The MOBO Awards’ 2026 edition will be held at Manchester’s Co-op Live on March 26, becoming the latest U.K. music awards ceremony to ditch the English capital.

For decades, London had hosted the vast majority of ceremonies, centralizing many of the industry’s music awards shows. In June, however, The BRITs announced that it would be leaving London for the first time and taking the show to Manchester’s Co-op Live.

The Mercury Prize — a respected prize awarded yearly to outstanding British and Irish musicians — will take place in Newcastle Oct. 16, the first time the ceremony has been held outside of London.

The MOBOs (Music of Black Origin) is the latest to swerve the capital and head to Manchester for its 30th anniversary show. The awards were first held in London in 1996 and over the years has recognized domestic and international artists across U.K. hip-hop, R&B, garage, grime and jazz, and in more recent years, rock and dance.

Over the past two decades, the MOBOs have been held across a number of U.K. cities, first taking place in Glasgow, Scotland, in 2009, and since being held in Liverpool (2012), Leeds (2015, 2017), Coventry (2021) and Sheffield (2024). The MOBOs were last held in Newcastle, England, in February this year, when Ayra Starr, Central Cee, Ezra Collective and Shenseea were among the winners.

Speaking on the announcement, Bev Craig, leader of Manchester’s city council said, “We have a lot of expertise as a city in delivering world-class events with a global reach, and together with our partners at Co-op Live and across the city we’re determined to do everything we can to support MOBO in making sure next year’s event hits all the right notes and is the very best one yet.”

The 2026 ceremony’s full slate of performers and nominees will be shared over the coming months. The MOBOs also announced a Fringe Festival will take place in Manchester during the build-up to the main event, with a free program that will feature industry panels, talent showcases, live performances and creative workshops.

To the untrained eye, it seems like just any other weekend inside Atlantic City’s Ocean Casino Resort. The last trickle of summer tourists meander the casino halls, lounge by the pool, and hit the beach’s boardwalk in a desperate attempt to soak up one of the last steamy weekends of the year. But on Saturday (Sept. 13), half of Hollywood quietly descended on the resort for the REFORM Alliance Casino Night and Gala, one of the year’s most sumptuous fundraisers and parties in support of REFORM’s efforts to transform probation and parole in America.

As the plethora of stars — including Jay-Z, Beyoncé, Kevin Hart, Travis Scott, Ice Spice, Machine Gun Kelly, Quavo, DJ Khaled, Latto, Emma Roberts, Jamie Foxx, French Montana and Ne-Yo — all made their way into the resort’s Ovation Hall, they were handed fizzling glasses of Armand de Brignac, while other attendees sipped on spicy D’USSÉ Sidecars or warm, comforting Espresso Martini’s.

Foxx reunited with his Back in Action co-star Cameron Diaz, laughing and gabbing the night away while Foxx’s towering Buffalo Hat shielded his face from nosy onlookers (like Billboard). Robert Kraft — sandwiched in between Travis Scott and his fellow REFORM Alliance Board Member Michael Rubin — shared hushed conversations with both. Kraft would later bid almost a million dollars for a round of golf with his old friend Tom Brady, who during the night’s scheduled auction appeared illuminated on the stage via Zoom to oversee the bidding war.

That round of golf, which would be played at Michael Jordan’s private Grove XXIII golf club, would actually go for $1.8 million. Elsewhere, an exclusive concert from Megan Thee Stallion and a one-of-one linen George Condo painting would soon after sell for $600,000 and a whopping $3.4 million, much at the teasing and baiting of the evening’s host Kevin Hart.

“It’s a round of golf, Tiffany,” Hart called out at one point to Tiffany Haddish, who put up a good fight to try and secure herself a 9-hole game with the seven-time Super Bowl champ. “It’s not a date with Tom Brady!”

