After facing a week of backlash from folks across the internet, Betty Who would like to clear the air around her recent appearance on the Made It Out podcast.

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In a statement published to their Instagram Stories on Wednesday night (Aug. 27), the Australian pop singer said that after some reflection, she regretted what she said on the show. “In recent days, I’ve taken time to sit with the conversation around my gender and sexuality. I recognise that the language I used poorly articulated my experience and unintentionally reinforced ideas that were harmful or dismissive, particularly toward the lesbian community,” they wrote. “That was never my intention, and I’m truly sorry. Everyone’s journey is deeply personal, and I shouldn’t have spoken in ways that generalised or spoke for others.”

The comments in question came when Who was asked about how a person’s sexuality can evolve over time, and two fellow pop singers — Fletcher and JoJo Siwa — who came under speculation earlier this year after they both announced their romantic relationships with men while still identifying as queer. “It shouldn’t be illegal for you to fall in love,” Who said on the podcast. “It’s kind of like, now we’ve come so far, that our community is so strong, that now it’s like a crime to be straight.”

Who also used noted pop star Reneé Rapp, who is a lesbian, as an example of fluid sexuality. “Reneé Rapp is like, ‘You’ll never catch me dating a man,’” she explained. “Like, ‘Go off, queen. I love that for you!’ But I also hold space for her in 10 years if she goes, ‘Oops, I met the love of my life and it’s this man, I didn’t mean to.’ It’s like, that’s OK!”

Many users online accused Who of spreading lesbophobic information about queer relationship dynamics, particularly reinforcing the myth that lesbians simply “need to find the right man.” One such critic was fellow queer pop singer King Princess, who talked about Who’s comments on her own TikTok on Tuesday. “Date a man, it’s not a big deal. But why are you on a podcast talking about it? It’s not an interesting narrative,” she said. “We live in a country where our rights are being stripped from us every day, and you think it’s important to get on a podcast and talk about how hard it is to be in a heteronormative relationship? Diva!”

In their statement, Who clarified that her intention in going on the Made It Out podcast was to “discuss my own journey” as a bisexual and nonbinary person, and not to project her personal experience onto others. “I understand there is so much nuance in this conversation, and in other people’s lived experiences, that my comments did not reflect,” she wrote. “I also recognize that I’m coming from a place of privilege, and I never meant to contribute to prejudice against the community.”

Closing out her statement, Who reiterated that the LGBTQ+ community as her “home,” and promised fans that “I will do better” in the futre.

In September 2022, Justin Bieber had to postpone — and ultimately cancel — his Justice World Tour due to health issues. Yet his longtime backing band, We The Band, never stopped working; rather, the unexpected free time allowed them to focus on a goal they always had in mind. “We knew we had something special that was bigger than just us being his backing band,” says bassist/vocalist HARV, who makes up We The Band with DJ Tay James, guitarist-vocalist Julian Michael, drummer Devon “Stixx” Taylor, keyboardist Dr. O and JulesTheWulf.

“Between 2022 and 2024, we all had time to really re-center ourselves, and as a group think, ‘What’s the next step?’ We’ve toured so long, we’ve been to every city five times. It was the perfect time for us to get in the studio, write and put some music together.” That period of time culminated in the group’s debut album, out later this year, that showcases We The Band’s funky R&B stylings alongside its knack for improvisational jams. In June, the act signed with Avex Music Group and released its debut single, “One & Only,” a song that James says “shows how dynamic of a group we are.”

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When the Justice tour was canceled, how did you all feel about figuring out your next move?

Stixx: It wasn’t any stress for me. I don’t think for any of us, honestly. It was just time for everybody to lock in.

James: Personally, I was a little sad for the tour to end because we was just really cranking up.

HARV: But definitely We The Band was a safe place for us after the tour.

How did you all navigate other offers and opportunities, while still making the band a priority?

HARV: We kind of split up. Stixx went out with Usher and then and O went out with PARTYNEXTDOOR. Then O started working with Kehlani and a few other artists. Me and Tay, we stayed back and made sure that we kept the We The Band momentum, making sure that we found the right partners and getting the music together. So we kind of stayed home base and everybody else went out to keep touring to keep the lights on.

