The news that Ozzy Osbourne passed on Tuesday (July 22) at age 76 brought a raft of tributes from a lot of the people you’d expect to pay homage to the heavy metal trailblazer. From Metallica to Osbourne’s Black Sabbath bandmates, good friend Elton John, longtime solo band guitarist Zakk Wylde, KISS’ Gene Simmons and Korn, the kind words about the beloved hard rock rogue with a heart of gold came pouring in from all quarters.

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The one place you’d think would not be looking back with love is San Antonio, Texas’ Alamo Cenotaph, the 60-foot monument commemorating the men and women who died during the 13-day siege of the Alamo Mission in 1836. One of the legendary stories about Osbourne was the time in Feb. 1982 when an admittedly inebriated Ozzy urinated in Alamo Plaza, leading to his arrest and a 10-year performance ban from the city.

Osbourne later apologized for the incident, which was considered a grave insult to the memories of the Lone Star brave who died during the two-week battle, which made the tribute posted on the Alamo’s Instagram account on Tuesday all the more touching.

“We at the Alamo are saddened to hear of the passing of legendary musician Ozzy Osbourne. His relationship with the Alamo was marked initially by a deeply disrespectful incident in 1982. This act profoundly and rightfully upset many who hold this site sacred,” read the post, which featured an image of the rocker and son Jack filming at the Alamo three decades later.

“However, redemption and reconciliation eventually became part of his history as well,” it continued. “In 1992, Ozzy personally apologized to then-Mayor Nelson Wolff and expressed genuine remorse for his actions. Decades later, in 2015, he revisited the Alamo grounds to learn and appreciate the site’s profound history, openly demonstrating humility and understanding.”

In addition to his public apology, in 1992 Osbourne returned to San Antonio while on a tour and donated $10,000 to the Daughters of the Republic of Texas. “What I did was wrong,” he told reporters at the time. “It was disrespectful, and I’ve been trying to make it right ever since.”

The Alamo’s tribute concluded with a sweet message about forgiveness and love. “At the Alamo, we honor history in all its complexities. Today, we acknowledge Ozzy Osbourne’s journey from regret to reconciliation at the historic site, and we extend our condolences to his family, friends, and fans around the world. May he rest in peace.”

See the Alamo’s post below.

Just hours after it was announced that metal legend Ozzy Osbourne had died at age 76 on Tuesday (July 22) a number of artists took to the stage for their own shows, where they paid tribute to the beloved hard rock hell raiser.

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At her Mayhem Ball show at the Chase Center in San Francisco, Lady Gaga ripped open her black leather jacket to reveal a black Ozzy t-shirt, then blasted the iconic Ozzy 1980 debut solo hit “Crazy Train” as she and her band danced down the catwalk to the main stage. Once there, they all lined up and jumped in place, banging their heads to the song’s signature opening riff before taking a company bow.

During their show at Nissan Stadium in Nashville on Tuesday, Coldplay dedicated a cover of Sabbath’s 1972 metal ballad “Changes” to Ozzy. “We’d like to dedicate this whole show to the incredible genius, talent, and characterful gift to the world who was Ozzy Osbourne. We send our love to his family,” singer Chris Martin said in a fan video of the moment.

Sitting alone at the electric piano, Martin crooned, “I feel unhappy/ I feel so sad/ I lost the best friend I ever had,” giving the song a poppy, quintessentially Coldplay vibe.

In another unexpected tribute, Dave Matthews — who once hilariously played a befuddled Ozzy on Saturday Night Live — performed a solo version of “Changes” during the DMB’s gig in Gilford, N.H., turning the song into a mournful acoustic reverie.

In more expected news, theatrical Swedish metal band Ghost dedicated their sold-out Madison Square Garden show in New York on Tuesday to Ozzy, with singer Tobias Forge (aka Papa Perpetua) taking a moment mid-set to honor Osbourne’s impact on music. “Good evening, New York City! How are you? It’s one of those days now. We’re going to dedicate tonight’s show to the memory of the life and laughter of Ozzy Osbourne,” Forge said as the crowd broke into a spontaneous “Ozzy! Ozzy! Ozzy!” chant.

