Political leaders are weighing in on Atlanta’s Music Midtown festival cancellation on Monday after event organizers announced the 2022 edition would no longer take place. Industry sources tell Billboard that the festival was forced to cancel due to recent changes to Georgia gun laws that prevent the festival from banning guns on to the publicly owned festival grounds like city-owned Piedmont Park, where Music Midtown is held.

Democratic gubernatorial nominee Stacey Abrams took to social media to express her concerns about the cancellation, calling the situation “shameful, but not surprising.” Abrams cited the loss of Music Midtown’s $50 million economic impact as a major concern and took aim at her political opponent and Georgia governor Brian Kemp.

“Brian Kemp’s dangerous and extreme gun agenda endangers the lives of Georgians, and the cancellation of Music Midtown is proof that his reckless policies endanger Georgia’s economy as well,” Abrams said in the statement. “Rather than respond to increased gun violence by strengthening safety, he doubled down on weakened gun laws.”

In April, that Gov. Kemp signed legislation that made it legal for Georgia gun owners to carry a concealed handgun in public without a license from the state. The Live Nation-owned festival did not specify if the bill signed by Kemp or other recent gun-relaxing legislation in the state was the cause for Music Midtown’s cancellation. The festival released a statement on Aug. 1 reading, “due to circumstances beyond our control, Music Midtown will no longer be taking place this year.”

As Billboard previously reported, pro-gun rights groups had been emailing and posting comments of the festival’s social media page for several months, hinting at potential legal challenges from gun groups following a 2019 ruling that expanded a 2014 Georgia law that critics had dubbed the “Guns Everywhere” law. That law expanded gun carry rights on publicly owned land, like the city-owned Piedmont Park, although there was no legal consensus on whether or not the law applied to private events on city property, like Midtown Music.

Atlanta City Council president Doug Shipman has also expressed his concerns over the festival cancellation and what it could mean for upcoming events in Atlanta like Sweetwater 420 and Shaky Knees. Shipman told Rolling Stone, “I don’t know if it’s an unintended, or intended, consequence of the policy [that it could affect access to other local arts and culture events taking place on public property]. But I would hope that as we move into the next state legislative session in January, the state legislature looks at this and really thinks hard about, is this the kind of impact that we want to have? Or can we create a policy that has exemptions for large festivals and ticketed events?”

Shipman directed his concerns primarily on the economic impact of the festival – which a 2014 report by The Research Center at the Nashville Area Chamber of Commerce cited by Atlanta Business Chronicle estimated Music Midtown’s total economic impact to be nearly $50 million and an economic impact specific to the Atlanta area of $20 million annually. “We know people travel here from elsewhere and they don’t just come to the festival,” he said. “They come a day early, they stay a day late, they stay at hotels and do other things that create economic activity. So certainly, it’s tens of millions of dollars.”

Shipman continued: “If festival owners do not feel like they can safely conduct business in Atlanta, Shipman fears they will take their events to neighboring states. “We’re always competing with other cities not only for music, but more broadly for economic development.”

Lea Michele remains hard at work prepping for her return to Broadway in Funny Girl. On Monday (August 1), the actress posted an Instagram Story giving fans a behind-the-scenes peek at dance rehearsal.

In the black-and-white video, she executes a tap routine while flanked by two mask-wearing back-up dancers, and finishes the eight-count with the flourish of a spin and salute. After the music ends, she and her fellow dancers break out into cheers and high fives.

Michele is slated to step into the role of Fanny Brice beginning September 6 following original star Beanie Feldstein’s somewhat controversial, early exit from the production. The Lady Bird actress was originally supposed to stay with the revival through September. Michele’s former Glee co-star Jane Lynch will also make her final curtain call as Fanny’s mother, Mrs. Brice, on September 4. Four-time Tony nominee Tovah Feldshuh will replace her alongside the “Cannonball” singer.

News of the Glee alum’s casting in the Broadway musical was met with a bit of controversy in the wake of several of her former cast mates from the FOX musical hit coming forward back in 2020 about her mistreatment of certain actors and extras on set.

However, Michele’s latest career development also bizarrely follows her storyline as Rachel Berry, which included show-stopping performances of “Don’t Rain on My Parade” and “I’m the Greatest Star,” “People” and more over the course of the series, as well as, yes, a starring role in a fictional revival of Funny Girl.

Check out Michele’s dance rehearsal for the real-life Funny Girl below.

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Some 15 years after his breakthrough, Jamie T is now a U.K. chart topper.