How do you create an identity outside of being Justin Bieber’s backing band?

James: I think once this project comes out and people hear what we’ve been able to create, that will start the separation on its own. We didn’t want to come out with a bunch of features right away. We want to be able to stand on our own two, especially when we start performing again. 

Earth, Wind & Fire is an inspiration for the group, but are there many contemporary groups making R&B music today?

HARV: I don’t think so. I think that’s why We The Band is important, because there’s not a lot of R&B bands out there like Earth, Wind & Fire, like The Isley Brothers. We could be one of those for this generation.

James: What we’re making right now, I haven’t really heard anything comparable to it. Sometimes you need that in music, you need something different.

Why did you want to release a project, rather than just dropping singles?

HARV: It was very imperative for us to give a full body of work. I hate when, let’s say I find a new artist or a new act that I like and they put one song out and I’m like, “Well, f–k. I want to hear more.” And then I gotta wait a month so you can put one more song out? Like, no. You’re gonna get this body of work.

Stixx: You get a full masterpiece. 

What was the experience like putting together your first body of work as a band?

Stixx: We had a lot of fun making these songs. Especially within the last week, for sure. 

What happened in the last week? 

Stixx: We’ve been going crazy. 

James: HARV just did the [Netflix reality] Hitmakers show, so we threw a private party at Nice Guy [in Los Angeles] and we were able to play some of the songs off the album in front of people. And the reaction we were getting was very positive. That’s what we like to do, test things out and just see how people react; that’s gonna be the hardest critic, someone that doesn’t know nothing at all. And if they’re vibing to it, that’s how you know you might have something.

HARV: We just kept seeing everybody [open] Shazam. They kept holding their phones up.

Outside of talent, what do you all bring to We The Band that makes this work so well? 

JulesTheWulf: I think for both Harv and Tay, their business acumen is something that’s really strong. They have great foresight and decision making. Stixx has a lot of raw, positive energy. He just shows up with a very genuine enthusiasm for everything, and the same with [Dr. O] too, just a really infectious enthusiasm for life in general. I think when you put all of that together, even outside of our musical talent, it makes something crazy.

HARV: Jules is the anchor of the band. He is gonna always keep everybody in line.

Stixx: Jules is like the big brother you don’t wanna mess with. He’s the muscle.

It does seem like you all bring out the best in each other.

Stixx: I definitely feel like I’m the best when I’m with these guys. Especially for me being in other camps and touring, I’m really just there to get a check. But with the band, whether we were getting paid or not, I would still go out and tour with these guys. For sure.

A version of this story appears in the Aug. 30, 2025, issue of Billboard.

JD Vance can’t resist a good love story. Despite his and Taylor Swift‘s political differences, the vice president offered words of congratulations after finding out about her recent engagement to Travis Kelce.

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While speaking to USA Today at the White House on Wednesday (Aug. 27), Vance expressed that he’s rooting for the happy couple, who announced their plans to get married the day prior. “I’m a romantic when I see two people who are in love getting married,” he began.

“I just wish ’em the best, and I congratulate ’em,” Vance continued. “I hope they have a very long and healthy and happy life together.”

That said, the former senator also remarked that he thinks “by and large, people want politicians to focus on politics, and they want celebrities to focus on whatever it is that made them famous, whether it’s singing or dancing or acting.”

Ironically, Donald Trump has focused his energies on pop cultural figures such as Swift — people whom Vance probably wouldn’t consider to have a place in politics — countless times throughout his two presidential terms. Taking a particular interest in the Eras Tour headliner over the past year, he’s done everything from mock Swift for getting booed at the 2025 Super Bowl to declaring on Truth Social, “I HATE TAYLOR SWIFT,” although he did also share words of congratulations after hearing about her engagement to the Kansas City Chiefs tight end.

“Well, I wish them a lot of luck,” the twice-impeached POTUS said during a cabinet meeting on the day of Swift and Kelce’s announcement. “I think he’s a great player, I think he’s a great guy, and she’s a terrific person, so I wish them a lot of luck.”

The leader of the free world and his second in command are far from the only people who have chimed in on the famous couple’s engagement. After the pair shared photos of Kelce’s romantic rose-garden proposal and Swift’s enormous diamond engagement ring, they were met with an overwhelmingly positive response from friends and fans — and even some critics, Megyn Kelly included — online.

