For all the stunning visuals and technically perfect performances that the K-pop scene is known for, Jaehyun had good reason to simplify things for his first solo single.

The singer-actor is one of the most well-known members of NCT — the 23-member boy band that’s scored multiple Billboard 200 entries as part of its ambitious and experimental music and concept with an unlimited number of singers and splinter groups. Earlier this year, a new project called “NCT Lab” launched to spotlight individuals from the superband and their talents in songwriting, composing, dance and beyond. For Jaehyun, it was his chance to build a bridge for fans to see the person off the stage better.

“Forever Only” is the snappy, acoustic-leaning R&B-pop track that puts the 25-year-old’s silvery tenor at the forefront. The single comes with a grainy, gray photo of Jaehyun and a no-nonsense, sans-serif text for the single title — a far cry from his album covers with NCT 127, where he glows in neon green or sports flashy streetwear. Even speaking over an afternoon Zoom call, Jaehyun looks cozy in his beige collared shirt that pops nearly enough from the all-white office walls from where he’s speaking.

In addition to the lyrics, Jaehyun took an active role in the styling and visuals for “Forever Only” where the star displays his fondness for simplicity across multiple creative avenues. But Jaehyun doesn’t keep things simple from lack of experience: instead, the singer takes an active interest in learning the process behind any areas he’s involved in — music, acting, fashion, hosting, production — and presents his learnings in the clearest of terms.

Jaehyun sees “Forever Only” as the first step in sharing more of himself as a human, but the work in his career has all been crucial in helping him get to this point of self-expression. Read on to get to know the NCT star better.

Billboard: Congratulations on the new song with NCT Lab. How does the project work and how did this song come about?

JAEHYUN: I’ve been working on music for quite a long time and I always wanted to share a song with my fans that was filled with my voice and emotions. NCT Lab is a great opportunity to share my own emotions and songs, so I was really thankful to have that. I thought “Forever Only” was the right track to start off my career for solo music [because] it was an R&B track — I had lots of songs that I wanted to share but I wanted the first song to be more catchy, very simple and filled with my true personal tastes and styles.

Are those the music and moods you’re drawn to these days?

Definitely, music-wise and style-wise. I also participated on the music video concept and styling for this song. So, I really wanted to show my true side of myself and my taste. The fashion that I wear is definitely the style that I usually wear casually — and it’s fashion that I like too. While writing the lyrics, I talked about the image of lights and the sea and that also comes out in the music video. I really like how we filmed it. I really tried to be as simple as I can and deliver the emotion.

Some might say that’s surprising, especially in a group like NCT that is so ambitious in its concepts and sounds. Are we seeing more of the real Jaehyun?

Well, I also enjoy trying more like challenging lots of concepts, but I always wanted to share the other side of being an artist. I always wanted to share my side as a human being with other people. I think it’s really great to start with this song.

How long had you been working on “Forever Only”?

I’ve always wanted to share the music I’m working on, but I didn’t have the right timing. But I thought now was the right time to start so I shared with the team around me that I wanted to release the song right now. “Forever Only” is really recent. When I first heard it, it took about one or two months to prepare for this one.

How do you usually work when it comes to making music? What’s your process like?

Personally, I think nighttime’s better to work because I like the mood when everything’s really calm and quiet. Usually, I think of the theme first and then do the melody. Or sometimes, I work on a track — like with producers or pianists — but for “Forever Only,” I only participated in lyrics. The first time I heard “Forever Only,” the sound and the melodies were really positive, kind of bright and energetic, but I had the feeling of being a bit lonely. I felt lonely inside of that kind of mood so I wanted to make the lyrics lonely yet charming.

I really used to focus on my vocals first, and then, while making music, I kind of found my own style. But I think while doing toplining or while doing melodies or lyrics, I get to know what I really like, what person I am, or what kind of emotions I have. I think that also helps while singing, so I kind of focused and narrowed in on my style through making music.

Was there anything you learned about yourself while making “Forever Only”?

Well, I recorded and made the music like I always do, but I got to know more about the real process of releasing a single album or song. Because this time, I met the music video director way before filming it, I got to put in more opinions of what I really wanted to show and share. So, I got to know the process more particularly how it works. There’s so many people that help and work hard to make one song come out.

It sounds like you’re learning about yourself in the process. I know you have a background in piano. Do you remember when you first realized you could write songs or compose? 

Well, I was a child who liked to sing in school festivals and on stage, but I never thought of being a singer like my job. I had a friend of mine that plays guitar and I used to play a bit of piano so we always jam and just cover songs or sometimes just play with instruments. And I think that was the first time that I realized that I really like music. But professionally, starting to make the music was maybe two years after my debut working with producers.

