Welcome to Billboard Pro’s Trending Up newsletter, where we take a closer look at the songs, artists, curiosities and trends that have caught the music industry’s attention. Some have come out of nowhere, others have taken months to catch on, and all of them could become ubiquitous in the blink of a TikTok clip. 

This week: Oasis’ well-received reunion tour hits new streaming highs as it ramps up in America, while Metro Boomin and Reneé Rapp both experience breakout hits from their recently released albums and a solo nu-gazer has a big viral moment.

Oasis’ Streams Surge Again With American Labor Day Weekend Takeover 

Two months ago, we covered the massive gains in sales and streams that Britpop giants Oasis experienced in the U.S. upon the much-anticipated, much-covered kickoff of their Live ‘25 Tour in Cardiff, Wales. As the Gallagher brothers bounced around stadiums in the Atlantic Archipelago for the rest of July and August — five nights in Manchester, England here, two in Dublin, Ireland there — those U.S. streaming and sales numbers invariably began to recede a little, though they still stayed well above where they’d been before the tour launch. 

And now that Oasis has arrived on U.S. shores, it’s back up to that early-tour peak. The band began the North American leg of its tour with a pair of Toronto shows in late August, then swung by Chicago last Friday (Aug. 28) for a date at Soldier Field. Then, it was to New Jersey’s MetLife Stadium for a pair of shows (Aug. 31-Sept. 1) over Labor Day weekend — with celebrities ranging from John McEnroe to Matt Damon in attendance — before the Gallaghers visit southern California this weekend (Sept. 5-6). 

Over the course of the first five days of this tracking week, from the Friday of the Chicago show to the Tuesday following the two New Jersey shows, the band’s catalog racked up nearly 11 million official on-demand streams, according to early data provided to Luminate. That’s up over 30% from the same period the prior week, and it even outpaces the numbers that they posted at the beginning of the tour — proving plenty of stateside folks still needed a little time to wake up, wake up to the Gallaghermania once again sweeping the globe, three decades after the band’s commercial peak. – ANDREW UNTERBERGER


YKNiece’s Viral Touchdown Celebration Dance Lifts Metro Boomin Track 

After assisting fellow ATL rappers Pluto and BunnaB on summer hits “Whim Whamiee” and “Innit,” respectively, YKNiece has blessed Metro Boomin with a fast-rising new hit. “Take Me Thru Dere,” a cheeky cut from Metro’s A Futuristic Summa mixtape that also features Quavo and Breskii, has jumped nearly 180% in streaming activity over the past two weeks, according to Luminate. 

On Aug. 3, just two days after the mixtape dropped, TikTok user @slawspitter shared a video dancing to YKNiece’s “Take Me Thru Dere” verse, featuring a casual lasso-like move during the lines, “Girl, throw yo’ wham in a circle/ Even if it lil’, make it jump like a hurdle.” That specific move quickly gained traction as the song grew in popularity, and, eventually, it became the latest new move for touchdown celebrations in college football. To date, user @slawspitter’s original clip boasts over 1.6 million views and nearly 300,000 likes. The official “Take Me Thru Dere” TikTok sound plays in over 35,500 posts, while two unofficial sounds account for another 46,600 and 25,700 posts, respectively. 

During the week of Aug. 8-14, “Take Me” earned just under 700,000 official on-demand U.S. streams. That figure jumped by nearly 50% to over 1.04 million official streams during the week of Aug. 15-21. By the final week of the month (Aug. 22-28), streams for “Take Me” jumped another 86% to over 1.95 million official on-demand streams. 

Already a Hot 100-charting artist thanks to “Whim Whamiee” (No. 51), maybe YKNiece can help Metro earn his first Hot 100 hit from A Futuristic Summa. – KYLE DENIS  


TikTok Trend Boosts Snarky Reneé Rapp Deep Cut 

Although Reneé Rapp’s new Bite Me album debuted at No. 3 on the Billboard 200, none of its singles landed on the Hot 100. That could change with the recent trajectory of “I Think I Like You Better,” a sarcastic midtempo number tucked away in the album’s back half. Bite Me dropped Aug. 1, and by Aug. 2, TikTok user @aliyahpaigebryant made a post highlighting Rapp’s cheeky delivery of the lines, “I think I like you better when you’re/ Across the f—king country!”