“I am not a Taylor Swift fan for many reasons, but I respect the empire she has built,” the Megyn Kelly Show host wrote on her website following the news. “With Taylor Swift being an American billionaire who is not even 40, I think it is great that she finally found love. I really do. I am rooting for them. I don’t think it is a coincidence that the person she ultimately decided to settle down with is a real man, is a football player, is a tough guy who doesn’t really take a lot of s–t from people.”

In the late ’90s, arguably no human being on the planet was on a hotter hot streak than Will Smith. After making his name on wax and on TV as the Fresh Prince in the late ’80s and early ’90s, Smith had made the jump to film stardom in the mid ’90s with a string of summer blockbusters — the latest of which, Men in Black, also saw him scoring a huge hit with the movie’s title theme. Then in 1998, it all came together in a year of crossover pop smashes, massive music videos and award wins, to go with another box office winner in the theaters, a new marriage to a fellow film A-lister, and even a big pop hit for one of his Fresh Prince co-stars. It couldn’t and didn’t last — and it feels pretty far away now, following a wildly unexpected low period in Smith’s public image — but no other entertainer has really matched it since.

On this week’s extended Vintage Pop Stardom episode of the Greatest Pop Stars podcast, host Andrew Unterberger is joined by YouTube star and Song vs. Song podcast co-host Todd in the Shadows to remember the peak year from our shared middle-school-age hero. We try to convey just how massive Will Smith was to us and our ilk in the late ’90s, how it seemed like he could do absolutely no wrong across his many separate ventures, and how surprising and jarring it ended up being the few times where he actually did do wrong.

Along the way, we ask all the most important questions about how Will Smith made movie and music superstardom look good: Did Will Smith have anything to prove still in 1998? Do we believe the buzz that Nas ghostwrote “Gettin’ Jiggy Wit It” — or that Jerry Seinfeld was actually instrumental in breaking the song? Is “Miami” an authentic representation of the overall South Beach experience? Was Will the secret king of the late-’90s disco revival? And most importantly: What are the chances that we ever see another cross-platform superstar like Will Smith again?

Check it out above — along with a YouTube playlist of some of the most important moments from Will Smith’s 1998, all of which are discussed in the podcast — and subscribe to the Greatest Pop Stars podcast on Apple Music or Spotify (or wherever you get your podcasts) for weekly discussions every Thursday about all things related to pop stardom!

And as we say in every one of these GPS podcast posts — if you have the time and money to spare, please consider donating to any of these causes in the fight for trans rights:

Transgender Law Center

Trans Lifeline

Destination Tomorrow

Gender-Affirming Care Fundraising on GoFundMe

Also, please consider giving your local congresspeople a call in support of trans rights, with contact information you can find on 5Calls.org.


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Actor and comedian Orlando Jones is launching GangStirRock, a new record label in partnership with KMG Distribution. The deal, negotiated by KMG’s head of distribution Ross Robley and Buchwald’s Scott Kaufman, includes project management, sync licensing and DSP promotions, allowing Jones to sign and develop artists directly. Known for roles in American GodsAbbott Elementary and a particularly memorable scene in Office Space, Jones brings decades of creative success — from helping to launch the FX Network to winning an Emmy for VR work. His career spans cult films, political dramas and writing for shows like MADtv and Martin. GangStirRock reflects his mission to empower artists.  “Wash gently your borrowed opinions. Avoid the cycle of spin. Warm irony suggested. This ain’t hip hop. This ain’t rock and roll. This is GangStirRock — all rebels welcome,” said Jones.

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Universal Music India (UMI) entered a strategic partnership with Maddock Films and its new music label, Mad For Mussic, led by Dinesh Vijan. This collab positions UMI as the global partner for Maddock’s future film soundtracks and music ventures, expanding UMI’s footprint in India’s dominant film music market. UMI, which has a long-standing legacy in Hindi film music through soundtracks like Sholay and Devdas, is re-entering the film music space through this partnership. Execs from both companies praised the alliance, with UMG’s Adam Granite calling it a “crucial step forward for our India business,” adding that “Dinesh Vijan is not just a Hindi film industry veteran, he is a first-class story-teller with an unparalleled ear for music.” Vijay, the founder of Maddock Films, said that given music is “one of the central pillars” of his films, “UMG is a perfect partner for our ambitions, as we step into the next growth phase of Maddock, developing some of the most sought after movie franchises and creating new genres.”