Is this the first kind of test into the waters of maybe a full solo project one day?

Of course. One day. I’ll be really working on what I’m doing and I really want to share a full album one day to our fans.

Beyond music, you’ve been so busy balancing so much in acting, fashion and hosting. How do you find balance?

I feel that singing, acting, and fashion are all related. For instance, when I do sing, I really think about the fact that fashion and acting are really important parts of the music. On the other hand, when I work hard on acting, then I can see another part and learn other parts of singing and fashion. So, I think it’s really important to do my best whatever I’m doing because it’s all related.

How was your experience with the drama? I know it got delayed, but fans finally saw it this year.

It did, it did come out. [Laughs] I think my people around me liked it more than I did because they had lots of comments. I was really thankful because I was always curious about how filming works — like how like dramas or movies work so it was really nice to be in part of it. It was quite challenging for me because it was my first time, but I really wanted to concentrate on how it all worked and on the character work. It was quite challenging but really meaningful for me. And it was fun because it was a story about college friends. I actually haven’t been to a real college because I debuted [in music], so it was an experience of being in college for me to think back on.

With the delay of Dear.M and another drama being canceled, how do you overcome these bad-luck setbacks to keep pushing forward and stay positive?

There are definitely some hard times, but I try to concentrate on what I can do at this moment — that’s what I try to always focus on.

That’s the right attitude because we’ve seen you expand in what you do with fashion. You’re an ambassador to Prada and attended its menswear show at Milan Fashion Week. I’m curious about your interest in this world.

Well, first of all, it was really nice to be a part of that because I really got lots of inspiration through my experience and I really learned a lot. It was my first time attending a show, but the energetic vibes in the place, the strong music and the energy of the models, everything going on was really energetic and exciting. That really inspired me a lot while watching Prada’s show.

What’s your connection with Prada? Is it a brand you’ve liked or feels it represents your style as well?

What I always liked about Prada was that it’s really classic but unique. It’s not a commonplace brand that you might think of in particular. And that’s what I think of myself because I always like things to be simple but not common. And I kind of enjoyed doing stuff that’s challenging or not common. But I think that it’s what part is also me — the style of Prada.

Is there anything teasers you can share about the upcoming NCT 127 album 2 Baddies or the shows that are coming after your single?

As NCT 127, we’re almost on the last part of the comeback preparing stuff. And also after that, we’re planning to go on a tour so, hopefully, we’ll have a chance to meet our fans all around the world. And after that, I want to share more of my sides and colors through music. So, I hope you all stay tuned. I’m always so thankful to have lots of opportunities thanks to my supportive fans.

Did you do any writing or produce on the upcoming album?

Not music-wise, but the style of choreography this time is kind of free; where you can express more of your own dancing style and stuff. So, I concentrated on those free parts where I can express myself through dancing. It was really fun to do the choreography this time.

Are there any other personal goals or plans of creative itches that you have?

I always like to learn stuff, but I want to share more of my personal feelings or emotions in a lot of ways, but especially in music. As a human being, to make all the people know that we feel the same way and we think similarly — I have ups and downs, I want to share more of those kinds of parts of me to my fans.

If “Forever Only” is the first step in that goal, what will you say to people who might be surprised you’re showing this side of yourself?

It’s definitely the first step and I think I’d enjoy it if people are surprised or if people are talking about that. It’s interesting and always fun. I really wanted to share more about the music through interviews so thank you for having me.

If Karol G’s bright red hair is any indication, she’s ready for a new chapter, and it all started Thursday (Aug. 25) with the new single “Gatúbela (Catwoman),” in collaboration with one of Latin urban’s pioneers, Maldy.

Produced by DJ MAFF, the song is an infectious old-school reggaeton laced with intense perreo beats. In the lyrics, Karol G is fiery and unapologetic, chanting: “I’m not with anyone but I’m hooked/ I’m elevated, I feel like a Catwoman/ It feels good when he moves my panty to the side/ It feels good when you kiss me down there.”

The music video, directed by Pedro Artola in Barcelona, Spain, is inspired by vintage horror movies, showing the Colombian artist — who makes her red-hair debut in a video — drenched in blood as she runs away from the moon. But before she’s caught in action running away in the dark, she’s feeling ultra sensual in a locker room full of equally sweaty people that she gets cheeky with.

“Gatúbela” comes four months after Karol G released her first single of the year, “Provenza,” and became the first woman to replace herself at No. 1 on the Hot Latin Songs chart (dated May 14).