That clip now boasts over 782,000 views and 105,000 likes, helping kick off a trend where people pretend to scream the lines, which Rapp actually sings in falsetto. The official “I Think I Like You Better” TikTok sound now plays in nearly 75,000 posts, and Rapp herself has several posts with the song that have surpassed over one million views each. 

During the week of Aug. 15-21, “I Think I Like You Better” pulled over 796,000 official on-demand U.S. streams. By the following week (Aug. 22-28), once the TikTok trend really picked up steam, that number leapt a whopping 152% to over two million official streams. – KD

‘Tower’ of Streams: Ivri Scores a Viral Hit

While singer-songwriter Ivri has been posting snippets online since she was 15 and officially releasing singles for nearly five years, she just unveiled her independently released debut album, The Theory of You, last month. One song from the album has separated itself from the rest: “Tower of Memories,” which was released in July, gathers shoegaze-y guitars, dreamy vocals and glitchy electronic elements into an unlikely anthem. If you’ve been jamming on Deftones’ great new album private music recently, this one might have popped up in your algorithm, too.

As TikTok users have discovered “Tower of Memories” and honed in on the lyrical phrase, “I’m right where you left me/ The tower of memories,” Ivri has earned herself a viral hit. During the chart week ending Aug. 14, the song earned 688,000 official on-demand U.S. streams, according to Luminate; that weekly streaming total had more than doubled two weeks later, to 1.83 million streams during the week ending Aug. 28. “I’ve never had a song perform this swell,” Ivri marveled on Instagram earlier this week. “So excited for the future.” – JASON LIPSHUTZ
 

The European Commission (EC) has paused its investigation into the acquisition of Downtown Music Holdings by Universal Music Group (UMG) because documents were not submitted in a timely manner, the EC announced on Thursday (Sept. 4).

According to the EC’s Competition Policy website, the investigation into UMG-owned Virgin Music Group’s bid for Downtown was suspended on Thursday under Article 11(3) of the EU Merger Regulation, which allows the Commission to “stop the clock” if parties fail to provide complete and accurate information. By hitting pause, the Commission suspends the statutory deadlines for the merger review. News of the suspension was first reported by Reuters.

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The Commission’s investigation deadline was announced on July 21 and given a 90-day timeline, meaning the Commission would need to make a decision by Nov. 26. Three days later, on July 24, the investigation was extended by 10 days under Article 10(3)2. 

The size of the deal — $775 million — did not meet the threshold for review under European Union Merger Regulation but was notified for merger control clearance in the Netherlands and Austria, “where it met the relevant national turnover-based notification thresholds,” according to an April 25 announcement. “In particular,” the statement added, “the transaction threatens to significantly affect competition in certain markets of the music value chain, where both companies are active, in Austria and in the Netherlands, as well as in many other Member States.”

The Commission’s preliminary investigation found that the acquisition “may allow UMG to acquire upstream commercially sensitive data of its rival record labels,” according to a July 21 press release. “UMG’s access to such data may harm rival record labels and may ultimately have the effect of further strengthening UMG, that already is the leader in the market for the wholesale distribution of recorded music in the EEA,” it stated. 


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The acid test for comedians? Never apologize when they stir up controversy and outrage — and Druski just passed the test.

The comedian, who has collaborated on music videos with Drake, Jack Harlow and Lil Yachty, riled up the internet when he posted an Instagram video of himself in whiteface — actually, elaborate and clearly professional upper-body makeup, beard and mullet — mingling with the crowd at a NASCAR event and bellowing the lyrics to Bruce Springsteen‘s “Born in the U.S.A.” from a truck.

Shirtless with a farmers tan and wearing half-secured overalls, a stars-and-stripes cowboy hat and toting a can of beer, can be seen shouting pro-American slogans and behaving like a stereotypical redneck, but the video veers into controversial — and disturbing territory — when he spits, two separate times, at Black men in the crowd. As the second passes Druski in his truck, he questions the man’s appearances and tells him, “Find something safe to do, boy.”

The response to Druski’s NASCAR post drew largely positive response from commenters who referred to white entertainers wearing blackface such as Robert Downey Jr.’s performance in the film Tropic Thunder.