Mom+Pop Music, the indie founded by Michael Goldstone, announced a global partnership with Virgin Music Group. Co-owned by Goldstone and Thaddeus Rudd, Mom+Pop tries to raise its artists to have creative control and stability in development. M+P’s roster features established acts like MGMT, Caamp and Magdalena Bay, alongside emerging artists such as Tiny Habits and Galdive, while also nurturing Grammy-nominated talents like Flume and Courtney Barnett and achieving major streaming milestones. Virgin co-CEOs Nat Pastor and JT Myers praised Mom+Pop’s leadership as having “built one of the most respected and successful independent labels in the world.” In 2025, Goldstone and Rudd launched PIPES Music, a creative agency supporting digital strategy. Mom+Pop operates from New York, LA and Nashville.

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YouTube and Bandsintown partnered to integrate concert listings into YouTube and YouTube Music, allowing users to discover live events directly on artist channels, videos and Shorts. Artists using Bandsintown for Artists will see their tour dates automatically displayed on YouTube, boosting visibility and — fingers crossed — ticket sales. The pact also introduces concert notifications and expands Bandsintown’s global reach, reinforcing its role as a leading live music data provider with over 2.3 million annual events.

Beatoven.ai unveiled Maestro, a fully licensed generative AI music model built in collaboration with rights holders and powered by Musical AI’s attribution and revenue-sharing platform. Data partners include Rightsify, Soundtrack Loops and Symphonic Music, among others. Maestro said it wants to help users generate instrumental tracks — with sound effects and vocals coming soon — while ensuring fair compensation for creators. The model supports fine-tuning for new genres and styles and offers tools for catalog owners to analyze and surface music metadata. 

SongTools paired with LabelWorx to fully integrate its marketing tools into the distribution platform for independent electronic and dance music labels. This integration gives LabelWorx users seamless access to SongTools’ features — playlist outreach, smart links, ad deployment and performance analytics — directly within their workflow. Designed to level the playing field for independent artists, SongTools removes technical and financial barriers to professional marketing. “This integration with SongTools gives our users direct access to powerful, time-saving promotional tools right where they work, said LabelWorx vp of artist, content and labels Dominic Kerley. “It’s a win for artists, a win for labels, and a major step forward in streamlining the release process.”

Tips Music Ltd acquired Studio Radha‘s 4,000-song catalog, expanding into Gujarat’s cultural heritage and boosting its regional music portfolio. The collection, featuring devotional and folk genres, will stream globally under the Tips Music banner. Known for iconic Bollywood and regional hits, Tips Music now holds over 34,000 songs and continues working with top Indian artists.

Drake and his Degrassi costars are looking back on their time in the Canadian TV show as part of the upcoming Whatever It Takes documentary.

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A trailer for Degrassi: Whatever It Takes arrived on Wednesday (Aug. 27), and features Drake — born Aubrey Graham — recalling his time in high school, notching the role and even having one of his first kisses on the set of the show.

“I didn’t have a great time in high school — I just didn’t really fit in,” Drake says to kick off the clip. “And then, one day, my mom called me and told me, ‘You got the role.’ And I just grabbed my bag and left. What a wild journey that started.”

Drake also talks about a scene in which he’s kissing Lauren Collins, and he realizes that the actress was actually one of his first kisses. “She had to be one of my first kisses for sure,” he said. “Damn, I never thought about it like that.”

Cast members outside of Drake participating in Whatever It Takes include Dayo Ade, Stefan Brogen, Shenae Grimes-Beech, Jake Epstein, Shane Kippel, Miriam McDonald, Stacie Mistysyn, Melinda Shankar, and Amanda Stepto.

Degrassi changed the landscape of television with real, unvarnished storytelling and did it unapologetically from a teenage perspective,” said director Lisa Rideout in a statement. “I was inspired by how fearless the series was in tackling issues that others wouldn’t touch. This documentary celebrates the iconic Canadian franchise while revealing the impact it had on the people who made it and the audiences who loved it.”