Forge continued, “For being the Prince of Darkness, he sure gave us a lot of light. So we’re going to tap into that and carry it forward, through a time of darkness.”

Ghost appeared at Osbourne’s final Back to the Beginning show on July 5, performing “Bark at the Moon” with a supergroup including Travis Barker on drums and Rage Against the Machine’s Tom Morello and Extreme’s Nuno Bettencourt on guitar.

AI-powered music app Hook teamed up with SoundCloud to kick off their integrated partnership with the launch of the Lil Wayne Tha Carter VI Remix Challenge on Tuesday (July 22).

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Fans will have the opportunity to enter the contest by crafting remixes up to 60 seconds long for Tha Carter VI standouts like “Hip-Hop” featuring BigXthaPlug, “Sharks” with Jelly Roll and Big Sean, as well as “Banned From NO,” which saw Nicki Minaj hop on the official remix.

“Fans aren’t just listening to or reacting to music anymore; they are helping to shape it,” said Hook CEO Gaurav Sharma in a statement. “For many years now, SoundCloud has played a key role in helping to transform and catalyze music trends around the world.”

Sharma continued, “This partnership builds a bridge between creation and culture, enabling fans to go from ‘listener’ to ‘remixer’ to ‘music tastemaker’ in seconds. Nothing could mark this collaboration in a more appropriate way than this fun Lil Wayne Remix Challenge that we think fans are going to love.”

Remixes can also be submitted directly to SoundCloud, which will give entrants the chance to win prizes such as tickets to Weezy’s Tha Carter VI Tour and a signed vinyl record.

Bringing artists, fans, DJs and creators together, Hook’s library contains music from over 1,200 artists including Swae Lee, Soulja Boy, Jaden Smith, Killer Mike and Cash Cobain.

As for Wayne, the New Orleans rap deity released his Tha Carter VI album in June, which debuted at No. 2 on the Billboard 200 with 108,000 equivalent album units.

Jeremy Zucker is heading back Down Under. The multi-platinum singer, songwriter, and producer has announced his 2025 Welcome to the Garden State Australian tour, set to kick off this November.

The “all the kids are depressed” singer will begin the run at Melbourne’s Forum on Nov. 14, before playing Brisbane’s Tivoli on Nov. 16 and Sydney’s Roundhouse on Nov. 18. The tour will wrap up at Metropolis Fremantle in Perth on Nov. 21.

Frontier Touring will launch a members pre-sale at 9 a.m. local time on Friday, July 25. Tickets will go on sale to the general public at 9 a.m. local time on Monday, July 28. More ticketing information can be found on the Frontier Touring website.

“I’m so excited to bring the Welcome to the Garden State tour to Australia later this year,” Zucker said in a statement. “It feels amazing to be coming back to one of my favorite places to play live, and it will never get old having people connect with my music all the way around the world.”

The singer is touring in support of his upcoming album Garden State, due Aug. 22 via Republic Records. The 14-track project includes the recent single “hometown” and finds Zucker reflecting on his journey from New Jersey to global stardom, revisiting childhood memories and processing life’s ups and downs. It’s been described as his most vulnerable and introspective record yet.

Zucker’s connection with Australian audiences has been strong since his breakout, with ARIA certifications for “comethru” (2x Platinum), “you were good to me” (2x Platinum), “all the kids are depressed” (Platinum), and Gold-certified singles including “this is how you fall in love,” “better off,” and “talk is overrated.”

You can pre-order/pre-save the album here.

Jeremy Zucker Welcome to the Garden State Tour Australia
Presented by Frontier Touring

Nov. 14 – The Forum, Melbourne, VIC (18+)

Nov. 16 – The Tivoli, Brisbane, QLD (18+)

Nov. 18 – Roundhouse, Sydney, NSW (Lic. All Ages)

Nov. 21 – Metropolis Fremantle, Perth, WA (18+)

Black Sabbath have paid heartfelt tributes to their late frontman Ozzy Osbourne following his death at age 76, remembering their decades of friendship and musical brotherhood.

The band’s surviving members — Tony Iommi, Geezer Butler and Bill Ward — have each shared personal statements on social media reflecting on their time with the metal icon, who passed away Tuesday (July 22), as confirmed in a statement from the Osbourne family.