Elsewhere in the auction, a painting by Rashid Johnson, titled “Soul Painting for Freedom,” sold for over a million, while another bidding war ensued for an Audemars Piguet timepiece made exclusively for Jay-Z, who sat sequestered alongside his wife Beyoncé in the middle of the banquet hall.

Money was spent, drinks were poured, belly laughs echoed through the halls. Yet while the evening felt like an aristocratic dinner with some of today’s biggest stars, there were solemn reminders along the way about the true impact at play with REFORM’s work.

“The mission hasn’t changed,” Meek Mill told Billboard, drink in hand outside the gala in a neatly tailored black tie ensemble. “We’ve changed about 22 laws and statutes in a bunch of states. I think the goal is just to keep going. We’re gonna one day talk about the people in the system that need jobs, so eventually we’ll venture over to that. But right now we’re focusing on parol and probation by going state to state, we’ve done eight or nine states so far.”

Since REFORM’s inception in 2019 — which started after Meek Mill’s controversial parole violation in 2017 when he popped a wheelie on his dirt bike and received a two-to-four year prison sentence — the non-profit has passed 22 bills in 12 states aimed at curtailing the supervision-to-prison pipeline and the supervision-to-poverty trap that effects millions of ex-convicts.

One of those impacted individuals, James Severe, spoke onstage prior to the auction, and grew emotional as he shared his own struggles within the prison system and how REFORM’s efforts changed his life. Regardless of these heartwarming stories, it’s hard to ignore whether the second Trump Administration will value criminal justice reform in the same way as REFORM itself.

“I think overall, no,” Rubin said when Billboard asked if criminal justice reform was as unifying a topic as it used to be. “But for what we do at REFORM, absolutely. This is the one place people aren’t debating. People know we need to fix this. There are a lot of parts of criminal justice reform people don’t agree with, but I think the mission here has been clear since we started.”

However, REFORM’s CEO Jessica Jackson added that since the nonprofit’s last gala in 2023 they’d passed five new bills, including the groundbreaking Act 44 in Meek’s home state of Pennsylvania, which eases the more draconian aspects of Pennsylvania’s restrictive probation system. This movement alone shows there is some bipartisan flexibility on this issue.

“I think because of the way REFORM Alliance does our work, where we actually sit down with key stakeholders from all across the aisle — business leaders, faith leaders, law enforcement — we have been able to find that people on all sides of the aisle really think there needs to be reform, that there needs to be common sense injected into [the system],” Jackson added. “Our biggest obstacle has just been the ability to really get out there. But the incredible news is that as we’ve been passing these bills, we’ve been working on implementing them, and part of that involves collecting data. What we’ve found is our bills work. They make communities safer. They save states money. They promote human dignity.”

“I’m not really deep in the political world but we have always had Republicans and Democrats working with REFORM,” Meek noted. “I don’t know what the level of political change will be.”

After the auction, The Weeknd floated on stage to perform some of his biggest hits, including “Starboy,” “The Hills” “Timeless” and more. Along the way, Abel took shots of whiskey, shouted out Quavo and kept the vibes light and celebratory for his 40-minute set. The night was then capped off by a high-stakes, closed-door Blackjack tournament at Ocean’s Gallery Bark Book & Games area. Hov, French Montana, Taylor Rooks, Tyrese Haliburton and guest Andrew Ramus all emerged as semi-finalists, with the latter winning the coveted $1 million prize. Along the way, Travis Scott, Ice Spice, Quavo, DJ Khaled and Chase B performed, before all the guests choppered off to the night’s afterparty.

Overall, the high-energy event was a blockbuster success, raising over $20 million for criminal justice reform for the second time.

Tina Fey was crossing her fingers that Kendrick Lamar wouldn’t win best live variety special at the Emmys on Sunday (Sept. 14), but only because of how it might have affected her next pickleball date with Drake.

