Bad Bunny‘s No Me Quiero Ir de Aquí residency isn’t wrapping up just yet. The Puerto Rican superstar announced on Monday (Sept. 15) a surprise show that is set to livestream on Amazon Music.

Amazon Music’s “multilayered” collaboration with Bad Bunny “will showcase Puerto Rico on a global stage while delivering lasting community impact,” according to a press release. Bad Bunny will extend his No Me Quiero Ir de Aquí residency — which kicked off July 11 — with No Me Quiero Ir de Aquí: Una Más (I Don’t Want to Leave Here: One More), a special performance at José Miguel Agrelot Coliseum of Puerto Rico on Saturday, Sept. 20.

The show will be broadcast worldwide via livestream beginning at 8:30 p.m. ET on the Amazon Music app, the Amazon Music channel on Twitch (@AmazonMusic) and available to all Amazon customers on Prime Video.

The final performance will observe the eighth anniversary of Hurricane Maria, and will launch a multiyear initiative between Bad Bunny and Amazon Music that spans education, disaster relief and cultural empowerment. The partnership, according to the press release, will implement programs that uplift Puerto Rico’s economy and create meaningful change across the island.

“Benito embodies the spirit of Puerto Rico, and together we’re creating a celebration that transforms his passion for the island into real impact for its people,” Rocío Guerrero, director of music, Latin-Iberia, Amazon Music, said in a statement. “By combining music, Amazon technologies, commerce and community programs at scale, we’re engaging global audiences to this historic moment while strengthening Puerto Rican communities. We are incredibly proud of this multiyear collaboration, which turns the power of music into meaningful and lasting progress for the island.”

“Puerto Rico is our home, and everything we do is shaped by the island and its people,” added Noah Assad, CEO, RIMAS Entertainment. “This collaboration is about more than music; it’s about honoring our culture and making sure the world not only sees Puerto Rico but also supports and invests in it. Together with Amazon, we’re creating something that will last long after the show ends.”

Registration for the Sept. 20 show is now open to residents with a valid Puerto Rico phone number at nomequieroirdeaqui.com. Fans who receive a code can access pre-sale starting Wednesday, Sept. 17, at 10 a.m. local time.

Bad Bunny’s historic 30-day No Me Quiero Ir De Aquí residency saw an influx of more 250,000 visitors during the run, positioning the island as an entertainment destination while benefiting the local economy and uplifting small businesses. Some of his guests throughout the residency included Belinda, Residente, Feid, Rauw Alejandro and Ozuna.

He’s worked in radio, written stories for a broadcasting trade magazine and conducted data analysis for the U.S. Air Force and the National Security Agency (NSA).

His life experience to date has prepared Russ Penuell to become Billboard’s country, Christian and gospel charts and data analyst on Sept. 16, replacing senior chart manager Jim Asker, who concluded 10 years of full-time work in the role in August.

“I don’t know that there’s been anything else that I’ve done that seems so fitting,” Penuell says. “It just kind of all came together.”

A native of Logansport, La., Penuell’s grandfather published a chain of newspapers in the state, and young Russ emulated his elder by hawking fact sheets and short stories at the side of the road much as other kids would sell lemonade. By his teens, Penuell was obsessed with another form of media, listening regularly to weekend countdown shows and taking them an extra step.

“I had a notepad and wrote down the songs, trying to predict where they would land on the countdown, not knowing what was going on behind it,” he recalls. “I was always fascinated with that.”

As a teen, Penuell badgered a local radio station for a job until management finally let him haul trash, and it grew into on-air work. When he landed a gig at KXKS Shreveport, La., the cluster included Country Radio Hall of Fame member Frank Page, whose 58-year tenure at KWKH included introducing Elvis Presley when The King debuted on the historic Louisiana Hayride in 1954. Penuell learned from Page’s work habits and stories on a weekend gospel show, developing a passion in the process for multiple formats of Christian music.

He moved on to jobs with WCKT Fort Myers, Fla.; WFUS Tampa, Fla.; KPLX Dallas-Fort Worth; and WSM-FM Nashville, where he served as PD. That led to a five-year stint as radio editor for trade publication Country Aircheck and subsequent work with CMT.

Penuell transitioned into public service from there, becoming an intelligence analyst with the U.S. Air Force and the NSA. It was, perhaps, an unusual career move, but it heightened his fascination with data.

“They put you through intense training in pattern recognition, trying to be objective and thinking outside of the box,” Penuell recalls. “If it taught me anything, it’s the importance of trying to look at a data set from all angles. Very often, it was stuff that you just didn’t even think was related, and then you start putting the puzzle pieces together and you realize you found important information through a more holistic approach.”

His extensive background will benefit Penuell — and Billboard — as he takes on the new position.