The Wimbledon-born indie rock artist blasts to No. 1 with The Theory of Whatever (Polydor), for his fifth successive Top 5, following his 2007 debut Panic Prevention (No. 4), 2009’s Kings & Queens (No. 2), 2014’s Carry on the Grudge (No. 4) and 2016’s Trick (No. 3)

Theory is his first leader on the Official U.K. Albums Chart, and it’s the week’s best-seller on wax.

Meanwhile, Jack White also bags a fifth Top 5 entry with Entering Heaven Alive (Third Man), following 2012’s leader Blunderbuss, 2014’s Lazaretto (No. 4), 2018’s Boarding House Reach (No. 5) and his first album release from 2022, Fear of the Dawn (No. 3). Heaven starts at No. 4.

The King is closing in on a return to the U.K. Top 10. Elvis Presley’s career retrospective ELV1S – 30 Number 1 (RCA) lifts 24-13, fueled by Baz Luhrmann’s Elvis biopic. ELV1S topped the chart upon its release in 2002, and is one of the late singing legend’s 53 Top 10 appearances on the U.K. albums tally.

Further down the list, ‘80s pop outfit Bananarama peel away their highest U.K. chart position in 34 years with Masquerade (In Synk), their twelfth studio effort. It’s new at No. 22. Masquerade is the sixth Top 40 appearance for the “Cruel Summer” singers, now a duo of Sara Dallin and Keren Woodward, and the followup to 2019’s In Stereo (peaking at No. 29).

Also new to the chart this week is Brighton indie rock band The Kooks, as Echo in the Dark (Lonely Cat) bows at No. 32. It’s the Kooks’ seventh U.K. Top 40 appearance.

When J-Hope joined the Lollapalooza lineup as a new headliner, the BTS member had already made history as the first Korean artist to headline a major U.S. music festival. But the star didn’t rest on those historic laurels when putting together his 70-minute set.

J-Hope’s headlining set for the famous Chicago festival — nicknamed #HOBIPALOOZA by Twitter fans since its announcement — was a more extensive representation of different aspects that make up the star. Viewers got to see J-Hope’s electrifying onstage persona, his respect for hip-hop, the social messages he believes in, his humility, and much more.

“I pour my heart and my soul into my music,” J-Hope told the crowd early into his set. “Even if we speak different languages, I hope you listen to my story.”

Get a sense of that larger story with 10 standout moments from J-Hope’s history-making set.

1. The literal Jack in the Box introduction

In J-Hope’s first major performance for Jack in the Box, the BTS star kicked off by bringing his solo album to life. After the lyrics of the album “Intro” played across the massive LED screens, fireworks shot into the Chicago night sky, and J-Hope jumped out of his own box to take centerstage of the gigantic Bud Light stage.

2. The live band opening with “More”

Already heavy on the percussion and guitar elements, the opening track “More” was uplifted with the live band backing J-Hope on his Lolla debut. With a bassist, drummer, guitarist and keyboardist behind him, #HOBIPALOOZA was that much more musically special.

3. The cursing!

J-Hope wasn’t just wiling out with his performance, but we got multiple moments where the K-pop star got playful and let his mouth run wild too. Something was so cool but cute, as the star told the crowd, “You guys are f—ing crazy” with a huge smile on his face. The affirming screams all pointed to the crowd loving it as well.

4. A BTS “Cypher” moment

Some of the best moments in a BTS concert are when the group performs one of their “Cypher” tracks, which they’ve recorded since their earliest releases in 2013. J-Hope took it back to the group’s O!RUL8,2? album by performing “BTS Cypher Pt.1” for, as J-Hope said, “the older A.R.M.Y. out there.” But the crowd’s electric reaction as he began showed that everyone enjoyed the inclusion.

5. Paying respect to hip-hop greats

Throughout their careers, BTS has done a great job at showing love to the hip-hop artists that have inspired them. One of the standout tracks on Jack in the Box, “What If…,” samples the classic Ol’ Dirty Bastard single “Shimmy Shimmy Ya,” and J-Hope included a tribute to the late Wu-Tang Clan rapper by showing his picture on stage as the song began.

Later in the set, after performing his solo single “Chicken Noodle Soup,” the K-pop star also shouted out DJ Webstar and Young B, the artists who originally released the song this track samples. J-Hope didn’t just make the night about himself, but about the artists that helped allow him to be on that stage.

6. The social messages in “Equal Sign”

Another standout on Jack in the Box is the anthem “=(Equal Sign)” which includes lyrics like, “Hate’ll paralyze your mind/ Gotta see the other side/ It costs ya nothin’ to be kind.” J-Hope took a mic stand to sing the song centerstage as powerful statements were shown like “All Our Bodies Deserve Respect,” “Why’s It a Crime to Be Different?” and “Let’s Come Together.”