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While presenting the category at the 2025 ceremony, the comedian joked about her supposed conflicts of interest surrounding that night’s nominees for the award, which included both Dot’s record-breaking Super Bowl Halftime Show performance and Saturday Night Live‘s 50th anniversary special. “I am in an awkward position tonight, given my personal relationships to the nominees for outstanding live variety special,” Fey told the crowd, wringing her hands.

“Two of the nominees involve SNL, where I worked for nine years, so if they win, people might think I just opened the envelope and said, ‘SNL!’ out of habit,” she continued. “If Kendrick Lamar’s Super Bowl halftime special wins, I’m really going to hear it from Drake. And Drake and I are supposed to play pickleball tomorrow.”

The actress’ quip earned a round of laughs from the crowd, who almost certainly remember how Lamar and Drizzy’s bitter feud played out last year. After the two rappers unleashed several diss tracks aimed at each other in 2024, their rivalry culminated in the Compton native directly calling out his nemesis in front of millions during the Halftime Show in February, staring right into the camera while performing Billboard Hot 100-topper “Not Like Us” and taunting, “Say, Drake, I hear you like ’em young.”

With that in mind, Fey added, “Really, the only safe outcome for me would be the Beyoncé Bowl — so, as always, thank you, Beyoncé!”

As it turned out, the Mean Girls creator had nothing to worry about as far as her pickleball buddy was concerned. SNL50: The Anniversary Special ended up winning the prize over Lamar and Beyoncé’s Netflix special, as well as the 2025 Oscars, which were also nominated.

While accepting the award, SNL creator Lorne Michaels told the crowd, “I won this award for the first time 50 years ago, in 1975. I was younger and I had a lot of dreams — and not one of those dreams was that I’d still be doing the same show for the next 50 years, however, here we are.”

And while Lamar didn’t snag the Emmy, he still has a lot to show for his showcase at the 2025 Super Bowl. After performing hits such as “Humble” and “DNA” and multiple tracks from his GNX album, the rapper walked off the field at New Orleans’ Caesars Superdome with the most watched Super Bowl Halftime Show of all time under his belt, earning 133.5 million viewers — more than the actual game itself.


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Billboard has announced the launch of On the Record With Kristin Robinson, a new weekly video podcast that takes listeners inside the music industry, drawing on original reporting from the Billboard newsroom and featuring exclusive interviews with top executives and artists. Created in partnership with SickBird Productions, the first episode of On the Record will go live Thursday morning (Sept. 18) on all podcast platforms. 

The first episode was filmed backstage at Sphere in Las Vegas and features a conversation with the venue’s head of booking (Josephine Vaccatello) and head of Sphere Studios (Carolyn Blackwood) about how their residencies for artists like U2, Dead & Company and Eagles come together from booking to opening night. Other early episodes will include discussions about how Trump administration policies impact Latin concerts, and how streaming services will respond to the onset of the AI music revolution and more. Other episodes will also feature conversations with artists about going independent, planning unique rollouts and embracing technology.

On the Record Podcast

From left: Carolyn Blackwood, head of Sphere Studios and Josephine Vaccarello, Head of Booking for MSG Entertainment and Kristin Robinson.

On the Record has its finger on the pulse of what the industry is actually talking about and will present the information in a way that opens up these insider conversations to everyone — whether that’s to other industry pros, curious fans or aspiring artists.

SickBird Productions is onboard as On the Record’s co-producer. An award-winning global production company, founded by Jade Watson, SickBird has launched more than 20 shows to date and has worked on podcasts like Glory Daze With Johnny Manziel, Working Hard With Grace Beverly, Caps Lock With Sam Fahey and more. 