Drake starred as Jimmy Brooks from 2001 to 2008 in Degrassi: The Next Generation, playing the role of the school’s star basketball player who ends up in a wheelchair after being shot by a schoolmate. The wheelchair storyline allegedly nearly made him leave the show.

“There was a letter from a law firm in Toronto, and it was from Aubrey,” show writer James Hurst told AV Club in 2021. “It was an odd letter that said, ‘Aubrey Graham will not return to Degrassi season six as Jimmy Brooks unless his injury is healed, and he’s out of the wheelchair.’ I said, ‘Get him down here.’ He came in and was like, ‘What letter? I don’t know about that.’ And I said, ‘All right, I understand. But how do you feel about the wheelchair?’

Hurst continued: “He’s like, ‘All my friends in the rap game say I’m soft because I’m in a wheelchair.’ And I said, ‘Well, tell your friends in the rap game that you got shot. How much harder can you get? You got shot, and you’re in a wheelchair.’”

Back in 2023, Drake posted a voice note to Instagram in which he revealed that he succumbed to peer pressure and got high with a group of kids right before his audition for the show.

“I go back to this day when I was like 13 or 14. I had an audition for a TV show that ultimately shaped my life, and before my audition, I went to this kid’s house,” he recalled. “And I, out of, I guess, a desire to be accepted, I would succumb to peer pressure, and I got high with these kids right before my audition.”

Drake added: “I kind of wonder, like, if something bad happened that day or, you know, maybe I’m still high, maybe I’m in some coma. And this is just me playing out my ideal life. And yeah, that concept has stuck with me for a lot of years. I mean, it feels like reality, it feels tangible. But I definitely wonder sometimes.”

Degrassi: Whatever It Takes premieres at the Toronto International Film Festival on Sept. 13. Watch the trailer below.

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While tons of celebrities and influencers have entered the makeup space over the past few years, when Lady Gaga announced the creation of her brand, Haus Labs, it was one that actually made sense.

While the brand launched in 2019, Mother Monster has a reputation for serving looks, whether in her live performances, on tour or in her iconic music videos. She’s always taken risks with makeup, and proven that her looks can hold up through her intense choreography, and even rain and weather during live performances (and obviously the “Rain on Me” video with Ariana Grande).

Sarah Tanno is Gaga’s personal makeup artist and the artistic director for Haus Labs. Tanno has been a makeup artist for decades, and having her as the artistic director for the brand makes sense not only because of her background, but because of her breadth of knowledge in creating different types of looks for performers and events.

Haus Labs is definitely a reflection of years of experience in the beauty world, and the products really hold up and speak for themselves. All of the products are infused with skincare, including plant squalane, which may help hold moisture in the skin. Even the bronzer has fermented arnica, which may help reduce inflammation and redness.

We’ve rounded up all of the best beauty products from the brand that you really shouldn’t miss out on.

These Are The Must-Have Beauty Products From Lady Gaga's Haus Labs

Precision Sculpt Shaping Balm Contour Stick

A cream contour stick.


This is a new product for Haus Labs and one we’ve been dying to talk about. While the brand has bronzers to bring warmth to the face, it has no contour products that would allow makeup enthusiasts the ability to build out shapes and shadows on their faces. Enter the Precision Sculpt Shaping Balm Contour Stick. Retailing for $30, this product is a cream formula that comes in nine total shades for all skin tones. The finish is matte and features a medium but buildable coverage, the perfect amount of pigment for a contour product. The stick glides on and blends away effortlessly, defining the hollows of the face for a sculpted look. The formula is also long-lasting, settling in for up to 12 hours of wear.

These Are The Must-Have Beauty Products From Lady Gaga's Haus Labs

PhD Hybrid Lip Glaze Plumping Gloss

A hydrating plumping gloss.


