Jessie J‘s two-year-old son got to see his mom perform live for the first time on Saturday (Sept. 6). The singer returned to the stage, and brought Sky along, at BBC Radio 2 in the Park in Essex, England, after undergoing her first round of surgery to treat breast cancer over the summer; she’ll have a second surgery in the fall, a procedure she says is “nothing too serious” but conflicts with her now-postponed fall tour.

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“Some of you may know, some of you may not know, but I had breast cancer surgery 11 weeks ago today,” Jessie J told the crowd at Saturday’s concert in Chelmsford, Essex, the Daily Mail reports.

“And the last show I did, I had no idea what was gonna happen, and I’m still very much in the recovery process,” she said. “But I’m definitely not ready for Babins. I mean, I am, but my doctors are like, ‘Calm down, girl.’ Do you know what I mean, you can take the girl out of Essex, put her back in to Essex.”

“But I’m just so grateful to be here,” said the singer. “You have no idea how grateful I am to see so many of you singing along after all these years. It truly feels like I’m a little kid. Still doing what I love.”

“And another special thing that’s happening today is that my son is seeing me sing on stage for the first time,” she added, according to the Daily Mail. Headphones on to protect his ears, two-year-old Sky even got to go up to the mic to say hello and sing “Happy Birthday” to anyone in the crowd who happened to be celebrating a birthday, fan video footage from the concert shows.

Ahead of her first surgery, Jessie J revealed in June that she’d received an “early breast cancer” diagnosis back in April.

Six weeks after surgery, she returned to the hospital with symptoms that turned out to be the result of an infection. In July, she underwent tests that showed the cancer had not spread and shared an emotional message thanking her fans for their prayers and positive energy.

As part of her performance on Saturday, Jessie J performed new song “Living My Best Life” and explained the story behind the track.

“I was diagnosed literally two weeks before this song was released,” she said. “Everyone said, ‘Let’s stop, let’s just put everything on hold,’ and I said, ‘That’s not what life’s about.’”

“Life is about standing in the storm but holding up your umbrella and just keep moving forward,” she said. “And music, I don’t know about you guys, but for me, music is a healer. Music is the thing that keeps me wanting to wake up in the morning and just makes me excited about life. And I’m grateful that I can make music that can give other people something that they might need on a hard day or a good day. So this song is called ‘Living My Best Life,’ and that is what I’m doing every single damn day. ‘Cause we never know when our last day will be. So soak this up, hug the people you love hard.”

Selena Gomez is reviving Revival on vinyl for the album’s 10-year anniversary.

Released on Oct. 9, 2015, Revival reigned for a week No. 1 on the Billboard 200 upon its debut, and spent a total of 69 weeks on the chart. Singles “Good for You”, “Same Old Love” and “Hands to Myself” were top 10 hits for Gomez on the Hot 100.

A Revival 10-year anniversary deluxe vinyl edition is now available to pre-order exclusively on Gomez’s webstore, where it’s pictured in maroon and shown with a photo insert of the pop star. The release features a new album cover.

“This is my Revival,” Gomez wrote in a Friday (Sept. 5) announcement on X. “Pre-order the Revival 10-Year Anniversary Deluxe Vinyl now. This is the very first time the Revival Deluxe album is available on vinyl and I’m so excited for you to have the entire collection.”

The new Revival vinyl has a total of 14 tracks. Compared to the album’s standard 11-song track list, the LP adds “Me & My Girls,” “Nobody” and “Perfect” — all of which were originally included on the deluxe edition of Revival released in North America. (Additional Revival-era bonus tracks “Outta My Hands (Loco)” and “Cologne,” found on a Target edition of the album, are not on this release.)

Pre-orders for the Revival deluxe vinyl are expected to ship on Oct. 3, which happens to be the same day Gomez’s friend Taylor Swift releases The Life of a Showgirl.

The announcement for the anniversary release comes while Gomez is busy getting ready to marry Benny Blanco. The bride-to-be shared snapshots from her bachelorette party ahead of the couple’s wedding.

Green Day is revving up excitement for their upcoming film New Years Rev.

On Friday (Sept. 5), the legendary punk rock band unveiled an official poster and first trailer for the coming-of-age comedy, which is directed by Lee Kirk.