Guitarist Tony Iommi expressed his grief in a touching post, writing: “I just can’t believe it! My dear dear friend Ozzy has passed away only weeks after our show at Villa Park. It’s such heartbreaking news that I can’t really find the words. There won’t ever be another like him. Geezer, Bill and myself have lost our brother. My thoughts go out to Sharon and all the Osbourne family. Rest in peace Oz.”

Bassist Terence “Geezer” Butler said he was thankful they had one last chance to perform together during their July 5 reunion at Villa Park in Birmingham — Osbourne’s hometown and the birthplace of Black Sabbath. “Goodbye dear friend – thanks for all those years. We had some great fun. Four kids from Aston — who’d have thought, eh?” he wrote. “So glad we got to do it one last time, back in Aston. Love you.”

Drummer Bill Ward also shared an emotional tribute: “Where will I find you now? In the memories, our unspoken embraces, our missed phone calls. No, you’re forever in my heart. Deepest condolences to Sharon and all family members. RIP. Sincere regrets to all the fans. Never goodbye. Thank you forever.”

The band’s official social media accounts posted a striking image of Osbourne from their farewell show, captioned simply: “Ozzy Forever.”

Earlier this month, Black Sabbath reunited for what would become their final performance with Osbourne. The band delivered a four-song set, including classics like “Paranoid” and “Iron Man,” as part of the farewell concert Back to the Beginning: Ozzy’s Final Bow at Villa Park. The show was Osbourne’s last public appearance and is set to be released as a concert film in 2026.

Osbourne’s death was announced by his family on Tuesday. “It is with more sadness than mere words can convey that we have to report that our beloved Ozzy Osbourne has passed away this morning,” they said. “He was with his family and surrounded by love. We ask everyone to respect our family privacy at this time.”

Black Sabbath, formed in Birmingham in 1968, are widely regarded as pioneers of heavy metal, with Osbourne’s haunting vocals becoming the sound’s blueprint. Together they recorded nine albums, five of which achieved platinum status in the U.S., and were inducted into the Rock and Roll Hall of Fame in 2006.

As the tributes pour in from across the music world, Sabbath’s surviving members made clear that Osbourne’s legacy will live on. As Iommi wrote, “There won’t ever be another like him.”

Plans to bring ABBA Voyage – the holographic concert experience from the eponymous Swedish pop group – to Australia have reportedly failed.

First launched in May 2022, ABBA Voyage saw the quartet – which comprises Bjorn Ulvaeus, Benny Andersson, Anni-Frid Lyngstad and Agnetha Fältskog – taking to the first stage for the first time in 40 years, albeit as digital avatars (or ‘ABBA-tars’).

While the group themselves have resisted lucrative offers to re-form since their 1982 split, the holographic concert experience provided a way for fans to relive the band’s live concerts in the modern age. First launched in London in 2022, the immersive spectacle features 1979 versions of the band playing their biggest hits, backed by a 10-piece live band and a lofty light show.

Currently, the experience is scheduled to wrap in January 2026 with questions having been raised as to where it may be held next. While reports of a Las Vegas debut have surfaced recently, discussions in regard to an Australian edition of ABBA Voyage have been in the works since 2023.

Initially, both the cities of Sydney and Melbourne were in competition to host the production, with the latter reportedly winning out as the Victorian state government entered into what were labelled “advanced conversations.”

However, reports in May 2024 of an imminent announcement of a production at Melbourne’s Flemington Racecourse were later replaced by reports of stalled negotiations, with an unnamed government official claiming that ABBA Voyage organizers – which includes Melbourne’s Craig Hartenstine as CEO – “got greedy.” 

Now, a new report from the Herald Sun has stated the event is “not going ahead” in Melbourne after talks had “failed,” with money and value for taxpayers being the sticking point.

Reportedly, the ABBA Voyage production would require a purpose-built 3,000 seat venue to host the event and would cost $100 million AUD to be staged. 

Paul Dainty – who serves as the president and chief executive of promoter TEG Dainty, and was responsible for bringing the group to Australia in 1977 – called the news “disappointing.”