Up next, the artist is set to kick off her $trip Love Tour, produced by AEG Presents, on Sept. 6 at the Allstate Arena in Chicago. She’ll make pit stops in New York, Toronto, Miami, Los Angeles, Houston, Las Vegas and more before wrapping Oct. 29 at Vancouver’s Rogers Arena.

“There has never been a tour where they sing to love so nasty,” the singer previously expressed on Instagram, alongside a nearly one-minute video showing footage of her in a bed and scenes of professional pole dancers. Tickets are available via KarolGMusic.com.

$trip Love tour follows Karol’s 2021 Bichota tour, which grossed $10.9 million and sold 128,000 tickets across 24 shows according to figures reported to Billboard Boxscore.

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Fans have been waiting three years for the return of HBO’s acclaimed series Los Espookys, and the season two trailer was officially released on Wednesday (Aug. 24) featuring some familiar faces.

The Spanish and English-language comedy follows “a group of friends who turn their love for horror into a peculiar business, providing horror to those who need it, in a dreamy Latin American country where the strange and eerie are just part of daily life,” according to HBO’s website.

The new trailer finds Renaldo (Bernardo Velasco), haunted a beauty pageant queen’s ghost, while Úrsula (Cassandra Ciangherotti) takes on the political status quo. Úrsula’s sister Tati (Ana Fabrega) navigates life as a newlywed and Renaldo’s best friend, Andrés (Julio Torres) is in the wake of battling his (actual) inner demons. Uncle Tico (Fred Armisen) also makes an appearance in the trailer, searching for his next steps after his valet career is derailed.

Kim Petras appears in her TV debut as the bombshell Secretary of State, Kimberly Reynolds, who is introduced by emerging out of a limousine in a floral bralette and pink skirt suit, holding a massive stick of Toblerone chocolate.

The best way to watch Los Espookys is to sign up for HBO Max. The streaming service has expanded to two subscription tiers: ad-supported and commercial free. The platform also introduced a free tier last year which only allows you to watch certain episodes. HBO Max’s paid subscriptions start at $9.99 ($99.99 a year) for ad-supported streaming, or $14.99 a month ($149.99 a year) to watch ad free.

Watch the trailer below. Los Espookys season two premieres on September 16 on HBO and HBO Max.

Hey, batter batter! Pharrell Williams took to the pitcher’s mound at the New York Yankees baseball game earlier this week (Aug. 22) to throw the first pitch.

Fittingly, Pharrell rocked his Billionaire Boys Club collaborative clothing line with the Yankees for the occasion.

It’s been a busy summer for Pharrell, who put out a number of collaborations, including “Cash In Cash Out” with Tyler, the Creator and 21 Savage, and Calvin Harris’ “Stay With Me” with Halsey and Justin Timberlake.

In June, the Grammy-winning artist held his Something in the Water Festival in the heart of Washington, D.C., after moving it from his hometown of Virginia Beach. When asked if the concert would ever move back to Virginia Beach, Pharrell told Billboard, “That is a great question, but one I cannot answer. That is only because I was disappointed with how the local municipal government handled the loss of my cousin’s life. It is one thing for the officer to make a mistake, but it is another to follow up the way they did. I did not feel as if there was enough love, respect, and reverence for his life. Him being a fellow Virginian, his life and the loss of his life should have been treated like anybody else’s. When we start seeing situations handled differently, not only with African Americans but with minorities in general handled differently, then coming back is something we can think about doing again.”

He continued, “The give back is in the leave behind of the festival. It is not just D.C.; the 757 is benefitting, and we brought the city with us to the festival. Everything happening around this festival up here and back home in the 757 is possible because of the activation of the people. It is the people who are powering this event.”

Olivia Rodrigo introduced the person she wrote “Deja Vu” about to Billy Joel‘s music — and now she’s singing onstage with the “Piano Man” himself.

The 19-year-old pop star surprised fans when she joined Joel onstage during his Madison Square Garden concert in New York City on Wednesday night (Aug. 24) to perform back-to-back songs: “Deja Vu” and Joel’s “Uptown Girl,” the song she references in her 2021 top five Billboard Hot 100 hit.

“Hey, guys!” Rodrigo said to the crowd as they screamed wildly. “Thank you so much for having me, Billy. I’m such a huge fan. And, uh, I kind of wrote this next song about you,” she said before launching into “Deja Vu.”