“We’re excited to welcome Russ to the Billboard family,” says Billboard executive vp of charts and data partnerships Silvio Pietroluongo. “His wide range of experiences with country and religious music genres, along with his data analytics skills, will bring a unique perspective to the role. Russ is only the fourth person to hold this position in the past 35 years, following Lynn Shults, Wade Jessen and Jim Asker, and I’m certain he’ll prove to be a worthy successor to that legendary trio.”

Asker, who will teach college courses after leaving Billboard, will continue with the company on a part-time basis to assist in the transition.

Demi Lovato is jumping into the deep end of her new music era with the announcement of a new album arriving this fall.

The singer-songwriter revealed on Monday (Sept. 15) that their ninth studio LP, It’s Not That Deep, will drop on Oct. 24, sharing the project’s cover and a few remarks on Instagram. “this music is a reflection of where i am now,” Lovato wrote triumphantly. “so proud of all the work I’ve done, and now, it’s time to celebrate and have some fun!!!”

On the front of It’s Not That Deep — which Lovato wrote is the “cover art of my dreams” in her post — the vocalist stands nude, covered by a pink dress still on its hanger as more than a dozen people go about their business in a confusing scene that unfolds around the star. A pair of men play chess, one little boy runs with a soccer ball in his arms, and one woman places a pair of headphones over a man’s ears.

“we created the most beautifully chaotic scene surrounding me, and you know i had to lock the f–k in,” Lovato wrote of the artwork. “and thank you to my lovatics — i love you and i’ll never let you go.”

It’s Not That Deep will mark the Camp Rock alum’s first proper album since 2022’s Holy Fvck, which reached No. 7 on the Billboard 200. While that LP was distinctly rock-inspired, Lovato is reportedly pivoting back to dance-pop on their latest album, as evidenced by lead single “Fast” and follow-up track “Here All Night.”

The project will also mark Lovato’s first album since marrying husband Jordan “Jutes” Lutes, with whom she collaborated on tracks on Holy Fvck. The two musicians tied the knot this past May.

See Lovato’s announcement below.

Pledis Entertainment is taking accountability after a mishap involving “defective” fireworks left at least two fans injured at the SEVENTEEN‘s recent concert.

In a statement posted to Weverse shortly after the show in Incheon, South Korea, on Saturday (Sept. 13), the entertainment company explained that some of the explosives used “during the final segment” of SEVENTEEN’s performance “unexpectedly fell toward the audience,” hurting several individuals in the crowd.

“While a professional company established safe distances and directions and conducted repeated inspections before the concert, we understand that this incident occurred due to a defective product,” the Korean-language statement read, according to Google’s English translation. “We deeply apologize to all audience members who were surprised or inconvenienced by this sudden situation.”

The message went on to share that “the two audience members confirmed to have been injured at the venue received immediate treatment at the temporary clinic within the concert hall and returned home,” noting that Pledis will “actively support” those fans in any further treatments they might need.

“We will send a separate message to audience members on the day of the concert to determine whether there were any additional damages and to determine the specific circumstances,” it continued. “We sincerely apologize once again for any inconvenience or concern this may have caused. We will continue to prioritize the safety of our audiences and do our best to create an even safer performance environment.”

The concert in question was the kickoff show on SEVENTEEN’s New_ World Tour, taking place at Incheon’s Asiad Main Stadium. The band played a second show at the venue the following night, but the defective special effects were excluded from the program.

After the first show in Incheon, fans shared their experiences with the stray fireworks on social media. “It was really dangerous,” one person wrote on X, sharing photos of their burned shirt and thanking fellow audience members for helping to “put out the embers on my clothes with their bare hands.”

“I went to the burn specialist hospital emergency room yesterday for treatment, and it’s at least a 2nd-degree burn!” they continued in the replies, according to the platform’s English translation. “They say burn treatment needs to be monitored, and it could be a 3rd-degree burn or a deep 2nd-degree burn.”

As a “more thorough safety inspection” takes place regarding the tour’s fireworks, according to the Weverse statement, SEVENTEEN will continue the trek with two shows in Hong Kong at the end of September. The group will then perform a string of shows in the United States in October followed by a Japan leg in November.

The tour comes as members WOOZI and HOSHI are beginning their mandatory enlistments to the South Korean military, with the former starting service on Monday (Sept. 15) and the latter following suit one day afterward; JEONGHAN and WONWOO are already performing their military duties. According to Yonhap, WOOZI — who was already sporting a military ‘do — was spotted in the audience of the Sunday show. Afterward, he wrote on Weverse, “Today was my first time looking from outside. I was quite happy about that.”

SEVENTEEN last dropped an album in May, reaching No. 1 on the Billboard Top Album Sales chart with Happy Burstday.