Not everyone on social media was as supportive. “Conflicted because it’s funny but I also kinda hate to see it,” wrote Holden Edward on X. “It’s hard enough as it is trying to tell people that you watch NASCAR without them either 1) giving you shit or 2) judging the hell out of you. We don’t need to promote the stereotype, yet NASCAR gave him VIP…”

In the wake of response to the video, Druski posted a second clip in response. Set to James Brown‘s “It’s a Man’s Man’s Man’s World,” the comedian confidently kicks open a door, lights a cigarette and throws the pack behind him. “AM I CANCELLED?” he wrote.

The post drew comments from Nick Cannon and Jamie Foxx. The latter posted four fire emojis, and Cannon wrote, “I could have warned you!!!! LOL 🤣🤣🤣 Great sh_t!”

Druski’s follow-up post prompted a debate among commenters about whether a Black person posing as white could be equated with the opposite. “You can’t have it one way and not see it the other way. If blackface is offensive then so is whiteface,” wrote one commenter.

Perhaps the most apt response came from papito_blessed hands: “You’re not cancelled, but go find yourself something safe to do.🤣”

UPDATE (Sept. 4): Joe Henry, The McCrary Sisters, Old 97’s, Darrell Scott, and Jesse Welles are this year’s lifetime achievement honorees who will be honored at the 2025 Americana Honors & Awards. The ceremony will be held on Wednesday, Sept. 10 at the Ryman Auditorium in Nashville.

Henry has won three Grammys as a producer in three different categories. He won for producing Solomon Burke’s Don’t Give Up on Me in 2003 (best contemporary blues album), Ramblin’ Jack Elliott’s A Stranger Here in 2010 (best traditional blues album) and Carolina Chocolate Drops’ Genuine Negro Jig in 2011 (best traditional folk album).

Scott has received four Grammy nods in country and American roots music categories.

“This year’s Lifetime Achievement honorees represent the heart and soul of the Americana community, from the legendary to the next generation of stars.” Jed Hilly, executive director of the Americana Music Association and Foundation, said in a statement. “It’s a privilege to recognize and celebrate these incredible artists whose expertise in their craft has left an indelible mark.”

 The Americana Honors & Awards ceremony serves as the hallmark event of the association’s annual AMERICANAFEST, taking place Sept. 9-13 in Nashville.

PREVIOUSLY (June 10): Sierra Ferrell, who won artist of the year at last year’s Americana Honors & Awards, is nominated in that category again this year, along with Billy Strings, who won in 2022-23; Charley Crockett, Joy Oladokun and Waxahatchee.

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Ferrell is vying to become the second woman to win artist of the year twice and the first to do so in back-to-back years. Brandi Carlile won in 2019 and 2021. For his part, Strings would become just the second artist to win three or more times. The late John Prine won four times.

MJ Lenderman, Charley Crockett, Nathaniel Rateliff & the Night Sweats and Gillian Welch & David Rawlings were each nominated in multiple categories. Lenderman is up for album of the year for Manning Fireworks, song of the year for “Wristwatch” and emerging act of the year. Crockett is up for album of the year for Lonesome Drifter and artist of the year. Nathaniel Rateliff & the Night Sweats are up for album of the year for South of Here and song of the year for “Heartless.” Welch & Rawlings are nominated for album of the year for Woodland and duo/group of the year.

Larkin Poe, which won duo/group of the year last year, is nominated again in that category, as is the 2015 winner, The Mavericks. Jason Isbell, a three-time winner for album of the year, is nominated again this year for Foxes in the Snow.

The 24th annual Americana Honors & Awards will be held on Sept. 10 at the historic Ryman Auditorium in Nashville.

Here’s the full list of nominees:

Artist of the Year

Charley Crockett

Sierra Ferrell

Joy Oladokun

Billy Strings

Waxahatchee

Album of the Year

Lonesome Drifter, Charley Crockett; Produced by Charley Crockett & Shooter Jennings

Foxes in the Snow, Jason Isbell; Produced by Jason Isbell & Gena Johnson

Manning Fireworks, MJ Lenderman; Produced by Alex Farrar & MJ Lenderman

South of Here, Nathaniel Rateliff & The Night Sweats; Produced by Brad Cook

Woodland, Gillian Welch & David Rawlings; Produced by David Rawlings

Song of the Year

“Johnny Moonshine,” Maggie Antone; Written by Maggie Antone, Natalie Hemby & Aaron Raitiere