Glossy lips with a hydrating, non-sticky feel? Sign us up. This PhD Hybrid Lip Glaze Plumping Gloss retails for $26 and comes in about six shades, although our favorite is Persimmon. This gloss is said to be a four-in-one formula that combines a lip oil, gloss, balm and plumper. The vegan formula is tinted and leaves the lips looking ultra glossy and plump without a burning sensation often associated with plumping products. The color payoff is medium to light but very buildable, so don’t expect a punch of pigment upon your first swipe. To use, we’d recommend partnering this product with a lip liner, namely the Haus Labs Le Monster Lip Crayon Vegan Lipstick and Lip Liner.

These Are The Must-Have Beauty Products From Lady Gaga's Haus Labs

Bio-Radiant Glassy Balm Highlighter Stick

A cream stick highlighter.


Haus Labs has a whole host of stick products that make makeup application a breeze. Their Bio-Radiant Glassy Balm Highlighter Stick for $30 is no exception. The cream highlighter comes in six shades, including gilded and pink hues. The highlighter is exceedingly unique because of its hydrating formula. The hydrating factor comes into play thanks to hyaluronic acid, an ingredient that naturally provides moisture and elasticity to the skin. The balmy formula glides onto the skin, offering a natural and healthy-looking sheen. To use, we’d reccomend applying to the cheekbones, bridge of the nose, brow bone and temple. These are spots on the face where the light naturally hits.

These Are The Must-Have Beauty Products From Lady Gaga's Haus Labs

HAUS LABS BY LADY GAGA

PhD Hybrid Hydrating Tinted Lip Oil

A tinted lip oil.


This is one of the first Haus Labs products that I tried — and it made me pay attention to the brand. It feels really nice on the lips, and that’s due to ingredients such as prickly pear oil and vegan collagen. It’s available in eight different colors and looks great on its own for a flush of color, or over lipstick for added shine. The gloss currently retails for $26.

These Are The Must-Have Beauty Products From Lady Gaga's Haus Labs

HAUS LABS BY LADY GAGA

Triclone Skin Tech Medium Coverage Foundation with Fermented Arnica

A medium to full-coverage foundation.


Fermented arnica is clinically tested to be non-comedogenic, meaning it won’t clog your pores or irritate skin that’s sensitive or prone to breakouts. It is available in 51 shades, which includes six shade families that break down into warm, cool and neutral categories. The coverage is described as medium-buildable, which means that it can range from sweat and humidity-proof and long wear. 

These Are The Must-Have Beauty Products From Lady Gaga's Haus Labs

HAUS LABS BY LADY GAGA

Triclone Skin Tech Hydrating + De-puffing Concealer with Fermented Arnica

A full-coverage de-puffing concealer


Much like the foundation, this concealer is available in 31 shades that are broken into four color categories: rosy, golden, peach and neutral. It is designed to provide coverage and de-puffing, which the brand says will happen more and more as you wear, with two weeks being the sweet spot. Regardless, it pairs super well with the foundation and it works to cover up blemishes and texture as well.

These Are The Must-Have Beauty Products From Lady Gaga's Haus Labs

HAUS LABS BY LADY GAGA

Le Monster Lip Crayon Vegan Lipstick and Lip Liner

A lip liner in a crayon-esque form.


This is one of those rare lip shades that manages to create a matte look that isn’t cakey or too drying. That’s partially because it’s packed with mango seed oil that may help nourish the lips in addition to adding color. The Rose Matte hue is a personal favorite, and it’s so easy to apply thanks to the pointed crayon-style tip that allows for both precision and coverage. 

These Are The Must-Have Beauty Products From Lady Gaga's Haus Labs

HAUS LABS BY LADY GAGA

Bio-Radiant Gel-Powder Illuminating Highlighter

A highlighter with a gel to powder formula.


It’s rare to see a highlighter in a pink shade, as usually they feature golden or silver hues that are designed solely to draw the light to the top of the cheek and brow bones. And while those colors are also available in this product, colorways such as the Rose Quartz manage to infuse a stunning rosy color into a highlighter that isn’t overwhelming. In addition to being used as a highlighter, this product would serve as a great setting option for liquid blush. 

These Are The Must-Have Beauty Products From Lady Gaga's Haus Labs

HAUS LABS BY LADY GAGA

Hy-Power Eye, Cheek & Lip Pigment Paint

Cheek, eye and lip pigment in a yellow hue.