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“Coming soon: @newyearsrevmovie. The story of three young punks willing to risk it all to follow their dream,” the trio wrote on Instagram alongside the film’s poster.

Described as a “wild road trip comedy,” the 55-second trailer opens with two teenagers taking bong hits in a dimly lit room plastered with posters, reflecting on the day they “almost opened up for Green Day.” Set to Green Day’s 2004 anthem “Holiday,” the fast-paced teaser follows the teens as they borrow a taxi and embark on a chaotic cross-country journey in an attempt to open for Green Day on New Year’s Eve.

The trailer ends with a high-energy concert clip featuring frontman Billie Joe Armstrong, bassist Mike Dirnt and drummer Tré Cool rocking out on stage, followed by the message: “Coming Soon.”

Dubbed “A Green Day Story,” New Years Rev centers on a fictional garage band called The Analog Dogs, whose biggest dream is to meet and open for their punk idols. When the trio finally manages to get their demo tape into the right hands, they believe they’ve scored a once-in-a-lifetime gig opening for Green Day. But they soon find out the opportunity was an elaborate prank orchestrated by one of their brothers.

“Nevertheless, naively optimistic, the young trio set off on the road from Kansas to California, with wide-eyed dreams of being on stage alongside their heroes,” reads an official synopsis.

Green Day previously described the film as a heartfelt tribute to “road trip movies, ’90s nostalgia, and chasing the dream no matter how ridiculous it gets.” The soundtrack features more than a dozen of the group’s tracks.

New Years Rev‘s cast includes Mason Thames, Mckenna Grace, Fred Armisen, Jenna Fischer, Angela Kinsey, and comedian Bobby Lee. The film premieres on Sept. 12 at the Toronto International Film Festival. It’s co-produced by Green Day and Live Nation Productions.

Watch the first trailer for New Years Rev below.

Leon Thomas headlined Billboard’s R&B/Hip-Hop LIVE concert at Webster Hall in New York City on Friday (Sept. 5).

The fast-rising R&B star — who recently received the Breakthrough of the Year Award at Billboard’s R&B/Hip-Hop Power Players 2025 event — was one of several artists to take the stage at the free show.

Presented by State Farm, Ralph Lauren and UnitedMasters, the packed event served as the centerpiece of Billboard’s Hip-Hop & R&B Week. The night’s lineup also featured GELO, Odeal, Ravyn Lenae and Armanii.

Billboard has always been at the forefront of recognizing and promoting emerging talent,” Billboard CEO Mike Van said ahead of the show. “This concert is a testament to the vibrant future of hip-hop and R&B and our commitment to celebrating artists who are shaping the music landscape.”

Armanii launched the night with his blend of dancehall and hip-hop, performing crowd-pleasers like “8:00 PM” and “JUMP (Bounce).” GELO, recently named Billboard‘s Hip-Hop Rookie of the Year, followed with tracks from his debut album, League of My Own. Billboard’s African Rookie of the Year, Odeal, then energized the crowd with performances of “Soh-Soh,” “London Summers” and “Miami.” Lenae later brought a mystical calm to the room with renditions of “One Wish” and “Love Me Not.”

Closing out the evening, Thomas delivered a powerful headlining set, highlighted by a surprise appearance from Ty Dolla $ign, who joined him on stage to perform his verse on “Far Fetched” and sing “Carnival,” his Billboard Hot 100 chart-topping hit from Vultures 1.

In addition to the live performances, fans enjoyed interactive brand experiences, including a State Farm-sponsored custom T-shirt printing station and a L’Oréal–Ralph’s Club photo booth.

When word got out that the Billboard R&B/Hip-Hop Power Players event would be taking over Webster Hall for a free concert on Friday (Sept. 5), New Yorkers from all walks of life consumed three blocks waiting — and hoping — to get inside. Those lucky enough to gain entry celebrated every second of the night, as DJ Ohso meticulously spun through hip-hop bangers, sultry afro tunes and a little bit of Paramore to keep the crowd energized, engaged and hungry for a showcase from Billboard‘s Rookies of the Year.