“Ancient Light,” I’m With Her; Written by Sarah Jarosz, Aoife O’Donovan & Sara Watkins

“Wristwatch,” MJ Lenderman; Written by MJ Lenderman

“Sunshine Getaway,” JD McPherson; Written by Page Burkum, JD McPherson & Jack Torrey

“Heartless,” Nathaniel Rateliff & The Night Sweats; Written by Nathaniel Rateliff

Duo/Group of the Year

Julien Baker & TORRES

Dawes

Larkin Poe

The Mavericks

Gillian Welch & David Rawlings

Emerging Act of the Year

Noeline Hofmann

MJ Lenderman

Medium Build

Maggie Rose

Jesse Welles

Instrumentalist of the Year

Fred Eltringham

Alex Hargreaves

Megan Jane

Kaitlyn Raitz

Seth Taylor

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

With classic hits like “Hey Jude,” “I Want To Hold Your Hand,” “Get Back” and others, The Beatles are the iconic rock band of the 20th century. The band lives on through their music, while The Beatles Anthology book is celebrating its 25th anniversary of its original release in October 2000.

On sale for $46.50 (regularly $50) from the retail giant, The Beatles Anthology (25th Anniversary Reissue) chronicles the band from their early days in Liverpool, their club days in Hamburg, Germany and to super stardom around the world during the ’60s. The book drops on Tuesday, Oct. 14.

If you’re an Amazon Prime member, you can order now and The Beatles Anthology will be delivered to your home in less than two days once it’s released, thanks to Prime Delivery.

Not a member? Sign up for a 30-day free trial to take advantage of all that Amazon Prime has to offer, including access to Prime Video, Prime Gaming and Amazon Photos; fast free shipping in less than two days with Prime Delivery; in-store discounts at Whole Foods Market; access to exclusive shopping events — such as Prime Day and Black Friday — and much more. Learn more about Amazon Prime and its benefits here.

The biography is also available at BookShop.org for $46.50 (reg. $50), while The Beatles Anthology is buyable at Barnes & Noble priced at $50.

How to buy 'The Beatles Anthology' (25th Anniversary Reissue) online

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‘The Beatles Anthology’ (25th Anniversary Reissue)

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Meanwhile, the new biography titled John & Paul: A Love Story in Songs is an Amazon No. 1 best seller and is now on sale for $20.88, or 35% off its list price, from the retail giant. It follows Lennon and McCartney’s relationship as songwriters, lyricists and bandmates. The book is a great companion to The Beatles Anthology

The Beatles Anthology (25th Anniversary Reissue) is on sale for $46.50 (regularly $50) on Amazon. It’s available for preorder right now with release on Tuesday, Oct. 14.

Want more? For more product recommendations, check out our roundups of the best Xbox dealsstudio headphones and Nintendo Switch accessories.

The Contenders is a midweek column that looks at artists aiming for the top of the Billboard charts, and the strategies behind their efforts. This week, for the upcoming Billboard Hot 100 dated Sept. 13, we look at Sabrina Carpenter’s first two singles from her just-released Man’s Best Friend set, and which may have the stronger performance on next week’s chart. 

Sabrina Carpenter, “Tears” & “Manchild” (Island/Republic): Pop superstar Sabrina Carpenter is all but guaranteed to have the top spot on next week’s Billboard 200 albums chart with her new set Man’s Best Friend. The follow-up to last year’s four-week Billboard 200 No. 1 Short n’ Sweet, Carpenter’s latest arrives on the back of a good deal of discourse around its provocative title and cover — which the singer-songwriter has largely shrugged off — as well as her second No. 1 on the Hot 100 with lead single “Manchild,” which became her first song to debut atop the chart upon its June release.  

Next week, Carpenter will look to make it two No. 1 debuts in a row with winking, discofied second single “Tears” — which, as “Manchild” did, arrives along with a big new music video. Directed by Bardia Zeinali (who also helmed the Barry Keoghan-co-starring clip for Carpenter’s first Hot 100 No. 1, “Please Please Please”), the clip features a Rocky Horror Picture Show-inspired narrative, starring Emmy-winning actor Colman Domingo in drag, as well as elaborate staging and choreography. She has also maintained interest in the new video over the week by premiering multiple differing endings for the video — which originally closed with her killing her boyfriend, out of obligation to her personal brand — over the course of the album’s release week.  