“It’s been a long journey, but [ABBA Voyage] is a super expensive project,” he added. “Maybe we can revisit it in the future.”

Though it’s unclear what sort of value ABBA Voyage had been predicted to generate for the Australian economy, a December 2024 economic and social impact report noted that in the two years since its opening in May 2022, ABBA Voyage had generated £1.40 billion for the U.K. economy.

English punk veterans The Damned have been forced to cancel a trio of dates in the Pacific Northwest following an unspecified “catastrophic event” affecting a member of the band.

The group shared the news on social media on Tuesday (July 22), revealing that their upcoming July dates in North America would not be going ahead.

“We are very sorry to have to cancel our Seattle, Portland and Vancouver shows this weekend, due to an unexpected and catastrophic event at a member of The Damned’s home,” the band wrote.

“We apologise for the inconvenience and appreciate your understanding. Refunds will be available for our two headline shows at your point of purchase.”

Currently, no details regarding the nature of the aforementioned event have been made public.

The Damned were scheduled to perform three dates this coming weekend, including headline dates in Seattle, WA and Vancouver, BC on July 26 and July 28, respectively. An additional performance at Portland’s Project Pabst festival on July 27 has also been cancelled, with FIDLAR being added to the lineup in the wake of the band’s exit.

The trio of North American dates follows on from an earlier run of shows throughout North America in May, and will be followed by further shows in September. Currently, The Damned are scheduled to return to the stage with an appearance at Belgium’s Lokerse Feesten on Aug. 4.

The Damned formed in 1976 and rose to fame that same year as the first U.K. punk band to release a single with “New Rose.” Though they never charted in the U.S., the group’s first three albums (1977’s Damned Damned Damned and Music for Pleasure, and 1979’s Machine Gun Etiquette) are considered essential listening for punk fans, with their influence still felt today.

The group released their most recent album, Darkadelic, in 2023, with vocalist David Vanian serving as the only consistent member of the band. In March, founding guitarist Brian James – who performed on The Damned’s first two albums – passed away at the age of 70.

Martin Solveig, the acclaimed French producer, singer, and songwriter, has announced his official retirement from the world of DJing.

Solveig shared the news with fans at France’s Les Vieilles Charrues music festival on Saturday (July 19) – his one and only performance of 2025, and first live appearance since November.

“It’s a special moment,” Solveig told the crowd of 70,000, France 24 reported. “All my life, each time I came onstage I told myself: ‘Play like it’s your last concert.’ Just until that moment arrives.

“Some of you have been following me for decades,” he added. “Thank you for coming, I know some have come from far away. Some of you will take my place. Thank you for being here, from the bottom of my heart.”

Solveig later confirmed the news in a social post shared on Tuesday (July 23rd), explaining that he would not, however, be retiring from making music.

“To new beginnings,” he wrote. “I’m leaving the stage with a full heart, stepping aside for the next generation. You’ll find me in the crowd, cheering them on at concerts and festivals.

“Music is my life — and always will be,” he added. “I’ll keep creating, for the joy, for the kids, and for/with artists I look up to.

Per France 24, Les Vieilles Charrues Director Jerome Trehorel explained that the festival was itself unaware they would be hosting Solveig’s final live performance until only recently.

“It was a surprise when he told us several weeks ago that the Vieilles Charrues would be his only concert date this year, and that it would be his last,” Trehorel said. “It’s an immense honour.”

Solveig began DJing at the age of 18 in the early ’90s before rising to fame throughout the early ’00s as a prolific producer and songwriter. Alongside collaborations with names such as David Guetta, Madonna, and Laidback Luke, Solveig released a total of five studio albums, including his most recent, 2023’s Back to Life.

The 2011 single “Hello” (which featured Canadian musician Martina Sorbara’s Dragonette project) became Solveig’s most successful track, peaking at No. 5 in his native France and giving him his sole appearance on the Hot 100 at No. 46.

Solveig also made a small number of appearances on the Hot Dance/Electronic Songs chart across his career, with collaborative singles “All Day and Night” and “Thing For You” reaching No. 14 and No. 19, respectively, in 2019.

Justin Bieber takes over both Billboard’s Top Streaming Albums and Streaming Songs charts (dated July 26) thanks to his surprise album SWAG.