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Armanii kicked the night off with his signature blend of dancehall and hip-hop grooves, as fans swayed to “8:00 PM,” “JUMP (Bounce)” and others. Attendee’s workday blues than completely vanished thanks to Billboard‘s Hip-Hop Rookie of the Year GELO, who swaggered about the stage and ignited the party with the littest cuts off his debut album, League of My Own. While fans cheered and supported the newer tracks, it of course was his viral hit “Tweaker” that fully locked the crowd in with its unifying “woah’s” and “ahh’s.”

After a short breather, Odeal‘s presence was immediately felt throughout Webster’s Hall, as people erupted just at the mere sight of the African Rookie of the Year. There were dozens of diehard supporters in the audience, who screamed out every syllable of “Soh-Soh,” “London Summers” and of course “Miami,” with the soon-to-appear headliner Leon Thomas. Before that, though, Ravyn Lenae floated onto the stage to quickly transport the crowd to a more mystical realm. Lenae gracefully sang through her biggest hits including “One Wish” and “Love Me Not,” sprinkling pixie dust along the way like an R&B fairy godmother.

But it was Thomas that really brought the house down. He railed on the drums, shredded on the guitar, sang his absolute heart out — firing off every firearm in his musical arsenal and leaving no survivors. The crowd, admittedly a bit worn after such a lengthy showcase, rallied behind Thomas and fully came back to life as Ty Dolla $ign casually strutted out while singing his verse on “Far Fetched.” The DJ then queued up “Carnival” right after, the Ye (formerly Kanye West) and Ty’s Vultures 1 cut that hit No. 1 on the Billboard Hot 100 chart back in 2024. As Ty sang through the single and hyped up the crowd, Leon and his band — for lack of a better term — rocked the f—k out. Then, almost like a fever dream, the night was over, leaving the crowd sweaty and satisfied in every way.

Dua Lipa treated fans to a surprise during the opening U.S. date of her Radical Optimism World Tour.

On Friday (Sept. 5), the 30-year-old British pop star launched a two-night stint at Chicago’s United Center, dazzling the sold-out crowd with striking costumes and a 22-song setlist that featured tracks from her latest album, Radical Optimism.

Midway through her performance, Lipa — dressed in a sparkly black coat with feathered sleeves — stunned fans by welcoming music legend Chaka Khan to the stage. Together, the duo performed a powerful rendition of Khan’s 1983 classic “Ain’t Nobody.” Watch fan-captured footage of the moment here.

This isn’t the first time Lipa has shared the stage with iconic artists during her global tour. Earlier this year, she was joined by Crowded House’s Neil Finn during a stop in New Zealand, and later brought out Jamiroquai in London.

After a brief break in August following a two-month run across Europe, Lipa returned to North America with back-to-back shows in Toronto on Sept. 1–2. Check out Billboard’s recap of the six best moments from her opening night at Scotiabank Arena here.

The U.S. leg of the Radical Optimism tour continues Saturday (Sept. 6) with a second show in Chicago, before heading to cities including Boston, Atlanta, New York, Miami, Dallas, Los Angeles, San Francisco, and Seattle.

Released last year, Radical Optimism is Lipa’s third studio album and debuted at No. 2 on the Billboard 200. The project delivered several chart hits, including lead single “Houdini,” which spent 17 weeks at No. 1 on Billboard‘s Hot Dance/Electronic Songs chart. In support of the album, Lipa launched the Radical Optimism tour in November 2024, performing in arenas across Asia, Europe, Australia, and New Zealand.

Eladio Carrión is no stranger to breaking barriers, and his explosive takeover of Brooklyn’s Barclays Center proved once again that he’s operating on a whole new level. In just two years, the U.S.-born, Puerto Rican rapper elevated his career from performing in intimate venues like The Theater at Madison Square Garden to headlining arena territory at the Barclays Center.

His arrival in New York City comes one week after he launched his DON KBRN World Tour, presented by Live Nation, on Aug. 27 in Charlotte, N.C. Kicking off the show at 9 p.m., the Kansas City-born artist lit up the stage with tracks from his latest album DON KBRN, including fan favorites like “Invencible,” “Ohtani,” “Vetements,” “H.I.M.” and “Broly.” He also performed songs from his albums Sol María (2024), 3MEN2 KBRN (2023), SEN2KBRN VOL. 2 (2022), Sauce Boyz 2 (2021), and his 2024 EP Porque Puedo. (See the full setlist here.)