Since joining Billboard in 2021, On the Record host Kristin Robinson has become a leading music business and technology reporter, covering all things AI, streaming, publishing, digital marketing, labels and more. Her newsletter Machine Learnings about the intersection of music and tech is widely read across the industry and boasts 50,000 organic subscribers. Since 2021, Robinson has earned five journalistic honors for her work, including a National Arts and Entertainment Journalism Award nomination for exposing a $23 million YouTube royalty fraud impacting Daddy Yankee and Julio Iglesias. When not covering the business side of things, she also writes cover stories and profiles for the publication, including features on Charli xcx, Addison Rae, Laufey, DJ Mustard, $uicideboy$ and Ghostwriter.

“Covering the music business at Billboard has shown me how closely the decisions being made in boardrooms impact the music fans are streaming, buying and experiencing live,” says Robinson. “With On the Record, my goal is to bridge that gap — bringing fans, artists and industry professionals into the same room to understand not just what’s happening in music, but why it matters.”

“The stories that drive the music industry go far beyond the charts. With On the Record, we’re creating a space to unpack the decisions, technologies and power shifts that define today’s music business,” says Hannah Karp, Billboard editor-in-chief. “Kristin has a unique ability to connect fans, artists and executives in one conversation, making the complexities of the industry both engaging and accessible.”

Diona DaCosta, head of content at SickBird, says: “Listeners can expect unfiltered conversations that bring them closer to the people and decisions shaping the music business today. Teaming up with Billboard gives us the perfect platform to tell these stories with both authority and depth. At SickBird, we’re uniquely positioned to translate these narratives for today’s digital-first audience. In a landscape where transparency is more important than ever, people don’t just want the headlines; they want to understand the strategy, the stakes and the voices behind the music industry’s biggest moves. This podcast pulls back the curtain to reveal the stories that usually stay behind closed doors.” 

Watson adds: “Billboard has been defining the music industry for decades, and we’re proud to combine their unmatched authority in music reporting with SickBird’s 360° podcasting approach to launch this new show. By partnering, we have the opportunity to deliver the exclusive, ahead-of-the-curve content that Billboard’s audience craves whilst giving listeners unprecedented access to the people shaping the music business.”

Listen to On the Record With Kristin Robinson on Apple, Spotify and YouTube, and follow along with the show on Instagram.

Even stars get starstruck. When Billboard caught up with White Lotus season three cast member Tayme Thapthimthong on the red carpet at Sunday night’s (Sept. 14) Emmy Awards, the actor who portrayed soft-spoken security guard Gaitok wasn’t afraid to admit that taking on his most high-profile role to date alongside K-pop royalty LISA from BLACKPINK was a bit anxiety-producing.

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“Working with LISA was amazing, I was extremely star-struck in the beginning when I met her at the cast dinner,” he said. “She’s so nice. Over the seven months that we filmed together we just got to become such good friends. And it’s always nice to reunite with her, whether it be in Thailand or here.”

Asked to name his favorite LISA songs, Thapthimthong chose the Future collab “Fxck Up the World” and her Tyla team-up, “When I’m With You,” while explaining that there was also plenty of music on set during filming. The pair shared a lot of scenes together in the show, and he said LISA often brought her portable speaker to the green room so they could jam out to their favorite Afrobeats songs, which, of course, included a lot of Tyla, as well as Burna Boy and WizKid.

Another one of LISA’s co-stars, Natasha Rothwell, also chatted up the K-pop superstar’s acting chops at the Emmys — where the show was nominated for 23 Primetime Emmys, but went home with just one win, for original main title theme music — where she answered Billboard‘s questions alongside co-star Dom Hetrakul. 

While Rothwell also called the rapper/singer’s work “amazing,” with Hetrakul praising LISA as “very talented,” nodding to the singer’s “years” of training in the K-pop world as preparation for the role. “It’s her first debut in her acting and [she’s just] plain and simple natural. Just seamless,” he said.

Watch Billboard‘s chat with Thapthimthong above.


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The Lambily has just has one thing they need for Christmas, and Mariah Carey is delivering. The Queen of Christmas announced that she’ll be bringing her holiday show, Mariah Carey’s Christmastime in Vegas, to the Dolby Live at MGM.