“Tears” is off to a very good start at DSPs, hitting No. 1 on both the Spotify Daily Top Songs USA chart and the Apple Music real-time chart, and maintaining in the top two on both throughout the week. On radio, it’s still only getting started, but is also set to make a fairly strong debut, possibly entering the top 25 on Pop Airplay, and earning 7.4 million in all-format audience over the first four days of the tracking week (Aug. 29-Sept. 1), according to Luminate. The one area where it’s clearly lagging behind where “Manchild” began is in sales, as “Tears” has had a good-not-great showing on iTunes, currently landing outside the top 25 on that real-time chart. (“Manchild” also had a sizeable first week in vinyl single sales; “Tears” is available for purchase only as a download.)

“Tears” will also face continued competition from “Manchild” on the chart next week, as that song had slipped out of the top 10 on the Hot 100, but rebounds 14-7 this week with notable gains in both streaming and radio. Those streams should continue to rise for next week with the release of the full Man’s Best Friend (which “Manchild” leads off), and the song is also continuing to grow on radio, most likely tracking for a second week atop the Pop Airplay chart, and up another 5% in all-format audience over that Aug. 29-Sept. 1 period.  

Whether “Tears” can outpace “Manchild” and put up a real challenge for the No. 1 spot may be determined by its final few days of tracking — as the song returned to the top of the Spotify daily listing after Labor Day Weekend, and may continue to swell from there as more and more listeners catch onto its charms.  

HUNTR/X: EJAE, Audrey Nuna & REI AMI, “Golden” (Visva/Republic): The biggest challenge for “Tears” on the Hot 100 will of course be getting past HUNTR/X’s “Golden,” which holds at No. 1 this week for a third week, and which hasn’t stopped growing yet in either streams or sales. It’s taken back the top spot on the Apple Music real-time listing from “Tears” — and has traded off the Spotify daily No. 1 with Carpenter over the course of the week — and it continues to be one of the week’s best-sellers, currently ranking at No. 2 on the real-time iTunes chart.  

And on radio, it’s officially taken off. The song is up 10% over that Aug. 29-Sept. 1 period, trending towards both the top 10 on the Pop Airplay chart and the top 25 on the overall Radio Songs listing. It’s crazy to say about a song by a fictional girl group from a K-pop movie musical — versus one of the most consistent radio hitmakers of the last two years — but radio may be the thing that keeps “Golden” out of range for Sabrina Carpenter’s latest to pass next week on the Hot 100.  


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Lady Gaga and Tim Burton chose an island built using pre-Hispanic farming methods in Xochimilco, a tourist area in the south of Mexico City, as the setting to seal a new collaboration between the pop superstar and the famed film director. The project combines dark, gothic and fantastical elements, characteristic of the theatricality that defines both artists’ work.

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The result is the music video for the song “The Dead Dance,” released on Wednesday (Sep. 3), which is part of the second season of Netflix’s series Wednesday. In it, Gaga also stars as Rosaline Rotwood, a deceased instructor from Nevermore Academy who helps Wednesday Addams (played by Jenna Ortega) in her mission to save her family and friends. (Gaga also recently released a deluxe edition of her Mayhem album this week, with “Dead Dance” as one of three new bonus tracks.)

“The Dead Dance” takes place on the Island of the Dolls, surrounded by vegetation, a crumbling house, and hundreds of old dolls of all sizes. Over time, exposure to the elements has left the dolls dirty and worn, with peeling paint on their faces, tattered clothing, missing eyes, and no hair, creating a chilling and eerie atmosphere.

Filmed in black and white, the clip features choreography reminiscent of Michael Jackson’s “Thriller,” where Gaga emerges from the mist, rises, and begins to move and sway to the rhythm of the music.

Prior to its release, videos and memes circulated on social media in recent months hinting at the collaboration between Gaga and Burton. Fans speculated after the Batman Returns and Beetlejuice director visited Mexico City, where he launched an immersive exhibition showcasing his most iconic works and characters. During that time, the filmmaker also toured Xochimilco and the nearby magical town of Tepoztlán, located just outside Mexico City.