The set debuts at No. 1 on Top Streaming Albums while the SWAG track “Daisies” bows at No. 1 on Top Streaming Songs.

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On Top Streaming Albums, SWAG — which was released July 11 after little warning — starts with 155,000 streaming-equivalent album units earned in the United States in the week ending July 17, according to Luminate. That 155,000 unit sum equals 198.77 million on-demand official streams of SWAG’s tracks in its first week – marking Bieber’s single-largest streaming week ever for an album.

Bieber’s previous largest streaming week for an album was the opening frame of Justice, which logged 119,000 streaming-equivalent album units in its opening frame (week ending March 25, 2021), equaling 157.02 million on-demand official streams of its songs.

Further, on the 50-position Streaming Songs chart, “Daisies” delivers Bieber his seventh No. 1. He ties Kendrick Lamar for the third-most leaders on the list. Only Taylor Swift, with nine, and Drake, with 21, have more No. 1s on Streaming Songs.

A total of 11 SWAG tracks dot the Streaming Songs chart — all debuts. Here’s a recap: “Daisies” (No. 1), “Yukon” (No. 7), “Go Baby” (No. 8), “All I Can Take” (No. 10), “Way It Is” (with Gunna, No. 17), “Things You Do” (No. 20), “Walking Away” (No. 22), “Butterflies” (No. 27), “Devotion” (with Dijon, No. 40), “Sweet Spot” (with Sexyy Red, No. 41) and “First Place” (No. 46).

The 50-position Top Streaming Albums chart ranks the most-streamed albums of the week in the U.S., as compiled by Luminate. Titles are ranked by streaming-equivalent album (SEA) units, where each SEA unit equals 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. If an artist has multiple albums containing the same song, SEA units for that song are generally assigned to whichever album sells the most by traditional album sales in a given week.

Nine months after Liam Payne died at age 31, his still-grieving fans can find a beacon of light in a new clip shared by Building the Band, the Netflix reality competition series the One Direction star filmed before his tragic death.

In the clip, “What Makes You Beautiful” — the 2011 breakthrough hit for the X Factor-formed boy band One Direction — plays in the studio while Payne films with the Breaking the Band judging panel in front of a live audience. Payne gives a sly smile and taps his fingers as the crowd passionately sings along to the upbeat smash before standing up out of his chair to rapturous applause and beginning to perform the song onstage. The best part: You can hear Payne clearly singing his baritone part in the song’s five-part harmony, just like he did for all those years with One Direction.

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For the post-chorus “na-na-na’s,” Payne stops resisting the urge to join in on the crowd’s dance party, making his way down the stairs and into the audience to sing arm-in-arm with a group of fans who know every word. He weaves his way through the crowd, high-fiving everyone he passes, until he’s back onstage for the big finale.

“Let’s go, Liam!” cheers fellow judge Nicole Scherzinger, who — along with third judge Kelly Rowland — was clapping and singing along the whole time. When Payne returns to his chair, he looks ahead with a big smile and says, “That was so fun.” It’s a beyond-sweet moment that can offer a minor bit of comfort to Directioners that Payne definitely felt their love before his untimely death.

The new clip begins with the message “In loving memory of Liam Payne.”

When the Netflix show premiered earlier this month, host AJ McLean of Backstreet Boys dedicated the series to Payne and his loved ones. “When we came together to film Building the Band, we never imagined we’d soon be saying goodbye to our friend Liam Payne,” McLean says in the first episode. “Liam is a guest judge in later episodes, and through his presence, we see his deep love for music and his unwavering commitment to helping others find their voice. It’s through that spirit that we dedicate this series to Liam and his family.”

Building the Band was one of the final projects Payne worked on before his death in October. About two months after wrapping filming in August, he suffered a fatal fall from the fourth-floor balcony of his hotel room in Buenos Aires. High levels of alcohol and other substances were in his system at the time of his death, toxicology reports later confirmed.

With the blessing of Payne’s family, Netflix moved forward with streaming Building the Band, which separates hopeful singers into closed-off pods where they then seek to assemble a musical group before ever seeing one another. The third and final batch of episodes will be available to stream starting Wednesday.