in 1961, The Trojan Women in 1966 and Hedda Gabler in 1970.

The role of Julie in Jerome Kern’s Show Boat in 1971 provided Laine with a show-stopping song, “Bill.”

Laine began winning a following in the United States in 1972 with a concert at the Alice Tully Hall in New York. It wasn’t well-attended, but The New York Times gave her a glowing review.

The following year, she and Dankworth drew a sold-out audience at Carnegie Hall, launching a series of popular appearances. Cleo at Carnegie won a Grammy award in 1986, the same year she was a Tony nominee for The Mystery of Edwin Drood.

A reviewer for Variety in 2002 found her voice going strong: “a dark, creamy voice, remarkable range and control from bottomless contralto to a sweet clear soprano. Her perfect pitch and phrasing is always framed with musical imagination and good taste.”

Perhaps Laine’s most difficult performance of all was on Feb. 6, 2010, at a concert celebrating the 40th anniversary of the concert venue she and Dankworth had founded at their home, during which Laine and both of her children performed.

“I’m terribly sorry that Sir John can’t be here today,” Laine told the crowd at the end of the show. “But earlier on my husband died in hospital.”

Laine said in an interview with the Boston Globe in 2003 that the secret of her longevity was that “I was never a complete belter.”

“There was always a protective side in me, and an inner voice always said, ‘Don’t do that — it’s not good for you and your voice.’”

Laine is survived by her son and daughter.

Gwyneth Paltrow is stepping in — temporarily — to help clear the air about Astronomer.

On Friday (July 25), the Academy Award-winning actress and Goop founder appeared in a humorous new video for the tech company. The ad follows a viral incident involving former CEO Andy Byron and HR executive Kristin Cabot, who were caught on a Coldplay kiss cam during the band’s Boston concert earlier this month.

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Shortly after Cabot’s resignation on Friday, Astronomer shared a social media video starring Paltrow — who was married to Coldplay frontman Chris Martin from 2003 to 2016 — acting as the company’s “temporary spokesperson” on behalf of its employees.

“Thank you for your interest in Astronomer,” Paltrow says in the video, seated casually at a desk. “I’ve been hired on a very temporary basis to speak on behalf of the 300-plus employees at Astronomer. Astronomer has gotten a lot of questions over the last few days, and they wanted me to answer the most common ones.”

As questions flash on-screen — including “OMG! What the actual f—” and “How is your social media team hold-” — Paltrow offers responses that hilariously sidestep the actual drama.

“Yes, Astronomer is the best place to run Apache Airflow, unifying the experience of running data, ML and AI pipelines at scale,” she says cheerfully after the first inquiry. “We’ve been thrilled so many people have a newfound interest in data workflow automation.”

When another question begins being typed out on screen, appears the Shakespeare in Love star shifts gears again, plugging the company’s upcoming Beyond Analytics event in September.

“We will now be returning to what we do best, which is delivering game-changing results for our customers,” Paltrow concludes. “Thank you for your interest in Astronomer.”

The ad arrives in the wake of the July 15 Coldplay concert at Boston’s Gillette Stadium, where a jumbotron caught Byron with his arm around Cabot during a kiss cam segment. When the pair realized they were on screen, Byron ducked out of view while Cabot quickly turned away. Both were married to other people at the time and have since resigned from the company.

“Oh, look at these two,” Martin joked from the stage. “Oh, what? Either they’re having an affair or they’re just very shy.”

Check out Astronomer’s ad starring Paltrow below on X.

Congratulations are in order for Steve Aoki, who has welcomed his first child with wife Sasha.

On Friday (July 25), the 45-year-old DJ and producer announced the birth of their baby boy in a joint Instagram post with Sasha.

“Rocky77 has arrived! We’re so in love with him already,” the couple captioned an adorable photo of their newborn’s feet, complete with a hospital bracelet around his ankle.

“Even more special is that we get to celebrate our son’s birth on the same day as our wedding anniversary,” they added. “Surprise arrival he came out on his own time already writing his first chapter of life. Let the adventures begin!”

Friends and celebrities flooded the comments with warm wishes.

“How precious… and now the meaning of life itself begins,” actor Vin Diesel wrote. Fellow DJ Tiësto added, “Congrats brother,” along with several red heart emojis. Rapper Masked Wolf chimed in, “Congratulations brother!! Nothing beats it.”

Aoki and Sasha tied the knot in July 2024. He first shared the news of their “biggest collaboration yet” during a live performance at Barasti Beach in Dubai this past January, which was captured in a video on his Instagram page.

“This is a special moment. This is my wife, and we’re having a baby,” Aoki told the crowd, bringing Sasha on stage.

The celebration took a fun twist when the DJ’s crew rolled out a white sheet cake decorated with his name in blue and pink letters.

“We’re going to find out if it’s a boy or if it’s a girl,” he told the audience.

Moments later, Sasha smashed the cake into Aoki’s face as blue confetti and smoke filled the stage, revealing they were expecting a son.

“It’s a boy,” flashed on the video screen as the couple shared a kiss.

See Aoki’s sweet baby announcement on Instagram here.