Meanwhile, Gaga returned to Mexico City in April after a 13-year hiatus to perform two sold-out concerts at the GNP Seguros Stadium. The show, titled “¡Viva La MAYHEM!”, featured the opera that had captivated audiences earlier this year at Coachella.

But before both artists showcased this “haunted” location to the world, the Island of the Dolls had already been featured as a setting in the documentary by British musician and producer Steven Wilson, which accompanies his 2008 solo album Insurgentes, captured through the lens of Danish photographer Lasse Hoile.

In 2010, in an interview with the Mexican newspaper El Universal, Wilson shared that the most beautiful part of filming in Mexico took place precisely at that location. “Mexico is like one big film set; it’s very cinematic and surreal, and incredibly inspiring for creating sounds and images,” the musician said. “Originally, we hadn’t planned to film so much in the country, but after being there, we were hooked.”

At the end of last April, fellow pop star Christina Aguilera shared images on her Instagram account from her visit to Xochimilco, where she was seen enjoying time with friends and toasting with beer. In one of the snapshots, the diva is shown wearing a colorful flower crown reminiscent of the iconic painter Frida Kahlo’s signature style.

Several decades earlier, during the height of the so-called Golden Age of Mexican Cinema, Xochimilco and its “chinampas” served as the setting for classic films like María Candelaria, directed by Emilio “El Indio” Fernández and starring Dolores del Río and Pedro Armendáriz. The film won the Palme d’Or at the Cannes Film Festival in 1946.

In 1987, Xochimilco and its network of canals and artificial islands were declared a Cultural Heritage Site by UNESCO, as they represent “an exceptional example of the Aztecs’ efforts to create a habitat in an environment hostile to humans.” The urban and rural structures created from the 16th century during the colonial period have been admirably preserved.

There’s range in this month’s best comedy specials: from half an hour (or less) to 60 minutes (or more); from young (Ralph Barbosa turns 29 in October) to . . . well, not old, but middle-aged (Jim Jefferies is 48); and from North to South America (Australia is in the mix as well, since Jefferies is from Sydney). In his native Chile, Fabrizio Copano hosts his own late-night show; I’m From the Future is his first English-language special and includes the story of how he fell in love with a woman from Texas in Mexico City and ended up driving a U-Haul full of furniture (and a Mexican dog) across the border to New York City. 

Beth Stelling lives on the other side of the country, in Los Angeles, and The Landlord Special will put whatever housing woes you have in perspective. Barbosa (single) and Jefferies (married with kids) both have insights to share on matters of the heart, with Jefferies digging in not just on his marriage and that of his parents, but the whole institution: “My mother never lived long enough to see my father happy—she missed out on it by a couple of days.” As for Ken Flores, his must-see half-hour — part of the LOL! Live series that Hulu and Kevin Hart launched in June — comes with tragedy attached: between the taping last year and its release, Flores died at the age of 28, on the eve of a tour that would have seen him on the road with Barbosa and René Vaca.

Find these specials in our list of September’s best below, listed in approximate order of release.

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Has BLACKPINK’s Lisa moved on from Labubus? At the very least, it seems like her latest fixation is on Monchhichis.

The K-pop star shared a post on her Instagram today, Sept. 4, accompanied by the caption, “Some sleepless nights.” The post featured a short and sweet carousel of photos of the “Money” singer in Japan, grabbing sushi and showing off her outfit. What drew us to the post, beyond Lisa’s obvious sense of style, was her bag charm.

While Lisa is clearly a lover of Labubus (she basically started the craze), the Thai star was seen swapping out the monster doll for a fluffier Monchhichi keychain. The vibrant yellow doll was fixed to what looked like a Louis Vuitton P9 series bag in red with tan straps and monogrammed detailing throughout. The Monchhichi charm is the Sweet Lollipop Girl model in yellow with little pigtails and a colorful bib. You’ll likely be able to snag your own via Monchhichi’s website or through eBay.

BLACKPINK's Lisa Gets Into Monchhichi Toys: How to Get Them

Monchhichi Fruit Beanie Plushie

A neon green apple-inspired Monchhichi.


BLACKPINK's Lisa Gets Into Monchhichi Toys: How to Get Them

Monchhichi Animal Costume Plushie

A bear Monchhichi plushie.