Over the course of two hours, the Latin trap star delivered a show packed with jaw-dropping yakuza-inspired visuals, surprise guests — Young Miko, Rich the Kid, Ty Dolla $ign, Lenny Tavárez, J Quiles — and undeniable energy. 

Next, the Sauce Boyz hitmaker will bring his electrifying show to cities like Chicago (Sep. 7 at the Rosemont Theatre) and Miami (Sep. 13 at the Kaseya Center), with stops in Houston, Texas (Sep. 17 at 713 Music Hall), before concluding the U.S. leg in Los Angeles at the YouTube Theater on Sep. 27. Following his U.S. dates, Eladio will take his international tour to Latin America, making stops in major world cities like Bogotá, Santiago de Chile, Buenos Aires and Mexico City.

Here are five takeaways from the trap star’s DON KBRN World Tour show at Barclays Center.

From career milestones to new music releases to major announcements and those little important moments, Billboard editors highlight uplifting moments in Latin music. Here’s what happened in the Latin music world this week.

Premios Juventud Agents of Change

Premios Juventud announced that Carlos Vives and Myke Towers will be recognized as this year’s “Agents of Change.” This honor celebrates their unwavering commitment to social impact, community development, and cultural preservation throughout Latin America, according to a press release.

Carlos Vives will be honored for his dedication to cultural and community development across Colombia and Latin America through his Tras La Perla Foundation. Meanwhile, Myke Towers will receive this distinction for his work with the Young Kingz Foundation, a nonprofit organization focused on empowering vulnerable communities in Puerto Rico and Latin America.

The awards show will broadcast live from Panama City on Thursday, Sept. 25 at 7 p.m. ET via Univision, UNIMÁS, Galavisión, and ViX.

“La Buena Vibra”

Morat joined forces with the Colombian Football Federation to launch the “La Buena Vibra,” or good vibes, initiative on Sept. 4 in Barranquilla, during the Colombia national team’s match against Bolivia. According to a statement shared with Billboard, the purpose of this campaign is to “convey a message of unity, respect and camaraderie, inviting fans to experience and enjoy soccer in peace, together with family and friends.”

Gloria Trevi & Rauw Alejandro Honored

The Latin music stars received special recognitions on Thursday, Sept. 4 at the 2025 Hispanic Heritage Awards, which took place in Washington, D.C. Rauw was honored with the Vision Award and Trevi with the Legend Award.

The Mexican pop star shared a heartfelt message during her speech: “This recognition would not exist without the Latino community that works and fights tirelessly for their dreams, their families, and themselves,” she said. “This award is like an embrace of hope for humanity, a humanity that’s capable of more tenderness.”

Upon receiving his award, Rauw expressed: “I am the son of a cultural crossroads, and what a great blessing it is to carry this mix in my blood, because it is what guides my art and my path.”

“Nuestros Colores”

Mexican singer-songwriter Mario Bautista performed “Nuestros Colores,” the 2025 Leagues Cup anthem, during the final match between Inter Miami CF and Seattle Sounders CF on Aug. 31. The game took place at the Lumen Field in Seattle where Bautista performed to a crowd of nearly 70,000 fans.

The song was produced by Emilio Estefan Jr. and also features collaborators Taboo (Black Eyed Peas), Emily Estefan, Emilio Regueira (Los Rabanes) and Richaelio.

Karol G brought her Tropicoqueta energy to the NFL stage in Brazil, where she headlined the halftime show on Friday night (Sept. 5) during the season opener between the Kansas City Chiefs and the Los Angeles Chargers.

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The Colombian superstar’s performance was streamed live on the NFL’s YouTube channel from Corinthians Arena in São Paulo, where she opened her short-but-dazzling set singing some verses in Portuguese, before switching to Spanish for “Bandida Entrenada.”

“Hey, Brazil!” she greeted the audience with excitement. “¡Arriba mi gente latina!” (Up my Latin people!)