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“Excited to bring Christmastime to the Dolby Live at Park MGM in Vegas!” The five-time Grammy winner shared on Instagram Monday (Sept. 15).

Her run of 10 Christmas-themed shows kicks off the day after Thanksgiving, on Friday, Nov. 28, and runs through Dec. 13. Tickets go on sale Saturday, Sept. 20, at 10 a.m. PT. Ticket presales will be available to MGM Rewards members and Live Nation and Ticketmaster customers; presale begins Wednesday, Sept. 17, at 10 a.m. PT. These shows come after the singer’s The Celebration of Mimi Live in Las Vegas residencies in 2024 and 2025.

The celebrated vocalist boasts 19 Billboard Hot 100 No. 1s to date, with her holiday classic, “All I Want for Christmas Is You,” being among them. The carol, which has ruled the chart during the holiday season since 2017, snagged four straight weeks at the all-genre chart’s summit in 2024, bringing its total week at the top to 18 so far.

MTV recently celebrated Carey’s long-running career at the Video Music Awards, when the network honored her with the Video Vanguard Award on Sept. 7. The iconic singer delivered a career-spanning medley of some of her greatest hits before accepting the award, which was also her first Moon Person. Joked Carey in her acceptance speech, “What in the Sam Hill took you so long?!”

See her announcement of her Las Vegas Christmastime shows below:


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Throughout every moment of my career in the music business, only one thing has been constant: change. We’ve seen it with the shift to digital, with streaming, and now we’re facing it again with generative AI. I hear the same fears we heard then — that a machine is gonna steal the soul of the art. I understand the concern. But let me be straight with you: This thing isn’t here to replace artists. It’s here to help them soar to even higher levels of artistry.

Think of gen AI as the ultimate creative partner. It’s no different from the drum machine that gave hip-hop its signature sound, or the sampler that changed the game. This isn’t just about making things easier; it’s about opening up a new world of creative possibilities. An artist can now create a dozen versions of a record, find the perfect hook, or get the lyrics just right, all while keeping their hands on the wheel of their creative work. 

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The question isn’t whether AI will shake things up. That’s already happening. So, the real question we must ask is, “How do we use this technology to make ourselves unstoppable?” Every artist, songwriter and producer has an opportunity right now to channel their creative gifts in new ways — to grab these tools and create something uniquely their own — that lays the foundation for the next 10, 20, 30 years of their careers. That is the opportunity. The goal isn’t to avoid being replaced; it’s to use every tool at your disposal — including gen AI — to elevate this art form and take it to new heights.

And we’re already seeing it — artists and filmmakers are creating jaw-dropping cinematic-quality music videos with the help of these tools. We’re talking legendary artists like Wu-Tang Clan, who created their full-length music video “Mandingo” earlier this year using Google’s Veo — or Teyana Taylor, who created mind-blowing scenes for her new musical short film Escape Room using our filmmaking tool Flow. These are some of the most creative folks in the industry, and they’re running with these tools — they’re not standing on the sidelines.

So, how do we get there? We shift our mindset. Instead of only focusing on what we may lose, we focus on what’s being created. And that’s not to negate the real concern artists have about protecting the integrity of the art. But let’s be clear: While new technology has always brought about disruption, fans have a knack for connecting with authenticity. AI isn’t going to be a replacement for that — artists must continue to bring their true selves to their work, otherwise, fans will see right through it.

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I’ve been in this game for 40 years. I’ve seen it all — and as a music guy who loves a good fight, I can tell you every single one of those shifts was scary as hell. But they were also thrilling. And this is no different. The best way forward is to keep an open mind, an open conversation, and a relentless focus on the creative. We’re all in this together, and the future of music is not about protecting the past. It’s about building a better, more creative, and more lucrative future. This is our moment as an industry to seize the opportunity in this shift and lead the way into the next era of music together.