BTS has stood apart from their peers by never shying away from important social messages. It was powerful to see J-Hope sing this track with pertinent messages for the thousands (if not millions, including the live streams) watching him live.

7. His remixed “Dynamite” return

After a quick outfit change, J-Hope popped back on stage (through his onstage jack in the box, once again) with a troupe of dancers for a choreography-heavy performance of the tropical remix to BTS’ Hot 100 No. 1 “Dynamite.” With his backup dancers and during solo moments, J-Hope got to spotlight his dance skills and reset the mood.

8. Becky G‘s surprise appearance

Becky G made a surprise appearance for J-Hope to give the first-ever live performance of their collaboration “Chicken Noodle Soup.” Becky didn’t miss a beat of the trilingual track’s playful choreography and showed why this set was a once-in-a-lifetime moment.

9. Becky’s sweet speech

After their “CNS” performance, Becky G took a moment to show her appreciation for her collaborator. “As an artist, this moment right here means so much to me,” she told the crowd. “So much to me because I’m not only so honored to be here, but also so proud. I’m so proud of you, [J-Hope]; I’m so thankful for our friendship and for this opportunity.”

The tender moment culminated with a big hug between the two, who undoubtedly recognized the importance of this major festival moment as artists who don’t operate in the traditional musical mainstream.

10. Shoutouts to the band, dancers and A.R.M.Y

No one would hold it against J-Hope if he was overwhelmed with emotions or excitement by the end of his set. Still, the star showed his professionalism and humility by making sure to introduce and thank all the members of his band and his dancers, giving them a moment in the spotlight on stage. And, of course, he couldn’t end without thanking his A.R.M.Y. fans, who lit up Chicago’s Grant Park with their lightstick bongs.

Bonus: J-Hope and Jimin’s live stream afterward

After #HOBIPALOOZA and the rest of Lollapalooza officially ended, J-Hope hopped on the group’s V Live account to hold a live stream with fans and BTS member Jimin, who was in attendance in Chicago. Jimin showered his band mate with praise — including pointing out how cool he was for swearing — and the two celebrated the milestone with their fans.

North West brought out her creative and goofy side while hanging out with her mom, Kim Kardashian, on Monday (Aug. 1).

The nine-year-old daughter of the SKIMS founder and Kanye West took part in a TikTok trend in which participants use makeup to transform their subject into a Minion from the Despicable Me franchise.

In the clip shared to the duo’s “Kim and North” TikTok page, North uses colorful makeup palettes and covers her mom’s face in yellow makeup, going on to draw the popular animated characters’ iconic goggles and topping off the look with a shimmery blue lip. Kardashian poses in her glam at the end of the video, throwing up a peace sign and puckering her lips.

“MOMMY MINION,” the reality TV star’s daughter captioned the adorable mother-daughter moment.

Last month, North made headlines when she improvised a straightforward way of telling off photographers at a Paris Fashion Week runway show while seated in the front row with her mom.

In a moment captured by a now viral video from the show, North stares into the camera of one person taking a video of her. Without smiling, she holds up a piece of paper with one word written on it in pencil: “Stop.”

“For anyone who knows North knows how funny she finds this video!” Kardashian wrote about the moment in a July 7 tweet. “North I guess had it with the people taking pictures of her.”

“She wrote on her invite STOP and held it up,” she continued. “And wanted them to just focus on the show.”

Songwriter Diane Warren came under fire on Monday (August 1) after seemingly calling out Beyoncé for her latest album, Renaissance, of which each song has a number of writing credits due to her use of throwback samples and interpolations.

“How can there be 24 writers on a song? [eye roll emoji],” Warren — who has written songs for stars like Cher, Celine Dion and Bey herself — tweeted, before adding, “This isn’t meant as shade, I’m just curious.”

While Beyoncé wasn’t directly mentioned, fans widely believed that the jab was directed towards the 28-time Grammy winner, whose new track “Alien Superstar,” for example, is credited to more than 20 writers.

Singer-songwriter The-Dream chimed in on the heated discussion that ensued in the original tweet’s replies, writing, “You mean how’s does our (Black) culture have so many writers, well it started because we couldn’t afford certain things starting out, so we started sampling and it became an Artform, a major part of the Black Culture (hip hop) in America. Had that era not happen who knows. U good?”

In response, Warren wrote, “I didn’t mean that as an attack or as disrespect. I didn’t know this, thank U for making me aware of it. No need to be mean about it.”

Soon after the backlash, Warren had a change of heart, tweeting out, “Ok, it’s prob samples that add up the ammount of writerrs [sic],” before referring to Bey directly. “Ok, I meant no disrespect to @Beyonce, who I’ve worked with and admire. I’m sorry for the misunderstanding.”

See below.