This product is where I see Lady Gaga’s love of bold really come into play. It can be used anywhere on the face, but the photos suggest that it’s been largely used as an eyeliner that’s transfer- and waterproof. It comes in six shades and two finishes — matte and shimmery.

These Are The Must-Have Beauty Products From Lady Gaga's Haus Labs

HAUS LABS BY LADY GAGA

Bio-Blurring Talc-Free Loose Setting Powder

A matte loose setting powder.


Setting powders are the only way to keep your concealer from running down your face, and to keep your eyeliner from transferring to your under eye. This one also blurs, which is especially amazing for the under-eye area, as it may help reduce the appearance of fine lines, wrinkles and darkness. It contains the brand’s fermented arnica, which is intended to reduce the signs of redness, as well as plant squalane, which holds in moisture.

These Are The Must-Have Beauty Products From Lady Gaga's Haus Labs

HAUS LABS BY LADY GAGA

Color Fuse Longwear Hydrating Glassy Lip + Cheek Blush Balm Stick

A cream longwear stick blush.


Glassy, dewy looks have been trending for a while now, and that’s largely due to the fact that it makes everyone’s skin appear healthier and more moisturized. This blush balm stick does a great job of staying in place while adding a tad of shine and a punch of color.

These Are The Must-Have Beauty Products From Lady Gaga's Haus Labs

HAUS LABS BY LADY GAGA

Color Fuse Talc-Free Blush Powder

A talc-free blush compact.


This buildable blush comes in powder form. However, it somehow maintains an almost gel-like consistency. This makes it perfect for the cheeks, but Gaga’s makeup artist has also shared that she loves to use it on the lips. The finish is velvety, which further complements its usage in different areas.

MusiCares has named Theresa Wolters as its new executive director, three months after its previous executive director, Laura Segura, left the company. Wolters became interim executive director in May, after having served as MusiCares’ vp of health & human services since 2022.

“Theresa embodies the spirit of MusiCares,” Harvey Mason jr., CEO of the Recording Academy and MusiCares, said in a statement. “She approaches her work with empathy and clarity, and she strengthens every story with facts that show why our work matters. Her leadership ensures that music professionals will continue to have access to the care and support they need — recognizing that financial struggles, health concerns and mental health challenges are often deeply connected.”

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Wolters brings more than two decades of global health and humanitarian leadership to the role. At the Elizabeth Glaser Pediatric AIDS Foundation, she helped shape global strategies that delivered lifesaving services to tens of millions of people affected by HIV and other infectious diseases. As a founding employee of Millennium Promise, she was integral to launching the Millennium Villages Project. Later, with the International Medical Corps, she directed health and refugee programs across five African countries.

“Every day, MusiCares has a life-changing, and often lifesaving, impact on music professionals,” Wolters said in a statement. “For 35 years, MusiCares has been driven by compassion and a relentless focus on solving the big challenges facing our community. I am truly privileged to work alongside such an outstanding team of committed professionals and know MusiCares will continually rise to meet the needs of those we serve.”

Segura and Wolters co-penned a guest column for Billboard, “Health Insurance Isn’t Enough — Music Also Needs a Financial Safety Net,” published in March. Segura was named executive director at MusiCares in 2020, after serving as vp of membership and industry relations at the Recording Academy.

MusiCares, founded by the Recording Academy in 1989, provides a safety net of critical health and welfare services to the music community. The U.S. based, independent 501(c)(3) charity offers financial grant programs, support resources and crisis relief.

Few stars have captivated the music world over the past 12 months like Beyoncé and Kendrick Lamar — and both have tapped Compton-bred choreographer Charm La’Donna to help bring their culture-shifting songs to life.

A protégée of famed choreographer Fatima Robinson, the 37-year-old started as a backup dancer for Madonna’s Confessions Tour in 2006 while in her senior year at Los Angeles County High School for the Arts. She has since worked (and won MTV Video Music Awards) with Rosalía and Dua Lipa, but this year she’s experiencing a first: At the Emmy Awards on Sept. 14, she’ll compete against herself in outstanding choreography for variety or reality programming with Beyoncé Bowl and Lamar’s Super Bowl LIX halftime show.