Lyor Cohen is an American music industry executive who has helped shape the evolution of the music business over the course of his career and is currently the global head of music at YouTube and Google.

Spirit Music has acquired select songs from singer-songwriter HARDY‘s music publishing catalog, while also signing the artist to a go-forward exclusive writing agreement with Spirit Music Nashville.

“I’m pumped to be joining the Spirit Music family,” HARDY said in a statement. “They believe in the songs I write and that means a lot to me. I’m excited to see what we can build together.”

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HARDY is now with Spirit Music Nashville for songwriting, though he remains a partner in Relative Music Group as a publisher, which previously had his catalog. Relative Music Group signed a deal with Sony Music Publishing in 2021; Relative and/or Sony continue to own their portions of the select HARDY compositions Spirit acquired, while Spirit Music owns HARDY’s portion.

Mississippi native HARDY is a five-time ACM Award winner and a two-time CMA Award winner. As a songwriter, he’s won three CMA Triple Play Awards, three Association of Independent Music Publishers (AIMP) songwriter of the year accolades, and was named the 2022 BMI Country Songwriter of the Year.

HARDY is a co-writer on his own No. 1 Country Airplay hits including “One Beer,” and “Truck Bed,” as well as Dierks Bentley’s “Beers On Me,” which features BRELAND and HARDY. He is also a writer on his RIAA three-time platinum duet with Lainey Wilson, “Wait in the Truck,” and has co-written songs recorded by Morgan Wallen (“More Than My Hometown,” “Sand in My Boots,” “I’m A Little Crazy”), Jelly Roll (“Church”), Blake Shelton (“God’s Country”), Carrie Underwood (“Hate My Heart”), and has had songs recorded by Kenny Chesney, Jason Aldean, Dierks Bentley, Thomas Rhett, Dylan Scott, Florida Georgia Line, Cole Swindell, Vince Gill and more.

“HARDY is a multi-genre force of nature as an artist, a world-class songwriter and a great human being,” said Frank Rogers, chief creative officer of Spirit Music Group and CEO of Spirit Music Nashville, in a statement. “Spirit could not be more excited to welcome HARDY to the family and we are excited about helping him build on his already legendary career.” 

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“After years of making music together, I couldn’t be more proud to start this new chapter with my pal HARDY here at Spirit,” said Derek Wells, vp of A&R/Production at Spirit Music Nashville/2Mix. “Great music with great people is the business we want to be in here, and HARDY hits that nail on the head. He is truly a ‘1 of 1’ talent and human that elevates every room he’s in.”

HARDY released Quit!! in 2024 and saw the title reach No. 1 on Billboard’s Top Hard Rock Albums chart. Last year, HARDY headlined a set during CMA Fest, and collaborated with Fred Durst and Chad Smith. He’ll release Country! Country! on Sept. 26 via Big Loud Records, spearheaded by tracks “Favorite Country Song,” “Bottomland” and the ERNEST collaboration “Bro Country.” The same week Country! Country! releases, HARDY will make his first headlining show at Madison Square Garden on his Jim Bob World Tour.

HARDY was represented in the new publishing deal by Scott Safford (Safford Motley PLC), while Spirit was represented by Matthew Beckett and David Crow (Milom/Crow/Kelley/Beckett/Shehan PLC). 

The team that produced the 2025 Grammy Awards experienced a big disappointment when the nominations for this year’s Primetime Emmys were announced on July 15 and Music’s Biggest Night wasn’t on the short-list for outstanding variety special (live). The Grammys had been nominated in that category in five of the previous seven years.

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Only one awards show was nominated in that category this year – and it was, unsurprisingly, the granddaddy of all awards shows, the Oscars. The other nominees were Beyoncé Bowl, The Apple Music Super Bowl LIX Halftime Show Starring Kendrick Lamar and a pair of SNL50 celebrations – The Anniversary Special (which won) and The Homecoming Concert.