Dressed in a copper miniskirt and a bra with yellow pineapples for cups, Karol, with her wavy dark blond hair down, performed a medley of songs that included her Billboard Hot Latin Songs No. 1 hit “Si Antes Te Hubiera Conocido,” “Un Gatito Me Llamó” and “Papasito,” which she performed half in English, half in Spanish.

Surrounded by dozens of dancers and dancing some moves that included a bit of lambada, Karol’s performance lasted less than 10 minutes, but it was sweet and well-produced, including nice costumes, a group of female percussionists and a grand finale with fireworks.

Hours before the show, Karol shared some heartfelt words in an Instagram post alongside a carousel of colorful spashots from her stay in Brazil. “Today is a very special day! After a long time, I return to one of my favorite places in the world, where, no matter what, I feel completely happy: The stage! The sacred place where I connect with you,” she wrote.

“Performing tonight has many special meanings in my life for different reasons, and there wouldn’t be enough space in this caption to explain it all… I just hope you really enjoy it, and in the name of God, I hope everything turns out incredible,” the singer continued. “You know, you think about every detail and hope that everything goes as planned… But no matter what happens, I love what we’ve prepared so much. It has all my soul and heart, and there’s a wonderful team of people by my side who worked incredibly hard as well.”

Karol G’s halftime show performance was announced in August. The news was accompanied by a photo of her dressed in Tropicoqueta flair, a nod to her latest album, while holding a football helmet. As part of the ongoing collaboration between the NFL and YouTube, the game between the Chiefs and the Chargers is the first NFL game exclusively streamed live on YouTube.

In addition to Karol’s show, Brazilian artist Ana Castela performed the country’s national anthem, “Hino Nacional Brasileiro,” and jazz saxophonist and composer Kamasi Washington played the United States national anthem, “The Star-Spangled Banner.”

A major court ruling last month found that SoundExchange doesn’t have the power to collect royalties through litigation. Now, the organization has launched an appeal in hopes of preserving this enforcement strategy.

SoundExchange’s notice of appeal on Friday (Sept. 5) challenges an August federal court ruling that dismissed its $400 million lawsuit against SiriusXM. Judge Naomi Reice Buchwald held in her decision that SoundExchange, a nonprofit designated by the Copyright Royalty Board to collect performance royalties for artists, does not actually have the right to sue anybody under federal law.

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This ruling was the first to weigh in on SoundExchange’s standing to collect recorded royalties via lawsuits, and the implications are big. For more than a decade, the organization has regularly used litigation to secure hundreds of millions of dollars in royalties from radio broadcasters like SiriusXM and music streamers such as Slacker and Napster.

Already, music companies are trying to use Judge Buchwald’s ruling in their favor. Just weeks after the decision came down, Sonos told a court that it will file a motion to dismiss its own pending SoundExchange royalties lawsuit based on the rationale in the SiriusXM case.  

Faced with the possibility of losing a key enforcement strategy, SoundExchange is standing firm and using an appeal to go on the offensive. The group wants the Second Circuit Court of Appeals to reverse Judge Buchwald, calling the decision an “erroneous ruling and flawed interpretation” of the Copyright Act in a statement on Friday.

“As Congress surely realized in creating the statutory license, some licensees will seek any available means to avoid paying artists for the full value of their work to maximize profitability,” said SoundExchange in the statement. “For the statutory license to function properly, SoundExchange fully believes Congress intended that the ‘enforcement’ power clearly granted in the statute must necessarily include the ability of its administrator to bring litigation claims when digital music services fail to meet their obligations under the law.”

“In the meantime,” continues the statement, “SoundExchange will continue in its mission of securing fair compensation for artists and rights owners and looks forward to arguing its case in court.”

A rep for SiriusXM did not immediately return a request for comment on the appeal.

The SoundExchange lawsuit against SiriusXM, brought in 2023, accused the satellite radio giant of “gaming the system” with manipulative bundling to withhold more than $150 million in performance royalties up to that point.

SoundExchange says SiriusXM has continued to apply this “faulty methodology” in the years since and now owes more than $400 million to artists and labels. SiriusXM denies all of SoundExchange’s claims.