You may be reading this, thinking to yourself, “What’s a Monchhichi?” We’re glad you asked. The plushie is from Japan and was originally created by the Sekiguchi Corporation back in 1974 so they’ve been around way longer than Labubus. The design is meant to look like a monkey, equipped with a tail, ears and a pacifier. The body is often made of soft faux-fur, while the face, hands and feet are made of plastic. The peculiar name Monchhichi is an amalgamation of the French word ‘mon,’ or ‘mine,’ and the Japanese onomatopoeia ‘chichi,’ which mimics the sound of a baby sucking a pacifier—hence the attached pacifier.

To help you dip your toes into the wonderful world of Monchhichi, we’ve compiled a couple of options for you to browse from Urban Outfitters. The retailer stocks plushies and keychains of the monkey dolls, similar to Lisa’s own, ranging in price from $24 to $55. UO also features a slew of Monchhichi-themed merchandise from quilted laptop cases and clocks to books and pins. They’ve even got a collaborative Monchhichi x Hello Kitty plushie and keychain, depicting Hello Kitty in Monchhichi-esque garb. So stinkin’ cute.

BLACKPINK's Lisa Gets Into Monchhichi Toys: How to Get Them

Sanrio Hello Kitty X Monchhichi Plushie Keychain

A Monchhichi x Hello Kitty plushie keychain you can attach to your bag.


BLACKPINK's Lisa Gets Into Monchhichi Toys: How to Get Them

Sanrio Hello Kitty X Monchhichi Plushie

A Monchhichi x Hello Kitty plushie.


If you really want to get into the Monchhichi lore, you’ll also have to know about Bebichhichis. Similar to their larger counterparts, these dolls are monkeys too. They’re baby Monchhichis, which are a pretty major part of the iconic Monchhichi toy family. The cutesy iteration was introduced during the Monchhichi series’ 30th anniversary.

More Monchhichi That We Love

BLACKPINK's Lisa Gets Into Monchhichi Toys: How to Get Them

Sekiguchi Monchhichi Girl with US Olympic Jersey Plush Doll

A festive Monchhichi doll with hair up.


BLACKPINK's Lisa Gets Into Monchhichi Toys: How to Get Them

Monchhichi Frozen Fruits Plush

A Monchhichi doll with pigtails.


BLACKPINK's Lisa Gets Into Monchhichi Toys: How to Get Them

Sekiguchi Bebichhichi Girl, Plush Toy

A Bebichhichi doll.


Playtime isn’t over yet for Man’s Best Friend. On Thursday (Sept. 4), Sabrina Carpenter announced that she’s following up her new album with the digital release of a bonus track called “Such a Funny Way.”

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Sharing a glam photo of herself looking forlorn while talking on a phone, the pop star wrote to fans on socials that she had “a little surprise for you.”

“‘Such a Funny Way’ is a song i am so proud of,” she continued. “The sentiment is one i always thought could really be the end of Man’s Best Friend in another universe! i didn’t want you to wait too long to have it and get to know it. it’s available for digital download now.”

Now for sale on Carpenter’s website, “Such a Funny Way” can be downloaded along with the Man’s Best Friend album for $7.99. It was previously only available on the vinyl deluxe version of Man’s Best Friend, which dropped Aug. 29.

The news comes shortly after the Grammy winner opened up about the inspiration behind “Such a Funny Way” on Apple Music 1 with Zane Lowe. “I interpret humor, obviously, in a light way, but it’s also used to cover something and it’s used to definitely cope with things and not always in the best way,” she said of the track. “I’ve had trouble in relationships before because people have been like, ‘Be serious.’

“So much of the time it feels maybe less mean or hurtful or spiteful to be able to just laugh about it, and that’s a good thing sometimes and sometimes it’s a bad thing,” she continued at the time. “So yeah, that one isn’t on the original version of the album, but it ends the album with the lyrics, ‘So funny that I have to laugh just so I don’t cry.’”

Led by Billboard Hot 100-topping single “Manchild,” Man’s Best Friend marks Carpenter’s seventh album. It follows her breakthrough LP Short n’ Sweet, which spent four weeks at No. 1 on the Billboard 200 last year.

See Carpenter’s announcement below.