Here’s something that may provide some consolation for Team Grammy – the 2025 Grammys were the only awards show to win multiple awards across the three nights of the 2025 Primetime Emmys – the main telecast on Sunday (Sept. 14) and two Creative Arts ceremonies on Sept. 6 and 7. The Grammys won outstanding choreography for variety or reality programming for a specific routine – Doechii’s musical performance – and also outstanding lighting design/lighting direction for a special. Doechii performed “Catfish” and “Denial Is a River” on the Grammys as part of an extended sequence focusing on each of the eight best new artist nominees.

This marked the first time in 12 years that the Grammy telecast has won two Primetime Emmys in a single year. The 2013 show won awards for sound mixing and costumes.

The only other awards show to win a Primetime Emmy this year was the Oscars, which won outstanding production design for a variety special.

The Grammys have never won in the top variety program category – now called outstanding variety special (live). This year’s show aired less than a month after wildfires devastated wide swaths of Los Angeles, calling the feasibility of even putting on a show into question. The Grammys, which aired on Feb. 2, combined traditional awards show elements with emotional appeals and fundraising efforts.

Note: Conan O’Brien: The Kennedy Center Mark Twain Prize for American Humor also won one Primetime Emmy – outstanding variety special (pre-recorded). While that’s a prestigious award, that’s not a traditional awards show with winners and, um, non-winners.

This year’s Primetime Emmys honored programs that aired between June 1, 2024, and May 31, 2025.

Ben Winston, Raj Kapoor and Jesse Collins were executive producers of the 2025 Grammys for Winston’s Fulwell 73 Productions. Trevor Noah hosted the show for the fifth year in a row. Hamish Hamilton directed. David Wild served as writer.

After years of ramping up anticipation, Billboard cover star Cardi B is in full promo mode getting out the word about her long-awaited sophomore album, Am I the Drama?, which is due out on Friday (Sept. 19) The get-out-the-clicks campaign has included Cardi setting up shop on a busy NYC sidewalk last week and selling her wares grassroots style.

She was back at it over the weekend in an Instagram Live in which she was encouraging her fans to go out and buy a copy the album later this week. But, before she could even get her pitch started, the rapper’s eldest child with former husband Offset, eight-year-old Kulture, interrupted with her own sales strategy.

“Oh, don’t get her album,” Kulture said to Cardi’s surprise in the video (which you can watch here.)

Not super psyched to be negged by her own flesh and blood, Cardi hit Kulture with a harsh warning, asking her, “What you mean don’t get my album, girl? Then you ain’t gonna be able to buy s–t. We’re gonna live in the hood.” Playfully enraged, Cardi continued, “ain’t no more toys for y’all. No nice car, no nothing. No more Roblox coin, no more Apple, no more Target.”

She then asked Kulture to name a few of of her favorite things, warning, “you gonna be eating rice and beans every G–damn… yeah, no crab… I think I ate crab in my childhood like three times.”

Last month, the rapper jokingly claimed that if fans didn’t come out and buy Drama she might be out on the street. “I’m about to get evicted from my mansion,” she said at the time, according to Complex. “They’re about to repo all my cars. They’re about to take my Lambos and my Rolls-Royce. I couldn’t even get my pool cleaned this week, you know what I’m saying? I’m f–ked up in the game right now. Please donate to my album because it’s going to come out on Sept. 19 and it’s all I got. I just want to say thank you guys so much, because it’s been very hard for me.”

The good news in the weekend IG chat was word from Cardi that she’s going to reveal something new about the album every day until its release later this week. The rapper’s long-awaited follow-up to her 2018 debut full-length LP, Invasion of Privacy will feature 23 songs, including her Billboard Hot 100 No. 1 hits 2020’s “WAP” and 2021’s “Up.” In advance of the release so far she’s released the single’s “Outside” in June and “Imaginary Playerz” last month, both of which are slated to appear on the album as well.


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