Fans will recognize the reference to Joel’s 1983 hit in Rodrigo’s single, in which she sings, “I’ll bet that she knows Billy Joel ’cause you played her ‘Uptown Girl,’” and later on when she belts, “Play her piano, but she doesn’t know that I was the one who taught you Billy Joel.”

“Deja Vu” was Rodrigo’s second single from her debut album Sour, released in April 2021. After debuting in the top 10, the song eventually peaked at No. 3 on the Hot 100 in June 2021 — becoming her third top five hit off Sour, after “Drivers License” and “Good 4 U.”

Following its release, “Uptown Girl” also peaked at No. 3 on the Hot 100, for five consecutive weeks beginning on the chart dated Nov. 12, 1983, and was accompanied by a famous music video that starred model Christie Brinkley, who was married to the singer from 1985 to 1994.

Madison Square Garden has been pretty busy this week, with Harry Styles‘ 15-date residency kicking off on Saturday night. Joel referenced the pop star’s string of dates onstage Wednesday, telling the crowd: “Thank you to Harry Styles for taking a night off.”

While there hasn’t been any official video released of the performance yet, concert attendees flooded Twitter with photos and clips of the superstar duo performing together.

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Rodgers & Hammerstein’s Cinderella returned to ABC in an all-new special celebrating the 25th anniversary of the groundbreaking film starring Brandy and Whitney Houston as America’s first Black Cinderella and Fairy Godmother.

Cinderella: The Reunion, A Special Edition of 20/20 premiered on ABC on Tuesday (Aug. 23) and began streaming on Hulu Wednesday (Aug. 24). Brandy, Whoopi Goldberg, Paolo Montalban, Victor Garber, Bernadette Peters, Jason Alexander, Veanne Cox and Billy Porter (who played a gender neutral Fabulous Godmother in the Amazon original Cinderella) will be featured in the one-hour program which airs during Disney’s World Princess Week and explores the Emmy-nominated film’s impact in “expanding society’s view of the term princess,” per ABC.

“We’re delighted that the 25th anniversary of this landmark incarnation of Rodgers & Hammerstein’s Cinderella is being celebrated on its original network,” Imogen Lloyd Webber, SVP at Concord Theatricals said in a statement on behalf of The Rodgers & Hammerstein Organization. “Rodgers & Hammerstein’s unforgettable score is truly timeless – still enchanting listeners 80 years after their partnership began and 65 years since their Cinderella first charged the largest audience in television history.”

Directly after the special, ABC aired Rogers & Hammerstein’s Cinderella for the first time in over two decades (you can stream the film on Disney+). Read on for details on how to stream the special for free.

How to Watch Cinderella: The Reunion Online for Free

Cinderella: The Reunion is streaming on-demand via Hulu, Hulu + Live TV and ABC, but you’ll need a cable or a streaming provider log-in to access the special on ABC.com.

Right now, Hulu is offering a free trial for the first month, when you subscribe to the basic package for $6.99 a month (or $69.99 a year). Hulu’s commercial-free plan is $12.99 a month ($129.99 a year).

For just $7 a month, TV lovers can enjoy Cinderella: The Reunion and other ABC programs like The Bachelorette and The Con, along with shows from FX, NBC, Fox, Freeform and other networks and exclusive ABC news specials such as Aftershock, Keeper of the Ashes: The Oklahoma Girl Scout Murders, Have You Seen This Man?, The Ivana Trump Story: The First Wife, The Housewife and the Hustler, Wild Crime and Mormon No More.

Hulu

$from $6.99/month after free 30-day trial

The bundle deal, which includes Hulu, Disney+ and ESPN+ is $13.99 a month to stream with limited commercials and $19.99 a month to stream without ads (use ExpressVPN to stream Hulu from outside of the U.S).

Hulu is also home to a bevy of original movies and TV series like Only Murders in the Building, Prey, The Handmaid’s Tale, Castle RockThe Dropout, On the Count of Three, This Fool, Legacy: The True Story of the LA Lakers, Not Okay, Fire Island, The Valet, Victoria’s Secret: Angels and Demons and music-related documentaries including Machine Gun Kelly: My Life in Pink and Look at Me: XXXTentacion.

If you’re a Direct TV Stream subscriber, Cinderella: The Reunion is streaming on-demand (navigate to the search box from your main page and type the program’s name to begin streaming).  You may be able to find it on-demand via YouTube TV as well as Vidgo, Fubo TV and Sling TV, the latter of which offers local channels with the edition of an HD antenna.

The live TV streaming packages mentioned above start at around $20-$50 a month for access dozens of live and on-demand cable and local channels. Also, most of the aforementioned platforms include a free trial.