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One week prior (Sept. 7), she’ll aim for her third best choreography Moonperson with Lamar’s “Not Like Us” at the VMAs. She says with a laugh about doubling up on Emmy nominations, “I had my teary-eyed moment, and then I noticed [and said], ‘Oh, my God. Not me going against myself!’ “

“Not Like Us” Music Video

As a victory lap in his beef with Drake, Lamar dropped the triumphant, Dave Free-helmed music video for “Not Like Us,” featuring crip walking and clowning. “It’s an honor to create with [dancer] Tommy the Clown because it’s homegrown,” La’Donna says. “L.A. makes up so many of the nuances of who I am and my art.” La’Donna was “listening as a fan like everybody else” when she got the “surreal” call to choreograph the video, extending her history with Lamar, which includes a stint as his sole female dancer on his 2017 DAMN. tour. “I feel the music and get inspired by the dancers in the room,” she says. “Being myself and allowing my moves to come out organically is my storytelling.”

Super Bowl LIX Halftime Show

For the first halftime show headlined by a solo rapper, La’Donna used her previous Super Bowl experience (she choreographed The Weeknd’s 2021 performance) and held freestyle-dominant auditions that examined “ability, potential and camaraderie.” Lamar’s cinematic show, which featured SZA and Samuel L. Jackson, used his career-spanning setlist and dance formations to offer a critique of America, relying on nuance over spectacle. From his flare jeans to his cheeky smile, there were many viral moments — few as replicated as Lamar’s jig down the gridiron to “Not Like Us.” To translate that energy to 133.5 million viewers (according to the NFL), La’Donna choreographed for the cameras, too: “I paid extra care and attention to where [they] were and what each one was doing.”

Beyoncé Bowl

Beyoncé saved her first Cowboy Carter-era performance for Netflix’s Christmas Day NFL halftime show in Houston. For the occasion, she rallied special guests (including Shaboozey and Post Malone, as well as her daughter Blue Ivy) and tapped hundreds of dancers, instrumentalists, cheerleaders and rodeo cultural figures. To help the performance flow seamlessly, Queen Bey looked to an all-star team of choreographers comprised of La’Donna, Tyrik Patterson, Christopher Grant and Parris Goebel. “When dealing with thousands of people and props, I remove the pressure of any expectations outside of doing my best and being my best self in that space,” La’Donna says, stressing the show’s ambitious scale.

This story appears in the Aug. 30, 2025, issue of Billboard.

The sun is shining on Ariana Grande fans Thursday (Aug. 28), as the pop star has announced a select run of tour dates in support of her 2024 album, Eternal Sunshine.

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Sharing a tour poster on Instagram, Grande revealed that she’ll be hitting the road in 2026. Starting June 6 in Oakland, Calif., the Wicked actress will travel through Los Angeles, Atlanta, Chicago, Montreal and more North American cities before finishing with five shows at the O2 Arena in London in August.

“see you next year,” Grande wrote in her caption.

The musician also shared that a presale for shows in the United States and Canada will kick off Sept. 9, while a presale for the London concerts will go live Sept. 16. To take part in the presales, Arianators have until Sept. 7 to sign up on Grande’s website.

Fans have been waiting for this moment for quite some time, with Grande last touring in 2019. She has not properly hit the road since the Sweetener World Tour wrapped that December, and she has since expressed feeling hesitant to embark on another trek.

“I think my fans know that music and being on stage will always be a part of my life,” she told Variety last year when asked whether she’d be touring for Eternal Sunshine anytime soon. “I think the next few years, hopefully we’ll be exploring different forms of art, and I think acting is feeling like home right now.”

In July, however, the Grammy winner gave fans new hope. “Very silly of you all to assume that just because i have my hands full with many things that i plan to abandon singing & music … !!!” she wrote on Instagram at the time. “It may not look exactly like it did before but i much prefer how it looks in my head … so i’m working on a plan to sing for you all next year. even if it’s just for a little.”

Released in March 2024, Eternal Sunshine spent three weeks atop the Billboard 200, marking Grande’s sixth No. 1 on the chart. The album spawned two No. 1 singles on the Billboard Hot 100 with “Yes, And?” and “We Can’t Be Friends (Wait for Your Love).”

See Grande’s tour announcement below.